Reddit mentions: The best professional video stabilizers

The best answer is always finding someone who knows a LITTLE about what they're doing. Shaky video with bad sound is SO cringey to sit through - so give quality some thought.

As for what to use for cameras... Low light is your enemy. If your wedding and reception are outside, before sundown, cheap camcorders will work great... but if you'll be getting into darker spots, they're going to look terrible quickly.

Honestly modern cell phones spend a LOT of research dollars figuring out how to get the best video quality even in the hands of inexperienced users. If you're NOT going to have someone experienced using pro level gear, I think cell phones will do better than anything you buy for less than $500 on Amazon. You can google and find some examples of wedding videos shot on iphones that look positively amazing (Though, full disclosure, those amazing videos are usually shot by a pro who knows exactly how to get amazing footage from them. There's still a lot that can be improved with knowledge and experience, of course.)

If you want to get super smooth footage, you can get gimbals that will hold a phone perfectly steady, for not a lot of money.

So that's my recommendation - buy something like this - https://www.amazon.com/dp/B07BHCC3BV and put the best phone you can on it. Have someone practice for several hours with it to learn how to use it to the best of their ability (watch some youtube videos) and put them in the center aisle, around the third row! That's maximizing your chances of success!

All of that said - before you go that route - ASK YOUR PHOTOGRAPHER. All the time I'm shooting photos for someone that wants video, but can't afford it. If they think to ask me, I'll bring an extra professional camera and a really good microphone and I'll set that up in the back of the room for them. It's no replacement for a proper video filmed by an experienced videographer, but it does provide a good solid recording that they can rewatch... and I do that for free. Your photographer may be able to set their 'backup camera' on a tripod and hit record without charging you much for the small amount of effort! There's less security in that, and that's what I always tell people when I do it - "I'm not going to be standing there babysitting it unless you want to pay to have a videographer for that... so if your uncle bumps the off button... or someone knocks it to point at the wall... or stands in front of it... we won't get anything... but if you're okay with that risk and aren't holding me accountable for a service you're not paying for, I'm happy to do it for you.

So there's a million ways to do this. First, I'll start by saying that the two hallmarks of amateur video are:

1. Zero stabilization
   
2. Crap audio
   
   So to remedy that, you want:
   
   
3. Great stabilization
   
4. Excellent audio
   
   The first thing I'd recommend is to get a solid camera system setup. If you just want to make some fun short films without spending thousands of dollars, I'd suggest one of two kits:
   
   
5. A DJI Osmo Pocket camera system
   
6. A smartphone camera system
   
   The Osmo system ($400) is a tiny camera mounted to an electronic handheld stabilizer; it lets you get nice, smooth motion shots & can also be mounted to a tripod (various aftermarket systems are available for it).
   
   https://www.dji.com/osmo-pocket
   
   This setup runs about $400, plus the cost of a tripod. Here's a nice starter video tripod for $140 with a fluid head, which allows the camera to be panned & tilted smoothly:
   
   https://www.amazon.com/Cayer-BV30L-Professional-Mid-Level-Camcorder/dp/B0784CWMP4/
   
   Alternatively, most smartphones shoot 1080p video these days. In addition, you can tweak them out with additional software & hardware for enhanced functionality. I highly recommend the Filmic Pro software, which is available for both iOS & Android: ($15 or $20)
   
   https://www.filmicpro.com/
   
   If you have an iPhone or a Google Pixel 2/2XL, you can buy an anamorphic lens ($150), which gives you that nice widescreen look. That's a nice step up over the Osmo, as using say an iPhone allows you tap the screen to lock focus & also use a neat glass lens to get a great picture effect.
   
   https://moondoglabs.com/collections/lenses
   
   As far as smartphone stabilizers go, there are a variety available. I have a Smove gimbal & really like it:
   
   https://smove.video/
   
   Zhiyun has a good one on Amazon as well:
   
   https://www.amazon.com/dp/B07BHCC3BV
   
   So either the Osmo or smartphone approach gives you a great camera, plus an electric gimbal stabilizer, plus a tripod for fix shots & for doing pans & tilts, and some tricks for using it like a mini crane by tilting it & stuff. For editing video (on a computer), Blackmagic has a version of their pro-grade DaVinci Resolve 16 software available for free: (editing, color correction, etc.)
   
   https://www.blackmagicdesign.com/products/davinciresolve/
   
   As far as audio goes, it's pretty simple: use an external mic, and for vocals, keep it within 12" of the person's mouth. People generally either use a mic on a boom stick, or else a lav mic that you can clip to a lapel or whatever. You typically want to capture vocals & some environmental sounds, and then do foley (adding sound effects like putting a V8 engine on a Honda Civic, haha) & add some music & soundtrack stuff. There is software available for syncing up separate, standalone mics. If you have the budget available, the Zoom H2n is a great starter microphone:
   
   https://www.amazon.com/Zoom-H2N-H2n-Handy-Recorder/dp/B005CQ2ZY6/
   
   I use a Redhead windscreen on mine:
   
   http://www.redheadwindscreens.com/
   
   You can get cheap lapel mics too, for as low as $30 or so, that do a pretty decent job to capture people talking. But as far as making basic short films go, that's a pretty good ultra-budget setup...you get good video quality, good stabilization, and good audio recordings.
   
   The next step is adding some lighting into the mix, which really helps a ton. If you'd like to play around with things, simulation is available, from a variety of sources. One I really like is called Cine Tracer, which is a cinematography simulator for lighting etc., sold through the Steam gaming store:
   
   https://store.steampowered.com/app/904960/Cine_Tracer/
   
   Anyway, that's just a very, very basic introduction to some tools that can get you some great-looking stuff right off the bat. The minimum would just be sticking a smartphone on like a $30 tripod & shooting from there. A step up would be a gimbal system & separate audio system as discussed above, and perhaps a basic LED lighting kit. If you have a few grand to play with, they make some really stellar cameras in that pricerange now, such as this 6K camera for $2,500:
   
   https://www.blackmagicdesign.com/products/blackmagicpocketcinemacamera
   
   Great audio is also surprisingly inexpensive (relatively speaking, in terms of film equipment pricing). One of the first production-grade pieces of equipment I purchased was the Sanken COS-11D lav mic, which is used on a lot of movies & TV shows, and ran just shy of $500. That may sound like a lot, but an 8K RED Monstro digital cinematography camera starts at over $50k, so audio isn't that bad in comparison.
   
   So a big part of it begins with budget & what you plan on doing. If you're just goofing around with friends, get a decent fluid-head tripod & use your smartphone & Filmic Pro to make some cool stuff. Save up & add some lighting, and maybe a gimbal, and some audio equipment. There's so many things you can do super-cheap & still make it look cool!

This is a good place to start. Here are a few more thoughts/suggestions:

• Check the contents of the Lexar card, mine came with a mini card reader that works well.
  
• The gopro battery will be the limiting factor when continuously recording, you should test the maximum recording time before your wedding. Use the same settings and try to recreate the temperature it will be running at during the wedding.
  
• I highly suggest a product like this to give you peace of mind when you are using your gopro in the water. There are several cheap options on amazon.
  
• One thing that nobody has mentioned in this thread yet is sound. If you want the dialogue from your ceremony to come through the gopro will have to be very close. If there is wind it will be even more difficult to hear you. You'll get the best results if the case is not on.
  
• If any of your guests own gopros I'm sure they will be bringing them. See if they will let you borrow them for the wedding and pull the footage off of them afterwards. This way you can have multiple angles and make a really nice video later on. If he's up to it you can have the officiant wear a chest mounted gopro which will give a nice up close perspective and probably capture the best sound. You can get creative with any other angles.
  
• This flexible tripod is one of my favorite accessories. It's so versatile and can be mounted to just about anything. There are cheaper alternatives on amazon, I chose this one because it has a level (it was also $20 at the time I bought it).
  
• The Suction Cup is also a very useful tool for mounting the gopro. I suggest getting the gopro brand because it is sturdy and the suction cup is very strong.
  
• I would leave most of the settings alone. There is a ton of information on this subject and it can be overwhelming. My two cents are to use 2.7K resolution wide for most everything. If you want slow motion use 1080p at 60 FPS.
  
• One of the biggest problems with most people's videos are that they are shakey as hell. Try to keep the camera steady if possible. If you want to expand your budget a bit you can purchase a gimbal which will give you very very good results. Understandably those are out of most peoples' budgets and there are other techniques you can use to keep the camera steady by using the pole that will give decent results.
  
• If your gopro is in a cool/cold hotel room and you take it outside into the hot/humid air fog will condense on the lens. Once the lens warms up the fog will go away.
  
• Make sure you play with your gopro before hand so that you get a good feel for it and you can get any questions out of the way a head of time.
  
  Feel free to ask any questions you might still have. Also, congratulations and good luck!

Thanks for the shout out, /u/Joeboy

/u/deosama - for serious filmmaking, with a $2500 to $3000 budget, I recommend [Referral Links]:

Camera and Low Light Lens

• [Blackmagic Micro Cinema Camera (with a free 32GB SD card and Rode VideoMicro external microphone)] (https://www.amazon.com/Blackmagic-SanDisk-VideoMicro-Microphone-Articulating/dp/B01M7XCI73//ref=as_li_ss_tl?ie=UTF8&linkCode=ll1&tag=battleforthew-20), a [$179.99 Panasonic 25mm f1.7 prime lens] (http://rover.ebay.com/rover/1/711-53200-19255-0/1?icep_ff3=2&pub=5575034783&toolid=10001&campid=5337235943&customid=&icep_item=182012172949&ipn=psmain&icep_vectorid=229466&kwid=902099&mtid=824&kw=lg) plus a [$7.50 cold shoe] (https://www.amazon.com/Smallrig-Cold-Adapter-Standard-Screw/dp/B00HJFBUCQ//ref=as_li_ss_tl?ie=UTF8&linkCode=ll1&tag=battleforthew-20), a [$6.69 Mini ball head cold shoe mount] (https://www.amazon.com/ROZOER-Camera-adapter-inches-thread/dp/B019U7SYOW//ref=as_li_ss_tl?ie=UTF8&linkCode=ll1&tag=battleforthew-20) and a [$149 LP-E6 powered monitor] (https://www.amazon.com/LILLIPUT-667GL-70NP-Camera-Monitor-BATTERY/dp/B00MB6M2L6///ref=as_li_ss_tl?ie=UTF8&linkCode=ll1&tag=battleforthew-20).
  
  Although the GH4 has higher resolution, the BMMCC has wider (13+ stops) dynamic range, and more robust internal 12-bit RAW and 10-bit ProRes codecs for creative color grading and rock solid chromakey.
  
  Here are a few examples of the image quality this camera can produce:
  
  Narrative/Experimental
  
  
• [Au lac by Thomas Fontaine] (https://vimeo.com/189062822)
  
  
• [GENE Teaser by Giant Leap Productions] (https://vimeo.com/groups/pocketcamera/videos/179117336)
  
  
• [Micro by Noam Kroll] (https://vimeo.com/152176332)
  
  
• [Love Story - Blackmagic Micro Cinema Camera by JSFILMZ] (https://vimeo.com/175951426)
  
  
• [One Night in Concord by Michael Sessions] (https://vimeo.com/groups/pocketcamera/videos/180387129)
  
  Commercials/Promos
  
  
• [ACCIDENTAL LOVE // PERŁA SPOT by Tomasz Dobski] (https://vimeo.com/180172474)
  
  
• [The Gathering Karak Pancake Ad by Chema García (Mumford)] (https://vimeo.com/165262005) (shot with the BMMCC and the BMPCC)
  
  
• [I Love Rolki ŁÓDŹ by Kuba Sobański] (https://vimeo.com/groups/pocketcamera/videos/182920186)
  
  
• [Carmen Steffens Beachwear 2017 by Michelangelo BernardoniPLUS] (https://vimeo.com/groups/pocketcamera/videos/170094455)
  
  
• [NORTH DISTRICT 51.5440 N -0.1027 W by Nicolas Heitz] (https://vimeo.com/175809242)
  
  Docs
  
  
• [Behind The Scenes - “A Pirate’s Tale” by Noam Kroll] (https://vimeo.com/163465118) (BTS shot with the BMMCC, scenes from the film shot with the URSA Mini 4.6K)
  
  
• [Tim by Rove Media] (https://vimeo.com/187855177)
  
  
• [Training Day - Blackmagic Micro Cinema Camera by Simon Shasha] (https://vimeo.com/155747487)
  
  Travel and Lifestyle
  
  
• [Horse riding and Triathlon - BMMCC RAW by Bochibochi Ongaku] (https://vimeo.com/167591949)
  
  
• [Blackmagic Design | Micro Cinema Camera Test Footage by Nicholas Swartzendruber] (https://vimeo.com/153979017) (this is a great aerial camera)
  
  
• [Kassandra Love & Amina on Fremont by steve prue] (https://vimeo.com/162803419) (NSFW)
  
  There are lots more examples in the [Pocket/Micro Cinema Camera group] (https://vimeo.com/groups/pocketcamera) I moderate over on Vimeo.
  
