(Part 2) Best products from r/M43
We found 41 comments on r/M43 discussing the most recommended products. We ran sentiment analysis on each of these comments to determine how redditors feel about different products. We found 281 products and ranked them based on the amount of positive reactions they received. Here are the products ranked 21-40. You can also go back to the previous section.
21. Olympus M.Zuiko Digital ED 7-14mm F2.8 Pro Lens, for Micro Four Thirds Cameras
- 7 14 millimeter(14 28 millimeter 35 millimeter equivalent) lens with splash and dustproof construction. Angle of view 114° 75°
- Closest focusing distance at just under 7. 5 centimeter, maximum image magnification: 0. 12x, focal length: 7 14 millimeter
- Manual focus Clutch Mechanism and l fan button for assignable functions
- 3 Super ED Lens elements, 1 ED Lens element, and 2 elements to diminish aberrations
- 60 percentOf the weight of 35 millimeter full frame lens (with same angle of view and max. Aperture)
Features:
22. Bonlux 40W LED Studio Light Bulb Medium Screw Base 5500k Daylight Balanced Full Spectrum Bulb for Photography and Video Studio Lighting
40W LED can replace 150-200W CFL studio bulb, super energy saving, saves energy up to 80%;132pcs super bright 5730 SMD LED as light source, 3500-3800lm, 360 degree beam angle;Input voltage: AC85-265V; Light Color: Daylight 5500k; Base type: Medium Screw Base E26/E27;Bonlux 40W Daylight 5500K LED stu...
23. OP/TECH USA 1301052 Extensions (Regular) - System Connectors
- Available in two lengths: Regular (7.5" to 11") and X-Long (10.5" to 16").
- Uses 0.75" wide webbing.
- Easily lengthens a camera strap with quick disconnects.
- Sold in sets of two.
- Made in the USA.
Features:
24. OP/TECH USA 1301452 Mirrorless Mini QD - System Connectors
- Attaches to many styles of OP/TECH USA straps using 3/4" Quick Disconnects and connects to the camera with a small Mini QD Loop attachment
- Adjustable 11"-16" (27,9-40,6cm) long each side
- Recommended weight load up to 2.5 lbs
- Sold in sets of two
- Made in the USA
Features:
25. OP/TECH USA 1301062 Uni-Loop - System Connectors
Enables cameras or binoculars to be used interchangeably with OP/TECH USA neck straps, wrist straps or harness systemsMinimizes the amount of strap left on the camera when the main pad is removedFits tight connection areas using a loop of 1/4 inch tubular nylon webbingContains one pair (one male and...
26. OP/TECH USA 1301652 Reporter/Backpack - System Connectors
- Easily secures a camera or binoculars to a neck strap or backpack
- Adjustable in length from 8.5"–10.5" (21,6cm–26,7cm)
- Clamps to any 1" wide webbing or seamed area
- Contains one pair of connectors (each connector contains one garment clamp with webbing adjustability and one Uni Loop) You will end up with one female and one male Uni Loop in the pair
- Made in the USA
Features:
27. Inspire in Time Black Camera Neck Strap - Genuine Leather with Adjustable Straps and Universal Interfaces | for Mirrorless and DSLR Cameras, Nikon, Canon, Sony, Olympus, Panasonic, Fuji & More
- THE ULTIMATE CAMERA NECK STRAP: If you are looking for an elegant yet durable neck strap for your beloved camera, then we got you covered. We have designed the most durable in time yet sleek and stylish neck camera strap that will satisfy even the most demanding photo shooting needs! Its design makes this camera strap ideal for both men and women of all ages.
- 100% GENUINE LEATHER DESIGN: Forget all those cheaply made almost plastic camera straps and invest on this truly authentic leather camera strap. It is made from durable leather that allows this shoulder strap to be extremely resilient and ready for some heavy-duty use. Its 100% fine construction along with the strong leather will make this your favorite camera neck strap for the many years to come.
