Hey, I'll try and answer as best I can, but others may have better or more accurate descriptions than me.

1. Many people will argue about this one, and I don't think there is really a right and wrong answer. You can make a great looking movie on an Iphone if you know what you are doing.
   
   But as for what makes a camera better? I would say control. The more functions you can control on a camera, the better. This is why DSLR filmmaking is so popular currently, because they have access to functions that many cameras don't have. Focus, Aperture, White Balance, Lens choices, etc. Being able to access all of these gives you more options as a filmmaker, which is what we all want, creative freedom, we all hate when we are limited by technology.
   
   Now many people talk about shooting Film vs Digital, or whether or not you are recording in RAW format for digital. A lot of this has to do with preference vs quality of camera.
   
   So I would say that a camera that is easy to control is the best. Hopefully I mostly answered that, if you want a more specific answer, just let me know and I'll try my best, otherwise hopefully someone else jumps back in here and describes it better.
   
   
2. This one is again up for debate. Here is what I think would be best. Get a camera first. Like many independent filmmakers, a DSLR might be the best option, I found a camera from Panasonic called the AG AF-100 that to me has been an amazing camera, and a few steps above the DSLR without costing that much more. But Canon and it's DSLR lineup is great! Grab a couple decent lenses with that too.
   
   I would recommend a small light kit, you can spend as much as you want on film lights, but don't feel ashamed to buy a few lights from Lowes or Home Depot. Lighting is a very important piece to making movies. I would also look into getting some reflectors, there are some really cheap ones on Amazon. I have found these to be helpful when shooting outdoors, since lower end lights are almost unnoticeable in the sun.
   
   Here is the one that many early filmmakers ignore, Audio. Grab a nice microphone and get some good sound with your video. The Rode NTG 2 is a pretty good mike. It's cheaper while still getting good sound. The ME 66 is a bit more expensive, but it's a hotter mike and gets better sound. Both are really good options. To go with your mike, if you have a little extra spending money, I would completely advise getting a Blimp. This Rode Blimp is great! If you want to shoot outdoors in the wind at all, this is the best option, otherwise you may have to re-record all the voice over in post.
   
   ~
   
   This post is getting a little long here, so I'll throw a summary at the end with a couple more items.
   
   Camera: Get a Camera, Lenses, Case, Tripod.
   
   Lighting: Get a couple Lamps, Reflectors, Filters, Light Stands.
   
   Audio: Get a Microphone, Boom, Blimp, XLR Cable, Recording Device, Headphones.
   
   There is always more, but these would be a good starting point. Not everything I recommended is needed to get started though.

Yeah, the amazon kits, for the most part, are just junk, and the stuff you do really want is bad quality. It's substantially better to get stuff as you get more experience.

For a camera, I definitely think that you are good with a t6i or t7i. I agree with the other poster to make sure that you get an "i" because they have the swivel screen that makes life so much easier. After a quick check, you could get this referbed t6i for about $500 which is not bad. Don't worry about it coming with a kit lens, sometimes those lenses can be useful, and for the most part, since it is an "amateur" camera, they are hard to find body only. So you should be good there.

I'm not entirely sure what the "tutorial" mode is, but really do read up on the exposure triangle. It's not super difficult (there are TONS of great graphics that help explain it), and it will make your photos/videos SO much better because you will be in control, and more aware of the capabilities and limitations of your camera than if you shoot in a mode that's not manual.

Also a few quick notes about filming with DSLRs that you aren't going to see if you just look at photography sources. One, try your darnest to always shoot ISO 100 when filming. Bumping the ISO in pictures is fine because the grain is either not recognizable or is easy to remove in photos, but it is SUPER noticeable and hard to remove in video. This is because the grain changes every frame, effectively animating it. The other thing is that if you shoot higher than 60 fps, you might end up wanting to add motion blur or something because the video might look a little odd. On the contrary, for photos you'll probably want to shoot more like 200 so that handshake doesn't introduce motion blur.

The other thing that is SUPER IMPORTANT for video and just like "nice to have" for photos is a good memory card that has a high write speed. This is the one that I personally use. If the memory card doesn't have a high write speed, then your camera will just stop recording because the write speed of the memory card can't keep up with the data coming from the camera.

Also, side note, there are tons of articles that will say that canons can't shoot more than 12 minutes of video at a time because it exceeds the 4gb file size (which it can't go past due to stupid copyright laws. I don't get it either). This isn't entirely true. All the canons that I have dealt with (everything from a t3i to 70D) record fine past the 12 minute mark, just when they get done recording it will split it into 4gb files. Only one canon have I ever seen ALWAYS shut done at the 12 minute mark no matter what, so I suspect it was just broken. However, even with my own trusted camera that I have never had problems recording more than 12 minutes has recently stopped at about 30mins (my guess had to do write speeds), so just always be aware.

As far as lighting kits go, this one is pretty good for a beginer. Most people do a basic 3 point lighting which is probably fine enough for what you want to do. So with that in mind, and since you want to do green screen, you might want to get 2 of those kits. The key to doing green screen is to have a really well- and evenly- lit screen. TBH you really don't need to get a green screen kit unless you just want to. All it really is, is just a large piece of fabric anchored in such a way so that there are no wrinkles. Of course, the kits are nicer, but you may want to see if you can DIY that part.

As for a tripod, this one is probably fine for what you want to do. Just keep in mind that if you continue to do more in video/photography you will probably need to get a better one later on. I personally have one like this that I use like as a back-up, so they aren't a complete waste of money.

Hopefully this helps! If you have any more questions feel free to ask!

Photography is sort of a secret passion of mine. I don't really talk about it with my friends very often, but it feels really awesome to take pictures. I really like landscape and nature photography- it's so cool to be able to capture the awesomeness that is the earth! But I think I would really like to start getting into portrait photography. I'd really like to take portraits IN nature- how cool would that be?!?!

I feel really comfortable and at ease when I'm working on my photography. I'll be honest, I'm not that good yet, but I definitely have composition down! That's what got me into taking photos in the first place! I just have to keep improving at working with my camera and learning how to use it.

These reflectors would be so amazing to receive! They would be the PERFECT tool to help me start my progress on nature portraits! I love how you can change the mood and tone of your photos slightly with these. This would be such an amazing tool to have!

Thank you so, soooo much for hosting this contest! You're definitely doing it right! ;D

You've gotten some good advice here, but there are some basics you may be missing.

> I used a Canon DSLR for one sketch and the quality was cool and all but the audio was awful...

That's because these camera generally have noisy preamplifiers and automatic gain control (and because you probably used the camera's internal microphone). Those are the three worst things that can happen to your soundtrack. You can fix them by buying a camera with better preamps, and/or using manual gain control and/or by getting an external mic and putting it on a boom closer to your subject/talent.

> ...it did a cool thing where something was in focus and things in the background were sort of blurry but I don't know if that's something all cameras do or a special feature...

That was because DSLRs have relatively large sensors (much larger than your cell phone). There is a complex optical explanation for this, but, suffice it to say, the larger the sensor, the easier it is to get the "blurry background" effect - also called "shallow depth of field" or "shallow DOF".

All of that said, you can put a nice little studio together with a $1000 budget:

Camera and Support

• [Panasonic G7 - $597.99] (http://www.amazon.com/gp/product/B0106BG35S/ref=as_li_tl?ie=UTF8&camp=1789&creative=390957&creativeASIN=B0106BG35S&linkCode=as2&tag=battleforthew-20)
  
  
• [Amazon Basics Video Tripod w Fluid Head - $74.99] (http://www.amazon.com/gp/product/B00CEH7VG8/ref=as_li_tl?ie=UTF8&camp=1789&creative=390957&creativeASIN=B00CEH7VG8&linkCode=as2&tag=battleforthew-20) - I own the Ravelli AVTP Professional - which has the same fluid head as this tripod - and it pans and tilts very smoothly
  
  Sound
  
  
• [Rode VideoMic Studio Boom Kit - $199] (http://www.amazon.com/gp/product/B00ISKJJ5Q/ref=as_li_tl?ie=UTF8&camp=1789&creative=390957&creativeASIN=B00ISKJJ5Q&linkCode=as2&tag=battleforthew-20) ([Here] (http://wistia.com/library/choosing-a-microphone) is why you need a boom)
  
  Studio Lighting and Backdrop:
  
  
• [LimoStudio 3 light continuous lighting kit - $49.50] (http://www.amazon.com/gp/product/B005FHZ2SI/ref=as_li_tl?ie=UTF8&camp=1789&creative=9325&creativeASIN=B005FHZ2SI&linkCode=as2&tag=battleforthew-20)
  
  For background, you might want to consider green photographic paper instead of stands, crossbars and unwieldy sheets of muslin, as seen in [this video from Wistia] (http://wistia.com/learning/diy-office-video-studio):
  
  
• [Savage 9' x 36' background paper for chromakey - $66.80] (http://www.amazon.com/gp/product/B000B782NO/ref=as_li_tl?ie=UTF8&camp=1789&creative=390957&creativeASIN=B000B782NO&linkCode=as2&tag=battleforthew-20)
  
  
• [Duck Tape - chromakey green - $4.99] (http://www.amazon.com/gp/product/B002TOL43M/ref=as_li_tl?ie=UTF8&camp=1789&creative=390957&creativeASIN=B002TOL43M&linkCode=as2&tag=battleforthew-20)
  
  For less than $1000, you'll be able to produce well-lit 4K content with decent sound and a stable image with smooth pans and tilts.
  
  You will also have a basic chromakey studio with which to add special effects.
  
  Here are some examples of what this camera can do:
  
  Narrative
  
  
• [Stars] (https://vimeo.com/137538379)
  
  Documentary
  
  
• [Fotograf Anna Ejemo] (https://vimeo.com/141640603)
  
  
• [Indianapolis 500 in 4K] (http://vimeo.com/130565657)
  
  Travel/Nature
  
  
• [Bahamas] (https://vimeo.com/136657243)
  
  
• [Away From The City ~ Panasonic G7 [4K] 42.5mm F1.7] (http://vimeo.com/132028570)
  
  Timelapse
  
  
• [Clouds Time-lapse] (https://vimeo.com/139023972)
  
  Timelapse and Slow Motion
  
  
• [Oostende Koerse 2015] (https://vimeo.com/138394549) (shot with its big brother, the Panasonic GH4)
  
  And here are a few examples from YouTube (please watch at 2160p and your monitor's highest resolution):
  
  
• [Voigtlander Nokton 10.5mm F0.95 Lens - Examples on a Panasonic G7 [4K]] (https://youtu.be/zLIc0n9K8Pk)
  
  
• [LUMIX DMC-G7 Sample Video in 4K by Colin Witherill] (https://youtu.be/fZllpp_y8Is)
  
  
• [Panasonic Lumix G7 / G70 Launch - 4K - 4KPhoto Modes] (http://vimeo.com/128536456) (shot in photo/video mode - each frame is an 8MP still photo)
  
  It's a pretty good still camera too: https://www.flickr.com/groups/panasonic-lumix-g7/pool/
  
  In my view, this is the best still/video, large sensor interchangeable lens camera you can buy below $1000 and a very good value for your money.
  
  Hope this is helpful, good luck with your skits and best of the holidays!
  
  

Absolutely! I'm gonna leave it here so anyone scrolling by can see it, but I'll also DM you and the other person who asked for it so you don't have to check back in the thread.

NEEWER 2-Pack 160 LED CN-160 Dimmable Ultra High Power Panel Digital Camera / Camcorder Video Light, LED Light for Canon, Nikon, Pentax, Panasonic,SONY, Samsung and Olympus Digital SLR Cameras https://www.amazon.com/dp/B07438JXM7/ref=cm_sw_r_cp_apa_cIS2Ab7JHAYCT

(Despite some reviews claiming the battery life is poor or the output is low, I've had nothing but great experiences with these panels. With the batteries I use, I can do a surprising amount of shooting before the batteries die out. Not only that, I only have two batteries. So the fact that it is often enough for what I do is astonishing. Also, the output is just fine. In fact, bright enough at max output that it hurts your eyes without a softbox. With the softbox it is perfectly bright for most occasions. If you need brighter, look into the Neewer CN-216 or CN-304. Just be ready to warn people about their brightness.)

Neewer 5.9x6.7 inches/15x17 centimeters Camera Collapsible Diffuser Mini Softbox for CN-160, CN-126 and CN-216 LED Light https://www.amazon.com/dp/B00OXCGA28/ref=cm_sw_r_cp_apa_CQS2AbBYSF5KE

(It has gone up a bit in price since I bought the two that I own, but it still offers excellent performance for the price. These are specifically made for the CN-160 panels. They diffuse light excellently, but at a minor cost. They are a bit of a pain in the ass to place onto the panel. At that price, though, you can't complain too much. You should be careful with them, as some have said that they don't take kindly to being handled roughly. My advise: take your time and do it carefully.)

Neewer 2 Pieces 2600mAh Li-ion Replacement Battery with Charger for Sony NPF550/570/530, Fit for Sony HandyCams, Neewer CN-160 CN-216 LED Light, Neewer 759 74K 760 Feelworld 759 74K 760 Field Monitor https://www.amazon.com/dp/B06XDC47YM/ref=cm_sw_r_cp_apa_gVS2Ab3RDJ319

(Outside of another tiny price increase, there's not much to say about these. They do the job incredibly well for what I put them through. However, NP F550 type batteries aren't meant to last incredibly long shoots. If you do long shoots, invest in a few more batteries and consoder using the larger capacity NP F750 type batteries.)

Fovitec StudioPRO - 2x 7'6" Classic Light Stand Kit - [Classic][For Photo and Video][Includes Carrying Bag] https://www.amazon.com/dp/B00HNZJLG4/ref=cm_sw_r_cp_apa_j0S2AbBBPVA2J

(These light stands have served me well. But, as with all cheaper gear, they won't withstand care that is too rough. They've handled plenty with me, but I recommend you try to take care of them. Other than that, they're just light stands.)

Bonus:

Neewer 12 x 12-Inches Pack of 8 Transparent Color Correction Lighting Gel Filter in 8 Different Colors https://www.amazon.com/dp/B01CCIKB5Q/ref=cm_sw_r_cp_apa_f3S2Ab6ZCYTAD

(Some cheap color gels. Get the job done.)

Of course I must include: This is all cheaper starter gear. It is not meant to replace the more expensive light kits that are much more durable, do much more and produce much better results. But restriction breeds creativity. And a passionate, new content creator with a creative eye will make the best of what they have. If you are a starting filmmaker, videographer or photographer, by all means, use this setup. Once you're ready to move onto better, more costly equipment, though, don't hesitate.

u/pastramiswissrye is totally right in that lights, sound, lenses, and media are all more important than the best camera.

My personal favorite camera in that price range is the Panasonic G7 and a good 12-35 lens. The G7 is like the little brother to the GH4 as it does 4k and just is missing some of the more pro features and is $600 for the camera. The lens is another $600 but you could just use the kit lens and upgrade your lens later.

Continuing with what Pastrami said, you should have good audio, lights, and media storage, in addition to the camera and lens. For audio, the rode videomic pro is a good all-around shotgun mic that you can put on a boom pole for good short film on location sound, however you will need someone to help hold your boom pole.

For lights, a good reflector will help you use the sun as a light when shooting outside on location for a short film. If you are in a studio, this four socket CFL light kit will go a long way to help. I personally use one of them and they are great for the price. Just pop in four cfl bulbs and you are good to go. If you would prefer LED lights which are smaller and don't heat up as much, but are pricer, you can get this LED studio light kit.

On the media storage side of things, you are going to want to pick up a few of these 64GB U3 SD cards for use with your G7 or any other new camera you get. Especially if you plan on shooting in 4K.

If you are going to shoot in 4K, your file sizes are going to go way up and you are definitely going to need to get more hard drive space on your computer. You may even have to upgrade your computer to handle 4K video editing. It all depends on what you have and what you want to do.

On the editing side, I personally use Final Cut Pro X on my Mac. It is $300 but a great piece of editing software, used by pros. If you are on a mac but don't want to spend money, just use iMovie, it will probably do what you need it to do unless you edit in 4K. On the windows side, some people use sony vegas, some people use AVID, some people use premiere pro, there is a bunch of them out there and you kind of just have to choose one. (I have never used any of them)

Like he said, there is no canon r6i. I assume you mean T6i, but you still need to do some more research. I hope this helps!

I wrote an article on intro DSLR kits on Amazon. I wouldn't bother unless you bundled them with your camera.