  There isn't a video camera with better dynamic range (or a more robust codec) below $2K from Canon, Nikon, Panasonic or Sony.
  
  If you do end up buying the BMMCC, you might want to subscribe over at /r/bmpcc - there are lots of knowledgeable folks there who can help you get the most out of your new camera.
  
  Support
  
  
• Gimbal - [$649 Zhiyun Crane] (https://www.amazon.com/Zhiyun-Crane-Brushless-Handheld-Stabilizer/dp/B01I2MWUOG//ref=as_li_ss_tl?ie=UTF8&linkCode=ll1&tag=battleforthew-20) - to reduce handheld shake
  
  
• Tripod - [$99.95 3POD V3AH fluid head tripod with 65mm bowl and quick release plate] (https://www.amazon.com/3Pod-V3AH-Anodized-Aluminum-Quick-Release/dp/B00F8VU3CQ//ref=as_li_ss_tl?ie=UTF8&linkCode=ll1&tag=battleforthew-20) for locked down shots - and smooth pans and tilts
  
  Lighting
  
  
• [$358 Aputure Amaran 528LED 2 light kit] (https://www.amazon.com/Aputure-AL-528S-AL-528W-Lighting-carrying/dp/B00O0PD1H0//ref=as_li_ss_tl?ie=UTF8&linkCode=ll1&tag=battleforthew-20)
  
  Audio
  
  
• Boom - [$38.99 Pyle PMKSB06 Shotgun Microphone Fishing Boom Pole] (https://www.amazon.com/Pyle-PMKSB06-Microphone-Telescoping-Extending/dp/B011FOMA02//ref=as_li_ss_tl?ie=UTF8&linkCode=ll1&tag=battleforthew-20)
  
  
• Boom to mic adapter - [$5.44 OnStage MA100 3/8-Inch Male to 5/8-Inch Female Mic Screw Adapter] (https://www.amazon.com/Stage-MA100-8-Inch-Female-Adapter/dp/B0007Y60HG//ref=as_li_ss_tl?ie=UTF8&linkCode=ll1&tag=battleforthew-20)
  
  
• 25' Mic cable - [$8.45 Hosa MHE125 1/8 Inch Miicrophone Extension Cable] (https://www.amazon.com/gp/product/B000068O3J//ref=as_li_ss_tl?ie=UTF8&linkCode=ll1&tag=battleforthew-20)
  
  
• Dual UHF Wireless Lavs - [$399.95 Saramonic UWMIC9 96-Channel Digital UHF Wireless Lavalier Microphone System] (https://www.amazon.com/Saramonic-96-Channel-Transmitters-RX9-TX9/dp/B01IMJH9RC//ref=as_li_ss_tl?ie=UTF8&linkCode=ll1&tag=battleforthew-20)
  
  Chromakey Background
  
  Instead of a muslin backdrop with stands, you might want to consider green photographic paper for background, as seen in [this video from Wistia] (http://wistia.com/learning/diy-office-video-studio):
  
  
• [Savage 9' x 36' background paper for chromakey - $69.95] (http://www.amazon.com/gp/product/B000B782NO/ref=as_li_tl?ie=UTF8&camp=1789&creative=390957&creativeASIN=B000B782NO&linkCode=as2&tag=battleforthew-20)
  
  
• [Duck Brand 1265018 Color Duct Tape, Neon Lime Green - $6.54] (https://www.amazon.com/Duck-Brand-1265018-Inches-Single/dp/B002TOL45K//ref=as_li_ss_tl?ie=UTF8&linkCode=ll1&tag=battleforthew-20)
  
  This is a high quality starter studio and comes in at just under $2975. It will give you smooth handheld shots, cinematic RAW images - decent low light performance - and well mic'd in-camera sound.
  
  But you will want to buy or rent an external audio recorder, a better shotgun mic and more lenses to improve your production value.
  
  Hope this is helpful, good luck with your short film and Happy New Year!

The 'new' version of the 12-35 came out along just the other day with the GH5 (look for the II version in the title). The main difference is the IS is designed to work with 5-point stabilization that the GH5 offers. The old version of the 12-35 is still stabilized and will offer 5-point stabilization via a firmware upgrade with the GH5 down the line. As a result of the new version being released this week, the old version I linked to has dropped significantly in price... making the value incredible.

I actually just bought the original 12-35 myself last week. I usually use Canon glass but I wanted at least native lens (to use as a backup as well as for my gimbal), and I couldn't say no to the price.

Good sturdy sticks are the most important thing you can invest in. This was my first 'pro' tripod and I still use it today. It's an incredibly cheap option to get you started and it will last you years. I'd suggest upgrading the fluid head down the line (the one it comes with is OK but a good fluid head is EVERYTHING). This one is the one I use with it (as well as 90% of other videographers haha) and I am very happy with it. Benro is a good brand too, but the value of the Davis&Sanford is great.

Slider is unfortunately not something to go cheap with... it'll just cause pain and suffering if you go cheap, haha. Take a hard look at the Edelkrone SliderPlus PRO and Rhino products.

I'd almost suggest getting a Gimbal prior to getting a slider. GH4 with the 12-35 will be pushing it to it's weight capacity but people have good results with that combo nonetheless.

As far as lights, I am a big fan of Dracast LED lights. I purchased Daylight and I use CTO filters rather than going with bi-color, as it gives me more output which is definately needed with the GH4. The battery option is a lifesaver on these lights, and the customer support with Dracast is really good (they fixed a light in a week for me when the mount broke).

Don't forget to get variable ND filter like this one so you can shoot outdoors as well.

First off, I wouldn't get the mark 1 lens with GH5. Spend the little extra money if you're going for a Panasonic lens and get the mark ii to use in body image stabilization. Basically it would come down to a choice between a cheaper lens and a gimbal or a lens with dual IS. However, the camera + the IS 2 lens would be your budget, and there's certainly lots of other stuff to buy when getting started.

This is a set up I have used with the Black Magic Pocket Cinema Camera and it works great, fully expect it to look even better with the GH5:

https://www.amazon.com/Panasonic-LUMIX-LEICA-SUMMILUX-H-X015/dp/B00J8H7H48/ref=sr_1_5?ie=UTF8&qid=1493994405&sr=8-5&keywords=panasonic+14mm

https://www.amazon.com/Zhiyun-Crane-Brushless-Handheld-Stabilizer/dp/B01I2MWUOG/ref=sr_1_1?s=photo&ie=UTF8&qid=1493994394&sr=1-1-spons&keywords=zhiyun+crane&psc=1

That is a lightweight 14mm 1.7 lens (works great in low light) and the most affordable gimbal on the market. I also have access to a Ronin-m at work, and I have to just say, the shots you can get on both are different, but the Zhiyun is soooo much easier to set up and get great shots with. Plus it fits into a small backpack and is far less to lug around. I would also recommend either one of these monopods to use with this system:

https://www.bhphotovideo.com/bnh/controller/home?O=&sku=554095&gclid=CLPR1In82NMCFdgKgQod580D0w&is=REG&ap=y&m=Y&c3api=1876%2C%7Bcreative%7D%2C%7Bkeyword%7D&A=details&Q=

^ This is a great set up with the Crane. What I do is velcro the included remote to the lower point of the monopod and use it to control the crane manually. I can then extend the pole (even smoothly while filming) and essentially have my own hand held jib anywhere I go.

https://www.amazon.com/Sirui-SUP204SR-Photo-Video-Monopod/dp/B00I5NKCNE/ref=sr_1_1?s=electronics&ie=UTF8&qid=1493994900&sr=1-1&keywords=sirui+monopod

^This version is a bit heavier, but also a touch more stable. You can not smoothly lengthen the pole while filming, but this monopod has the added version of feat attached to the bottom. You can set it up at its shortest and it will stand on its own as long as it's not windy. Great for setting up shots in the wild that you would also like to be in. I put a quick release plate between each point of contact (Quick release on the monopod -> crane, and quick release on crane -> camera), and you can just as easily set it down on the feat and detach from camera with no issues.

Now, something to consider is that you could get two GH4's (on ebay, around $700 each) for the price of one GH5. I guess that would depend on if you have others filming with you and whatnot. I think it really depends upon what you're wanting to film. Like for example, what exactly would you do with the drone and how would it help your footage? If you think that you need landscape shots and what not, then it's probably best to jump down a level in camera for a decent drone.

Some other things to consider that you might need:
-External Mic
-Tripod
-Extra batteries
-Fast enough SD card to record 4k (Sandisk Extreme)

Another camera to consider may be the Sony a6500 for around $600 cheaper.

Gonna try to give you a good answer here, but understand that you get what you pay for. The a7sii is a great camera but if you load it up with a bunch of shit accessories you should expect sub par performance.

1. Get more batteries, and buy a better brand if you can afford them. Wasabi batteries do wonky things sometimes, I wouldn't use them on stuff I was being paid to do.
   
   
2. Neewer makes a lot of consumer level production gear. This will get you started but you can expect this thing to fall apart or break within a year or two, they're not built to last (whereas my Zacuto gear is going strong after three years of abuse, and will last for many years to come with proper maintenance).
   
   
3. You're out of luck on this one. There are some good DIY options but nothing (that I know of) that is going to look professional enough to use for weddings. The glidecam is the accepted entry point into steady cam work, so if you're not interested in that the next best thing would be to get a good lens with OIS and practice smooth moves with the shoulder rig (though steady cam and handheld are two very different styles and looks).
   
   
4. You're not going to get all those features for less than $500 - $1000, and even those monitors are questionable. I have never used this monitor, it's just the first link on amazon that has decent reviews. I would expect at that price point it's going to look like shit, don't expect accurate color, focus peaking, or any other features to be accurate, if the monitor has them at all. This will literally only serve as a reference monitor to give you a bigger screen to look at.
   
   
5. I really can't comment on this, I'm unfamiliar with Sony's lineup and don't have a ton of experience using lens adapters (though in my little bit of experience you usually sacrifice a good bit of sharpness).
   
   
6. I have been using this little guy for conferences and events for the past two years or so and absolutely love it. It eats through the 2000mah batteries pretty quickly so you'll want some 4000s.
   
   I've bought a ton of gear over the years for both myself and for my company and it really comes down to you get what you pay for. You can spend $1000 finishing out your kit and expect that to get you a year or two of decent use. Or you could invest in better equipment that will last you for many years to come, and perform better while doing it. There's nothing more frustrating than a cheap piece of gear that you're always fighting only to have it break anyway.

Great video, love how you own the camera, and it seems you have a supportive partner who films you!! Your editing is great, your camera work is great, you have a gorilla pod, sometimes your shots of walking to the escalator or even of yourself while walking is shake maybe a gimbal would be a good upgrade? I use https://amzn.to/2q4k878 or Maybe it's because you're drunk LOL

But other than that love your intro with your title, great great job!!!!!