- EXQUISITE DESIGN FOR THE DEMANDING PHOTOGRAPHER: Do not compromise with anything less than perfection when it comes to your camera accessories. Invest on this well-crafted comfortable stylish camera strap, add the vintage looking style of this strap to your daily shooting.
- ERGONOMIC DESIGN NECK CAMERA STRAP: Inspire In Time has meticulously designed this camera hand strap to be extremely convenient and have an ergonomic design so as to facilitate its use to the fullest. Easy to install you won’t have to break a sweat unlike other camera straps. It has universal interfaces which are compatible with all kinds of film and digital cameras, and also adjustable buckles to regulate the length of the strap according to your needs!
- GREAT COMPATIBILITY DIGITAL CAMERA STRAP: This cool digital camera strap is ideal for personal and professional use as well. No more tired shoulders and neck discomfort thanks to its wide and padded neck strap. It is suitable with all kinds of cameras and brands like Nikon, Canon, Sony, Leica, Olympus, Minolta, Panasonic, Fujifilm, Pentax and so many more! It extends from 42 In to 45 In.
Features:
28. Olympus M Zuiko Digital ED 12-40mm f/2.8 Pro Interchangeable Lens - International Version (No Warranty)
- This version is originally intended for sale outside the US and may contain adapters, manuals, and warranties not compatible with US standards.
- Box Contents: Lens Hood (LH-66), Lens Case (LSC-0918), Lens Cap(LC-62D), Rear Lens Cap(LR-2)
- Full Retail Packaging
- Dustproof, Splash proof, and Freeze proof construction
- Compatible with Olympus and Panasonic m4/3 cameras
Features:
29. PANASONIC LUMIX Professional 8-18mm Camera Lens, G LEICA DG VARIO-ELMARIT, F2.8-4.0 ASPH, Mirrorless Micro Four Thirds, H-E08018 (Black)
NANO SURFACE COATING: Professional, high quality LEICA DG VARIO ELMARIT camera lens optics with Panasonic’s Nano Surface Coating to reduce unwanted ghosting and flaring for crystal-clear pictures (1 ASPH ED / 3 ASPH 2 ED / 1 UHR)HIGH SPEED AUTO FOCUSING: Upgraded faster focus tracking via a 240 fp...
30. Olympus M.ZUIKO Digital 40-150mm 1:2.8 PRO Lens with MC-1.4 1.4X Tele
Extend your zoom range with the Olympus PRO 40-150mm lens and MC-1.4 Tele ConverterOutstanding performance with 1:2.8 fixed aperture at every focal length, for professional wildlife, sport and wedding photographyOnly 70cm minimum focus distance at all focal lengths for a broad range of shotsMC-1.4 a...
31. Olympus M.Zuiko Portrait Lens Kit (M.Zuiko Digital ED 75mm F1.8 and M.Zuiko Digital ED 45mm F1.8 Black Lenses)
M. Zuiko Digital 45mm f1.8 and M. Zuiko Digital 75mm f1.8 lenses included in the kitLens hoods for both lenses includedLens pouches for both lenses included
32. Sigma 30mm F1.4 Contemporary DC DN Lens for Micro 4/3
- With nine rounded aperture blades, a stepping ring motor, and compact design
- perfect paring of high performance and pricing
- APS-C format
Features:
33. Rokinon 12mm F2.0 NCS CS Ultra Wide Angle Fixed Lens for Olympus and Panasonic Micro 4/3 (MFT) Mount Digital Cameras (Black) (RK12M-MFT)
- Maximum Diameter: 2.85 inches (72.5mm).Aperture range f20-22
- Constructed of 12 elements in 10 groups (2 aspherical lenses)
- Minimum focusing distance of only 8 inches Lens does not have autofocus
- Built for Mirror less cameras; takes a 67mm filter size
- Lens not Zoomable
Features:
34. Medium Micro Lens Pouch for Leica, Micro Four Thirds, Fuji X-Pro 1, Sony NEX, Pentax Q, Nikon 1 Lenses
Interior dimensions: 70mm (2.76 inch) diameter, 100mm (3.94 inch) lengthMade of an exclusive, specially-fabricated synthetic material that has the look and feel of neoprene but provides more cushioning for greater protectionFits Leica M, Micro Four-Thirds, the Fuji X-Pro 1, the Sony NEX, the Pentax ...