They're definitely crappy extra toys, but they may help you learn more about photography (by showing you how things make your image quality worse); but they also were kind of fun at the beginning and encouraged me to get out and shake the bugs off and dig into learning how to shoot good photos (and how extra toys don't really help). Everyone takes shitty photos at the start anyway, so you're not missing much; and it's not a ton of extra money over grabbing a body/kit lens/good SD card; but if you already have your camera kit, you can skip it for sure.

DO NOT USE THOSE TRIPODS!

Those are strong enough for point and shoot cameras at most. Especially with a telephoto lens, the tilt arm is likely to fail and it'll fall on sensitive optical mechanics. Those are in the $10 price range. Spend at the very least closer to $30 on a tripod, and a $100-ish tripod will be a safe, and useful tool to use with your precision imaging equipment.

tl;dr - Sure, it's a waste of a little money, but they can be kind of fun toys. Burn the tripod.

Stuff I'd suggest getting:

• 2-3 nice SD cards: Class 10, 32-64 GB each
  
  
• Another few cheaper (but still fast) SD cards: 4-8 GB
  
  
• Solid tripod. $30 or $100 is well worth the money
  
  
• Rocket blower. Avoid touching the lens, whenever possible and never touch the sensor. A lens cloth should be plenty. Avoid being tempted to use a wet cleaning kit on the lens or the sensor if possible
  
  
• I love my big, cheap camera bag. I have 3 lenses, and a speedlight and this is perfect for me. I wear it across my chest and carry it on my lower back where it's out of the way and easy to deal with 95% of the time.
  
  
• An Intervalometer that matches your camera
  
  
• Manual flash that can tilt & swivel
  
  
• Flash triggers are fun and work great with those cheap $10 tripods. Check Strobist.com for great tutorials and inspiration
  
  
• Flash gels can be fun creative tools too. Can you tell I'm getting into playing with off-camera speedlights?

Please excuse the length, I love making lists.

Video Production

Green Screen

Bounce

Tripod

Books

Dining with Dr Who

Writing movies for fun and profit This is a great book. I have it, absolutely hysterical.

Writing

Ink quill

TARDIS Deluxe Journal

Travel

Street Signs

Flags

Eiffel Tower Chocolate Mold

Little Window Beach

17th century world map

Watercolor World Map

Universal world wide adapter plug

Hidden pocket wallet



Science!

Liquid Gold Plating Kit

Molecular Gastronomy Kit

This one also works for gardening:
Moons and Blooms lunar calender

Inflatable earth with glow in the dark cities

Galilea Moon Phase Calendar and Clock

Glow in the dark lunar calender!

Art

Sunprint Kit

Scrapper tool set

Fantasy!

LOTR inspired necklace

Another LOTR inspired necklace

Dragon necklace

Dragon JEwerly box

These/this are/is a book, but Mercedes Lackey is a FANTASTIC fantasy writer. I'd start with the Mage Winds trilogy or Mage Wars series.

Outdoors

Portal-able Speakers If you want to listen to relaxing music (or just music) while reading or chilling outside, this is the perfect speaker. It goes pretty loud, my bro has one, I steal if to make my showers musical.

Solar power LED Water proof color changing globes

Ball lanterns!


Math

Math clock

Mental Math

Pi ice cube shape tray

Mini Abacus pendant keychain

And it was delicious

Math jokes

Math/science ice cube tray


Rubik's Cube office thingy

Abacus-they have these in all colors and shapes and what have you.

Spirituality

Wasn't quite sure what you're looking for, but these things are pretty relaxing and some of them are used in meditation or for relaxation/de-stress so I figured I could put 'em here.

[LED mini waterfall)(http://www.amazon.com/Mirrored-Waterfall-Light-Show-Fountain/dp/B008Q3GH1O/ref=pd_sim_hpc_17)

Zen reflection bonzai tree with a little pond

Candle and water fountain

Five tier illuminated fountain

Other random fun things!

DR Who Projector clock

Sherlock season one Dunno but I feel you might like this show.

Giant Nail polish set


Nail art brushes

LED faucet water glow thing

Alright! I think I'll stop there before this becomes a novel xD

Hey! Always great to see more new MTG youtubers. The game can always use more. First, a few questions, what program do you use to edit? What do you use to record your audio and video? What kind of computer do you have?

Ok, a few tips I’ve learned is if you’re gonna be mainly talking to the camera you gotta have great audio and it needs to be recorded separately from your cameras mic. I would suggest this lab mic as a starter. It’s cheapest and can record right to a smart phone.

BOYA BY-M1 Omnidirectional Lavalier Microphone for Canon Nikon Sony DSLR Camcorder Audio Recorders iPhone 6 5S 5 4S 4 https://www.amazon.com/dp/B00NHN168W/ref=cm_sw_r_cp_api_jdKYBb701AGWS

Lighting helps make videos look so much better and less washed out. I couple of light behind the camera pointed at you never hurts. I’ve had these for 3 years and they still work great.

LimoStudio 700W Photography Softbox Light Lighting Kit Photo Equipment Soft Studio Light Softbox 24"X24", AGG814 https://www.amazon.com/dp/B00E4YS2XU/ref=cm_sw_r_cp_api_3eKYBbM38FJ0N

I don’t personalky have these but my friend does they they seem to work for her and are cheaper
Fancierstudio lighting Kit (DK2) Umbrella Lighting Kit, Professional Lighting for Studio Photography, Portrait Lighting, continuous lighting kit and Video Lighting https://www.amazon.com/dp/B004TSCARK/ref=cm_sw_r_cp_api_fgKYBb2GV6BFZ

If you have some sort of social media presence (twitter, Facebook, tumblr), mention it at the end of the videos. It’s a good way to get your videos out there and seen more.

An intro and outro title sequence are always nice. They’re not necessary but add a little something to make the videos feel more professional. Plus, you just have to make them once and can tack them to every video.

Make thumbnails for your videos. Use something like Fotor to just add text of the title of your video to a screenshot of the video. Most people watch YouTube on their phone and just see the thumbnails. So it’s good to have informative ones.

Lastly, don’t be afraid to edit your videos. It might feel jumpy and choppy but most people are use to it. Or be like me and do many takes till you get it close enough. I usually do one take to get it all out and find my flow then try again. I find scripts work for some people but a lot of the times come off stilted. An outline of points to hit might be a happy medium.

Anyway, if you have any questions you want to ask me go ahead. I’m not a seasoned pro or anything but I’d love to help.

Ok, this is SUPER short notice, but who would like to attempt a 'Fit Pic February'?

The challenge is to take a fit pic every day, no matter what you're wearing. The point is to build up good fit-pic-taking habits, not to show off our wardrobes. I know I need it, at least.

EDIT: Yo, if you're reading this and thinking 'I'd love to do that but I can only take mirror selfies', may I recommend this cameraphone stand and this light kit?

They're a bit of an investment for sure, but if you love taking OOTD pics they'll pay for themselves in time. And if you're at all crafty, that big-ass bright light will come in SUPER handy for all kinds of things. Hell, I don't even have mine right now because my dad borrowed it while he cleaned his guns.

EDIT 2: There's nothing wrong with mirror selfies, this is just a suggestion.

EDIT 3: But if you could just get one thing, I would recommend the light kit. It's easy to jury-rig a phone stand -- I used one I made out of clay for a while, and I've used soda bottles in a pinch -- but dim, yellow-toned, overhead lights can't be fixed as easily.

I have a canon t3i, budget is $400 and am upgrading my tech for beauty videos. I need new lights, focus remote control, new battery, sd card, 2 lenses. Zoom and wide.

I know this is a photo thread but hear me out and share input.

UPDATE:
I never specified that I'm focusing on video. I guess I assumed it was self explanatory with the info I went on to ask about pertaining to video.

Q's:

How much film time will this sd give me? Google says 2 hours, but maybe someone here knows better.
https://www.amazon.com/SCT-Digital-Ultimate-Extreme-S-F32-RT/dp/B007XVPI4C/ref=sr_1_4?s=electronics&ie=UTF8&qid=1518712664&sr=1-4&keywords=canon+t3i+sd+card

Are these lights worth it?
https://www.amazon.com/gp/product/B00O9RH4HM/ref=ox_sc_act_title_1?smid=A3VAHM8ODBLF0H&psc=1

I currently have these https://www.amazon.com/Photography-Portrait-Umbrella-Continuous-LimoStudio/dp/B005FHZ2SI/ref=sr_1_sc_2?s=electronics&ie=UTF8&qid=1518712989&sr=1-2-spell&keywords=limo+studip+lights

They heat up and take up too much space in my little square room and dont light enough or evenly even with my ring light in front of me.

What zoom and wide lens can I use, to zoom into face sitting 4+ feet away from tripod. I currently have the canon 50mm lens.

What wide lens can I buy? My kit lens is still too close to me even zoomed out.

Budget friendly lenses for my crop sensor.

What my videos look like now, I need to update, get a nice bokeh when zoomed into face, even lighting, and nice wide shot to use for intro and outro of videos.

https://youtu.be/TlbrPApdIyE

Any other tips on saving money, improving my videos, etc, I'm open to learning. Thank you.

I would really like to have a nice blurry background like here for intros and outros

https://www.youtube.com/watch?v=4Dd_MQf6-dY&list=PLv8BKE_eGqqosNUuj2eDCh4Ynsh6M1HwD&index=2

Get yourself a box resizer and a good razor knife. Sometimes a half an ounce or less can make the difference between $5 shipping and $7+, and you will also save packaging material by not having to stuff half of a box with packing paper or bubble wrap.

Box Resizer tool On Amazon $16.99 - Free Shipping

DONT BUY BUBBLE WRAP LOCALLY AT THE STORE. GET IT ON AMAZON.

I almost never pay more than $27 for 700ft of bubblewrap. I used to spend more than that on 250ft when I was buying it at Lowe's or Staples.

Bubblewrap on Amazon for $25.88 with free shipping

Keep an eye out for something like this at thrift stores, you can find them ALL THE TIME, usually for around $5 - $7, and they are GREAT for mounting your rolls of bubble wrap on to save space and make dispensing it easy.

Clothes rack with bar

For taking photos, I use something like this setup. I place the backdrop stand behind a dresser and drape the fabric backdrop over the top of it and tuck it into my top drawer for a seamless background that I can also lean items against since it's tucked in.

Backdrop + Stand Kit $36.90 on Amazon. Free Shipping

Photography Lighting Kit $52.10 On Amazon - Free Shipping

I'm guessing filming on a webcam. C920 by Logitech or something in that vein?

Around the 36 second mark your voice doesn't sync up with your lips for a few seconds when you turn to Mime Jr.

Yikes, 1:18 the audio clip! My ears. Maybe it's just me but the clipping audio jokes are never funny. I have crazy sensitive ears.

So, we finally get into the meat of the video by 1:18 of a 14:08 video. I'm a big, big proponent of having your introduction tight. This is where your audience will decide to keep watching or immediately click away, leaving your audience retention rate plummeting. You don't have enough views for an adequate sample size, but I can say that personally I'd have clicked away.

I don't have as much time to spare nowadays to be patient on content. The quicker, the punchier, the video, the more it will keep me watching. I want the meat of the video, NOW, not later. Not a bad segment introduction for Triple Play either, very retro and it fits the concept well.

We're getting a ton of light refraction off your glasses, as well as some direct cast shadows behind you on your shelf. You can definitely tell where the light is coming from. If I might make a recommendation, if you're going with this setup you need to get some diffusers and some cross lighting to your sides to filter out those shadows and prevent that kind of direct refraction on your glasses, if you choose to wear them.

https://www.amazon.com/gp/product/B018KE5XUO/ref=ppx_yo_dt_b_asin_title_o03_s01?ie=UTF8&psc=1

This is the set I use. It's cheap and effective for my purposes, which is mainly light up my shots. I don't wear glasses during my live action shots though. I don't have enough lights to diffuse to the sides (removing my cast shadows) or the front enough to light up my face. I have one single light up front, which still gives me a glare. If you don't understand this concept let me know. I'm in my office right now and can record a brief video giving a mild tutorial on how my lights are setup and how they impact my live action shot.

There's a big imbalance in your live shot audio and your narration audio when you break into the video. Your narration is actually really pleasant, the live action shot wasn't. The equipment you have at your disposal needs to strengthen your presentation and you need to work with that in mind. Your strength is going to come in your presentation on the non-live action parts, so break into this quicker.

If you want to do live action shots, you're going to need the lighting and some work on how to frame your shots. While I appreciate that you've setup in front of a bunch of games/game consoles and a shelf full of pretty stuff to look at, the live action shot (ignoring the points I referenced above) aren't very nice to look at. We have a frame that's split in half; a top blue wall with nothing up top and a lot of dead space, and the bottom half that's filled to the brim with tons of colors. Your frame also looks slightly askew too.

As I'm watching the video your narration is still out of sync with your live action shots of your voice. Again, I want to click away. I really, really want to click away. These live action shots aren't good, man, I'm sorry. I want you back to the in game narration ASAP.

This is where I just couldn't keep it together anymore. I clicked away. The screaming, audio clipping and the joke setup about motion controls just wasn't funny. Some younger views might get a kick out of it, but I'm definitely not the person who would enjoy this.

Overall there's some good stuff here to build on, but a lot of bad stuff detracting from it. Sorry for taking so long to respond to you, I fell asleep.

You're biggest problem will not be the microphone, but what you're recording your audio onto. I found out really quick that the audio recording of a DSLR, regardless of microphone, is terrible in quality and with plenty of static noise. I use a Tascam DR-05 to record audio, in combination with either a RODE VideoMic or a lavalier (there are some really cheap ones that do an ok job for low budget productions). The Tascam DR-05 also has a pretty good mic built in , so you could probably start with just that. Remember to record the audio with your Tascam (or recorder) AND with your camera, so that you can easily sync them in post. Always remember to record a minute of silence in the room BEFORE filming so that you can have a room tone (or world tone, if outdoors) sample that can be for adding a more natural ambient sound for portions you may silence in the video.

I would also recommend you pick up:

a three point lighting kit for indoor shooting (like this one: http://www.amazon.com/Fancierstudio-Lighting-Hairlight-Softbox-9004SB2/dp/B0047FHOWG/ref=sr_1_4?s=photo&ie=UTF8&qid=1450430338&sr=1-4&keywords=three+point+lighting+kit),

a variable ND filter for outdoor shooting (like this one: http://www.amazon.com/58mm-Variable-NDX-Fader-Filter/dp/B00QVOQWM4/ref=sr_1_7?s=photo&ie=UTF8&qid=1450430377&sr=1-7&keywords=variable+ND+filter)

a reflector, for bouncing off light outdoors... (like this one: http://www.amazon.com/Neewer-43-inch-Collapsible-Multi-Disc-Reflector/dp/B002ZIMEMW/ref=sr_1_1?s=photo&ie=UTF8&qid=1450430475&sr=1-1&keywords=reflector)

Extra batteries of course.

You'll find these tools useful for getting higher quality audio and picture, there are lots and lots of tutorials on YouTube that will help you learn very quickly how to use your equipment. On a final note, I don't think the Rebel SL1 was a good choice of camera. If I had to pick a Rebel camera for video, and was limited in buget, I would have gone for a Rebel T4i or T5i, in combination with magic lantern. Another important thing to remember, is make sure your SD is AT LEAST class 10 (I recommend Sandisk Extreme pro 95/mbps 32 or 64gb), and NEVER use a mini sd card with an adapter (I've had bad experiences with this).

Best of luck to you, and happy filming!

That's pretty limited space for a green screen, but two simple umbrella lamps (at about 45-60' angles L & R) would probably suffice. If you have the space and can put one on either side of your computer table, that would probably work. You can get them fairly cheaply on Amazon.

Something like this (just an example): http://www.amazon.com/Photography-Portrait-Continuous-LimoStudio-LMS103/dp/B005FHZ2SI/ref=sr_1_1?ie=UTF8&qid=1462284480&sr=8-1&keywords=umbrella+studio+light

A top light can be very helpful, but it's more difficult to pull off in the average home environment. A ceiling lamp should suffice. A small back-light is nice too, and some studio lighting kits come with them. Might not be realistic with 1-2' behind you though.

There are lots of professional lighting tip videos on youtube, etc. I only have one lamp (umbrella-type) in use on my streaming setup at the moment, but I learned a lot about professional studio lighting just from watching videos. Good luck!

Edit: If you would like to see what one lamp looks like in a typical home environment, go ahead and spend 30 seconds on one of my VODs. What you'll see is:

1 x run of the mill umbrella studio light with a somewhat expensive 1950 lumen 6000K daylight bulb (LED) - placement is about a meter to my front-right, at about 45'.