Hey! This rig might be a little out of your budget, but it is way way worth it. All metal construction, breaks down pretty small so it's easy to carry, and if you outgrow it and need something fancier, you can still use all the 15mm bars that you have from this rig. When I ordered they include a few bonus items too, not sure if they're still doing that. You'll have to buy a Follow Focus on top of this, which will definitely put you above your budget, but I'm telling you... It's worth it. With camera equipment, if you don't buy nice, you'll buy it twice. So even on a low budget it's worth to scrape together some more money to get one that's nice enough to last, and versatile enough to still be useful if you upgrade.

Seriously though, being all metal is a big advantage. You see all those plastic connectors on those other rigs you posted? That should be a HUGE red flag for you, because plastic breaks easily, especially when it's holding parts together. The added weight also makes it easier to smoothly operate the camera. But mainly, it won't break on you.

I bought this Neewer rig last week. There is so little written about this brand of rig so me buying it was a big shot in the dark. However, my initial reaction was that it was pretty damn decent for the price range. I think that I will create a video review for it to hopefully elucidate the pros and cons for future buyers.

I'll disclaim that not only am I a film making rookie (only doing corporate film making for about half a year now) but I am also using an incredibly light - not to mention outdated - GH2 setup. Also, at the time of writing I have used this rig in a pro capacity only once, so I only have one point of data to base it's professional performance on. Therefore take my opinion with the caveat that I have never experienced any other rigs, but also that it may not be a suitable rig for much heavier cameras. With that in mind, I can't help but feel that the rig was worth the £60 I paid for it.

I forgot to buy a counterweight for the job I was working on and so I wasn't really using the product as intended. But just the unbalanced rig alone seemed to reduce excess camera movement to a satisfying level. One thing that did turn out to be a bit challenging is that the rig did make the camera significantly heavier, so in shots that required me to film for more than a few minutes my arms got tired and a little bit more shake started to come into frame. I imagine that this will be solved when I pick up a counterweight, but I can't be sure until I test it.

Another of my big concerns pre-purchase was build quality. I made sure to prioritise the Aluminium build for strength and it seems sturdy and well fitted. There were some comments on the Amazon article about the thumb screws not tightening firmly enough but I found that they fitted quite snugly. People also talked about the loose handle bars sliding out of position and - while they aren't immovable - they certainly don't move unless I make them. Once again, this may be different under the weight of a heavier camera. I also made sure to prioritise the model featuring aluminium thumbscrews for reasons that I am sure are obvious.

The model I went for had a different shoulder pad; moulded out of a single foam block that is shaped to fit on your shoulder. I went for this version over the shoulder pad that is featured in your link because I wanted to make sure that I could fit a counterweight to my build and I wasn't sure if this was possible with the model you linked. This is definitely something to consider.

I also looked at other models, but the [next affordable shoulder rig] (http://www.amazon.com/gp/product/B005RQK4B2/ref=as_li_ss_tl?ie=UTF8&camp=1789&creative=390957&creativeASIN=B005RQK4B2&linkCode=as2&tag=drippingdawn-20) was significantly more expensive and seemed to ultimately be the same product. It even was missing some of the features of the Neewer shoulder rig like the height-adjustable camera mount and quick release plate.

Oh! That's another thing, the quick release plate is pretty decent in some regards and a bit iffy in others. It is solid enough, and the QR system works fine, but the screws on the plate get in the way of my GH2's flip-out screen unless you slightly unscrew them before attaching the camera. This doesn't affect stability or structural integrity but it does mean you could lose the larger screw if you aren't careful. I would consider sticking it down with tape. One other factor in the base plate is that the 1/4" screw isn't a thumbscrew. You might want to look into buying a replacement screw on ebay or Amazon (or whatever) to replace it with. I'm sorry I didn't do this when I bought the rig. On my last job I had to carry around a 2 pence piece to unscrew the camera from the base plate in order to change the battery. This was obviously a big faff and because the battery switch took so long I actually missed some useful footage. I'm now looking into an external battery setup so that I can dodge this problem in the future. Hopefully the external battery doubles as a counterweight as well.

In conclusion it seems like a decent bit of kit. Not something that would service you for your entire professional career but definitely an acceptable starting rig, especially for the price range. One of the biggest advantages to using the unbalanced rig on a corporate job was that nobody mistook me for a stills photographer. Which is normally a big pain.

If I have missed anything feel free to ask.

Hey! You got some pretty cool shots here! I have a couple recommendations:

Depending on what you're shooting video with, it looks kind of like you shot a lot of the video at a faster shutterspeed and the video at 60 frames per second. With a few exceptions, it generally looks better/more natural to the human eye if you shoot in 30 or 24 frames per second and as a rule of thumb double that for your shutterspeed. So 30fps =1/60 and 24 fps = 1/50. Unless you have a reason to shoot outside of one of those two that's a good default. 60fps is also pretty good for slowing down footage for a subtle slo-mo if that's what you chose to shoot natively, for a travel video like this, that could be pretty cool.

Also, some of your shots are pretty shaky, I would advise for stuff like this to get a handheld stabilizer like this one or if you can't do that, the stabilizing software within the editing suite you're using (and preferably, do BOTH of those things for really radical, smooth shots).

You'd be surprised how much better your footage will look doing just those two things! :) keep making stuff like this friend!!

I would start with 2 prime lens:

1. Panasonic 25mm F/1.7. I'm sure you're heard of the legendary 50mm lens. This is the equivalent for micro 4/3 camera.
   
   
2. Panasonic 14mm F/2.5. A wider angle lens is a good addition depending on what scene you're shooting.
   
   
   Then you need to be able to record high quality audio. Typically cameras don't have the best microphones.
   
   

• The Rode VideoMic Pro is a good quality option to improve your sound.
  
  
• Another option is the Tascam DR-40. This is a standalone audio recorder with its own microphones. Tascam's a good brand for these, and you can use them with other microphones, or lavalier microphones if you choose to use those.
  
  
  Finally, one big factor that separates professional-looking video from amateur is smooth motion. I would get a Glidecam. These have a bit of a learning curve to them, but once you get used to it you'll get some amazing shots.
  
  
  Good luck with everything. You've got a good camera so there should be nothing keeping you from getting great shots!
  
  Edit: formatting
  
  
  

The type of stabilizer you need will depend greatly on your budget and camera size. They range in price from $20-$10k so there's no "right" one you need.

The first thing I would do is figure out how much your camera setup weighs (including the camera body, lens, battery, and any monitors/extras that you plan on having on the camera when shooting). Either weight it on a scale or find out how much each part weighs online and add. Give yourself some wiggle room with the weight limit so you don't buy a useless rig (i.e. if a stabilizer's weight range is 2-5lb, I would put 4.5lb on it at the most).

As far as what type of stabilizer to get, that's all a personal preference. Handheld monopod-type stabilizers are cheap and will get you steady shots, but you have to keep in mind that your arms will get tired very quickly.

Shoulder mounts tend to not be perfectly steady, and are usually used to mimic hand-held (where actual hand-held creates way too shaky footage). Don't buy a shoulder mount with the intent of getting steadicam-esque shots. On the plus side, they're usually cheaper than cages and are easier to use over long periods.

Cages (like the Movi or Ronin) provide excellent results but are often cost-prohibitive for somebody buying their first stabilizer. They tend to take smaller cameras and require some skill in setting them up and using them properly, but if you have the money and your camera fits, you should definitely consider one. I've used the Movi M5 a number of times and it's awesome, albeit a pain to set up and very costly.

In short, do your research and don't feel like you need to drop $5k to get a good stabilizer. If you want help picking a stabilizer for your set-up feel free to DM me and I would love to help!

Thanks a lot for all your help - that video you made for showing that house was excellent, it came off to me that the video was nicer than the house (in a good way) - interesting how some real estate companies do it.

I browsed Amazon for some Gimbals and in general yeah they're really pricey. There are some semi-promising looking around $2-300 which I think I could stomach.

Maybe something like this: https://www.amazon.com/OFFICIAL-ROXANT-camera-stabilizer-Smartphone/dp/B00K67QUQK/ref=sr_1_5?s=electronics&ie=UTF8&qid=1480745633&sr=1-5&keywords=dslr+gimbal would be a good place to start?

u/plasmaticofficial, The zhi yun crane is a fantastic gimbal to use with the g7, probably the cheapest good gimbal you are going to find. I know many professional videographers that use it and love it.

The G7 uses a fairly popular Micro Four Thirds mount aka the MFT mount. There are a good number of lenses out there that work natively with the camera and I can suggest a few if you want. You can also easily adapt almost any lens to the MFT mount.

Hope that helps!

Absolutely. I started with a Neewer stabilizer, I've yet to invest in a motorized gimbal myself, as those go for upwards of $600 for a decent one. For short docs I find myself using a shoulder rig the most, and for a shoulder rig I started with the Neewer brand as well. This brand was my best friend starting out lol. The stabilizer/glidecam will take a tinsy bit of practice but this particular one has served me very well personally. YouTube search the gear you're eyeballin, see what others say, and you'll surely make the best choice suited for you. Cheers!

https://www.amazon.com/dp/B00NJKJ1IA/ref=cm_sw_r_cp_apa_0tLLzbKA1ZE19

https://www.amazon.com/dp/B00GTMBA7K/ref=cm_sw_r_cp_apa_IzLLzbHH9G1YM

Hi /u/Mcturtle101 - I recommend you book a few jobs while you're still in school with the equipment you have and use the money you earn to buy new gear instead of spending your startup capital before you have any income.


That said, when you're ready, you can set up a very capable 4K production studio with $5000. Here's how:


Camera:

[Panasonic GH4 4K camera: $1698] (http://www.amazon.com/gp/offer-listing/B00I9GYG8O/?ie=UTF8&camp=1789&condition=new&creative=390957&keywords=Panasonic%20DMC-GH4&linkCode=ur2&qid=1404250305&s=electronics&sr=1-1&tag=battleforthew-20)

[Samyang 16mm T2.2 cine lens for Canon mount $408] (http://rover.ebay.com/rover/1/711-53200-19255-0/1?icep_ff3=2&pub=5575034783&toolid=10001&campid=5337235943&customid=&icep_item=121359782091&ipn=psmain&icep_vectorid=229466&kwid=902099&mtid=824&kw=lg) (you can use this lens on your T3i, which you should keep as a B camera)

[Canon to micro 4/3 Speed Booster - $94] (http://rover.ebay.com/rover/1/711-53200-19255-0/1?icep_ff3=2&pub=5575034783&toolid=10001&campid=5337235943&customid=&icep_item=281240980971&ipn=psmain&icep_vectorid=229466&kwid=902099&mtid=824&kw=lg)

[Sigma 30mm f2.8 lens ~ $199] (http://www.amazon.com/gp/product/B00BQXL6OY/ref=as_li_tl?ie=UTF8&camp=1789&creative=390957&creativeASIN=B00BQXL6OY&linkCode=as2&tag=battleforthew-20) (general purpose autofocusing lens)


[Panasonic 45-175mm power zoom - $449] (http://www.amazon.com/gp/product/B005J5TZWK/ref=as_li_tl?ie=UTF8&camp=1789&creative=390957&creativeASIN=B005J5TZWK&linkCode=as2&tag=battleforthew-20) (an autofocusing power zoom can be very useful for events)

Support:

[Ravelli AVTP Professional Tripod ~ $130] (http://www.amazon.com/gp/product/B00139W0XM/ref=as_li_tl?ie=UTF8&camp=1789&creative=390957&creativeASIN=B00139W0XM&linkCode=as2&tag=battleforthew-20)

[Glide Gear Tripod Track Dolly - $179] (http://www.amazon.com/gp/product/B006O130X8/ref=as_li_tl?ie=UTF8&camp=1789&creative=390957&creativeASIN=B006O130X8&linkCode=as2&tag=battleforthew-20)