35. Fotasy 37mm Silver Screw-in Metal Lens Hood, 37 mm Silver Lens Hood fits Olympus M.ZUIKO DIGITAL 45mm 1:1.8 lens, for Canon Fuji Leica Leitz Nikon Olympus Panasonic Pentax Sony Lense
Silver Metal Lens Shade for Standard 37mm Filter Thread Lenses, will Screw into your Lens, or Filter.Solid metal construction, with flat black interior to prevent reflections.Made of AlumniumThe 37mm Screw-in Lens Hood fits lens with 58mm filter diameter only. Please verify your lens thread size / f...
36. Dolica GX600B200 Proline GX Series 60-Inch Aluminum Tripod and Ball Head Combo for DSLR
- Rapid stability center column
- Reversible locking center column
- Durable flip leg locks
- Integrated tripod bubble level
- 3-Position leg angle adjustment locks (for macro lens)
Features:
37. AmazonBasics Large DSLR Camera Gadget Bag - 11.5 x 6 x 8 Inches, Black And Orange
- Bag for storing, carrying, and protecting camera equipment
- Includes a Large DSLR gadget bag made of thick, durable black polyester with orange interior
- Slot for iPad Mini, Google Nexus 7, Amazon Kindle Fire
- Multiple interior compartments and exterior zipper pockets for easy organizing
- Zipper and reliable plastic clasps ensure secure closure
- Top carrying handles and adjustable shoulder strap for comfortable transport
- Product dimensions: 12.75 x 8 x 9.75 inches (LxWxH)
Features:
38. 7artisans 25mm F1.8 APS-C Large Aperture Manual Focus Fixed Lens for Olympus and Panasonic Micro Four Thirds MFT M4/3 Cameras - Black
7 Elements in 5 GroupsAperture Range: F/1.8 - F16. Ideal Aperture with 12 Diaphragm BladesAluminum Body and Copper Core. Compact and Lightweight 0.31oz/143gNot Available for Full Frame. When Use The Lens on Full Frame Camera, Please Change the Camera into APS-C ModeWide Compatibility: Panasonic G1, ...
39. Fotasy Manual Nikon G AFS Lens to M43 Adapter, Nikon F to MFT, fits Olympus E-PL8 E-PL9 E-M1 E-M5 E-M10 I II III E-PM2 E-PM1 Pen-F E-M1X/ Panasonic G7 G9 GF8 GH5 GX7 GX8 GX9 GX85 GX80 GX850 G90 G91
- Solid NikonG AFS Lens to MFT Adapter/ F Mount to Micro Four Three Mount Converter allows NK G Lens to fit on Micro 4/3 Mirrorless Digital Cameras
- Infinity Focus Guaranteed
- With aperture control ring allows user change lens's f-stop manually
- There is no electrical contacts in the adapter ring Automatic diaphragm auto-focusing or any other functions will not operated with using this adapter Exposure and focus has to be adjusted manually
- Compatible with Panasonic G1 G2 G3 G5 G7 G9 GH1 GH2 GH3 GH4 GH5 GH5s GF1 GF2 GF3 GF5 GF6 GF7 GF8 GM1 GM5 GX1 GX2 GX7 GX8 GX9 GX85 GX80 GX850 G90 G91 Olympus E-P1 E-P2 E-P3 E-P5 E-PL1 E-PL2 E-PL3 E-PL5 E-PL6 E-PL7 E-PL8 E-PL9 OM-D E-M1 E-M1 Mark II E-M5 E-M5 Mark II E-M5 Mark III E-M10 E-M10 Mark II E-M10 Mark III E-PM2 E-PM1 PEN-F OM-D E-M1X
Features:
40. PANASONIC LUMIX G X Vario Power Zoom Lens, 14-42MM, F3.5-5.6 ASPH, MIRRORLESS Micro Four Thirds, Power O.I.S, H-PS14042K (USA Black)
- 28mm-84mm in 35mm equivalent zoom
- Nano Surface Coating technology minimizes reflections at entire visual light range
- POWER O.I.S. (Optical Image Stabilizer) integrated into the lens makes it easy to shoot sharp images even in low-lit situations
- Power zoom
Features:
I'm sooooo happy with my G85. I've taken it around the world. Here's a list of things I've been keeping track of:
Microphones:
Get the Videomic Pro+. The differences are that the mic turns on/off automatically and it has a usb rechargeable battery.