1 x normal ceiling lamp w/ 2 x 13w soft-white bulbs (LED) - located about 4 feet rear-right at about 45'.

My lighting solution is acceptable IMO, but is in no way "professional" (my space restrictions make a full lighting solution impossible). However, you can see what even a single light diffusing umbrella with a very good bulb can do to help.

(Not the original commenter, but I thought I could help out a bit)

1. Audio clipping is when the audio is recorded too loud for the microphone to process it correctly. (Like if you were to yell into a mic as loud as you can, it would sound really distorted.) To fix this, you can turn down the gain on your mics a bit until it peaks (the loudest point your audio reaches) at around -7dB.
   
   
2. A reflector is a great, cheap tool you can use to fill out the lighting in your shot. I'd suggest looking up videos about three-point lighting to learn about good lighting practices.
   
   
3. Your shots could definitely have been framed better (where the subject is in the shot). The "headroom" principle is especially noteworthy here. The idea is your subject's head should have enough room in front of it, so he doesn't look like he's staring at a wall. It also could have been raised up higher in the frame. You can also work on the different kinds of shots you incorporate, whether they be establishing shots, closeups, etc. In this case, it seems you only used side shots of each character, making the film as a whole a little boring.
   
   
4. The thing about comedy is it's all about timing. The biggest thing that I noticed was the reeeeallly long shot of the character going "Uhhhhhhhhhh..." It didn't really add anything in the first place and it being drawn out just made it worse. So yes, snappier dialogue and just better pacing (another key word to look up) in general.
   
   
   I'm sorry if I come off as mean or anything. I'm really just trying to help you become as good a filmmaker as you can be. Don't be discouraged and I urge you to just keep making films (practice practice practice).
   
   Let me know if you have any questions.

On a budget, you might look into lighting options instead. My DSLR/Photoshop always give the best results but sometimes I’m just way too lazy for that lol. I can get pretty good results on my iPhone 6 with good lighting and the Afterlight app, and I’m sure a newer phone would be even better.

I have these soft boxes and have been happy with them (and they’re on sale for Black Friday currently) link

This little ring light is an inexpensive option. There’s probably better ones out there, but it’s like $10 and good for a quick pop of light or balancing out a shadow link

I agree about the background, but it was my only option since my house is so dark! It's funny because just this morning I ordered this kit:

https://www.amazon.com/gp/product/B005FHZ2SI/ref=oh_aui_detailpage_o00_s00?ie=UTF8&psc=1

I'm pretty excited about it. I feel like I can't get much detail from my pics, and figured getting a solid background would improve things tons, as well as less distracting. Plus i can't for the life of me get a good pic of a solid black or white garment outside.

I use my galaxy s4. I know other sellers use their cell phones as well, and I personally don't intend to change that. I don't feel like getting a nice expensive camera isn't in the cards for me at the moment. Plus it's super convenient for me to use my phone.

Hi /u/griel1o1 - it's taken me several years and a lot of trial and error - but I have put together a little studio that works. Using what I've learned, you can put together a complete production studio for less than $1000. Here is what I recommend [Referral Links]:

CAMERA:

• [Panasonic DMC-G6 camera with kit lens - $710] (http://rover.ebay.com/rover/1/711-53200-19255-0/1?icep_ff3=2&pub=5575034783&toolid=10001&campid=5337235943&customid=&icep_item=201073493366&ipn=psmain&icep_vectorid=229466&kwid=902099&mtid=824&kw=lg). This is the best value for money large sensor, interchangeable lens camera with a video-capable viewfinder, hours of continuous recording and a mic jack below $1000. Links below the equipment list show what this camera can do. DSLRs such as the Canon T2i/T3i/T4i/T5i have viewfinders that go blank when you switch to video mode (blocked by the mirror, which is useless for filmmaking). This forces you to use the LCD for composition and focus - which can be a chalenge outdoors, where the LCD can be washed out by bright sunlight. Many Canon shooters buy expensive LCD viewfinders or Electronic Viewfinders (EVFs) to shoot outdoors. The G6, on the other hand, has a built-in EVF - so outdoor shooting is not a problem.
  
  DSLRs are also limited to 12-30 minutes of continuous recording before they have to be restarted. The G6 can record for hours continuously, without interruption. This can be very helpful for long interviews and speeches.
  
  This camera is also compatible with power zoom lenses, when you can afford them. There are no affordable power zoom lenses for low-end Canon DSLRs.
  
  SUPPORT:
  
  
• [Ravelli AVTP Professional Tripod - $130] (http://www.amazon.com/gp/product/B00139W0XM/ref=as_li_tl?ie=UTF8&camp=1789&creative=390957&creativeASIN=B00139W0XM&linkCode=as2&tag=battleforthew-20). I own this tripod, and it is professional quality, with a 75mm bowl - which allows you to level the camera without adjusting the legs. A huge time saver.
  
  AUDIO:
  
  
• [2 Rode Smart Lavs to plug into iPhones - $120] (http://rover.ebay.com/rover/1/711-53200-19255-0/1?icep_ff3=2&pub=5575034783&toolid=10001&campid=5337235943&customid=&icep_item=181244511796&ipn=psmain&icep_vectorid=229466&kwid=902099&mtid=824&kw=lg) With the [free Rode Rec LE App] (https://itunes.apple.com/us/app/r-de-rec-le/id590021166?mt=8), you can plug these mics into iPhones, sync the audio tracks in the editing suite, and have a pro quality recording solution without buying an external recorder.
  
  
• [SmartLav to camera adapter - $17] (http://www.amazon.com/gp/product/B00L6C8PNU/ref=as_li_tl?ie=UTF8&camp=1789&creative=390957&creativeASIN=B00L6C8PNU&linkCode=as2&tag=battleforthew-20). For shots where you need to plug one of the lavs directly into the camera.
  
  LIGHTING:
  
  
• [LimoStudio 3 point Umbrella Lighting Kit - $50] (http://www.amazon.com/gp/product/B005FHZ2SI/ref=as_li_tl?ie=UTF8&camp=1789&creative=390957&creativeASIN=B005FHZ2SI&linkCode=as2&tag=battleforthew-20)
  
  TOTAL STUDIO COST:
  
  $1027
  
  Here is the image quality this camera can produce:
  
  Documentary:
  
  http://vimeo.com/97274302
  
  http://vimeo.com/73561266
  
  http://vimeo.com/87978429
  
  http://vimeo.com/78507820
  
  Narrative:
  
  http://vimeo.com/78037118
  
  http://vimeo.com/81339712
  
  Music Video:
  
  http://vimeo.com/88584840
  
  http://vimeo.com/84436275
  
  Slow Motion/Sport:
  
  http://vimeo.com/76503135
  
  Travel Video:
  
  http://vimeo.com/88543042
  
  http://vimeo.com/86145944 (shot with a power zoom lens)
  
  Compared to the $3000 Canon 5D Mark III: http://vimeo.com/82318903
  
  There are many more examples on the Panasonic G6 channel I moderate over on Vimeo: https://vimeo.com/groups/dmcg6
  
  It's a pretty good still camera too:
  
  https://www.flickr.com/groups/lumix-g6/pool/
  
  https://www.flickr.com/groups/2217639@N20/
  
  Hope this is helpful and saves you some time and money!
  
  Bill
  

Trying to set up to take photographs of my watercolor paintings to produce digital copies that I can make prints from. I am open to buying stuff if I need to, but if possible would like to use what I already have. My main concerns are accurate colors, even lighting and of course a sharp image without distortion. Will be editing in Adobe Photoshop. I am by no means a good photographer, but I am a bit familiar with manual settings. Both my brother and dad were into photography at some point, so I have access to some gear.

I have:

Nikon D7100

50mm f/1.8 and a 50mm f/1.4 G

35mm f/1.8 G

85mm f/3.5 G ED macro

4 tripods

3500K light bulbs

A wall to attach paintings to


My current plan is to use the 50mm f/1.4 lens on a tripod about 3ft away from the wall - or at a distance where the painting fills most of the viewfinder. I put two 3500k lights on tripods and will have one on both sides ideally at a 45 degree angle (or less?). Will be shooting raw and at iso 100 - that's about the extent of my plan but I am trying to do more research for the best set up.

My questions are: Would some sort of color balance or grey card help? I am not exactly familiar with how something like this works but I've seen them mentioned in a few places online - it seems expensive but accurate colors is important to me.

Should I get something to diffuse the lights? I am almost just considering getting something like this if that would be sufficient.

Any critique of my plan or other tips on photographing artwork would be greatly appreciated! Thanks!

Two things to think about. Those stands will be great for a lot of things, but they're light and bendy, which means they're useless in ANY wind, and they're not going to like any modifiers heavier than those umbrellas. That's not saying DON'T get them - I have two in the trunk because days when they're sufficient, they're perfect.

If I get out a soft box, or have any wind (or break out my 7' translucent umbrella) I'm very glad I've got something heavier. I carry two of these for those moments - https://www.amazon.com/Neewer-Stainless-centimeters-Monolight-Photographic/dp/B074NY47J6/

And... make sure you really want umbrellas. To be honest, the difference in actual light quality that comes out of different modifiers of the same size is negligible enough to be ignored. See them side by side and you might know which is an umbrella and which is a softbox... MAYBE... but just see one or the other and all you'll care about is whether there was enough light and the source was big enough. BUT... softboxes have one big advantage - the fact that they're less obnoxious to people standing BEHIND them. If you think you'll throw them up around a dance floor or ceremony ever... it can be nice to direct the light where you want it and not send the rest flying off other directions. A couple of these would be fine - https://www.amazon.com/Godox-Umbrella-Reflector-Carrying-Speedlight/dp/B0132I34K4/

THe kit you've got listed is perfectly adequate! I'm not saying anything's wrong with it and I started with essentially the same, but those are the two things I'm most glad I've added going forward - heavier stands and softboxes!

Hey, glad you're using the info off this subreddit. I'm not just wasting words! :D

As for my thoughts on camera and green screen, IncredibleMacho is right that lighting really is the most important thing. Until I got my lighting kind of figured out, my c920 looked pretty bad. My HP-4110 cam was looking better by default, but I think with good lighting the C920 is a little bit better (but probably not noticeable on stream).

once I swapped the 4 lights in my ceiling fan with these Phillips Daylight LED Dimmable lightbulbs then the color and brightness in my room was finally getting up there. But that alone isn't enough. That helps with ambient light, but I still need a light over my monitors pointing right at me to really fill in.

For that setup, I'm using this:

• That same Phillips lightbulb
  
• Swing Arm Lamp
  
• CowboyStudio 9-Inch Portable Quick Setup Speedlite Softbox
  
• Lutron Credenza Lamp Dimmer
  
  The lamp arm attaches to the desk just like the mic arm does. The dimmer switch isn't exactly required, but it does mean that I can adjust the brightness of that light that is on me and puts the switch on my desk. Otherwise, I'd have to reach around the back to get to the lamp switch.
  
  The green screen I'm using is this 6ft x 9ft Chromakey Green Backdrop. The stands are nice and tall, but it isn't very wide. I cropped the camera shot in OBS down (hold ALT + drag the edges of the camera) so that my screen area just fits in it, and that is just barely larger than I am. Part of that size is because it is a couple feet behind me and angles out to pickup light from that ceiling fan in the middle of the room.
  
  But as some people have said, you really could create your own custom one for cheaper. The fabric on this thing is just basic green dyed cloth. You'd do just as well with any cheap colored cloth (doesn't have to be green, just needs to be a color you won't wear) from any fabric store (some walmarts sell fabric). How you hang it is up to you. For convenience though, this kit for $63 right now on Amazon isn't bad.
  
  Good luck with your setup! Just know that it won't work like magic when you get your items, so don't get upset if you set it up and it doesn't immediately look perfect. It almost certainly won't and will still require tweaking things for a while. I'm comfortable enough now with mine that I don't even really think about it now when I start streaming. But when I first got it, I had to adjust lighting and camera settings for a bit every day.

If you're doing this for your business, I strongly recommend you outsource the work to a professional instead of putting loads of money down and doing it yourself. Even with the below equipment, you're not instantly going to be able to put out a video of this quality - and having a poorly-produced video will do more harm than good. Even with the right equipment and software, you won't instantly be able to put out a video of this quality.

If you're wanting to break into videography, this probably isn't a good style of video to start with. Green screen is difficult to do right both in shooting and post-production, the animation may look simple but you'd be surprised how much work it is to get something that looks decent etc. Instead, I'd recommend you reel in your expecations and instead pick up a camera like a Panasonic G7 and a tripod and learn how to use that well before plunging into a very complicated project. One step at a time!

With that in mind, you could replicate this video with the following gear. This is a very cheap setup that probably isn't as capable as the equipment the video in question is using, but you'll get reasonably close results if you know what you're doing. It's also very specialised in reproducing the same style video that you've linked and wouldn't be very flexible for other work.

• Digital key background - $70
  
• 3-point CFL lighting kit - $120
  
• Vixia HFR600 camcorder - $200
  
• Magnus VT-300 video tripod - $65
  
• Sony ECM-CS3 lav mic - $15
  
  Plus I'd recommend an alowance of $100 for extras you may need, like extension reels, media, card readers, etc.
  
  In terms of software, I'd be willing to be that this video was composited in Premier with the animation assets being created in Illustrator or Photoshop, and the actual animation being done in Aftereffects. You could do the compositing in AE too, but that's arguably not a 'proper' workflow.
  
  For that, you'll need a full $50/month CC subscription
  
  So in all, you'd probably be looking at spending over $600 for equipment and software to reproduce this video. Again, I reiterate, if you're a business you can probably find a freelancer or production company who can be competative with that price and will get better results as they know what they're doing.
  
  As for learning, if you don't want to go back to school services like Lynda have really good tutorials for working with Adobe software, and there are also free resources available on YouTube and elsewhere that can help you pick up the basics. Other than that, it's just experience and practice! Look around at other people's work, develop your style, and build from there.
  
  
  
  
  

https://www.amazon.com/gp/product/B01I09WHLW x 2 - Speedlights - $56

https://www.amazon.com/Neewer-Wireless-Speedlite-Receiver-Universal/dp/B00A47U22U - Wireless Trigger - $19

https://www.amazon.com/CowboyStudio-Photography-Light-Stands-Cases/dp/B001WB02Z4 - Light Stands - $29

https://www.amazon.com/Neewer-Professional-Universal-Speedlite-Umbrella/dp/B00JJJR7PY - x2 - Cold Shoe - $22

https://www.amazon.com/gp/product/B0132I34K4 - Octobox - $23

https://www.amazon.com/Fotodiox-Premium-Shoot-Through-Translucent-Umbrella/dp/B005ODKMOC - Shoot though umbrella - $14

https://www.amazon.com/Neewer-43-inch-Collapsible-Multi-Disc-Reflector/dp/B002ZIMEMW - 5 in 1 reflector - $20

That brings you for a full starting light setup that can be used for headshots and starting boudoir for $183. And you even have flexablity in there to use a 1 light setup with reflector or use 2 lights. You would want a few sandbags to keep the gear stable, but I am not including those in the price.

Now for a background setup

https://www.amazon.com/dp/B00E6GRHBO/ref=psdc_3444601_t1_B00MTF6ZVC

Is a good basic stand but hard to fit under your budget with the above lighting gear.

https://www.amazon.com/Neewer-Studio-Collapsible-Backdrop-1-8x2-8m/dp/B00UWL02PU is also an okay starting backdrop, Grey can be turned into white or black. I will warn you that you will need a fabric steamer to get the lines out, but that is pretty much the same however you go with cloth. Another more expensive choice is to go with seamless paper, I love working with paper, but it is an ongoing expense to use it.

Now if you are going to make this her studio all the time, they make http://www.homedepot.com/p/EUCATILE-32-sq-ft-96-in-x-48-in-Hardboard-Thrifty-White-Tile-Board-HDDPTW48/205995949 that you can use to make a great background. Or to me the better option if you are going to use a room as a full time studio, paint the walls, put down hardwood or laminate, and you have a great studio setup.

Thank you! This photo was taken in natural light, but I also have these umbrella lamps , which honestly changed my world since I don’t have to stress about daylight anymore. For food, you generally want to light from one side to best highlight texture and to keep things from going flat. I position one lamp to the side of my food, and the second lamp on the same side but angled slightly behind the food. Then I position a reflector opposite the lamps to help brighten shadows. You’ll need to play a bit to see what works best for different foods and set-ups (I find white-on-white desserts the most challenging), but that’s the gist of it.