[Glide Gear Dolly Track - $197] (http://www.amazon.com/gp/product/B0090UF61Y/ref=as_li_tl?ie=UTF8&camp=1789&creative=390957&creativeASIN=B0090UF61Y&linkCode=as2&tag=battleforthew-20) (you can get higher impact with a 12 foot dolly track than a 3 foot slider)

[Photography & Cinema PR-1 Shoulder Rig - $250] (http://www.amazon.com/gp/product/B00A2WTNZE/ref=as_li_tl?ie=UTF8&camp=1789&creative=390957&creativeASIN=B00A2WTNZE&linkCode=as2&tag=battleforthew-20)

Lighting:

[3 F&V R-300 Ring Lights - $597] (http://www.amazon.com/gp/product/B00AY0J4OY/ref=as_li_tl?ie=UTF8&camp=1789&creative=390957&creativeASIN=B00AY0J4OY&linkCode=as2&tag=battleforthew-20) (these lights double as studio lights and field lights)

[3 Milk Diffusion Filters - $75] (http://www.adorama.com/FVMWDR300.html?KBID=66297)

[Ring Light Rail Mount - $40] (http://www.adorama.com/FV15RMR300.html?KBID=66297)

Sound:

[JuicedLink Riggy Micro 222 low noise preamp - $329] (http://www.adorama.com/JDRM222.html?KBID=66297)

[Rode NTG-2 Shotgun Mic - $269] (http://www.amazon.com/gp/product/B00093ESSI/ref=as_li_tl?ie=UTF8&camp=1789&creative=9325&creativeASIN=B00093ESSI&linkCode=as2&tag=battleforthew-20)

[OnStage Microphone Boom - $99] (http://www.amazon.com/gp/product/B0002ZO5WM/ref=as_li_tl?ie=UTF8&camp=1789&creative=390957&creativeASIN=B0002ZO5WM&linkCode=as2&tag=battleforthew-20)

You'll also need a few light stands, batteries and cables, but with the right skills and just a little over $5000, this setup will give you the ability to produce image and sound quality that will match or beat anything your local competition can provide.

Hope this is helpful and good luck in your new business!

Bill

Appologies in advance if this is not the best place to ask this, but I could use some help. I have recently started to make use of my DSLR (a Nkon 3200, btw) for filming, and I've been looking at stabilisation setups. I've found three that look good, but I'[m having a hard time deciding between them, so I thought I'd see if any of you lovely people have any comments that might help me. My camera weighs in at around 700-850g, depending on the lens I'm using.

These are the three that I've narrowed it down to, any advice would be most appreciated.

Fotowelt

Koolertron Mini

Neewer

The shoulder pad and matte box are terrible, but the rest is strong and works great, especially for the price.
I use it with my 60D and twisted the shoulder pad so it fits under my armpit, which works pretty well. Even without the matte box and shoulder pad I'd still have bought it.

http://www.amazon.com/gp/aw/d/B0095PTKMA?pc_redir=1410005438&robot_redir=1
………………
I know this recently went on sale, haven't bought it but may in the future. I've read some good reviews

http://www.amazon.com/gp/aw/d/B0051XJXJU?pc_redir=1409996613&robot_redir=1

Alright, its a start but as you said, you need a stable image. I would recommend getting a gimbal for your camera. Its basically magic and makes all of your shots super smooth. Depending on your budget/camera, something like this could work.
Also recording in 60fps and bringing the final production back down to 30fps will make everything smoother.

If you need any help with editing or perhaps an intro or some graphics, I can whip something up for a few buckaroos. ;)

Thanks! Yeah, just got a new steadicam as a toy and was eager to play with it. I am a Malick fan, so thanks again for that compliment. What car at the end? ... If you mean that noise, that's actually the waves. It was a crazy windy day. Lol I hope that's it, and I'm not somehow missing a car.

I don't know of any pistol grip lights, but I know of a few that can be mounted on a tripod. Instead of a tripod, you could attach a handgrip like this one for cameras.

When you say powerful, I can assume you want lots of lumens, but do you favor a light that throws a small spot of light really far, or a floody light that's great at illuminating a wide area directly in front of the flashlight?

I bought one on amazon for $70, it was very wobbly and not very steady. I did get good at making it steady and practicing my skills with handling the system. (http://www.amazon.com/Neewer-Handheld-Stabilizer-Release-Cameras/dp/B00NJKJ1IA/ref=sr_1_1?s=photo&ie=UTF8&qid=1452087283&sr=1-1&keywords=steadicam)

I just upgraded to a Glidecam HD4000 and holy crap I should have gone for this gem instead of buying the $70 version. It's amazingly stable.

Don't think that just because you get a steadicam/glidecam it will give you amazing footage instantly, it does take practice to start getting good at it.

Like people say, "buy cheap, buy again"

I got my HD4000 on Craigslist for $240 which is even less than the HD2000, if you live in a bigger city odds are their might be a Glidecam on the market. Ebay has good deals on used ones too, and the HD2000 might be within your budget depending on what camera you are using.

Hope this helps

First off, that hill isn't that fast and there are no corners you need to slow down for. Second, I've done a lot of skating with Cal and Matt and have the utmost confidence in their skills. Third, I put the camera on one of these things to get a better grip and used one of these to automatically take a photo every second; so I was just pointing it and hoping for the best. Finally--this is key--I have pretty good insurance on my camera gear.

On a college student's budget, I imagine something like this would be best:

https://www.amazon.com/Neewer-Handheld-Stabilizer-Release-Cameras/dp/B00NJKJ1IA/ref=sr_1_2?s=photo&ie=UTF8&qid=1469684126&sr=1-2&keywords=glidecam

I haven't used this unit, but the reviews are positive.

Even still...an effective 56mm focal length feels a bit narrow for this kind of thing. I'm not an expert with the things, but I've typically seen between 20mm - 40mm used more commonly. And there is definitely a learning curve with glidecam-like stabilizers.

If your budget is higher then you could try out the DJI Osmo, an all-in-one camera and stabilization device for $500-ish. The footage it produces isn't amazing, but it stabilizes well and has a wider 20mm-equivalent focal length.

mexicojoe is right, though...you could use a tripod. Mounting a camera to a tripod and carrying the rig by the legs will give you a steadier shot than handheld thanks to the added weight. But it will still be very very shaky at 56mm.

i'd avoid in the future the shots like 0:55-1:15, try and get the full body in the shot rather than lower half. generally speaking, the rule of thirds is a pretty good thing to stick to when film making: http://en.wikipedia.org/wiki/Rule_of_thirds
Buying something like this helps a lot when your skating and filming: http://www.amazon.com/Opteka-Professional-Camcorder-Stabilizing-Handle-/dp/B003PBB4ME/ref=sr_1_1?ie=UTF8&qid=1367859643&sr=8-1&keywords=steadicam. Also, mess around with colour correction, it goes a long way in improving the quality of your footage once you get the hang of it. I'd also keep practising syncing your footage with your music. generally making sure things happen (cuts/transitions, effects, or someone sliding, for example) on the bass kick and high hats is a good rule to stick to. I'd start messing around with whatever effects and transitions you have in your editing software and see what else you can sync to the audio which looks good. just don't over do it on the effects, most music videos only have 4 or 5, it gets too confusing and inconsistent otherwise. hope this helps!

I know that I have been taken more seriously when using actual equipment instead of DIY things that I made that practically do the same thing.


Also last February I went to San Francisco to do some corporate videos for a tech start up. We normally would have just used our 5d and 7d because the videos were just interviews in front of a green screen that were going to be broadcast on the internet and probably never seen at a size larger than you would see on YouTube. We didn't want them to ask us "we flew you to San Fransisco to film our video and you brought a picture camera?" so we rented a FS700 just for the looks. When we showed up with that they were impressed and thought it was pretty cool and it made us look better.


At the same time - the pocket camera looks like it is going to be a better camera than most DSLRs. If you do use you could explain to your clients that you have this amazing camera that was designed to be portable and lite weight so that you can get shots other cameras can get while still outperforming other professional cameras because it shoots 12-bit lossless compressed CinemaDNG 1080 HD. Focusing on the advantages of it being small will prime them for it being small. Also that last part talking about the recording will probably just make them think "words I don't know - that must mean it is good."


Another thing that you could do is buy a cheap rail system, follow focus, and matte box (like this one ). The matte box won't do anything for you (it is always nice to have a follow focus) but it will look your camera look more professional. Is it lame that you have to "pimp" your camera so that people take you seriously? Yes - especially when the pocket camera is such an amazing camera. Is it worth it to "pimp" you camera and put on appearances for clients because if you didn't they wouldn't hire you? Yes.

Keep the focal length short (which you will anyway for Vlogging). The kit lens has OIS as well. In addition, it's not a bad idea to crank the shutter a bit. Something like this will likely help a lot with stability and rolling shutter: https://www.amazon.com/Opteka-Professional-Camcorder-Stabilizing-Handle/dp/B003PBB4ME/ref=lp_196573011_1_11?s=photo&ie=UTF8&qid=1479254844&sr=1-11.


If you really need IBIS, then yea, look at the GX85. Don't get a powershot. The G7 is amazing and for $500 it surpasses many cameras that are twice the price.

Shooting hockey, you're definately going to want a decent tripod. Something like this would probably serve you well: https://www.bhphotovideo.com/c/product/1273964-REG/manfrotto_mvkbfr_liveus_befree_live_video.html

review: https://www.youtube.com/watch?v=MsdQShe8xb8

If you already have a tripod, you can try spreading the legs as wide as they go and holding at the top of the tripod for some stabilization. Film Riot shows off another technique.

Another option might be a coldshoe handle, which I saw for $25 on Amazon, or if you're afraid of damaging the camera hotshoe, you can get something like the Opteka X-GRIP. A slight step up from that would be a cage with two grips on the sides and a top handle, or something like a HaloRig, which goes for $150.

For better stabilization and to fly through the scene, at $200 or below, you're probably looking at a counterbalanced stabilizer, similar to a Glidecam or Steadicam Merlin. Though I wouldn't recommend this alone for hiking, as you arm will quickly get fatigued from all the weight; you'll want to a shoulder rig for added support and better stabilization.

If you can budget around $600, you're getting into gimbal territory, like the ikan Beholder MS1 or which would give you a much lighter active stabilization rig compared to counterbalanced systems.

I do a lot of travel as well have tried out various methods of stabilization over the years. Personally, I think a gimbal is the way to go. It's lighter and way easier to setup than a counterbalanced stabilizer, though the counterbalanced stabilizers usually will give you more fluid motion (gimbals can be pretty robotic with movement, especially with panning left/right). I've gone on hikes with my Nebula 4000 Lite gimbal, and my arm hasn't felt tired at all, probably because I had the rig on an R-Strap and let it hang when not in use.

I'm a cinematographer and editor! :D

http://www.amazon.com/dp/B00FYW8DNU/ref=cm_sw_r_udp_awd_101gtb1SSAHGW

Haha lol jk I know none of y'all are going to gift that lol :P

This would be tremendously nice-

http://www.amazon.com/dp/B00DRGQETA/ref=cm_sw_r_udp_awd_z51gtb1HHF9AF

Also jk(:

(being a cinematographer is expensive :(. )

Pretty sure it's nearly identical to this one:

http://www.amazon.com/SUTEFOTO-Portable-Handheld-Stabilizer-Panasonic/dp/B00P92DLQO/ref=sr_1_1?ie=UTF8&qid=1426561206&sr=8-1&keywords=sutefoto+stabilizer

I just received it. It's all metal construction and easy to dial in with the adjustments. It's pretty great for the price.

Thanks man, I know that took a lot to write out. I'm definitely interested in a nicer Gimbal but it would have to be in the future.

So I'm liking the idea of a smaller setup shoulder rig/stabilizer but under $200 that I could use comfortably on hikes.