Having to carry extra batteries are dumb. Especially when they're not rechargeable. Also, you WILL forget to turn the mic on, then your whole shot is ruined because NO SOUND will be recorded. Trust me.
You probably noticed that you can't look in the viewfinder because of the videomic. This Movo 4" bar will fix that.
Batteries:
Speaking of extra batteries, you're going to want more. There are two types: cheap non-decoded, cheap decoded, and OEM.
Non-decoded means you won't know how much battery you have left in the camera. Obviously that's dumb. Spend a little more and get decoded. I really like these OAproda 2 pack + charger. No battery lasts as long as the OEM, but it's close enough. Plus, the OAproda charger is much thinner than the others and charges via USB.
SD Cards:
I love these SanDisk Extreme Pro. I purchased the 128gb because I NEVER want to be in a position that I can ever possibly run out of space.
You'll want a way to copy the files to your pc. This Transcend USB 3.0 works amazingly, and it's $9 for a two pack.
Lens:
The kit lens is pretty damn good. But here are the lenses that you'll see people talk about all the time. Depending how new you are in photography/videography, you should know this: we have a crop sensor. It's not the end of the world. A majority of the people don't mind it. But when you're looking at lens sizes, you need to double the number in order to compare it with full frame camera's. But again, not a big deal.
Panasonic 25mm f1.7 - compared to the "nifty fifty" on a full frame (25mm*2=50mm). This lens works aaaaaaamazing in low light / day light / etc. But to get an idea of how 'zoomed in' it is, take your kit lens and rotate it to "25mm". That's how this lens is. Nevertheless, still such an awesome lens.
Panasonic 45-150mm f4.0-5.6 - I just bought this lens from Amazon Warehouse for $100. It's very well built and serves it's purpose (when I want to zoom in on something far away)
Rokinon 12mm f2.0 - Everyone loves this lens, but keep in mind that it does not have autofocus. Is it the worst thing in the world? No. But it's the only drawback so it's worth mentioning. I was doing some night time time lapses last night and man, this sucker was beautiful. It's WIDER than any other lens, so you'll capture more of the image but it DOES NOT have a fisheye effect (which is awesome).
DSLR Video Shooter's G85 guide was wellllll worth the $20. Most of it was pretty elementary, but I did learn so much more and started using about 90% of what he spoke about. Brilliant.
That's almost half the price, the Oly is a great deal for $180 IMO. I'd go for it tbh, but the subtleties might sway you one way or the other depending on what you'll use it for... So into the weeds we go...
The Oly has some field curvature which could actually contribute to what some describe as character but also seems to rob it of sharpness on the edges, when you're focusing on the middle of the frame anyway (if your subject is on the edge and you focus there it wouldn't be an issue).
The Oly may also filters a bit more UV since Oly is aware that they use a weaker on-sensor UV filter in their bodies, that may both contribute to less CA and/or pair better with Oly bodies. (wouldn't make a difference one way or another on a Pana body) It could also contribute a little to color rendering but it's kinda moot if you shoot RAW.