I’m a former art director so also adore post-processing. My favorite program is a Photoshop plugin called Topaz Labs. If you use their filters with a very light touch, they can really bring a ton of life back into photos.

I have a c920 and I am not disappointed. I subscribe to the belief that your camera is only as good as your lighting. Shit lighting will make a great camera look like shit and great lighting will make a shit camera look great.

I bought that exact screen from Amazon [link], but in retrospect I should've just gone to a fabric store and gotten a green sheet, because that's all it is. It is not special in any way. It is super thin though, so I just double mine up on a custom frame made with PVC pipe (cost of tools and materials was around $20). The good thing about the PVC is that you can measure your space and build a custom frame that fits your needs.

I found some awesome clamp light fixtures at Wal-Mart [example]. In my case I clamped them to my desk and a nearby window sill, pointed at approximately 45 degrees toward me and the screen behind me. The positioning is important in that you need your screen evenly lit and you need to not cast much of a shadow onto it. Luckily I have the space to put the screen far enough behind me and eliminate most shadow problems.

The bulbs I got are bright as hell though, so I've got [these] soft boxes on the way. These are not so much for the lighting itself (although I don't think it'll hurt) but for my own comfort. After only a few minutes of having those lights in my peripheral vision it got uncomfortable.

I also have a light almost directly above me, which rounds out my setup so far. Key light, fill light, and hair light. A Google search on studio and green screen lighting would benefit you. Good luck!

I would ask for gift cards, i.e. Amazon and B&H, or money. You can save these up and get nicer equipment or build your own rigs. But a nice Tripod can make a huge difference. But honestly, it all depends on what you film. Such as me, I often shoot on locations so lenses with a faster aperture do more than a set of studio lights. Here are my recommendations for basic stuff to ask for Christmas:

CN-160 LEDs - about $30 (http://www.amazon.com/NEEWER%C2%AE-Dimmable-Digital-Camcorder-Panasonic/dp/B004TJ6JH6/) and of course some NP-F970 Batteries go along well for about another $22 (http://www.amazon.com/Halcyon-Replacement-NEX-EA50UH-DCR-VX2100-HDR-FX1000/dp/B008X9L6ZS/)

Extra batteries - The off-brand batteries work well. I have two and they are great

Extra Memory Cards - I highly reccommend Lexar as my SanDisks don't work insanely well anymore.

Stabilizer Rigs - The Mantis Rig Is A Great Rig for everything (especially starting) and is only $33 (http://www.amazon.com/Mantis-Folding-Rig-Fotodiox-Transformable/dp/B00AUKBV7G) Or if you want to get a glidecam-style I suggest the Laing P-4S stabilizer which is like $275 and includes a bag and weights (http://www.amazon.com/Quick-Release-Plate-Laing-Stabilizer/dp/B00G3TCYQK/)

And My Best Piece of Lighting Equipment - A Reflector which you can get for like $20. (http://www.amazon.com/Neewer-43-Inch-Collapsible-Multi-Disc-Reflector/dp/B002ZIMEMW/) There's plenty of different sizes, too.

The key to getting soft light is the size of the light source from the vantage point of the subject, in porportion to the subject's size.

Small diffusers won't do so much if you are shooting large subjects (such as people), or even if you are shooting small subjects and don't position the light very close to the subject.

So I ask, what are you looking to use it for? The only real good use case for small softboxes is for small scale studio still life and macro photography. I do a lot of this, and I use these on my 560s, and they work great.

Otherwise, if you are looking for big soft light in a small package (say you want to take a killer portrait, or photos at an event, but without carrying a 48" softbox), your best bet is with bounce flash. There are several modifiers that can help you.

Modifiers that throw the light in all directions, bouncing off everything, are popular, but in my opinion they create flat and boring shots. The most popular modifiers that do this are the Sto Fen and the Gary Fong lightsphere. They are very easy to use, but again, I find the shots boring.

Another modifier is the simple bounce card. There is one built into your flash already and there are several "improved" bounce cards out there. The bounce card simply allows you to create soft light from the ceiling, while filling in the shadows under your subjects eye sockets.

To me however the key to light is directionality. I would recommend not buying a flash modifier, and instead getting Niel Van Niekerk's book "Direction and Quality of Light". He will teach you how to create dramatic shots with bounce flash, and how to build your own flash modifier, that (IMO) is better than anything on the market (once you know how to use it) and costs less than $3 to build.

My main job is creating educational videos, I work for a university creating all kinds of online content/course content (Engineering school so mostly math, science, etc), so I have a few ideas for what you can do. I do everything from just recording lectures to greenscreen + animations. The simplest and cheapest setup would be to use your phone on a tripod and a wired lav mic. If the lighting in your room is good (a big window or lots of lights in the room) that should be fine, but you can also get a [cheap lighting kit](https://www.amazon.com/gp/product/B017D7W57S?ie=UTF8&tag=maxwell032-20&camp=1789&linkCode=xm2&creativeASIN=B017D7W57S).

If you want to go a bit more interesting, you could try a light board (these are getting more popular). Sample Video here and How to build one. More money ($300-$1500 depending if you want to use a proper camera or your phone still) but the content can be more engaging and easier to use.

Another style that's becoming popular is to use a tablet while recording to superimpose writing overtop of video. I have also seen an overhead angle used to show a tabletop with paper to write on.

Let me know if you need any help! Happy to talk about this kind of stuff.

Links to store stuff are affiliate links

I would suggest that you try it yourself if you have a DSLR (maybe even try it with your smartphone camera if you don't have a DSLR). It takes time, but it can save a lot of money. Unless you go to somewhere like Fiverr, even the cheapest photographers you will find IRL will charge hundreds. Seriously professional ones like to charge thousands. Here's an outline if you're interested:

1. Firstly, get a white backdrop of some kind. When you white out the background in post, you want your reflections on the product to match.
   
2. It's important to use manual settings with product photography; otherwise, you will get unnecessarily noisy images (your auto mode on your DSLR expects you to be shooting handheld, not on a tripod, so it uses a relatively fast shutter speed and thus high ISO and low f/stop). Set your aperture to something like f11 to f18, ISO 100, and adjust shutter speed to expose slightly brighter than your metering tells you to.
   
3. Then white out your photos in Photoshop or, if you don't want to invest in Photoshop, something like Affinity Photo works just as well. Remember to up the contrast by using levels after you're done.
   
4. If you want to take it up a notch, then you're going to need to focus more on getting the lighting right. I recommend getting at least three light stands with color-balanced light bulbs, around 5500 K. There are combos on Amazon that could give you everything you need. (not an affiliate link)
   
   If you're not interesting in going DIY for this because you don't have a camera or the time, DM me; I've been doing product photography for about 4 years and Photoshop for 8. I have a Fiverr listing you may be interested in, but I won't link to here since I know the subreddit rules. If you're not interested, no worries.
   
   Product Photography is a huge category on Fiverr, I suggest you look around. If it's not an extremely valuable one-of-a-kind item for Etsy or something, then it makes sense to bet about $10 + the price of your item, instead of immediately going to a full-fledged product photographer and spending hundreds.

Thank you and steal away lol.

Tip: I had to double up the flood lamps on each window. My original idea was one clamp/bulb per window but it wasn’t giving me the desired brightness so I doubled them up which looked great from the street. You’ll have to play around with it and see what works best for your needs.

I also had two studio light soft box stands lying around that really helped with the brightness and made it so I only had to use one bulb on two of the windows. I would have used just the studio light stands for all the windows if I had enough but I ran through my budget this year already so couldn’t get more. If you’d like, I can PM you a couple pictures of the setup for reference.

The soft box light stands I’m referring to:

Neewer 700W Professional Photography 24x24 inches/60x60 Centimeters Softbox with E27 Socket Light Lighting Kit https://www.amazon.com/dp/B017D7W57S/ref=cm_sw_r_cp_api_i_VDHMDb5HDB7QJ

I haven't tried regular vanity lighting but this set from amazon is awesome for videos and makeup application. They are pretty cheap in comparison to other similar lighting. My friend has them and I recommended to a other redditor who loves them too! Hope this helps!

Welcome back, I hope everything is great! You rock!!!

I would love to get me some sweet reflector or a pretty scarf! Up to you.. I am at work at the moment and I could say that
Redditing at work is AWESOME

LEDs are cheap, efficient, safer, and run off of batteries. But nothing beats the output, cost, and beauty of tungsten.

LED panels are great for interviews but are limiting for narrative work. If you are on a budget, I'd look seriously into picking up a used Lowel Light Kit like one of these off of ebay or craigslist. Maybe even call your local rental houses and see if they'll sell you an old kit... they were quite common but are not as popular anymore due to the convenience of LEDs.

Also, these lights work best when paired to these dimmers for full control.

For a scene like this, I'd use the Totas to bounce off the ceiling to raise my room's ambience. Then I'd use the Rifa as my key with the 250 watt Pro as my hair light. I'd use a bounce for fill, like this reflector.

I decided to hang onto my Lowel lights even though I upgraded to high end LED panels, and I use them pretty frequently. They are a lot more work, but they are cheap, and many DPs still use tungsten over LEDs because of their beauty.

You need something with a lot of zoom range, and the ability to slow motion down dramatically, without jumpy frames. The cheapest way to do this is with a DSLR.

Canon cameras do 60 frames per second, but only at 720p (which might be fine for what you're trying to do).

The GH3 can do 60 frames at 1080p, which is great, but you're going to blow your entire budget on the camera alone.

My recommendation is a t4i, and a kit lens, and an additional zoom. The low speed of the lens (meaning not good in low light) shouldn't be a problem if you're filming out on the golf course during the day.

I think the most important purchase you're going to make is a tripod that can let you get VERY low to the ground. I recommend the Manfrotto 055xPROB, sold here: http://www.amazon.com/dp/B000UMX7FI/ref=cm_sw_r_tw_dp_yKzTrb1FF869D

If you don't want to futz with separate audio systems, get a Juicedlink box, mount it under your camera, and run your lavalier mic into it.

Also, you must invest in a light-reflector. They are very cheap, and will make your videos look a thousand times better, by filling in the strong shadows that the sun makes. Seriously there is no reason for not buying one of these: http://www.amazon.com/dp/B002ZIMEMW/ref=cm_sw_r_tw_dp_YMzTrb0GDSEDR

Follow my advice. All this stuff will keep you under-budget, and gives you some expandability if you're happy with it. Let me know if you have any more questions.

Good luck!

For a starter set, I went with yongnuo speed lights and cheap stands and umbrellas from Amazon.

http://www.amazon.com/gp/aw/d/B015ZALVI4/ref=mp_s_a_1_2?qid=1453912336&sr=8-2&pi=SY200_QL40&keywords=yongnuo+560+iv&dpPl=1&dpID=51z85GnO1DL&ref=plSrch

http://www.amazon.com/gp/aw/d/B005FHZ2SI/ref=mp_s_a_1_3?qid=1453912456&sr=8-3&pi=SY200_QL40&keywords=light+stands+for+photography&dpPl=1&dpID=51fq2%2ByrrcL&ref=plSrch

I bought the flash and trigger separate but since found this deal for two speed lights and the trigger, saves you a few bucks. They are quite good for the price. Keep in mind they are manual flashes

Also, there is a "frequently bought together" suggestion with the speed lights. You'll need the hot shoe adaptor to put onto the stands if you plan to do it that way. The little diffusers are helpful when I don't have an umbrella and can't bounce the flash off a wall or ceiling.

The stands are pretty cheap. But for the price I can't complain. The only real issue I have is if you are outside you will probably need something to hold them down as they are pretty light.

Hope that helps get you started.

Seems like a decent kit, a tad expensive maybe for what you actually get though, but I'd invest in some grippage either way so you can shape the light. While softboxes do provide nice large, soft sources, they result in a lot of spill. Maybe get a couple sets of these and rig them with these if you can with extra stands. If you can get your hands on some duvetyne and blackwrap you could also probably make some DIY solid flags and barn doors. Basically, to make it look good, you'll want to sculpt the light, not just turn them on and point them in the right direction.

If you do end up using that kit, also be weary of using the provided fluorescent globes as they'll probably have a green shift to them. Easy to correct this if they're your only light source with a FLT filter for your lens but if you're going to be competing with daylight you should have some minus/plus green gel on hand to match them. As far as I know, those kinds of fluorescent globes can't be dimmed (if they are they start flickering) so if you want to be able to control the light output that way you should use incandescent (if you can find any) or halogen globes, some hand squeezers (dimmers) and some CTB/CTO gel in various strengths.

There are a lot in this photo that is great, but you don't want to know what you've done right, correct? Maybe that's how I am :P

Things to consider.

1. The left side is higher than the right. Straighten the photo oh-so-little. There is a slope that is off-putting.
   
   
2. Either go fully silhouette or bring out some lighting in your face. You have great natural lighting, get a reflector and bounce some of that light towards yourself.
   
   
3. Idea: Try bracketing the photo a few stops.
   
   Otherwise, great shot. Keep shoot! I'd love to see more of your work.
   
   Cheers.

Hello /r/Photography!

I wonder if I can turn to some professionals and camera enthusiasts for some assistance..

I am primarily a retoucher, I have been retouching for over 5 years but I have always had a problem with getting the rights to show the before and after images so I decided to get a professional camera and get into photography myself.
if you are interested my portfolio can be found here: http://www.lulielens.com

Since I have been looking at images for a long time I already know what kind of look and style I would like to get, but I am completely clueless on the topic of camera gear and equipment (though I am looking to change this).

First here are some example images I like in terms of lighting:

Example 1
Example 2
Example 3
Example 4
Example 5


Here is my semi-final list. Could you equipment pros let me know if they will work properly together, or if I missed anything else you think I might need (to start with).

I have a Canon 5d mark ii with a 100mm/2.8f lens.

1. Cactus V5 Wireless Flash Trigger (2 Pack + a single for 3 total)
   
   
   
2. Reflectors - 5 in 1 Translucent, Silver, Gold, White, and Black Collapsible Round Multi Disc Light Reflector 32 INCH
   
   
   
3. Tripod - Sirui ET-1004 Aluminum Tripod with E-10 Ball Head
   
   
   
4. beauty dish option: Pro Studio Solutions EZ-Pro 32in (80cm) Beauty Dish and Softbox Combination w/ Hensel Speedring - Soft Collapsible Beauty Dish with Speedring for Bayonet Mountable Strobe, Flash and Monolights
   
   
   
5. 2x ProMaster PL400 Advanced LCD Control Studio Monolight
   
   
   
6. 250W Replacement Modeling Lamp
   
   
   
7. 2x Promaster SystemPro LS-2 Deluxe Light Stand
   
   Thank you for taking the time to help!
   
   
   

I started with a similar cheap kit to this: http://www.amazon.com/Photography-Portrait-Continuous-LimoStudio-LMS103/dp/B005FHZ2SI?ie=UTF8&keywords=light%20kit&qid=1462400627&ref_=sr_1_3&sr=8-3

I still use it to this day from time to time although with softboxes. Anything from cowboystudio (or similar names that en with studio, limostudio, fancystudio) will do fine for starting. They are cheap made but I grew my kit from there. Changed the bulbs for more powerful ones. Put a 1 bulb to 4 bulb adapter. Bought a couple led panels, better stands etc.

Buy one or two 5 in 1 reflectors with c stands and clips.

If you want a better kit (your budget seems to allow it) I would get individual lights and build a kit. I'm a big fan of led. I always shoot raw so as long as my lights have the same color temps I'm usually fine.

Hope that helps.

Thank you for submitting to /r/SmallYTChannel. You have spent 3λ to submit here, making your current balance 0λ.
/u/darthjazno, please comment !givelambda to the most helpful advice you are given. You
will be rewarded 1λ if you do so. For more information, read the FAQ.