Should I be looking at something like the [Roxant Pro](Thanks for the insight. If I went monopod, wouldn't it be the same stress though of holding that around for 20-40 minutes at a time? Or maybe I'm missing something on how to work with them.

What about something like this Roxant Pro or The Neewer Shoulder Rig?

Any other suggestions?

Yeah probably not the best for professional people, but I've actually been asked a lot about it by others because they thought it was pretty cool(not just measly wannabe indie filmmakers like me, but people that own their own production companies and do important things in my state) and when I got it, it was only around 30 bucks. It's worked out great and my clients have liked the work I've shot with it.

Is this the one you're talking about?


Edit: Also stealing your idea to add my YouTube channel to my flair :D

https://www.amazon.com/Neewer-Handheld-Stabilizer-Release-Cameras/dp/B00NJKJ1IA/ref=sr_1_2?ie=UTF8&qid=1473713532&sr=8-2&keywords=neewer+glidecam

+1 - Used this with my 7D mk1 and a 10-18mm. It worked well for 80 bucks. My camera was too heavy for it and what I did was buy more weights to put on the bottom. After getting it balanced it was pretty good. But unfortunately the bolts that adjust the balance seem to back out or not hold super snug, I had to adjust about every 45 minutes or I got sway to one side or the other. Then again, my camera was above the weight rating basically.

A smaller camera and im sure this would be a GREAT option. Hope this gives you some insight.

Your camera is fine, you can use that to shoot video. Looking at the specs it doesn't seem to have a mic input. You might try doing a few bit of test footage to see how the sound comes out. If its not that great you could think about getting a separate audio recorder something like the zoom h4n (this will mean syncing the sound at edit time you can do this by ear and eye or use a plug-in like pluraleyes. A good tripod is also advisable. If you get in to doing hand held stuff it might be worth getting one of those camera rigs off Amazon something like this http://www.amazon.com/Fancierstudio-RIG-Follow-Focus-Counterweight/dp/B005UF3G2Y/ref=sr_1_1?ie=UTF8&qid=1419848204&sr=8-1&keywords=camera+rig Unless you have load of $ then you can go for something a bit less shit :D. I have one of these and its not great quality but it really improves hand held shots.

1. my SO is an intermediate photographer. her camera broke down 4 years ago and ever since then her hobby has been sidelined
   
2. i'd like to gift her a new kit and this is where I'd appreciate your help
   
3. i know nothing about photography
   
   What I'd like to cover:
   
   
4. family portrait
   
5. food type of photography
   
6. nature shots
   
7. video during travel (in car, walking, hiking etc). mostly us fooling around - think vlogging type
   
   My tech skills have gotten me this far
   
   
8. Canon M50
   
9. Viltrox EF-EOS M2 Speed Booster
   
10. anker power bank?
    
11. Zhiyun Crane V2
    
12. Mobile Power Bank USB
    
13. Canon Battery Pack
    
    Question is:
    
    
14. which lenses to get to cover points 1-4
    
15. which power bank
    
16. given that i know nothing about photography and I've gotten here from 2 days of googling - there might be a better kit for similar price point. if so - please suggest
    
    Thanks!

For small handheld cameras like these, a loupe and a pistol grip work great. 3 points of contact making the image stable, still discrete and looks like an old school Bolex. I use something like this with my a5300. Here is what it looks like.

Loupe:
http://www.amazon.com/2-8x-3-0-Viewfinder-Magnifier-Extender/dp/B009X6H8ZW/ref=pd_sim_sbs_421_3?ie=UTF8&dpID=316fNC-iueL&dpSrc=sims&preST=_AC_UL160_SR160%2C160_&refRID=1HHNN9NVZK1PH91G2KSE

Pistol Grip:
http://www.amazon.com/Photography-Cinema-pistol-Digital-Cameras/dp/B0073Z49AM/ref=sr_1_1?ie=UTF8&qid=1459351357&sr=8-1&keywords=PNC+PISTOL

the 2 daddies at the moment are the Dji Ronin S and the zhiyun crane 2 (amazon referral links). Don't confuse the crane 2 (the latest model) with the crane V2, although if your budget can't reach then the crane v2 was a good gimbal and certainly powerful enough for your sony.

If you want to go oldschool and not worry about carrying a battery, or lengthy rebalancing if you take the camera on and off then flycam steadicam can be excellent after learning how to use it

Yeah! That was us lol. I love that little gimbal. Its this guy https://www.amazon.com/DJI-Phone-Camera-Gimbal-MOBILE/dp/B01KUX9VT2
Cheers!

https://www.amazon.com/Neewer-Handheld-Stabilizer-Release-Cameras/dp/B00WUCRVD0/ref=sr_1_25?s=photo&ie=UTF8&qid=1496169919&sr=1-25&keywords=Steadicam

I got this Neewer one. Its a good weight, its action is extremely smooth, and it is very easy to balance. However, I admit it has its flaws. For instance, its possible to bump into the bottom weights too hard and have them pushed out of place, which then requires a rebalance. But for my uses it works great. The nature of using gravity to stabilize the camera instead of motors really makes the camera seem like its flying. I just shot this quick little edit for my friend on exclusively that Steadicam and my Gh4+sigma lens: https://www.instagram.com/p/BUiQIODA1IE/?taken-by=houseofvoth
You can take a look if you want. I am also by no means an expert Steadicam op so I admit some user error is present in the video in terms of framing and what not haha.

I'm a downhill skateboarder and a few of my friends use a DJI Ronin stabilizer to ride along with other riders and film. Unfortunately there aren't many gimbal stabilizers that are under $200 that would be useful for riding along and filming. However, you could get a simple scorpion grip that would serve the same purpose, though not with gimbal level stability.

If you're not going to be riding along with them and instead will be standing and filming while the riders go by, you could get one of these. A friend of mine has one and the footage looks great.

Hmm ive just watched some video on the ND Filter, that looks awesome!! Ill Be sure to grab one of those, is £100 About the norm for one of these?Also hand held stabiliser? Would oyu be able to suggest one or two? I have looked at many of these things and there are allot of conflicting views, I know smooth shots will make me look more professional but I dont know where to start. I mean there are some I have seen on amazon Neewer Glidecam Copy and this one eimo 60centimeter Magic Carbon. From looking over the amazon reviews, they all seem to offer the same sort of quality. Not Hollywood level, but good enough to get started?.

If your gear dont exceed 3kg, you could get the same as i did, the one from Neewer. it has the micro adjustment knobs you need, and is surprisingly well built, and even comes with a bag that is big enough to fit more than just the stabilizer. i would also suggest getting a wrist support bracer to ease the strain on your wrist from using it as well.

Option 1: Use your phone.

• Get one of these ($35) and one of these ($20) to cover your stabilization.
  
• Get one of these ($40) to keep yourself powered up.
  
• Grab two or so of these ($38 for two) to make sure you don't run out of space.
  
• And get something like this ($23) so your audio doesn't completely suck.
  
  Option 2: Buy a Canon S110
  
  
• Still get the $20 pistol grip for stabilization
  
• Still get some SD cards (this takes normal SD rather than micro SD so they should be cheaper. Make sure they're Class 10 for speed!)
  
• Probably still get some cheap microphone.
  
  Edit: There are cheaper versions of things like the travel battery (though I would still stick with this brand and get something smaller), the SD cards, etc. if you want to pinch more pennies.
  
  Edit 2: If you're worried about durability, see if you can find an Otterbox case for the phone as well.

So you will probably move around with your camera while filming. The Hondo rig looks nice but how will you be holding your camera while filming?

I've got this rig http://www.amazon.com/Opteka-Professional-Camcorder-Stabilizing-Handle-/dp/B003PBB4ME/

It's really lightweight and makes it easy to move while filming. There are several of this sort of camere handle, this is just a cheap one and I'm not sure if and how this would work with a follow focus.

I don't know a lot about tripods so can't give you any advice on that but for moving shots the camera handle works great.

thanks for the tips!

Is this the gimbal you mentioned? https://www.amazon.com/3-Axis-Handheld-Gimbal-Cameras-Similar/dp/B00T32A0K6

Did you get the yi 4k? Any lack of software compatibility? (err, I guess it's just a bunch of avi or dvi files. just no gopro software).

That looks like a mean little point and shoot Canon! Probably great size to have on the slopes.

Do you mean that you literally ride filming with the gimbal in your pocket? wow!

Hooo boy. Everything on my WL is weird! But the top of the charts would be things like:

The Furby I'm a film student, and the Furby is for a shoot I'd like to do, whereupon one poor soul is chased by demon furbies.

The giant raptor statue is a big one. I put it on my WL purely to share it since it's life size, and because holy crap you can own a giant raptor and stick it in your yard!

The canon would come next, It's an item I am debating on adding to my pirate themed bathroom.

And speaking of the pirate themed bathroom this skull toilet brush is going to eventually be a part of it. Unfortunately it's almost always out of stock, but I'll get it one of these days!

The dragon table is another oddity item on my WL. I'm keeping it on there for tracking purposes, much like the canon, because I plan on having my living room be Disney's haunted mansion themed and it's a good center piece. Can't get it until I move here in a few years since it's so large, but I often use my WL as a sort of checklist for future household items and this is most certainty on it.

Then there's the extraordinarily expensive stick which is a film item. A buddy in my Uni's TV crew has one, they're absolutely fantastic to work with and something I like to keep my eyes on.

Then we have the Gargoyle speaker set the knight helmet you can use as a trashcan, the horse rope (though I am starting to think I can just use the giant training leash my dog had since there is literally no difference between this lunge line and her old leash, but I do have to check length. Getting kicked in the head is not high on my list of priorities.) And then there's the oddity that is my Pet wishlist. It is mostly made up of extremely expensive small fluffy blankets and odd fish-tank items.

Oh man I am definitely artsy for life...

I do photography and videography and have been eyeing this [camera stabilizer] (Opteka X-GRIP Professional Camera / Camcorder Action Stabilizing Handle- Black https://www.amazon.com/dp/B003PBB4ME/ref=cm_sw_r_cp_api_YFOyzbHQ2RTFV) to use for videos, especially during the week of GISHWHES. GISHWHES especially is all about bringing people together and making people's days with random acts of kindness and absurdity and art. I absolutely love it!

I've never bought from this company but for that price, I'd highly recommend buying a Neewer stabilizer: http://amzn.to/2scPc8f I was actually able to get it for around $60 (just watch the Amazon page for price drops).

It's not quite as nice as a Glidecam but it's absolutely worth the $$. Good build quality, almost all metal (the knobs are plastic).

Hey. I currently use the Flycam HD 3000 for my video shoots and am very happy with it. It's a cheaper alternative to Glidecam series and it captures some fantastic shots after a bit of practice, highly recommend it.

Here: https://www.amazon.com/FLYCAM-Handheld-Stabilizer-Supporting-weighing/dp/B00O5ZSAC6

Personally I'd buy a Feiyu G4 Gimbal and a refurbished Hero4 Silver

Total cost is around $408 compared to around $600 ($599.98 = $699.98 - $100)

The extra $200 buys you the latest camera with voice control that's water resistant without a case and a gimbal that turns on the camera and the gimbal at the same time (which is very nice compared to the Feiyu option.)

I have a Hero4 Silver and Feiyu G4 and I'm pretty happy with it.

I have this steadicam for my G7 and it works pretty well. As for lenses, I think you would love the 25mm f1.7 by Panasonic. I got it recently and it performs phenomenally! Here are some shots from it!

[Zhiyun Crane] (https://www.amazon.com/dp/B01I2MWUOG/ref=cm_sw_r_other_apa_kQ7QybBCFSYVW) runs 649.99 regularly but goes on sale for 500-550. It's easily one of the best handheld electronic gimbals out there.