The Pana has little to no field curvature and OIS, if you're using it for portraits I don't think either of those elements really matter. Your frame is usually gonna be defocused around your subject anyway and you'd need to keep shutter speed up to account for subject movement. The OIS does come in handy for video if you were to use it on an IBIS-less body (I had a GM1 when I got it and now have a GX850).
I also like that it focuses much closer, the Pana that is, but that doesn't really matter for portraits either unless you're taking portraits of bugs, heh. It does make it a little more versatile, the Sigma 60/2.8 and the upcoming 56/1.4 also focus closer than the 45/1.8 tho not as close as the 42.5/1.7, which still yields the most magnification.
The CameraLabs review of the 42.5 compares them heads up and it touches on some of this, it doesn't explain the field curvature (tho LensRentals' has a good blog post on that) but notices the effect on edge sharpness (I still think Gordon had a less than optimal sample tho, but he said he tried several).
There's a few things I've been meaning to check out myself as far as CA on point light sources and bokeh, which might favor the 45/1.8, just haven't gotten around to it... The Pana has some cat's eye bokeh on the edges characteristic of a few Pana lenses.
I think the Oly is more round throughout. Honestly they're both great, you have to be pretty anal to notice most of these things (outside the two obvious pluses to the Pana which might not matter at all for what many will use it).
The Panasonic comes with a lens pouch and a hood too, so there's that. The Oly is part of an old series of Oly lenses (anything launched pre-25/1.8) that didn't come with those. I like this screw in metal hood on either just cause of how it looks and how compact it is, tho the OEM hoods are reversible (you also gotta take off a cosmetic decor ring on either to use them, bleh).
If you were gonna use it for something like landscapes or even copy work, the Pana has a clear edge in having less field curvature... I tend to use zooms for that myself but YMMV.
Edit: Whoa, that got long, hopefully it's more useful than hopelessly confusing. :s
Edit #2: Even more insignificant than everything else, I think the Oly is sold in black and silver whereas the Pana might only be sold in black in the US IIRC... I bought mine from Japan cause it was a little cheaper when it came out or something (in silver if you must know, my Oly as black, heh).
Metabones' Speed Booster is not compatible with Canon EF-S lenses (due to an extended protrusion at the rear of the lens), but it is completely compatible with third-party APS-C lenses (e.g. Sigma, Tokina, etc.).
Here are a few wide-angle options:
You may also be interested in native wide-angle lenses for astrophotography purposes. They may not be fast, but they may provide better quality at these ultra-wide angles, especially compared to non-Metabones focal reducers. Here are a couple options:
Depends on how budget we are talking. If we are talking ultra tight budget then you can get those really cheap knockoff softboxes that just have a regular bulb socket and put in a daylight balanced LED light bulb like one of these: https://www.amazon.com/gp/product/B01EFK7XE6/ref=ppx_yo_dt_b_search_asin_title?ie=UTF8&psc=1 It actually produces pretty nice even light
Current setup:
(A) Backpack connector: https://www.amazon.com/gp/product/B0010HA68I/ref=oh_aui_search_detailpage?ie=UTF8&psc=1
(B) Large clip to 3/8" Mini QD adapter. You need this if you want to attach directly through eyelet. https://www.amazon.com/gp/product/B00I2PCBQQ/ref=oh_aui_search_detailpage?ie=UTF8&psc=1
https://www.amazon.com/gp/product/B004N623UW/ref=oh_aui_search_detailpage?ie=UTF8&psc=1 (Optional extension, adds another 5" of adjustability, for a total of 10" of adjustment)
​
Another way to create an attachment point is to rig this 3/4" loop on backpack or clothing (instead of (A)), then use (B) to connect directly to an eyelet.