Video data:

Field|Data

-|:-
Title|How I Start an Abstract Portrait in Acrylic - Sketching Techniques on Canvas
Thumbnail|Link
Views|5
Length|22:31
Likes/Dislikes|2/0
Comments|2
Description|Shelly sketches the faces in preparation of acrylic painting her subjects' caricature like portraits. Watch her detailed demonstration on her technique that she uses on her abstract portraits prior to acrylic painting.⤶⤶⤶*****⤶Check out our Amazon recommendations on Kit!⤶⤶▶ Check out our recommendations on Kit: https://kit.com/LifeCreatesArt⤶⤶Links provide a small commission & will allow us to continue content like this!⤶⤶**⤶Equipment we use for our videos:⤶Lights⤶Photography Photo Portrait Studio 600W Day Light Umbrella Continuous Lighting Kit by LimoStudio, LMS103⤶https://amzn.to/2KiN7zs (affiliate)⤶⤶Microphones⤶For Interviews!⤶Lavalier Lapel Microphone 2-Pack Complete Set - Omnidirectional Mic for Desktop PC Computer, Mac, Smartphone, iPhone, GoPro, DSLR, Camcorder for Podcast, Youtube, Vlogging, and DJs⤶https://amzn.to/31jgwiD (affiliate)⤶BOYA BY-M1 3.5mm Electret Condenser Microphone with 1/4" adapter for Smartphones iPhone DSLR Cameras PC⤶https://amzn.to/2GMXo4K (affiliate)⤶⤶Camera⤶Canon PowerShot SX730 Digital Camera w/40x Optical Zoom⤶https://amzn.to/31lORh6 (affiliate)⤶⤶https://amzn.to/31kl5ZXLife Creates Art⤶⤶https://www.youtube.com/c/LifeCreatesArt⤶Website: https://life-creates-art.business.site/⤶Facebook @artlifebyshelly⤶Twitter @creates_art⤶Instagram instagram.com/shellyslifecreatesart⤶⤶Attribution⤶Stock images provided by pixabay.com

##Channel Data:

Field|Data

-|:-
Name|Life Creates Art
Thumbnail|Link
Subscribers|374
Videos|44
Views|23810



^/u/SmallYTChannelBot ^made ^by ^/u/jwnskanzkwk. ^PM ^for ^bug ^reports. ^For ^more ^information, ^read ^the ^FAQ.

So a few months ago, I gave myself a budget of $5000 for everything I’d need to be a One Man Video Army. Besides an empty Lowell hard case and a pair of headphones, I had nothing in the picture above before commencing the buying spree. The grand total ended up coming to around $5500 or so but I’m pretty stoked to have stuck fairly close to my initial budget.

Here's a detailed list of everything in the picture above:

ITEM | WHAT I PAID | COST NEW | LINK TO BUY NEW

-- | :-- | :-- | :--
Panasonic GH5 w/Rode Videomic Pro, 2 SD cards and batteries|$1,000.00|$1,500.00|B&H
Lumix 12-35mm 2.8|$550.00|$900.00|Amazon
Mitakon 25mm 0.95 Prime|$300.00|$350.00|B&H
Sigma 50-100mm 1.8|$750.00|$1,100.00|B&H
Tokina 11-16 2.8|$250.00|$400.00|B&H
Viltrox EF-M2 Speedbooster|$150.00|$200.00|B&H
Manfrotto 502 Video Tripod|$400.00|$400.00|B&H
Tripod Bag|$25.00|$25.00|Amazon
Panasonic XLR Adapter|$300.00|$400.00|Amazon
Sennheiser Wireless Mic System|$450.00|$600.00|Amazon
LowePro Camera Bag|$75.00|$75.00|B&H
Neewer 3-Light LED 660 Kit w/Fovitec stands|$350.00|$350.00|Amazon
Kessler Slider w/tripod head|$400.00|$900.00|B&H
Hoya 43mm Filter Kit|$35.00|$35.00|Amazon
Hoya 58mm Filter Kit|$40.00|$40.00|Amazon
Feelworld F570 Monitor|$200.00|$200.00|Amazon
Zoom H6 Recorder|$250.00|$400.00|B&H
Neewer 5-in-1 Reflector|$20.00|$20.00|Amazonn

Given my budget, there really wasn’t much debate over what camera would best suit my needs. I’m doing a lot of paid corporate and event video work, but I also shoot films and documentaries. So the GH5 made the most sense given its quality, versatility, and value. I can transport and operate all of this stuff without the need for additional crew, which is especially nice when a client doesn’t want to pay for that.

I’ve shot a few films and several paid gigs with this set already and it’s working out well so far. Happy to answer any questions over why I chose one thing over the other. We all have our preferences with equipment :)

I use my phone. I've had a couple of high end Panasonic and Canon DSLRs, but I switched to just using my phone a while back. The higher end models have a "pro" mode that will let you adjust just about everything. Most of my pictures come out super clear with an almost invisible background.

If you want to stick with your camera and just need more light different light boxes could help or maybe a light ring. Good deals on Amazon and eBay.

You could also just take pictures in natural light if that is at all possible.

I'm currently using a Samsung Galaxy S8+ and I was using these lights https://www.amazon.com/dp/B005FHZ2SI/ref=cm_sw_r_cp_apa_i_8GpaBbWCXSDTK until a few days ago when I found this kit in a Goodwill https://www.amazon.com/dp/B008GWH7VE/ref=cm_sw_r_cp_apa_i_GJpaBbG4K66S8

>flash: try a godox tt685 ($110)

On a $200 total budget, I'd actually say a $65 TT600 is a better option, which will let you get a decent air-cushioned lightstand, or two flashes for the price of the TT685. :)

I would highly recommend the TT685 over the TT600, though, if you think you want to use the flash for both on and off-camera flash, since TTL is very useful for event run'n'gun.

>trigger... x1t ($45)

But $60 X2T or $70 XPro would be much much nicer. Again, another reason the TT600 might not be a bad place to start.

>lightstand: just get some cheap amazon one ($15)

No, I'd say look for a $40 cheap one that's air-cushioned. Slammed lights down on my fingers too many times with the super-cheapies. :)

>try try an umbrella soft box thing ($26)

Those slit-through the bottom octas don't tilt much at all. You want one that attaches to a speedring. It'll be more expensive ($45). So, actually, starting with a convertible umbrella ($20-25) might be a better first choice.

>speedlight holder thing that holds an umbrella]

Or, instead of an umbrella swivel, get an S-type bracket ($20) which can be used to hold the speedlight closer to the center of an umbrella, as well as attach Bowen S speedringed modifiers bayonet to the face of it.

A compact umbrella swivel, though can be a lot smaller in your lighting bag. The issue is whether the modifier you want to use works with one. The S-Bracket is more general purpose that way.

https://www.amazon.com/gp/product/B005DFP6M4/ref=oh_aui_detailpage_o00_s00?ie=UTF8&psc=1 I used two of these. I guess $80 for both isn't exactly "cheap" but for lighting it is, and given the quality boost it gave me it seemed a worthwhile investment. Especially if youre the kind of person to sell your replaced GPU's etc. on ebay, you also get value there by having nicer pics. I'm glad you liked the pics!

Thanks so much!

Someone else recommended these. Do you think they would work well? I like the fact that there are three, but will they look as good?

Also, someone recommended F&V Ring Lights. I love the fact that I can use batteries, but I can't find many reviews on them to see what they would look like.

I'm coming at this from a design / video background. Other people here have addressed the actual content well enough.

You need better production value. I'm now saying you need MKBHD level of stuff, but if you're serious about doing a series, getting real followes, etc, you need to up the production game. This is just about the bare quality minimum you can go to get a real audience. This is a realistic goal. There's nothing he does that can't be done by one person with a tripod.

Get out of your bathrobe, get a tripod and a cheap softbox or two, a better camera (lighting might be all you need here), and try to simplify. Really watch that video I linked. He only has two or three locked down camera shots in the whole thing. It's not a crazy fancy multicam + slider setup.

Your audio quality itself is pretty good, but I'd personally reduce the humor a bit. I get what you're going for, but if I feel the itch to skip forward throughout your video, it's too much. Literally, a 3s logo intro + a 10-20s intro, then get into it. People are SO willing to just pop into another video if yours isn't getting to what they want.

EDIT: You desperately need to learn about SEO. Do some googling (ironically.) The title "Eggses" is absolutely useless. I get the joke, but think for a sec: What does your audience search when they're looking for what the video shows? "How to cook eggs," maybe "How to fry eggs," etc. YES, you will have more competition in that title, but competing over the actual audience is better than having 100% of no organic activity.

Good questions. (Warning Wall of text ahead)

TL:DR

• 1. Try some soft lights so they don't reflect off your wall
     
• 2. Pick times that work for you and stick with them. Will power is a muscle, Exercise it.
     
• 3. Decide if you want foot traffic (viewers that show up for a game) or viewers (followers that tune in for any game). Foot traffic only comes from games and visibility. Viewers come from foot traffic that you won over with your personality.
     
     

1. Now i've done very little with lighting my cast my info may just be a place to start looking.
   Lighting is always tricky, there are 2 ways you can go about it.
   First is using some propper defuse/soft lighting will work the best. Something like http://www.amazon.com/LimoStudio-Photography-Continuous-Lighting-AGG702/dp/B005DFP6M4/ref=sr_1_3?ie=UTF8&qid=1451332880&sr=8-3&keywords=soft+lights Should light your face without bouncing off your red walls creating the miscolor.
   Second you may be able to go into your webcam controls and play with the saturation and remove some of the excess red color. As for exact settings i'm unsure but you should be able to get the picture to a more desirable asthetic.
   
   
2. Schedule is all up to you. As a student i've suffered the woes of having to change my schedule...A lot. But here are a few tips for picking the best times. If your work schedule changes a lot, Look for trends in the changes and pick times your work wont schedule you to work. That way you can always stream those times. As for your side job, you could incorporate that into your stream, and just stream working on the graphics. And finally whatever you decide, Remeber the channel is a show. If you pick times you're making a promise to your viewers that you'll be there rain or shine. Sometimes you'll be sick, Dead tired, or have real life stress distracting you. But if you truely want a consistent schedule its up to you to exorcise the will power to maintain whatever schedule you set.
   
3. There are so many different ideas and theories as to how to get more viewers. None of them confirmed, all of them believed. So why don't I just tell you what I've noticed working, and not working. First, There is a difference between foot traffic and viewers. Foot traffic are people that pop into your stream becuase they noticed you playing a game they are interested in watching. Viewers are the people that follow your channel and watch no matter what your playing. Some will argue its easier to influence your foot traffic, Others will say its easier to influence your viewers. I believe both camps have marret but I'm going to be frank, if you find a game that has good foot traffic, and the viewers to push you to the top ten of that game. Foot traffic will give you crazy numbers for your channel. BUT that doesnt mean you're gaining any viewers from that game. Its very often that you'll be experiencing one time spikes. That being said the only way to gain viewers is by having foot traffic and being a caster they like when they pop in. So what influences foot traffic? How active a games community is, How many streamers are broadcasting that game. Basically you have to find the combination of game you stream well, that people are looking for, and you show up at the top in. Example, I was one of the few people with a 3ds capture card when Pokemon X/Y came out, and I averaged 40 viewers and gained about 700 follows in a month. I stopped playing pokemon went back to 10 viewers and 50 follows a month. You've just got to find an audience to cast to. But you have to decide if you just want foot traffic or viewers.

The colors and tones are very nice!!

Overall I think positioning the model in a manner that increased the amount of light on their face would be beneficial. A typical roll of thumb for portraits as well is trying to prevent things from doing through the models head. The background here while nice and blurry is still distracting and doesn't particularly add anything to it. If the background isn't adding meaning to the picture itself then it should be used to help compose the image. Here you could have potentially used the background to frame the model.

The pose itself seems a little awkward, if I had to put words to it I'd say that your model looks disembodied due to the tight framing cutting them off (there's a reason headshots are typically centered!).

All in all the edit is great!! The background lighting works very well, and if you'd like to add some light on to the subjects face in a back lit situation look into using a reflector or even a cheap flash with a softbox modifier!

Buy a reflector and bring a friend! Hold it high and shine the sun back onto one side of there face =) Lighting is what makes a photo amazing, this is an easy way to create great lighting =) If you buy a reflector also try to shoot somewhere in the shade and not in direct sunlight.

http://www.amazon.com/Neewer-43-Inch-Collapsible-Multi-Disc-Reflector/dp/B002ZIMEMW/ref=sr_1_1?ie=UTF8&qid=1414167413&sr=8-1&keywords=reflector

The 3 factors I've noticed that make the biggest marginal improvement in a video are:

1. Good lighting - Set it up near a window, or place some lamps around you if you don't have a lighting set-up (they can run pretty cheap). Depending on what type of videos you are doing, you want most of your face to be completely visible, with no harsh brightness or shadows.
   
2. Audio Quality - Nothing turns me away from a video faster than when the speaker sounds like he is speaking into a can that is flying through a wind tunnel. More likely than not, built-in camera microphones are rubbish, It's just the way it is. It is much better to record with a separate microphone connected to a laptop or something. In a pinch, I've found that I can download a high-quality sound recorder on my phone, and place it in my front pocket (mic up) to achieve a sort of portable sound recorder that doesn't need to be plugged in. (Make sure its the high-quality app like Smart Voice Recorder with the 48kHz option selected, or you are doing no better).
   
3. Eliminating filler - Ever sat down to watch a video, then been presented a 45 second intro with crappy zoomed-in blurry footage from an anime? Never do this. If I don't know who you are, and I have to sit past a 10 second intro, I will likely lose interest. Don't bore us, get to the chorus. I have started introducing the video, doing any flashy intro stuff, and beginning the premise of the video within 7-8 seconds. Unless you live an exceptional life and people want to creepily get into your mind, nobody wants to listen to you drone on about nothing while talking into a camera (thats what Let's Plays are for, huehuehue).
   
   I love talking about this stuff, so if you have any more questions, let me know!

1. I own Arri lights and looking to pick up a pair of Dedos in the future, but this kit from amazon is what I have shot the majority of my interviews on. It's cheap, but it get's the job done for an affordable price. Since the bulbs that come with it are daylight, they're also great to use if you want to also use nat light. You'll have some extra money to pick up a bag and maybe something for the bulbs (I have a pelican case but getting a softcase and keeping the boxes for each bulb will save you the money) They're flouresent so they don't get hot and uncomfortable for the talent, softboxes come with them so you retain a soft look, and they're relativity light for travel.
   
   
2. So are you going to be interviewing the couple on their wedding day? Have you done it before? Why not just place them next to a window? It'll be much faster and save you a lot of time and effort lugging the lights around.

Zoom isnt a bad investment, but you might be right. Honestly, don't go gear nuts. Even with the advice i gave above which i think is a way to spend two grand thats not what id do. Id use what I already owned and find some other people and beg borrow and steal as much as i could. Spend that 2 grand on a actual movie, and try and put every dollar on the screen.

I totally get the concept of wanting to have gear for multiple shoots. But I think you will learn a lot from just jumping right in. Shoot a short for 50 bucks with your friends over a weekend. then shoot another for a hundred bucks, and build on that. After that use all you learned with the rest of the dough to make something longer. I know it sounds crazy, but you can do it if you budget and write the script around things you already own and have access to.

More than anything a project you believe in will last longer than any piece of gear.

But if you are dying to buy something start with some simple paper lanterns mixed with a reflector you can get some good looking stuff, great soft light, and you learn some basic lighting skills. You will still need a few stands. But you can get away with a lot with these because they are light. Use practical lamps and natural light to fill out your scenes.

http://www.amazon.com/Hanging-Lantern-Cord-Off-Switch/dp/B007RPRYF0/ref=sr_1_2?ie=UTF8&qid=1452219709&sr=8-2&keywords=china+balls

http://www.amazon.com/White-Chinese-Japanese-Lantern-Diameter/dp/B0026XVQ3Y/ref=sr_1_1?ie=UTF8&qid=1452219709&sr=8-1&keywords=china+balls

http://www.amazon.com/Neewer-43-inch-Collapsible-Multi-Disc-Reflector/dp/B002ZIMEMW/ref=sr_1_1?ie=UTF8&qid=1452219787&sr=8-1&keywords=reflector

Yeah I was thinking small aperture.

And I haven't done those effects before in post, so I will have to learn.

Should I buy more LED lights?

Is there a harbor freight case size you'd recommend?

Would gels like this be what you mean?

https://www.amazon.com/Neewer-30x30CM-Transparent-Correction-Flashlight/dp/B01CCIKB5Q/ref=sr_1_fkmr0_2?ie=UTF8&qid=1469039533&sr=8-2-fkmr0&keywords=neewer+led+gels

Ah so do you mean bounce the light off of a reflector (modifier) like you mentioned?

Thank you for the reply! So helpful! :)

I'm a former lighting tech, so my view is skewed, BUT:

I'd get yourself a Rosco Swatch Book (or another brand, but whatever), and test out the different diffusion "gels" they have. They're plastic film, and pretty temp tolerant you will not hurt them with these LEDs. make yourself a little holder frame, and see which you like best. Then, if the swatch isn't big enough, just order one sheet of that "color", which will be WAY more than you need.

disclaimer: I refer to these as "gels" "colors", etc. It will have Hundreds of colored gels, but also a lot of diffusion and other "effect" type films.