This is another great option to start with too. It's what I started with:
https://www.amazon.com/Polaroid-Video-Stabilizer-Support-System/dp/B005MRXPE4/ref=sr_1_1?ie=UTF8&qid=1485757721&sr=8-1&keywords=chest+stabilizer

I still use the stock off that on my rig!

Biggest pluses are that it's got a quick release. If your tripod has a manfrotto mount, there's nothing stopping you from putting the arc swiss plate on the bottom of a cheap manfrotto plate. My tip is to make sure everything you use has the same plates. No one should ever be waiting around for you to be screwing stuff in with a coin.

When I can't be fucked or want an ultra light rig, I have a manfrotto plate on my GH4 (no cage) and I use the chest stock off that cheap Kodak, then a rod mount:

http://www.smallrig.com/SMALLRIG-15mm-Rail-Support-System-Baseplate-1841.html

and a matching Manfrotto clamp:

http://www.smallrig.com/SMALLRIG-Manfrotto-Dovetail-Clamp-1716.html

It doesn't twist when you brace it against you, it's rock solid stable and ultra light. Protip: brace against your shoulder, your chest will move as you breathe haha

Thanks for the review. Have you tried/compared the Feiyu Tech Wearable Gimbal? I've been pretty happy with its performance, and it's a little over a hundred bucks cheaper. Short clip from the weekend for anyone interested

The one issue I've had is that my knees and saddle occasionally bump the camera on steep downs since it sticks out from the chest a bit.

What is the result you'd like? Good quality training montages? Or just quick and dirty training clips?

For quick videos, you can get a cheap setup with these items:

Tripod:

http://www.amazon.com/JOBY-GorillaPod-Original-Black-Charcoal/dp/B0087FFTT2/ref=pd_rhf_se_s_cp_5?ie=UTF8&dpID=51I9rXPp7ZL&dpSrc=sims&preST=_SL500_SR135%2C135_&refRID=1JJ8S8MYKH0MRNMG59A9

Phone mount:

http://www.amazon.com/LimoStudio-Monopod-Tripod-Samsung-AGG1462/dp/B00PBCBZJ2/ref=sr_1_1?s=photo&ie=UTF8&qid=1459116583&sr=1-1&keywords=phone+tripod+mount

OTG USB cable if you're hurting for storage:

http://www.amazon.com/Bargains-Depot-Electronics%C2%AE-Product-Camcorder/dp/B00M8QXL64/ref=sr_1_3?s=photo&ie=UTF8&qid=1459116662&sr=1-3&keywords=on+the+go+usb

You can plug in a flash drive and keep that in your gym bag.

If you want to do high quality videos, go with a good smart phone or camera such as a decent camcorder, and a shotgun mic to get rid of the tinny sound.

Rode mic:

http://www.amazon.com/Rode-Videomic-Shotgun-Microphone-Rycote/dp/B00CAE8PM4/ref=sr_1_3?s=photo&ie=UTF8&qid=1459116783&sr=1-3&keywords=rode

If your camera doesn't have a shoe mount:

http://www.amazon.com/Opteka-Professional-Camcorder-Stabilizing-Handle-/dp/B003PBB4ME/ref=sr_1_4?s=photo&ie=UTF8&qid=1459116904&sr=1-4&keywords=camera+grip+handle

Hope this info helps.

I could not agree more with you. When its comes to glide cams and steady cams your going to want to spend upwards of $100. Its pricey but can make a huge difference. I own this one currently and have had a great experience using it: http://www.amazon.com/gp/product/B00DRGQETA/ref=oh_aui_detailpage_o01_s01?ie=UTF8&psc=1

I actually found this just by scouring the Amazon site deeper and deeper.

http://www.amazon.com/OFFICIAL-Midnight-Limited-stabilizer-Smartphone/dp/B00S10KFTC/ref=pd_cp_421_1?ie=UTF8&refRID=19GEHW6PWPN27C05HBVS

Seems pretty good at what it does but the big front facing, curved handle that balances it out seems a bit overkill. It would be nice to just have the handle, and then the camera right on top of it, simple and compact.

Don't spend any more money on a camera, since your phone is very good for starting out. Do these things:

1. Download the Mavis app, for shooting. It has a lot of features, and most of them are very helpful for improving the quality of your phone's video. Also, a lot of users find it more stable than FilmicPro, especially for higher bitrate video.
   
2. Pick up a gimbal based non electronic stabilizer like the
   Roxant Pro (https://www.amazon.com/OFFICIAL-Midnight-Limited-stabilizer-Smartphone/dp/B00S10KFTC/ref=sr_1_21?s=photo&ie=UTF8&qid=1480055905&sr=1-21&keywords=smartphone+stabilizer)
   
3. Pick up a direction mic. Avoid the Rode MicMe. It is way too noisy and its gain is terrible.
   
   Shoot as much as you can, and write a few shorts.
   
   

THIS ONE is 140 but I have it and can affirm that it's pretty darn good for the price.

the big thing I notice/felt was just a lot of unstable camera shots.

Im not sure what you are shooting with, but smart phones seem to be the way to go these days with how advanced the cameras are getting (especially with a VLOG style format),

I know you are in the UK and I linked the Amazon US store, but you should check out the DJI smartphone Gimbal

side note, im in no way affiliated with this company, but I have used it a ton of times their app has a facial recognition and tracking feature, so if you hold it in your hand, not only will it stabilize your video for you, it will also track your face as you do your vlogging, or if you just set it on a flat surface and want to do solo presenting.

Get the biggest memory card you can afford. With Prime Day starting in a few hours, I have no doubt memory cards will eventually be featured. 128GB, Class 10, UHS-1 (or 3), V60 (or 90). Larger numbers are better.

If you really want to get into video, think about an inexpensive rig.

http://dslrvideoshooter.com/video-gear/rigs/

As a beginner, look at the $30 end. I have an ebay version of this. This one gets a lot of positive reviews and is only $20.

Video takes an insane amount of light. Since you are going to be in Colorado in the summer, shouldn't be an issue. Having said that, if you are going to be shooting in low light situations, you need a light. I have this one.

Finally, sound. If sound is important to what you are shooting, think about an external recorder. Internal mics are a huge compromise compared to even an inexpensive recorder can do. For $100 the Tascam DR-5 is more than adequate.


Ok, now having said that, the only thing you REALLY need to buy is the memory card. Everything else is optional. You can hand shoot with natural light and the internal mic and get great video. Its just a lot harder. Hard is not impossible, it just takes more practice.

Google around and you will find a ton of tutorials on how to shoot video with a DSLR. A few things that stuck in my mind:

Shoot 10-1. If you want a minute of video you need to shoot 10 minutes and edit it down.

Pan slowly. Go as slow as you can. Now go slower. Its amazing how "fast" any movement is when you are recording it.

Shoot low and away. Literally the opposite of what you want to shoot a still image. You need to get the camera away from your face because your breath is loud and will cause shake.

Shoot early and late. Start shooting BEFORE the event you want to get happens and keep shooting through that event. If you dont you wont have any edit room. Its not like you are buying tape/film so shoot as much as your sensor can handle.

Hope this helps! Im in Colorado Springs next week and you reminded me to pack my rig! Thanks!

I haven't used it personally but the flycam nano is pretty popular. It costs much less than Steadicams or Glidecams at $170 USD.

http://www.amazon.com/FLYCAM-camera-stabilizer-quick-release/dp/B0051XJXJU

Thanks for helping! I don't have a lot so far, but I'm in a position where I can buy more equipment.

https://www.amazon.com/Neewer-Handheld-Stabilizer-Release-Cameras/dp/B00NJKJ1IA/ref=sr_1_1?s=photo&ie=UTF8&qid=1478792372&sr=1-1&keywords=steady+cam

http://www.amazon.com/Canon-EOS-Rebel-EF-S-18-55/dp/B00BW6LWO4

http://www.amazon.com/Rode-NTG2-Condenser-Shotgun-Microphone/dp/B00093ESSI

If you can provide with a list of stuff I would need to reproduce something of similar quality, ideally for fairly cheap, I'll happily give you gold for your troubles!

It's only ONE event? The photography and cinema rig is good, but too expensive, especially when you're not sure about the future. Go with this polaroid one. I absolutely love mine, and it's incredible for run-and-gun.

This is in your price range but from the looks of it looks extremely shitty. If you want some pretty well made stuff, the good people over at Jag35 have rigs/rods/follow focuses that don't break the bank like redrock or zacuto. But you do get what you pay for after all.

A Brushless gimbal can be expensive, but the chinese ones are pretty affordable, though not $100 affordable. Don't think we'll see them that cheap for a while, if ever. Something like this would do the job if you can find a way to mount a phone to it.

Would you suggest something like this Handheld-Stabilizer Neewer I have no Idea if this would do the job but they seem to go up to ££££ mega cash.

I like the idea of the portable light but I get what you mean with the direction, I meant more like what portable lighting or lighting in general should I be getting for a music video, or should it be those big silver reflectors?

Not recommending it, but I've been looking at this (https://www.amazon.com/dp/B00NJKJ1IA/ref=cm_sw_r_other_awd_wq8-wb22ME7PP). It's what came up when I searched another obscure brand I watched a review on that looked good. Definitely do your research, as I will.

What kind of videos do you want to do? The Flycam Nano DSLR is a good option for more cinematic shots and something like a Manfrotto monopod will work well for most situations.

http://www.amazon.com/DVC-17837-Flycam-Stabilizer-Release/dp/B0051XJXJU/ref=sr_1_1?ie=UTF8&qid=1404399617&sr=8-1&keywords=flycam+nano+dslr

http://www.amazon.com/Manfrotto-560B-1-Fluid-Monopod-Replaces/dp/B002N4K6J6/ref=sr_1_3?ie=UTF8&qid=1404399752&sr=8-3&keywords=manfrotto+monopod

If you like doing more action stuff like this, I'd highly recommend a gimbal. It'll make it look really professional.

You can't get a professional setup for $10k. However, you can get close and this is what I would recommend to do so.

• $2k Build a custom editing computer (I can put together a specific part list if you want). This is because you can get a far higher value for the money if you build it yourself.
  
• $500 on peripherals (Mouse, Keyboard, Monitor) (Again I can give specifics if you want)
  
• $3k Sony a7S II. This camera is an amazing low light cam. If you use this, you can focus a lot less on lighting.
  
• $2k on various prime lenses. Again, if you go with primes, you can get a larger aperture for less cash and end up focusing on lighting less. I would go for a 30-ishmm, a 50-ishmm, and a 80-ishmm depending on the pricing.
  
• $500 various stablizing systems. A tripod, this shoulder mount,
  
• $1k on sound gear. A Zoom H4n, Rode NTG4, and boompole
  
• $500 on lighting gear. In that budget, I would go for a couple of C-stands, can lights, and some sort of portable LED system.
  
  That leaves a $500 buffer for anything else you want to buy.

I got https://www.amazon.com/Neewer-Handheld-Stabilizer-Release-Cameras/dp/B00NJKJ1IA/ref=sr_1_5?ie=UTF8&qid=1492067270&sr=8-5&keywords=steadycam and i find it pretty good to handle but a used glidecam would be also a good option in my opinion.

Definitely! All these cameras have 1/4-20 threaded female sockets on the bottom, you could easily mount it on something like this.

What was with the camera doing barrel rolls?

EDIT: oh, steering wheel. I got one of these which I strap to my remote control car. It works a treat. Could definitely work in a car too, just fasten the handle and let the head keep things stable on rough roads.

Most places I go are paved, but are frequently a fair drive away. I made this timelapse a few years back of one place we go. 400 kilometre/4+ hour round trip. Wasn't anything particularly unusual, I just wanted to see how much footage fitted on my dashcam at the time and thought it would be a cool clip:

https://youtu.be/s7l3mrunKiE

A few guys do the out west stuff, which is over 1000 kilometres of driving round trip. I think the furthest I've driven was 5600 kilometres round trip, but that was over the course of a week doing a heap of little jobs on the way. Brisbane -> Cooktown with deviations to most major cities on the way for those familiar with Australia.