https://www.amazon.com/gp/product/B0010HA6A6/ref=oh_aui_search_detailpage?ie=UT
​
I've also used the Mini QD (https://optechusa.com/mini-qd-loops.html) to create a quick-release attachment on a leather strap. That lets me wear a strap that makes me feel cooler than when I wear the dorky Neoprene ones that Op Tech sells. Currently using this one b/c it has the necessary 3/8" wide strap at the camera attachment point.
https://www.amazon.com/gp/product/B07CNP9842/ref=oh_aui_search_detailpage?ie=UTF8&psc=1
I have one of these as my "store everything" bag, but generally for going out to shoot I have a much smaller bag (I think I got from Wal-Mart) that perfectly fits my 14-42EZ, 25mm f/1.8, and either an adapted 50mm or the 40-150 f/4-5.6 on the camera (facing down), along with a spare battery. Kinda like a narrower version of this.
I have some mild interest in this lens, looks like it is [$1,200] (https://smile.amazon.com/Olympus-M-Zuiko-Digital-7-14mm-Cameras/dp/B00WENHU6S/) new on Amazon. Why are you selling it? How long have you had it? Out of curiosity, how much did you pay for it?
If you really want to go for bottom dollar, you can get the 7Artisans 25mm f/1.8. It's a manual focus lens like the Canon would be, but it's a native mount and a focal length that would be more useful for your use.
Well, with this endless budget of yours. I'm going to go all out if you don't mind.
Totally fine, it's what a lot of people do. Usually though, they'd be bringing an even smaller aperture and larger zoom range like the 14-150 or 12-100.
The other two lenses are so small that you could just wrap them in lens bags and throw them into your backpack. If you don't anticipate using them much, that's a perfectly fine solution.
https://www.amazon.com/Medium-Micro-Lens-Pouch-Thirds/dp/B007TMZW2S
If you don't need low light or narrow depth of field, you can take the 25mm out.
I remember some guy on here used a 12-100 F4, but ultimately switched to the 12-40 because it was so much bigger and heavier, and he never used the lens past 40 anyways.
I use some random entry-level tripod from amazon: https://www.amazon.com/gp/product/B004XC3GWU/ref=oh_aui_detailpage_o06_s00?ie=UTF8&psc=1.
It's good enough for my casual shooting.
Thanks. I don't need automatic aperature control, but I just need to be able to control aperature through the camera as it's not manual on the lens
edit: http://www.amazon.com/Fotasy-AMNG-G-type-Thirds-Adapter/dp/B003TROEBM Something like this except for Sigma mount
If I use an adapter like this (not a speedbooster) to adapt my nikon lenses to my new camera, is it true I will lose ~a stop of range, I remember hearing that somewhere and am wondering if it's true?
When i bought my camera i bought a 7Artisans 25mm f1.8 . Its a fun lens.
> There is no 14-42 G X.
Yes there is: http://www.amazon.com/Panasonic-14-42mm-F3-5-5-6-G-Series-Digital/dp/B005J5TZVG
THough, don't confuse "X" as high end. It's a compact power zoom that was the first of a pair of power zooms intended for video. I honestly don't know why they got an "X" moniker, never made sense. They weren't any better than kit lenses (maybe the tele zoom was a little) optically.
> It will end up selling a lot cheaper than the oly 12
It's already available on Adorama, B&H, and Amazon for $370... so almost half the price of the Olympus. Very nice.
I always use a lens hood, both to improve contrast and to provide some extra protection for the front element. For the Panasonic, I use this lens hood from JJC: https://www.amazon.com/JJC-LH-46GFII-Metal-Panasonic-Lumix/dp/B00L4KR1ES. For the Oly, I use this metal one from Fotasy: https://www.amazon.com/gp/product/B0061GS1OO
https://www.amazon.com/gp/offer-listing/B005J5TZVG/ref=dp_olp_all_mbc?ie=UTF8&condition=all
An adapted lens is always pretty ridiculous looking especially on a rangefinder style body, and unless you're using an expensive speedbooster rather than a dumb adapter and you're not spot on perfect with your settings, the results aren't going to be great.