Terrible translation on my part but I think the proper English term is reflector. Something like this.

It's great for the following (and I quote from their site):

1 Translucent surface for softening

2 Silver for the contrast you look for

3 Gold for warm tone and health

4 White to fill the shadow

5 Black to block out stray light

It's probably one of the most versatile products you can buy for such little money. Translucent is great for days with hard edged shadows. Gold gives you sunshine. Black can create shadows when there are none. (removing light is also shaping light)

Can do nothing but recommend it to you

Hello Everyone,

I am making this post about a Studio Continuous Lighting Kit by Fovitec I bought for use since I am a beginner. However while I intend to make good use of it I have some conerns. I knew what I was paying for, and understood it was a continuous lighting kit but I am a bit regretful I bought it before seeing the video that showed how it was assembled. I am not sure if I should work with it the best I can or sell it and get a better continuous lighting kit.

Here are my concerns,

• The Softboxes where hard to get on and I won't be removing them so they will stay on.
  
• There is a inner defuser that should I put on will touch the light bulbs used. I am concerned the fabric light burn because the bulbs will touch it.
  
• The Case itself opens on the side with the carrying handles on top, which is awkward.
  
• I may have to keep the soft boxes and lightbulbs attached when transporting, and just keep the stands, power cords and the hanging soft box with the hanging weight inside when transporting.
  
• It comes and used standard 45W photo fluorescent spiral daylight light bulbs. For those who have used this kit, what are some other lightbulbs to buy for it. Are there LED lights that would work with it?
  
• Has anyone used this for photography and had good success with it?

Unanswered question from the previous megathread

Author /u/HypridElastiAccord27 - (Permalink)

Hello Everyone,

I am making this post about a Studio Continuous Lighting Kit by Fovitec I bought for use since I am a beginner. However while I intend to make good use of it I have some conerns. I knew what I was paying for, and understood it was a continuous lighting kit but I am a bit regretful I bought it before seeing the video that showed how it was assembled. I am not sure if I should work with it the best I can or sell it and get a better continuous lighting kit.

Here are my concerns,

• The Softboxes where hard to get on and I won't be removing them so they will stay on.
  
• There is a inner defuser that should I put on will touch the light bulbs used. I am concerned the fabric light burn because the bulbs will touch it.
  
• The Case itself opens on the side with the carrying handles on top, which is awkward.
  
• I may have to keep the soft boxes and lightbulbs attached when transporting, and just keep the stands, power cords and the hanging soft box with the hanging weight inside when transporting.
  
• It comes and used standard 45W photo fluorescent spiral daylight light bulbs. For those who have used this kit, what are some other lightbulbs to buy for it. Are there LED lights that would work with it?
  
• Has anyone used this for photography and had good success with it?

Nice job! I thought it was a real good list and I've gotta agree with most of it, especially maximum overdrive. A few suggestions I'd make would be to try a different background, maybe have some horror related things around you like posters, figures, whatever. I'd also say try messing around with the lighting a bit for the face cam parts. It was shadowy too yellow. If you don't have anything specific you use I'd suggest this set.

https://www.amazon.com/Photography-Portrait-Continuous-LimoStudio-LMS103/dp/B005FHZ2SI/ref=sr_1_1?ie=UTF8&qid=1469661904&sr=8-1&keywords=limostudio+lighting+kit

It's cheap and it works really well. You are very charismatic and the content of the video itself is really good. I liked the overall length of the video too, not overly long and just enough to describe each film and get the idea of why it made the list. Keep up the good work!

http://www.amazon.com/Neewer-110CM-Collapsible-Multi-Disc-Reflector/dp/B002ZIMEMW/ref=sr_1_1?ie=UTF8&qid=1324168094&sr=8-1

$13, with gold, silver, and white. I rarely use anything but the white, personally, but there are some occasions here and there where I've been very thankful to have the options. Not really a huge investment there, also folds up, and if you're a professional, well, it certainly helps you look the part. Perception is a huge part of the business.

Soft-boxes are different than umbrellas. I used basic 60x60cm soft-boxes and they worked fine. It's smaller, which is good for stability and portability, but produces good results for portraiture.

Godox also makes umbrella style octaboxes. Those are a bit easier to pack and transport, but also a bit more fragile and fiddly to adjust. I like em, though. For those, get an umbrella adapter for the speedlight rather than the S-Bracket. It's difficult to install these over the godox s-bracket.

Normal umbrellas work fine with the S-Bracket. They are cheap and easy to use, but spill a lot of light.

Ok how's 3 tiers?

First tier is very basic. Any kit like this should do the trick. You would most likely put one light on either side while your product is on a table, then have the 3rd light pointed at a wall behind the table.


A step up from that would be a basic set of speedlights like this paired with one of these or an umbrella (two if you're feeling ambitious one on each side, then snag another flash for a BG light) Flashes are better vs continuous lighting from the first link as they allow you more control and let you modify the light easier (with softboxes and other various things, this would allow you to get softer light, harsher light, more focused light, etc etc) You can also bounce them off a white ceiling at higher power which would act like a big softbox overhead.

Top tier for someone starting out would be a set of alien bees Paired with a couple of softboxes and a background light. They take up more space and I wouldn't recommend them if you're just getting your feet wet. (mine are set up all the time and I shoot stuff like this and this with them. )

I've used these fairly cheap umbrella lights from amazon, they are a little bit flimsy, but are a great deal for the price, and put out a good amount of bright light. https://www.amazon.com/dp/B004TSCARK/ref=cm_sw_r_cp_api_WcGQybTKT1YVG

This is great for being on a budget, can plug in to your laptop or get a cube to plug into the wall outlet, and it clips where you want: https://www.amazon.com/gp/product/B074C7KRW5/ref=ppx_yo_dt_b_search_asin_title?ie=UTF8&psc=1

Edited to add: the one above also lets you adjust the light to yellow/blue/mixed light and has multiple, easy to switch to settings. (Can you tell I love it? lol)

This was My first light set and IMO totally worth it if it is/becomes in your budget. I've had it for several years without issues.:

https://www.amazon.com/gp/product/B005FHZ2SI/ref=ppx_yo_dt_b_search_asin_title?ie=UTF8&psc=1

I ordered a bundle from Amazon about 3 years ago from LimoStudio. It was about $150 and came with a backdrop stand with three different fabric backdrops, a bunch of clamps, two softboxes with diffusers, two umbrellas, four light stands, four bulbs, and a bag to carry it all in. I don't use it much anymore, but it's still going strong. I know $150 is over your budget, but the same company offers smaller bundles that are well within your budget. I used the two softboxes more than anything else, and for a while, I always carried one of them in my car. They really do produce beautiful light.

​

Link to what I think is the bundle I bought:

https://www.amazon.com/LimoStudio-2-6meter-Background-Portfolio-Photography/dp/B00LV46738/ref=sr_1_7?keywords=photography+lighting+kit+limostudio&qid=1554499137&s=gateway&sr=8-7

Goal: Build indoor product photography lighting setup for <$200

Hey pros, I need your help badly.

Recently I have purchased a Nikon D5200, a mannequin, and really started to really step up my product selling game. As I have no large scale lighting or backdrop setup i'm forced to do this outside (See: Example 1 and Example 2 ).

Now these photos are great and all but I can't shoot them whenever I want or at any time that's convenient really. So i'm hoping to build an indoor setup.

Pieces I need:

1. Infinite backdrop (Rather like the gray they use here)
   
2. Umbrellas? (How do you choose size and what seperates a 40$ setup from multi thousand dollar ones? Terrible Examples Here
   
3. High watt white lights, but which kind and wattage?
   
4. Fill light?
   
   I'm just all around overwhelmed, hopefully a pro can point me in the right direction.

Maybe a few of these

Five of these, though you should sometimes, (I think usually), use China balls instead of the reflector.

Just one of these

Any of these you need that are either Rosco or Manfrotto. I think buying individual ones instead of large packs is smarter.

Clothespins, aluminum foil, and white sheets are all helpful and you can get them at Target.

That's all I use personally, but a lot of professionals, such as Rodrigo Prieto, use these, so if you have a thousand dollars to spare. On the other hand, short of occasional Arris in larger spaces, Roger Deakins tries to use mainly incandescents indoors, often with China balls, or China balls that have had half of them spray painted black.

Inside rigging is easy, but outside, sticking a two-by-four in the hole of a cinder block can work well.

Dont forget to get extension cords, power strips with circuit breakers, and maybe some plug in dimmers, though for incandescents, you should always dim by changing the bulb wattage and for those halogen work lights, they get way orange when you dim.

Also, I didn't include China balls because I could link you to ten dollar ones, or you could get them for a dollar each at Chinese gift shops, dollar stores, whatever.

Yes, there's a market for all body types. Many sex workers are pleasantly surprised at the level of demand for their "look". However, you will likely need to hustle more and it may take you a little longer to find your audience if you don't have a classically beautiful body. CamModelMom has tips on getting started as a plus size cam model.

You can get started with just your computer's webcam or a phonecam. People have shot feature films on phone cameras.

The key to getting good video out of a phone camera is to learn to take advantage of natural lighting, and lights you already may have (such as desklamps, worklights, Christmas lights). I recommend reading about how to light / film yourself first, then decide what kind of lighting you need:

• lighting
  
• how to film yourself
  
  If you have some money to spend, I would recommend the following as a basic kit.
  
  Camera, and camera boom. The Logitech C-922x has a built-in microphone.
  
  
• Logitech-C922x webcam - $75.00
  
• Smatree Flexible Webcam Boom - $17.00
  
  Next, upgrade your lighting:
  
  
• Emart 600W lighting kit - $60.00
  
  Finally, upgrade your sound:
  
  
• Blue Yeti microphone - $130.00
  
• Blue Radius II Microphone Shock Mount for Yeti - $50.00
  
• Microphone boom stand - $71.00
  
• Blue Yeti pop filter - $25.00
  
  You can spend hundreds or thousands more for better quality and easier to use equipment, but with the above kit, you should be able to get professional results. Depending on what your niche is, it may be worthwhile to spend money on costumes, tip-activated sex toys, room decorations, BDSM equipment, etc.
  
  
  

If you can do natural light, it is always best!
I got a set from amazon awhile back that I use ...
http://www.amazon.com/LimoStudio-Photography-Portrait-Umbrella-Continuous-Lighting/dp/B005FHZ2SI/ref=sr_1_5?ie=UTF8&qid=1413006810&sr=8-5&keywords=photography+studio

It's pretty nice having more then one light.
It depends also on the videos u r making.
What's ur youtube name?
MIne is Shopaholic Not So Anonymous

Hello! Here's a look out of my comfort zone, I usually stick to neutral warm shades like oranges and browns but I decided to try something new.

PRODUCTS USED
Anastasia Beverly Hills Dipbrow Pomade in Chocolate
Nyx Brow Mascara in Chocolate
Colourpop Shadow in I Owe You (transition shade)
Colourpop Shadow in Paradox (maroon)
Colourpop Shadow in Central Perk (brown)
Citycolor Shimmer Shadow in Beach Cottage (green)
Nyx Crystal Liner in Crystal Silk
Nyx Face & Body Loose Pigment in Gold (inner corner)
Too Faced Perfect Eyes Waterproof Liner in Perfect Black
Too Faced Better Than Sex Mascara
Ardell Lashes in 207
Too Faced Born This away Foundation in Warm Beige
Nyx HD Concealer in Beige
LA Girl Loose Powder in Banana
Tarte Bronzer in Park Ave. Princess
Anastasia Beverly Hills Glow Kit in Snow & White Sand

LIGHTS
Photography Photo Portrait Studio 600W Day Light Umbrella Continuous Lighting Kit by LimoStudio, LMS103 https://www.amazon.com/dp/B005FHZ2SI/ref=cm_sw_r_cp_apip_hO9PcBfKm1jNY

Good comments from u/thnikkamax - I'll add that for location shooting, a popup reflector or even a sheet of foamcore can make a big difference - if you can get someone to hold it. Watch some youtube videos showing how to hold and angle a reflector; and grab it yourself and look at the subject while you lift it, angle it, play with different heights and angles. Then tell the assistant "hold it like this". Usually up pretty high, and angled up, gives a natural look. Distance from the subject can control how much it fills in shadows. Some popups have a choice of white, silver, and gold - all have different looks. Gold is often good to blast hard light from the back on hair and shoulders.

I'm a novice, but I've always liked doing portrait like shots, especially in sunlight, and would love one of these to try out.

I use lighting like this for my streams and I love it. It’s more bulky than a ring light for sure and I place them feet from my desk so it may not be viable but I deal with a lot of light sensitivity/photophobia so I’m unable to use a ring light. This may not be an option for you but if you have issues with light it’s perfect for being well lit without the pain.

The wide crop works well for leading your eyes for sure and would say looks better. It looks like some of the detail is back in the flowers, but still not very high. I believe that is due more to it being bright outside and just having detail bled out from the sun. Thinking about that did remind me, that if you have a light reflector with a translucent/shoot through (something like this: http://www.amazon.com/gp/product/B002ZIMEMW) you could have someone going around shading the plants for you so you have even lighting, but this could cause it to be too dark? You'd have to see, but the use of another reflector and then you could throw controlled light back in or use a flash to get the lighting desired.

Awesome! I hope you do trying it out! Here's what I got.

Camera: https://www.amazon.com/gp/product/B019UDIDXS/ref=oh_aui_search_detailpage?ie=UTF8&psc=1

Audio Recorder: https://www.amazon.com/gp/product/B01DPOXS8I/ref=oh_aui_search_detailpage?ie=UTF8&psc=1

Mic (Same we use for podcasting) https://www.amazon.com/gp/product/B001IPUJJI/ref=oh_aui_search_detailpage?ie=UTF8&psc=1

Lighting Kit: https://www.amazon.com/gp/product/B00KRN0SEI/ref=oh_aui_search_detailpage?ie=UTF8&psc=1

Ring Light: https://www.amazon.com/gp/product/B00O1UCDKU/ref=oh_aui_search_detailpage?ie=UTF8&psc=1

I have a subscription of Adobe Creative Suite and use almost all of it. After Effect and Premiere. We use Cubase for audio engineering but Audition is great too.

I just recently started using this one. Maybe not the highest quality, but I do photography just for fun right now, so there's not much point in shelling out $50 or more for a nicer one. It does the job and it's easy to carry.

I work Streamate and have been a full time cam girl/escort for 4 years. Equipment matters! The better your stream, the better your traffic, visibility, and money.

1. Ideally you need a laptop or computer with an i5 or i7 processor
   
   
2. Technically no, you don't NEED a fancy cam. But if you want to make money, you should invest in one. The most popular cam for camgirls right now is the Logitech c920, which runs 60-70$ currently.
   
   
3. Invest in a set of umbrella lights. I use these. They're $40 on amazon:
   https://www.amazon.com/dp/B004TSCARK/ref=psdc_14014911_t1_B005FHZ2SI
   
   
4. The more time you put into cam and treat it as an actual, real job, the more $$ you will make.

The basic principles of light are quality, direction, and luminosity.

Quality is how hard or soft the light is. Having a larger light source will produce softer light, that's why softboxes are so large. Keep that in mind if you're going with a DIY option. (Also remember that larger is relative to the subject, so having a light a lot closer makes the light larger, and therefore softer)

Direction is obviously the direction of the light. The most popular use of lighting in facecams is two lights each at 45 degrees from your face. This will give the most even and pleasing light. Experiment and see what you like. Other uses for a two light setup can be things like key light, fill light, and rim light. Look these terms up if you want to learn more.

Lumonisty is the power of the light, and this can be controlled through the light itself or the exposure settings of your webcam. Try to find a good balance and capture realistic skin tones.

Using these principles this is how my facecam looks using two of these and a Logitech C920

I prefer OBS for software. It's lightweight, easy to use, and gets the job done. XSplit is a bit more feature rich but for most people's uses OBS will work.

As far as your camera, if you want to do a camera setup the most important thing is lighting. Really any HD webcam - I prefer Logitech models - up through an actually professional camera will work. I like using a greenscreen but regardless of if you use one or not you have to have good lighting. Using normal household lighting might work, but I'd suggest getting some cheap studio lights. I picked up this and it works just fine.