And some unrelated silliness from way back in the day when I was but a naughty young apprentice that happened to be in my YouTube list near the timelapse:

https://youtu.be/Mit66aaYW_c

Speaking from a filmers perspective, you got a nice setup so far. However, you want to remember to keep the skater in the center of your frame, and not head or board cut.

You shouldn't do night shots unless you have a really good floodlight or something along those lines because otherwise it will not look as good as it should and its most likely more difficult for the skater.

Try not to have such big space between tricks in lines, and if you have to, speed it up a bit or add in some flatground tricks.

Your lens needs to be clean at all times, so bring a cloth to the park or something.

The music shouldn't take over the whole audio track, so use some light stuff and keep it up enough that you hear the pop of tricks.

If i were to recommend a grip, i would say the X-grip but im not sure how that works on a t3i, so google around.

On one final note, tell your friends not to scream and yell when someone lands a trick. I know you're having fun, but that ruins the shot imo.

Hard to master but one of the best cheap ones

https://www.amazon.com/gp/product/B00DRGQETA/ref=oh_aui_detailpage_o01_s01?ie=UTF8&psc=1

You can even settle for something like this: https://www.amazon.com/Neewer-Handheld-Stabilizer-Release-Cameras/dp/B00NJKJ1IA/ref=sr_1_1?ie=UTF8&qid=1469155114&sr=8-1&keywords=steadycam

I used the above for corporate events when I filmed some b-roll footage. Worked great. Setting it up properly is key though.

At that budget you are looking at something like this. Can't even get a cell phone gimbal for that price. If you are willing to practice you can get great footage with these.
https://www.amazon.com/dp/B00P92DLQO/ref=cm_sw_r_cp_apa_i_az6GDbT60YN5J

Can anyone tell me anything about this budget "steadycam"?
http://www.amazon.com/gp/aw/d/B00DRGQETA?qid=1407133751&sr=8-1&vs=1

Obviously I wouldn't expect it to perform like a high priced one, but does anyone have any experience with it? My friend recently bought it and I'm thinking about it too,

https://www.amazon.ca/Neewer-FilmMaker-Camcorder-Dual-hand-Camcorders/dp/B00GTMBA7K/ref=sr_1_6?ie=UTF8&qid=1487655901&sr=8-6&keywords=shoulder+rig

I used this for a bit, not the exact model but essentially the same, but I bought 4" rods to put on the back end and attached a weight to it, helped with the balance.

As for the movements... looked like a lot of moves were initiated with the knees and sometimes added a dutch tilt in there, and then I also noticed what I think is a lot of medium range lenses (85mm?) with jerky pans and tilts.

Shooting jerky video is easy, editing it to match the look your going for might be the tricky part.

What kind of camera do you have? For my DSLR I use a steady cam. This is a pretty cheap and good one.

Steady Cam

1: It was all natural light, I would have used some reflectors had I owned some so we improvised the best we could.

2: I used a D5100 for the first bit but it crapped out so we went to a D7100 to finish with the same settings. I used both a spider steady as well as a rig available on Amazon here.

Not sure about that one in the picture particularly but this one on Amazon has really good reviews: https://www.amazon.com/OFFICIAL-Midnight-Limited-stabilizer-Smartphone/dp/B00S10KFTC/ref=sr_1_6?s=photo&ie=UTF8&qid=1468267244&sr=1-6&keywords=camera%20stabilizer&tag=viglink20955-20

> zhiyun crane

Looks like it has some solid reviews. Have you used the glidecam (link below?
Has some really solid reviews, a bit cheaper than the crane and others. Came across t=the glidecame on a FullTimeFilmMaker.com ad. The filmer uses one and the footage looks solid.

glidecam link:https://www.amazon.com/Glidecam-HD-2000-Hand-Held-Stabilizer/dp/B0020LB0MO/ref=sr_1_2?s=electronics&ie=UTF8&qid=1495766381&sr=1-2&keywords=glidecam+hd+2000?

Thanks!
Here's a pic of the setup.

The gimbal is the feiyu G4
https://www.amazon.com/3-Axis-Handheld-Gimbal-Cameras-Similar/dp/B00T32A0K6/ref=sr_1_1?ie=UTF8&qid=1469987103&sr=8-1&keywords=feiyu+g4

Two clamps. One to hold the gimbal and one to latch onto the headlight mount
http://www.bhphotovideo.com/c/product/546371-REG/Manfrotto_035_035_Super_Clamp_without.html

And the articulating arm between the two clamps:
http://www.bhphotovideo.com/c/product/616251-REG/Pearstone_9041660_9041670_8_3_21_1cm_Articulating.html

There's a ton of different brands of articulating arms but the cheaper ones usually don't hold.

I'll post a better pic of the setup when I get back to my motorcycle.

A lot of people seem to recommend this one:

Feiyu Tech Phone Gimbal

by Feiyutech

Link: https://amzn.com/B00T32A0K6

It's $215 right now, so it's cheaper than some, but the footage I've seen with it seems to be pretty smooth.

I've found that Monopods work great for shots that need more movement than a locked down tripod.

For sub-$100 shoulder rigs, I've found that this guy works okay: http://www.amazon.com/Polaroid-Video-Stabilizer-Support-System/dp/B005MRXPE4/ref=sr_1_1?ie=UTF8&qid=1459352331&sr=8-1&keywords=shoulder+rig+polaroid

https://www.amazon.com/gp/aw/d/B00NJKJ1IA/ref=mp_s_a_1_4?ie=UTF8&qid=1494504575&sr=8-4&pi=AC_SX236_SY340_QL65&keywords=steady+cam&dpPl=1&dpID=41WhFqqDMRL&ref=plSrch
Super cheap and well made, you should just practice on using it first. I used it in my music video for the opening shot.

Yes, I've heard those are pretty good. I started off with something like this https://www.amazon.com/gp/aw/d/B00O5ZSAC6/ref=mp_s_a_1_3?ie=UTF8&qid=1480747459&sr=8-3&pi=SY200_QL40&keywords=glidecam&dpPl=1&dpID=31E%2BZI0emCL&ref=plSrch

It does take practice to use however, at first it's a bit tricky and definitely a good workout for the forearms. The more expensive powered gimbals are basically idiot proof with a much shorter learning curve but as you note expensive.

Here's a handheld gimbal for $200 USD, just a little bit cheaper:

https://amzn.com/B00T32A0K6

I use this one, works perfectly fine

This was well edited, but the amateurish shots let it down - that first pan looked like a dolly slide and I got excited!

A few tips for your friend:

• Buy a Flycam Nano. It's a little weighted contraption with a gimbal handle that from the moment you strap a camera onto it will change your fucking life. Watch how steady this guy's shots are as he chases his daughter around a playground.
  
• For shots where you're on a board yourself, consider buying an X-Grip, or make one yourself out of 20mm PVC from Bunnings. Or make a DIY Fig Rig, or dangle your camera upside-down on your tripod. The basic message to take away is: never shoot any video on a DSLR without the camera attached to something bulky.
  
• Try to avoid having camera crew in your shots. It ruins suspension of disbelief and people start looking for them in the background, and not watching the story you're trying to portray.
  
  Otherwise, cool vid!

Regarding the follow focus? It's solid. It came with this rig and, so far, I'm really happy with the overall quality.

Are sub $100 stabilizers worth it? Just got into filming and picked up some Canon FD lenses so there is no image stabilization. I am new so I do not want to spend $400 on this but I still want quality. Are these any good?

SUB $100

SUTEFOTO S-40 $57.99

S-60 $71.99

I picked up everything off Amazon (other than the camera which I bought 2nd hand off Craigslist):

• skeleton camera case (so the mic cable can connect)
  
• extra batteries/charger
  
• 160 LED light
  
• stereo condenser
  
• accessory bracket for mic
  
• tripod GoPro mount (to connect to the grip)
  
• camera grip
  
• USB mic adapter

Probably used one of these with any good quality camera, possibly even a good smartphone.

Check out affordable steady cam gimbal attachments for your phone.

I've seen a few recently and am pretty impressed seeing them on phones and cameras in action.

While I am familiar with the expensive stuff, I'd expect that it would be possible to find some MIC (Made In China) phone gimbals.

https://www.amazon.com/DJI-Mobile-Handheld-Stabilized-Gimbal/dp/B01KUX9VT2

https://www.youtube.com/watch?v=34oRFXwM9EU

https://www.youtube.com/watch?v=uFt__-4GqIg



After spending $53 bucks for a double double of (only) 10 year old Laphroaig 2 nights ago, I am already jealous.

Yeah even phone gimbals are sorta pricey. You could do something more manual like one of these things, but idk how good they are..https://www.amazon.com/OFFICIAL-ROXANT-camera-stabilizer-Smartphone/dp/B00K67QUQK/ref=as_li_ss_tl?creativeASIN=B00K67QUQK&imprToken=0ACX333CKnxY8C.fdNW0hw&slotNum=8&ie=UTF8&linkCode=w61&tag=omnideals-20&linkId=cd93d57a1847057ccd1c1cacf48e5b02

I purchased a Neewer Shoulder Rig a while ago and was surprised how good its build quality actually is. Worth picking up for the price in my opinion.

For a tripod, the key thing to get smooth pans is a fluid head. I've heard good things about this one for light cameras (under 10lbs), although I've not personally used it.

I understand what you mean about still cameras being awkward for handheld shots. My experience is that even camcorders can be difficult because they're so lightweight. You could look into rigs like this or even this to give you better control.

If you haven't found a solution yet, I've had good luck using the Roxant stabilizer: https://www.amazon.com/dp/B00S10KFTC/ref=cm_sw_r_cp_api_rMbFxb4M15PXN

Some footage I shot for a band that was on their first headlining tour: https://youtu.be/9AkepHc2YG8

I don't think those are really stabilizers. I believe they are just handles so you can do low shots more easily. You might want to lay out a concrete budget for yourself and help others suggest. I've heard some okay reviews about the $75 [Neewer 24" stabilizer] (https://www.amazon.com/Neewer-Handheld-Stabilizer-Release-Cameras/dp/B00WUCRVD0) which is just a knockoff of the much more expensive Glidecams. I don't do video though, so take my advice with a grain of salt. You could also try searching through /r/Videography.

I researched this one a bit and it seemed like a good option. Have not actually used it or purchased one though so I don't have a personal report

https://www.amazon.com/OFFICIAL-ROXANT-camera-stabilizer-Smartphone/dp/B00K67QUQK/ref=sr_1_2?ie=UTF8&qid=1465577418&sr=8-2&keywords=iphone+steadycam

Personally, the flycams look like a better option, neewer is just ew.

This one is cheap and I love it: http://www.amazon.com/Polaroid-Stabilizer-Support-Cameras-Camcorders/dp/B005MRXPE4/ref=sr_1_1?ie=UTF8&qid=1422069972&sr=8-1&keywords=shoulder+rig+polaroid

The Feiyu Wearable Gimbal - best one out there

https://www.amazon.com/Feiyu-FY-WG-3-Axis-Wearable-Gimbal/dp/B011YNWKEA

It's a couple tubes and handles, that part really can't go wrong. The follow focus may or may not be adequate, but it's not going to be of use in any case if you're using MFT lenses which have too far of a focus ring throw to use a follow focus. I've gone even cheaper and use one of these: http://amzn.com/B005UF3G2Y I've added a shoulder weight setup and run it with only one handle with my other hand operating the lens. Works fine. What you really may be looking for is a Glidecam or Flycam. They take some learning and a bit of time to balance, but the results with practice are excellent.

edit: Note that the matte box with that rig I linked to is absolutely useless, but the rods and fittings do their job. The follow focus is of surprising quality, but again useless if using MFT lenses. I believe they sell the rig without it.