It takes a lot of work to get lighting and camera settings just right, so just take your time and work on it. I'm still not 100% happy with my setup, but that's something I'm going to be working on while I'm on a break from streaming.

Depends on the desk specs I would assume and if you want them to face outward towards the user. You’ll need something rigid to tack/attach the diffusion material and custom form it to the edge of the desk (if I’m understanding that correct, that is).

There are diffusion gels (they’re like thin plastic sheets - paper thin) and fabrics (typically used in photography) that you can cut and wrap around a frame. Order a Rosco Swatch Book to see what would work for you.

Or you can do indirect placement and put it under/behind the desk. Don’t necessarily need diffusion if you’re hitting the wall or something since you 1. Would be using the wall as a sort of diffusion and 2. Won’t be looking at it directly. Unless you can see hot spots/uneven light spread, you may not need anything.

Overall, I would recommend an aluminum rail LED strip housing with diffusion insert. I would recommend these for almost every home LED project, outside of anything drastic which would require much more work. This is the easiest and best looking solution.

When you bounce off a wall, you're simulating a much larger light source (the whole wall). Outdoors where there is nothing to bounce off of, try putting something large and translucent (a scrim) between your flash and your subject. Look at http://www.amazon.com/Neewer-110CM-Collapsible-Multi-Disc-Reflector/dp/B002ZIMEMW/ref=sr_1_3?ie=UTF8&qid=1371494710&sr=8-3 and http://www.amazon.com/Fotodiox--1-4872-Premium-Reflector-Collapsible/dp/B003Y2EOBW/ref=sr_1_5?ie=UTF8&qid=1371494710&sr=8-5 and http://www.amazon.com/Fotodiox-10BG-57-DIF-KIT-Collapsible-Diffuser-Lighting/dp/B003Y2KSF8/ref=sr_1_6?ie=UTF8&qid=1371494710&sr=8-6

Or just make your own with some PVC pipe and white ripstop nylon. I'm sure you can find plans online for gratis.

The strobe illuminates the entire surface of the scrim, which then acts like a big sexy window light. This is what you want. If it's really sunny out, you can use one scrim to create portable open shade, and another to bounce the sun under it for fill light, and then you don't need a strobe at all. Just two or more minions to hold reflectors for you.

Thanks a bunch!

Every photo since 2013 makes use of these speedlites : http://www.amazon.ca/Neewer-Speedlite-Panasonic-Fujifilm-single-contact/dp/B004LEAYXY They are regarded as the best speedlites for their quality/price ratio.

I also bought these reflectors : http://www.amazon.com/Neewer-43-Inch-Collapsible-Multi-Disc-Reflector/dp/B002ZIMEMW

I had the silver one positioned at a 45 deg. angle acting as a key light, reflecting the sun coming out the window.

I'm playing with some umbrellas and softboxes these days, but I'm achieving a lot already with my speedlites and reflectors.

Good luck!

Ok so I'm in the US so prices might be different but I found this softbox which has pretty good reviews. I'm not sure what the kit includes as I can't read German but it looks like what you are in search of.

Personally I had to buy my softbox, stand and ring for the speed light separately but I got everything off of amazon (USA site.) You can probably just do a search and find all the things you're looking for.

Edit: I'm not sure if the link is showing up for whatever reason but it was https://www.amazon.de/gp/aw/d/B00PIM3I6I/ref=mp_s_a_1_15?__mk_de_DE=ÅMÅZÕÑ&qid=1494424530&sr=8-15&pi=AC_SX236_SY340_QL65&keywords=softbox

I bought mine locally but this is the exact set I bought. in my video I was only using the one with the weighted stand. perfect for that overhead lighting and getting the whole kit. I absolutely love them all so far.

LimoStudio Photo Video Studio 2400 Watt Softbox Continuous Light Kit with Overhead Head Light Boom Kit, AGG891 https://www.amazon.com/dp/B008GWH7VE/ref=cm_sw_r_cp_api_i_Rz5HDbDN9FYJ8

I got this, it seems like a good amount of light for the money. My backdrop, I just got piece of sign from home depot that was pretty white, and a bit rigid, but still flexible, taped it to a table, and up the wall. I was pretty impressed with the light, its probably not amazing, but the price was right.

I'm in the midwest so I know how this is; I'm at work during the best natural light hours and in the winter it's just gray all the time and it gets dark so early.

It's a little bit of an investment, but I bought this light to take photos with (you can look around at other lights, this one had the best price as far as I could find at the time). It's collapses so you can store it under your bed or in a closet so it's apartment friendly.

https://www.amazon.com/Neewer-43-inch-Collapsible-Multi-Disc-Reflector/dp/B002ZIMEMW/ref=sr_1_4?s=photo&ie=UTF8&qid=1480092542&sr=1-4&keywords=REFLECTOR

I've used these for several shoots with great success. for 20 dollars build quality is great and i dont see them falling apart anytime soon. Unless youre going to be shooting a loooooot of portraits i wouldnt spend more.

Will this light kit be adequate for small product photography for creating that seamless white background effect? Specifically fishing lures for a web store. I would get one of those soft box kits but I would like to use these lights for other things. Like setting up a green screen studio for my young nieces and nephews. Thanks

http://www.amazon.com/gp/product/B005FHZ2SI/ref=ox_sc_act_title_1?ie=UTF8&psc=1&smid=APGNKGIBL58YH

Hi! I know nothing about photography, but my sister is learning and playing around with it, and I wanted to get her some film & accessories for Christmas. She has a Minolta x700 that used to be my mother's. Any pointers on good things to get that would go with that? Thanks!

Edit: Decided to get her an entry-level umbrella lighting kit. Figured she'll get a lot of mileage out of playing with lighting.

I'm glad you're learning through my experimentation haha. I bought this kit for 33 shipped,

https://www.amazon.com/Photography-Continuous-MOUNTDOG-Professional-Equipment/dp/B07G3423NQ/ref=mp_s_a_1_2?ie=UTF8&qid=1541789325&sr=8-2-spons&pi=AC_SX236_SY340_QL65&keywords=light+softbox&psc=1. It works really well.

Yeah the picture you linked was one of my first with multiple light sources. Definitely come a long way since then in a short time.

Hmmmm, personally I would go with the less expensive camera and a nice lighting setup. Then I would upgrade your camera later on if you want/need to. I don't know that camera but it seems to have pretty good reviews. If you are just using it for facecam with gameplay then you'll be scaling down the video anyways so it shouldn't matter as much.

I use two of these lights for my lighting and it works well.

You can buy LED lights if you aren't interested in strobes, but you never know.. maybe you'll really take off! Before I got my strobes, I used these from Promaster for lighting smaller areas and they worked like a charm (keep in mind they can get a little hot - don't cook the baby!). But if you're interested in something a little more professional:

The strobe

I personally use a single AlienBee B800. You may be able to photograph newborns with a B400 (a bit more affordable, but pumps out a little less light) version since it won't require you to light many large areas.

The modifier

Then you'll need a modifier to put on it so you can spread that light around the set cleanly. I prefer to go with Fotodiox products, as they are cheap and affective. I own the Fotodiox 36" Octabox.

Then of course, you'll need decent light stand to put them on.

Depending on how you position your strobe, you may also want to get a little reflector disc so that you can bounce light into areas that are too shadowy in your shot. You can also just do this with a regular ol' white foamcore board.

You will need a flash, and most likely your on camera flash will not be enough.

You will need an E-TTL flash so that you can take pictures on the fly without having to adjust the power of your flash. You can buy a 3rd party one or a Canon version, or rent one if you want.

You will also want something to diffuse the light. There are simple caps, on-flash soft boxes, and another that seems to be popular is the Gary Fong Lightsphere. I personally use an on-camera softbox as it offers the largest light source, though the lightsphere seems to work pretty well too and isn't as bulky and fragile. These things also should be used in close range, over about 10ft the diffusion quality diminishes and they require too much power to light the subject.

I agree with u/greypowerOz, I'd definitely start looking into off-camera flashes! My favorite OFCs are actually super affordable, they're the Neewer TT560 and they're great starter flashes. You can also gel them really easily with a pack of these: https://www.amazon.com/Rosco-Lux-Small-Swatchbook/dp/B0002ER2YG. It's a sample cine gel pack; I got mine for free in film school but they're wicked cheap and the perfect size for flashes.

Open Source Software

• exiftool Command-line metadata editing tool.
  
• dcraw Command-line RAW processing tool.
  
• GIMP Photo editing.
  
• Blender Video editing.
  
• Audacity Audio editing.
  
• OBS Studio. Realtime streaming and clip production.
  
• Darktable. Light table and raw developer.
  
  Proprietary Software
  
  
• ManyCam Pro - freeware software that enables webcam use with multiple chat applications simultaneously, such as Skype, Omegle, Chatroulette, MSN, or YouTube
  
• OnyxServers - white label video streaming / hosting service
  
  Hardware
  
  
• [Logitech C922x webcam] (https://www.amazon.com/Logitech-Webcam-Widescreen-Calling-Recording/dp/B01LXCDPPK/) - well-reviewed webcam.
  
• [Fovitec StudioPRO softbox lighting kit] (https://www.amazon.com/Fovitec-StudioPRO-Softbox-Lighting-Softboxes/dp/B00KRN0SEI) - Good lighting is essential for high quality videos/photos.
  
• Blue Yeti microphone - well-reviewed microphone
  
• Microphone shock mount - Reduce rumbles from stand / desk.
  
• Microphone foam windscreen - Reduce pressure on the microphone sensor from wind, breath blasts, and splosives ("b" and "p" sounds). One thing to note, a mic windscreen often will dampen higher frequencies more than a pop filter will.
  
• Microphone pop filter - Same purpose as foam windscreen, but doesn't dampen high frequencies as much.
  
• Microphone boom stand - Useful if you want to capture good sound on your bed / couch.
  
• HyperX Cloud II USB Headset - good for phone sex, video editing.
  
  Tutorials
  
  
• DIY ultimate tripod with camera boom
  
• DIY Mini Camera Jib Crane $25 dollars
  
• Easy DIY Camera Crane Jib - Complete parts list

I have this cheap light kit from Amazon: https://www.amazon.com/Photography-Portrait-Umbrella-Continuous-LimoStudio/dp/B005FHZ2SI/ref=sr_1_3?ie=UTF8&qid=1517634363&sr=8-3&keywords=light+kit

I use it for taking documentation pictures of art. It's pretty good, the bulbs that come with it aren't particularly bright, so I bought some of the same brand's larger bulbs. They're daylight balanced.

Depends on what kind of photography you'll be doing of course, if you plan to be hand holding, shooting people etc, you'll probably still want to use flashes (maybe as supplements to the light kit) or brighter lights.

Consider lighting instead. All cameras have noise problems. The expensive ones just have better low light conditions. If I were you I'd rather get a light kit (you can Amazon a 3 light kit and get one for under $150). Look up three point lighting and go from there. Cameras are expensive but they also might not solve your problem. Lights always will given that they gave enough watts.

Here's a good starter kit:
https://www.amazon.com/gp/aw/d/B005FHZ2SI/ref=mp_s_a_1_1?ie=UTF8&qid=1482256333&sr=8-1&pi=AC_SX236_SY340_FMwebp_QL65&keywords=light+kit

If you're keen on getting a camera look into repurposing a DSLR as a webcam. However for streaming purposes I really don't think you need much more than a $100 webcam.

Hope this helps,
Chris

I'm looking to get into shooting more 'studio' portraits. I want to get a cheap continuous lighting set-up for my house, that way I can use it for filming and also for some portrait work with analog cameras. Do you think that continuous lighting would be enough? I shoot with pretty fast glass normally. I was looking to get the Neewer 700W Set because of the price and I have had good luck with their products in the past. Any suggestions or advice is appreciated!

That lighting backdrop looks good. You'll then need to solve the problem of softening light sources on the sides. You could do the backdrop and use a larger box with paper windows to diffuse light, or pick up some continuous lighting and umbrellas.

http://www.amazon.com/LimoStudio-Photography-Portrait-Umbrella-Continuous-Lighting/dp/B005FHZ2SI/ref=sr_1_1?ie=UTF8&qid=1421634201&sr=8-1&keywords=Continuous+lighting

As far as cameras go, you don't need latest and greatest. Get a model a few years old and a telephoto lens. I would suggest something with live View so you can judge exposure. I would actually say that in your situation, a decent Micro 4/3s camera would be perfect. Even a Sony NEX would be fine. They are both interchangeable lens cameras. They both offer cheap telephotos too. Again, you don't really need a macro lens.

http://www.amazon.com/Sony-NEX-5TL-Compact-Interchangeable-Digital/dp/B00ENZRP38/ref=sr_1_1?ie=UTF8&qid=1421634410&sr=8-1&keywords=Sony+nex

http://www.amazon.com/Sony-55-210mm-F4-5-6-3-E-Mount-Cameras/dp/B00HNJWSDS/ref=sr_1_3?ie=UTF8&qid=1421634575&sr=8-3&keywords=Sony+NEX+telephoto

Thanks! I've been eyeing something cheap like this (comes with stand):
https://www.amazon.com/Photography-Portrait-Continuous-LimoStudio-LMS103/dp/B005FHZ2SI/ref=sr_1_2?s=photo&ie=UTF8&qid=1474599365&sr=1-2&keywords=light+set

Have you used the neewer one? Seems like it would be a great key light. I've heard the cheaper ones can sometimes have flicker problems, but the reviews are kind of amazing for it only being $33. Might have to pick it up. What's your lighting like?

Just had my first paid shoot last night with some old high school friends. I'm not too psyched with how it ended up whatsoever, but they like the pictures and I only charged $20 for the whole thing.

Anyways, I'm pretty happy with my compliment of lenses and I'm looking to start investing in some more auxiliary gear.

Should I get this 43'' reflector, or will the 24'' get the job done for portrait shots?

Will this wireless remote get the job done?

Lastly, next time I get paid I'm going to invest in a speedlight. What are some decent entry-level ones?

Edit: My bad, Canon Rebel t3i

It depends. you can get away with it with regular house lamps, or get a lighting kit
here is one i bough, but takes a bit of room . If going with regular house lamps, make sure it casts light evenly and does that you dont cast a shadow on the screen.

https://www.amazon.com/gp/product/B005FHZ2SI/ref=oh_aui_detailpage_o04_s00?ie=UTF8&psc=1 They sometimes go on sale , and i was lucky to get mine for 35 dollars. Very good lighting!

Aww thank you! I've seen your posts around, I love your pics!

I bought some umbrella lights awhile back, and I usually have them out while I'm taking a photo-set. It makes a big difference, especially since the natural lighting in my apartment isn't the best. These are the ones I have :)

Are you using Lightroom? Also, I'm not sure how much money is low budget but you might want to consider some lights like these. If any of that is too expensive, then you might have to create something. For instance, look around for pallet boards. Stores sometimes throw them away. Tear off those planks and nail them together to create a large-ish "wall" that you can take outside for natural lighting. Then you can use props accordingly. Does that make sense?

Speedlite holders: https://www.amazon.com/gp/product/B00JS3MINC

I own a couple of these and they are fantastic!

Gels: https://www.amazon.com/gp/product/B00URG1C2C

No need to go with the expensive Rogue set. I love these by Selens.

Lighting gear bag:

https://www.amazon.com/gp/product/B00LEE7J0U

This has been put through a bit of use and has held up great so far.


Lighting stands

https://www.amazon.com/gp/product/B00L4YR0BS/

Speedlites

https://www.amazon.com/gp/product/B010XCEABO/

I use this three-point lighting set bought on Amazon. A little pricey but it works amazingly.

The only caveat I would say is that in very dark portions of a game it can become difficult to make out what's on the screen with the bright lighting behind. I have a brighter set of dual monitors on my "someday" list.

You can check out one of my past broadcasts if you'd like to see what it looks like in action.

unfortunately i only have time to make video at night.

Clamp light like this one ?

For the light bulb, how many wattage do i need for a small room (10 feet x 9 feet)?

I think i can buy one cheap diffuser, but i don't know the differences between the one that looks like umbrella, or softbox

If i can only buy one, which 1 is better?

Thanks

In order to take good pictures of art, you should find the most diffuse light you can, this'll prevent whitewashing half your picture. I've found that sunlight through clouds is pretty good and quite bright. If you're doing this regularly, then it might not always be ideal conditions to go outside and snap a picture. You'll want to invest in an external flash or lamp and a light diffuser So that you can take good pictures indoors. Though you might have a florescent lamp or something that does acceptably, too.

Properly exposing is also important. If you're taking pictures indoors especially, you'll probably want a tripod so that you can take exposures as long as you need.

Also, try to get reasonably far away from the piece and zoom in if you have to, this'll prevent distortion. Try your best to frame the picture well and make sure that the piece is as square against the camera as you can get it.

It'll take a bit to get right, there are people who specialize in photographing art. But once you've got a system down, it doesn't take a minute to do.

If you're working small, you might be able to use a good scanner (though crappy scanners will result in crappy scans, especially of art. They're usually designed for text, which means the the colors will be washed out and the contrast absurd. Make sure you research a scanner before you buy one.) but that's not really an option if you're working on a larger artist's pad, oil painting, or doing anything that's shiny or bumpy.

New to photography. Apologies if this was discussed elsewhere on here but I could not find it for the life of me. I recently decided to try off camera flash and bought a Godox TT685N kit and a octo softbox to diffuse the light. I'm really enjoying shooting with it but I can't help but notice sometimes that I have shadows in places I don't want on my subject and was wondering is it a good idea to buy another flash or combine flash with continuous light or some kind of fill light to save a little money? So far the speedlight is the only lighting equipment I use and I primarily shoot indoors. I was looking at these to add to my lighting kit https://www.amazon.com/gp/product/B017D7W57S/ref=ppx_yo_dt_b_asin_title_o01_s00?ie=UTF8&psc=1

I pickup up a set of these a little while back:

Rosco Rosco Lux Small Swatchbook https://www.amazon.com/dp/B0002ER2YG?ref=yo_pop_ma_swf

It was like $5. I pulled all of the shades of orange to find what works best with my phone/lights.

As a bonus there's a bunch of reds that you can cover your flashlight with to do some night creeping!

My lamp: https://www.amazon.com/gp/aw/d/B00I2S7MHQ/ref=psdcmw_1063292_t1_B00WFZS55A

Softbox: https://www.amazon.com/gp/aw/d/B0093OWIYA/ref=pd_aw_fbt_421_img_2?ie=UTF8&refRID=BSC20C7JTC1YYXM1ZQJT

Bulbs: https://www.amazon.com/gp/aw/d/B00HNEPPJM/ref=ya_aw_od_pi?ie=UTF8&psc=1

If you get a lamp that can fit that softbox and fire those bulbs, you should have a decent setup. You can check my VODs if you need examples. I hope my links are good, because I am on mobile haha. But yeah, that setup works wonders for me so far.

Well if amazon ship to your country you are in luck.
http://www.amazon.com/CowboyStudio-Photography-Photo-Reversible-Background/dp/B0064L8KYW/ref=sr_1_10?s=photo&ie=UTF8&qid=1450894331&sr=1-10&keywords=green+screen
and if you really wanna go super professional you can buy this
http://www.amazon.com/LimoStudio-Photo-Video-Studio-Light/dp/B00LV46738/ref=sr_1_7?ie=UTF8&qid=1450894424&sr=8-7&keywords=chroma+key
or if you wanna build it
http://lifehacker.com/5644256/make-a-portable-green-screen-on-the-cheap

I think I may have close to the same lighting as u/cannondale1986 does. Here's a pic of one of the lights and one of mine and my husbands setup with the lights on - http://imgur.com/a/y1X3Z

Here's what we bought.

LimoStudio 2 Sets of 18W LED Photography Table Top Photo Studio Lighting Kit with Energy Saving Light Bulb and Light Stand Tripod, AGG1077 https://www.amazon.com/dp/B00DP65ARO/ref=cm_sw_r_cp_apap_rNuV7xRmksQbV

CowboyStudio 9-Inch Portable Quick Setup Speedlite Softbox with Velcro Strap for Nikon Canon Flash Light (Black) https://www.amazon.com/dp/B0093OWIYA/ref=cm_sw_r_cp_apap_WvhgqzWOjwwaF

We didn't have many places to put the lights on the desk, so we took them off their stands and figured out a way to anchor them to the wall. It works out fine for us because it's a fairly small room to do that in. The setup is easy to figure out when it comes to hooking the stand to the lamp. The only tricky part is if you're using a softbox to diffuse, you need to take the metal lamp shade anchor piece off by removing the nut and then put the light into the softbox. You can then put the the pieces back together and you're done. Here's the YouTube video I used to figure it out - https://youtu.be/Ek-VoKte9ts

Also @u/cannondale1986 - Hopefully my husband and I see you around the TwitchRP community. :-)

Hello!
I'm trying to build a small studio on a budget, since I don't really know that much about lighting and equipment, I'm shopping by best sellers/most reviews on Amazon, I will be doing portraits photos.

https://www.amazon.com/Photography-Portrait-Continuous-LimoStudio-LMS103/dp/B005FHZ2SI/ref=sr_1_3?s=electronics&ie=UTF8&qid=1511300862&sr=1-3&keywords=lighting+kit

And what about this for the stand?

https://www.amazon.com/dp/B00E6GRHBO/ref=sxbs_sxwds-stvp_1?pf_rd_m=ATVPDKIKX0DER&pf_rd_p=3341940462&pd_rd_wg=jm5yS&pf_rd_r=XZG63ZDMVDGWZAPMBNH4&pf_rd_s=desktop-sx-bottom-slot&pf_rd_t=301&pd_rd_i=B00E6GRHBO&pd_rd_w=JmGsI&pf_rd_i=lighting+kit&pd_rd_r=abee786f-075f-4975-acf1-144b8e613585&ie=UTF8&qid=1511300901&sr=1

Thanks a lot!

You're welcome! Here is the link

This link is especially cool because you can choose to buy the whole set at once or just parts. So if anything ever breaks or you want more of one thing, you can always take care of it!

If you’re looking for a reasonably priced lighting setup, here is what I use:

Photography Photo Portrait Studio 600W Day Light Umbrella Continuous Lighting Kit by LimoStudio, LMS103 https://www.amazon.com/dp/B005FHZ2SI/ref=cm_sw_r_cp_api_XMmVBb2BH6EX3

I like the flexibility with having more than one light and the umbrellas really soften the light, giving a much higher quality of light. And if you ever desire to use a green screen, these can throw a lot of light on that to smooth out any shadows. It’s a solid setup for the price.

Best single-speedlight softbox? I've narrowed it down to 3 from amazon.ca (I'm Canadian). Cheers!


80cm Umbrella/Softbox Hybrid https://www.amazon.ca/Neewer-Octagonal-Speedlite-Speedlight-Photography/dp/B00PIM3I6I/ref=pd_cp_421_1?ie=UTF8&psc=1&refRID=490C3RA3JDVRJ1MVAX65
120cm Umbrella/Softbox Hybrid https://www.amazon.ca/gp/product/B00PIM3I7W/ref=s9_simh_gw_g421_i1_r?pf_rd_m=A3DWYIK6Y9EEQB&pf_rd_s=desktop-1&pf_rd_r=T6VB1JZ3BEWFBSR1TP56&pf_rd_t=36701&pf_rd_p=b06971ce-9992-44c1-9ee0-eb9792e71b5e&pf_rd_i=desktop
Traditional Shoot-through 24x24inch softbox https://www.amazon.ca/Neewer-24x24-Inch-Professional-Off-Camera-Photography/dp/B004XY65WQ/ref=sr_1_11?s=electronics&ie=UTF8&qid=1466446284&sr=1-11&keywords=softbox

Not the other guy, but for $200 or just over, you can get really good images.

What you need:

• flash: try a godox tt685 ($110)
  
  
• trigger... x1t ($45)
  
  
• lightstand: just get some cheap amazon one ($15)
  
  
• try an umbrella soft box thing ($26)
  
  
• speedlight holder thing that holds an umbrella](https://www.amazon.com/Anwenk-Speedlite-Umbrella-Reflector-Holder/dp/B072JRNNTG/ref=mp_s_a_1_2?crid=2C3FCKUUBCFAW&keywords=umbrella+flash+bracket&qid=1556913624&s=gateway&sprefix=umbrella+flash+&sr=8-2) ($10 - $15)
  
  
• something white to bounce light, like a sheet of poster board or just use a white wall. To fill in shadows.
  
  
• optional: a second flash for a hair light (anything cheap that has optical slave mode will do) + second light stand + flash holder bracket etc. Or just prop it up on a shelf.

Personally I just went for it and got
https://www.amazon.com/dp/B005FHZ2SI/ref=cm_sw_r_cp_api_kfVByb3M3GG3G

Worth it. Brought them with me in Christmas to get good lighting for photos. Great success!(;
Came with carrying case and everything!

I bought this recently. It's fucking great. Two umbrellas two softboxes three backdrops and frames and tripods for all of it. Works great so far.



https://www.amazon.com/dp/B00LV46738/ref=cm_sw_r_other_awd_VwPPwbG1DHRE5

Photography Light stands are your best friend. Anything that has a camera mount (threaded screw that goes into the bottom of a camera) will work with the rift sensors.

I bought this kit for my wife's dress photography sessions but she stopped using them. The stands are PERFECT for either a full 3 sensor room setup OR just the rear sensor.

I do a beauty channel so my lighting setup will be different than the look you are going for. I looked up Chael and it looks like he at least uses a ring light and a background light. You can get a lot of use out of a cheaper lighting system like this one. I’ll try to link you; also what camera are you planning to use? https://www.amazon.com/Fovitec-Photography-Continuous-Equivalent-Softboxes/dp/B00KRN0SEI/ref=as_sl_pc_tf_til?tag=lorryhill-20&linkCode=w00&linkId=b7e44016ad0d59a26b439e43e9bce276&creativeASIN=B00KRN0SEI

I used one of these cheap 30 inch umbrella style octa-softbox. I used it without the diffuser since its an indirect softbox anyway, wanted more specular look since it was sunny out plus saved my light the work of having to put out extra power for the same exposure.

Also used a 1/2 CTB gel on the flash since I am shooting them in the shade. This helps warm up the photo and keeps the shadow side of my subjects faces closer to the same WB as the lit side.

Hey guys! So I decided to upgrade my cheap Amazon lighting kit to something with diffusers and more bulbs. I'm 6'4" ~241lbs. Diet-wise I conditioned myself to under ~50 grams of carbs a day for 2 weeks with 3 gallons of water a day (ouch). Then 24 hours prior I carb loaded and basically dehydrated myself to pull out any hydration under the skin. Thanks for all the advice and photo tips from my last shoot! It really helped showing off my strengths. I've attached a couple more photos that my girl took, plus a photo that displays my height. Any more tips for next time would be appreciated!

https://imgur.com/fYZtQtb.jpg

https://imgur.com/7NzyvzM.jpg

https://imgur.com/mS7s21z.jpg

https://imgur.com/Pu28ehg.jpg

She shot it on her Cannon t6i and the new lighting kit is Fancierstudio Lighting Kit 2400 https://www.amazon.com/dp/B0047FHOWG/ref=cm_sw_r_sms_apa_i_nzQCDbYPPNCFV

1. Found this cheap reflector on Amazon, will it work fine for photographing models outside or should I rethink and buy something more expensive? http://www.amazon.com/Neewer-43-Inch-Collapsible-Multi-Disc-Reflector/dp/B002ZIMEMW
   
   
2. I'm also looking at getting this lightstand: http://www.amazon.com/Neewer-Photography-Relfectors-Softboxes-Backgrounds/dp/B00K69A0QY/ref=pd_sim_p_10?ie=UTF8&refRID=0D4BMN9Z97PRH719JW48 , but looking at pictures of that lightstand, it doesn't seem like it can be rotated or used like this http://www.cowboystudio.com/v/vspfiles/photos/8051-reflector-C%20holding%20arm-2.jpg , is that true? If then, can you point me to another relatively cheap light stand that has that capability?
   
   
3. What are some more things that I should consider buying for photographing models outdoors?
   

I sell clothing on eBay and I am wondering if this idea of mine is possible. I have this lighting kit. I want to be able to use it like an external flash trigger. So, the lights only turn on when I actually take a picture.

Is this possible? Is there some kind of thing I can attach to the outlet to only turn the lights on when I press a button or something? Thanks for any help.

Easiest thing I can think of to accomplish that is to get some cheap photography softbox lights. Those things are bright af, they fill the whole room if you position them correctly and the light is very evenly white. Would that qualify?

Like these

Thanks!

I used two of these and this set of colors.


Easy results for under $100. around $100.

EDIT: Oh yeah, and this for my off-camera triggering system.

All those items are pretty cheap. The reflector is 15 bucks on amazon. [The foam core is also about 15 bucks]
(http://www.officedepot.com/a/products/334961/Office-Depot-Brand-Sturdy-Board-Foam/) (and get a black version for your flag). And yes, foam board is used for bounce. It gives off a spread-out, diffused light that's good for a lot of situations.

A lot of people will start off with the Panasonic G7. It's basically the cheapest 4K interchangeable lens camera you can get right now. The quality of the video is really good, and if has a microphone input if you eventually choose to add one of those to your setup. Using a 4K camera will also help you be a little more accurate with your post production when working with a green screen.


For the green screen and lighting, just start with a backdrop kit. The key to green screen is not necessarily using an expensive kit. What you really need, is consistent lighting across the backdrop, and that kit will be a good start to be able to do that.

Weekends are my busiest streaming days since I normally run from 12pm-1am but I'll try to throw a guide together this weekend and post it on the sub.

But for you:

LimoStudio Green Screen Stand - $35

LimoStudio Green Screen - $18

LimoStudio Studio Light Umbrella Kit - $52

Alternatively, you could get the softboxes instead:

LimoStudios Light Softbox Kit - $77

What's interesting is Limo no longer sells the green screen and stand together without the lighting kit but I don't think that's a deal killer.

Alternatively, if you want the full setup in one go, with two umbrellas, two softboxes, four light stands, a green screen and stand, and a black and a blue backdrop. The only thing substantially different from this kit is that it leaves out the third, small light stand from the umbrella kit that is typically used to project light on the subject's back to create a "highlight" on the outline of the subject to help the chromakey separate from the subject and the green screen but I don't use this and don't have any issues.

LimoStudios Full Light and Backdrop Kit - $143

Also, quick question, when I make this guide do you think it would be helpful to provide light setup and position guides as well as chromakey guides?

Thanks for your great input. So I actually purchased this portable godox. Does this still require the Bowen's mount ring? https://www.amazon.com/gp/product/B0132I34K4/ref=ppx_yo_dt_b_asin_title_o00_s00?ie=UTF8&psc=1

"Gel" is indeed what you are looking for. (It's called gel because the filters used to be made from gelatin, but now it's a plasticy polyester film) What I would recommend is to find a theatrical supplies or lighting rental store by you and pick up a gel swatchbook so you can test the different colors on your actual lights. You may need to block the parts of the lights that the swatches don't cover, I'd suggest using aluminum foil and tape.

If you can't find a supplier near to you, you could order a swatchbook online: https://www.amazon.com/Rosco-Lux-Small-Swatchbook/dp/B0002ER2YG/ref=sr_1_1?ie=UTF8&qid=1495168846&sr=8-1&keywords=gel+swatchbook

In addition to the warmth, you might want to use a Rosco #119 or #114 which is a frost that will also help to soften the light.

I have this one: https://www.amazon.com/gp/product/B005FHZ2SI
I used to use a remote but I had to hide it in the pics so now I use voice commands or Android phones have a feature to take a pic when you place your hand in front of you, thats quite helpful.

Believe the hype. I almost listened to a couple Youtube 'pundits' trash them, but I think they're just going for controversy clicks (looking at you, Angry Photographer, and your consistently terrible advice). lol I'm glad I read reviews.

I'm using this Godox softbox, which mounts just like an umbrella (because it basically is). I also have a dual-head Bowens mount that I've yet to try (partly because I haven't needed the extra power yet).

I've got no real setup to show ya, partly because I'm still experimenting with all the modifiers I bought (they're so cheap!!), but also because a fluid setup is really its advantage. Every single shoot is different because the lights are so easy to move around, and quickly turn off and on. They're like shooting with SB900 flashes, only much more powerful and a much more reliable RF transmitter. Oh, and they recycle unbelievably quickly. I'm shooting bursts and they don't even break a sweat. And they have high speed sync, which my Einsteins, incredibly, do not.

I bought 2 of these lights on Amazon and am pretty pleased. I think there are some sets of 2 that end up being cheaper, but they have definitely made a difference in my listings!

I've been looking for some budget soft lights, I was looking at these https://www.amazon.com/dp/B07G3423NQ/ref=cm_sw_r_cp_apa_i_N8XACbM08GA1K

But I would love to know if anyone has better suggestions.