Glidecam HD2000 vs Zhiyun Crane

As of this posting, Glidecam has more reviews, a higher average review, and is cheaper than the Zhiyun Crane on Amazon. But do you want to play with weights and balance the Glidecam? Do you want the look of what a Glidecam can produce or a Zhiyun?

Edit: words

I use this with BMPCC. Its inexpensive leaving you money for accessories.

Its not huge and its built to interchange anything from the rails, shoulder pad, and even add a weight, Follow Focus, and Matte Box.

To each his own but it works for me! Hope i helped.

I mean, I'm not sure if it's worth investing in anything for an XL1-- i'd seriously look for a new camera once youve gotten the feel for things-- but shoulder rigs are good for basically any cam: https://www.amazon.com/Neewer-FilmMaker-Camcorder-Dual-hand-Camcorders/dp/B00GTMBA7K/ref=sr_1_5?s=photo&ie=UTF8&qid=1466655726&sr=1-5&keywords=shoulder+rig

Pittsburgher here too, cool stuff man.

I just bought one of these gimbals and it's really upped my video game. Would be cool to see you do this with a chest mount and a gimbal.

I use one of those cheap Newer stabilizers from AMZN. It gets the job done but its definitely lacking in the build quality dept.

https://www.amazon.com/Neewer-Handheld-Stabilizer-Release-Cameras/dp/B00WUCRVD0/ref=sr_1_1?ie=UTF8&qid=1503503900&sr=8-1&keywords=neewer+stabilizer

>It's like people who prefer to listen to vinyl because of the aesthetic. I just like doing it, even though it's more inconvenient and lower quality.

And this is why I hate it.

Stop being a stupid hipster and film in HD. At least vinyl has the advantage of being true analog-analog recording, SD is like using a cassette instead of a CD with none of the upsides (i.e. HD is more portable/durable/etc.). If you were filming with legit film (8mm, 35mm, etc.) I could respect that (if you didn't go bankrupt trying, lol).

It's not so much the actual pixel resolution (I will fight to the death that lower resolution cameras can have a far superior image quality, there is far more to a camera than how many pixels the sensor has, anyone that has seen 1080p Arri Alexa footage against most 4K footage understands), it's the fucking interlacing and 4:3 ratio. Everyone is viewing on a 16:9 progressive scan screen nowadays and combing artifacts on a progressive scan screen gives my eyes cancer. Even when you digitally de-interlace, it still only looks "OK" and is still the wrong aspect ratio. May as well film with a cell phone in portrait mode if you're going to forego standards that much.

Also, everything you said about HD cameras is your own fault/problem. There are tons of fantastic ultra-portable light weight cameras out there either through name brand GoPros or the numerous chinese knockoffs like the Firefly 7S that actually offer amazing quality and resolutions up to 4K with far better low light and contrast than a VX will ever do. They come with built-in fisheyes and a host of digital options, some including excellent digital gyros that will smooth out even a jittery filmer's hand (though the gyro does require cropping some of the viewing angle, so it's a filmer's call which is best for the situation). All you need is a $20 caddie and it's just like holding a VX.

VX's were overrated even back in the 90's/early 00's, but now they're just a dinosaur. It became this ridiculous circle jerk for no reason and it never had any merit whatsoever. You may as well record your next music album with this.

Alrighty, after reading some other comments this might even be a bit big BUT, check it out. I shoot with this little thing ALL the time and it is fantastic for VERY tight spaces.

http://www.amazon.com/Polaroid-Stabilizer-Support-Cameras-Camcorders/dp/B005MRXPE4/ref=sr_1_1?ie=UTF8&qid=1393866500&sr=8-1&keywords=polaroid+chest+stabilizer

It's cheap, surprisingly built well for the price, very sturdy, and is extremely mobile.

On top of that, I tend to use a Zacuto Z Finder with this little rig but that is probably overdoing it for what you are looking for. Check out the pic below. This is what it looks like rigged up on a 5D3.

http://instagram.com/p/kiNSBCpUgm/

Camera: canon t6 refurbished $350
audio: rode ntg2, an xlr cable, cheap boom pole
You can get the mic used for about $200, spend another $200 for a tascam dr-60

A 5 in 1 reflector kit from neewer for another $20

A few clamp lights and 3200/5600k bulbs


An okay tripod for now

And a cheap shoulder rig

That all should come out to around $1000 and should definitely be enough to get you started. Some of the stuff is a bit cheaper and you’ll need to replace as you move on and understand your needs better but there’s not much quality equipment to be bought if you need a whole package for around $1000

IMHO I'd stay away from cheap follow focus/matte boxes and go with just the shoulder system.

I just got the PR-1, quality seems pretty decent. There's also Neewer and Polaroid rigs that are very affordable.

DJI Osmo Mobile

Anker PowerCore 26800

This alongside a decent case+screen protector should save our little autist from buying a replacement phone within the first week.


^^^^sidenote: ^^^^make ^^^^him ^^^^buy ^^^^some ^^^^new ^^^^clothes ^^^^OMEGALUL

Buy the DJI Osmo mobile. It's a really good stabilizer for the S8.

I use a knockoff glidecam. It greatly improves your footage. I use this one in particular: https://www.amazon.com/Neewer-Handheld-Stabilizer-Release-Cameras/dp/B00WUCRVD0/ref=sr_1_1?ie=UTF8&qid=1469570333&sr=8-1&keywords=neewer+stabilizer

This is the rig that I like to use personally

http://smile.amazon.com/dp/B005UF3G2Y
combine that with this
http://smile.amazon.com/dp/B0036NMQ7S
and your hands are free to adjust focus, settings, etc. while you shoot.

For the hassle of DIY, I'd say you would be better off buying this. Comes with a matte box and follow focus.

https://www.amazon.com/dp/B00S10KFTC/ref=cm_sw_r_cp_apa_i_ePzpDbTYS2669 This thing seems good from what I've seen

The OP5 + DJI Osmo Bundle would save me 10€ if I buy the Osmo Mobile from Amazon instead of dji.com.

https://store.dji.com/de/product/osmo-mobile
https://www.amazon.de/DJI-CP-ZM-000449-Osmo-Mobile-Schwarz/dp/B01KUX9VT2/ref=sr_1_2?ie=UTF8&qid=1502895711&sr=8-2&keywords=dji+osmo+mobile

Seems like a shitty deal to me.

Most likely something like this: http://www.amazon.com/Feiyu-FY-WG-3-Axis-Wearable-Gimbal/dp/B011YNWKEA/ref=sr_1_1?ie=UTF8&qid=1458189348&sr=8-1&keywords=Wearable+gimbal

> I will be packing fairly light and don't want to carry a huge rig with me, or even a video monopod, which I have.

Well unfortunately that doesn't really leave us many options besides handheld.

However, there are some simple ways to make handheld footage a lot more stable:

1. You can attach a pistol grip to your camera.
   
   
2. You could forego the pistol grip and use the strap that came with your camera. With the strap around the neck, simply hold the camera away from your body until the strap is stretched as far as it can go.
   
   
3. Maybe what will help most (especially at longer focal lengths) is an image stabilized lens. Your kit lens should come with image stabilization... but if you're shooting in parties the lighting will probably be very dim and the kit lens is not very fast. Prime lenses rarely have image stabilization but are faster and much better in low light. It's a tradeoff you'll have to balance.
   
   
4. A wide angle lens will mask some shakiness.
   
   Finally, try not to move/walk around when you're shooting. If you must walk n shoot, walk like their's poop in your pants and you're trying not to smear it all over your ass.

Nice weather I see! Hey...get one of these handheld stabilizers for your action cam rig. Roxant Pro

You can always just get a Feiyu Tech G4 3 axis gimbal.

https://www.amazon.com/3-Axis-Handheld-Gimbal-Cameras-Similar/dp/B00T32A0K6/ref=sr_1_1?ie=UTF8&qid=1466001722&sr=8-1&keywords=feiyu+tech+g4

Also with the extension stick attachment

https://www.amazon.com/Neewer-Carbon-Extension-Converter-Handheld/dp/B00S0TBVKG/ref=pd_bxgy_421_img_2?ie=UTF8&refRID=PD33SP9BTG3WVHEV40RQ

I have one of those for my dslr setup. Looks like this https://www.amazon.com/dp/B003PBB4ME

It looks like an Opteka X-GRIP.

Looks like one of these.

Like this one? http://www.amazon.com/DVC-17837-Flycam-Stabilizer-Release/dp/B0051XJXJU

Here it is. Though I do have my eye on an autopilot in the near future. I would recommend that one if you can swing it.

https://www.amazon.com/FY-WG-3-Axis-Wearable-Gimbal-Stabilizer/dp/B011YNWKEA

Something like this?

He's talking about something like this: https://smile.amazon.com/Smooth-Handheld-Stabilizer-Smartphone-Black/dp/B07BHCC3BV/

Split the clips up into smaller clips.

Here's a few tools that I use to eliminate the need for Warp:

• Glidecam HD2000 I own this one and recommend it.
  
• DJI Ronin-M 3-Axis Handheld Gimbal
  
• Neewer Carbon Fiber 24" for budget users, and is mostly just an HD2000 knockoff. I would spray paint the colors black if you plan on using it for events where you don't want to grab too much attention away from the subjects.
  
• Glide Gear Geranos VII 3 Axis Gyro for when you DO want all the attention on you.
  
  
  Otherwise you will see very little to no difference between the i5 and i7 during Warp's Analyze. When do you start seeing a difference? Most likely when there is 24 cores and 128GB's of RAM. And you may gain... what... a few minutes or so? It's the nature of Warp's analyze. Adobe is aware of it and has yet to address it.

In only the past week, multiple Amazon sellers offered V2 of the Crane for $512 and $520.

In the past few months, Amazon sellers have on a number of occasions sold it for under $400.

If you buy from Massdrop, it won't deliver until Aug 18th. Buy from Amazon, you'll have it in a few days.

There's also the returns issue. If there's a problem, Amazon will have your back. While Massdrop...

Film City rigs are decent for their price. I had one a few years ago and then upgraded to a VariZoom rig.

This one looks promising:

Neewer Portable FilmMaker System With Camera/Camcorder Mount Slider, Soft Rubber Shoulder Pad and Dual-hand Handgrip For All DSLR Video Cameras and DV Camcorders https://www.amazon.com/dp/B00GTMBA7K/ref=cm_sw_r_other_awd_iazPwbWHDGHJH

well i am getting http://www.amazon.com/Opteka-X-GRIP-Professional-Camcorder-Stabilizing/dp/B003PBB4ME/ref=dp_cp_ob_p_title_1 as i will be filming/shooting a lot of skate boarding. I of course will also just be shooting every day things. And all my photography kit currently includes is :- Cannon EOS 550D, 18-55mm lens, the photographers eye (book)

Okay, so here is what I have so far:

Canon 6d Body Only - $999 Canon EOS 6D 20.2 MP CMOS Digital SLR Camera with 3.0-Inch LCD (Body Only) - Wi-Fi Enabled https://www.amazon.com/dp/B009B0MZ8U/ref=cm_sw_r_cp_apa_ztfUAbQ2EFJEK

200mm telephoto lens - $599 Canon EF 70-200mm f/4L USM Telephoto Zoom Lens for Canon SLR Cameras https://www.amazon.com/dp/B000053HH5/ref=cm_sw_r_cp_apa_xvfUAbCW0138S

Gimbal - $65 The OFFICIAL ROXANT PRO video camera stabilizer Limited Edition (Midnight Black) With Low Profile Handle for GoPro, Smartphone, Canon, Nikon - or any camera up to 2.1 lbs. https://www.amazon.com/dp/B00S10KFTC/ref=cm_sw_r_cp_apa_YxfUAb4K36DB2

Look good?

This one doesn't seem too bad.
http://www.amazon.com/gp/product/B00A2WTNZE/ref=ox_sc_sfl_title_4?ie=UTF8&psc=1&smid=A4IVYW5MZ3REB