Best products from r/recording
We found 29 comments on r/recording discussing the most recommended products. We ran sentiment analysis on each of these comments to determine how redditors feel about different products. We found 58 products and ranked them based on the amount of positive reactions they received. Here are the top 20.
1. InnoGear 1- Channel 48V Phantom Power Supply with 10 Feet XLR Cable and Adapter for Any Condenser Microphone Music Recording Equipment
Professional Phantom Power Supply delivers reliable 48V DC phantom power for condenser microphones and transfer sound signal to sound card.Compact and durable, made of black aluminum. High-quality components and rugged construction ensure this power supply with stand up to the test and perform on al...
2. Neewer NW-800 Professional Studio Broadcasting & Recording Condenser Microphone Set Including: (1) NW-800 Condenser Microphone + (1) Ball-type Anti-wind Foam Cap + (1) Microphone Audio Cable (Blue)
- ** PLEASE NOTE: Shock Mount Not Included!** The Set Includes: (1)Blue NW-800 Condenser Microphone + (1)Ball-type Anti-wind Foam Cap + (1)Microphone Audio Cable.
- The professional condenser microphone adopts the exacting complete electronic circuit control.Capture rich, full-bodied sound from sources that are directly in front of the mic.Include the low-frequency cut switch that can reduce the background noise and close-talking effect and isolate the main sound source.
- The ball-type anti-wind foam cap can protect microphone against wind interference and singers' spit.
- The set can be used for karaoke, in sound reinforcement or recording, to pick up voice or instruments, indoors or outdoors.
- Note: Don't drop, hit or apply strong shock to it. To maintain the sensitivity and quality of sound reproducing, avoid exposing it to moisture and extreme temperatures.
Features:
3. Mixing Secrets for the Small Studio (Sound On Sound Presents...)
- Focal Press
Features:
4. Focusrite Scarlett 2i2 (2nd Gen) USB Audio Interface with Pro Tools | First
- Two natural-sounding Scarlett mic preamps with plenty of even gain; two instrument inputs, 1/4-inch balanced jack outputs to connect professional studio monitors; one headphone output with gain control
- Class-leading conversion and sample rates up to 192kHz / 24 bit; super-low roundtrip latency for using your plug-ins in real time without the need for DSP
- LIMITED TIME OFFER: FREE Venomode DeeQ, Maximal 2, and Pivot, plug-ins upon registration and download.
- Includes Pro Tools | First Focusrite Creative Pack and Ableton Live Lite, Softube Time and Tone Bundle, Focusrite’s Red Plug-in Suite, 2GB of Loopmasters samples, Choice of one free XLN Addictive Keys virtual instrument, all available via download upon purchase and registration
- Compatible with Windows 7 and higher, and Mac OS X 10.10 and higher. Frequency response - 20 Hz - 20 kHz ± 0.1dB. Supported Sample Rates: 44.1 kHz, 48 kHz, 88.2 kHz, 96 kHz, 176.4 kHz, 192 kHz. Focusrite now offers a 3-Year Warranty on this and all other Focusrite products.
Features:
5. MXL 550/551R Microphone Ensemble
- This all-in-one Recording Ensemble delivers outstanding performance for both vocals and instruments
- Enter your model number to make sure this fits
- Two microphones that cover a wide range of vocal and instrument applications
Features:
6. Majadu 3.5Mm Mono Mini Jack To Single Rca Phono Lead Cable 1.2M
- Mini jack to single phono cable for use with audio equipment
- Flexible black cable with tough moulded connectors
- Connector a: 3.5mm mini jack mono plug
- Connector b: rca phono plug
- Length: 1.2 metres
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7. Tascam US-16x08 Rackmount USB Audio/MIDI Interface
ENSURE YOU BUY GENUINE TASCAM PRODUCTS! Products from sellers which say ‘fulfilled by Amazon’ under the price MIGHT NOT be an authorized TASCAM reseller, and might not be selling genuine TASCAM products which would forfeit any manufacturer warranties.Captures 16 mic and line inputs to your compu...
8. Video Camera Camcorder, WELIKERA IR Night Vision Remote Control Handy Camera, HD 1080P 24MP 16X Digital Zoom Video Camcorder with 3.0" LCD and 270 Degree Rotation Screen
- 20mm Watch Band: ONLY fit 20mm,NOT fit 19/21mm. Measure your watch lug width before ordering.Please refer the picture below for measurement and corresponding width of smart watch, or contact us directly.
- SMART WATCH WIDTHS: 20mm leather bands fit Samsung Galaxy Watch 4 40mm/44mm, Galaxy Watch 4 Classic 46mm/42mm(2021 Released). BUT NOT COMPATIBLE with Samsung Galaxy Watch 2019 (46mm); Samsung Gear S2 Classic(Not fit Samsung Gear S2); Samsung Galaxy Watch 3 41mm/Galaxy Watch Active 40mm/Active 2 40mm 44mm.
- Sizing: Designed to fit almost any wrist. The 20mm watch bands are 3.15" x 4.72" (7.87" total length).11 (20mm) precision cut eyelets allow for individualized adjustment to achieve the perfect fit. Two cross-stitched collars allow the ban to be secured. Refined, Durable, and Comfortable all in one.
- EASY Installation: Fullmosa Quick Release design makes it fast and simple to install and change your band in seconds. While most people can do this with just their finger we also include an assistant tool to meet your needs.
- What You Get: 1*Watch Band,1*Spring Bar Tool, 1*Quality Control Card
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9. Behringer Ultravoice Xm8500 Dynamic Vocal Microphone, Cardioid
- Dynamic Vocal Microphone with Cardioid Pickup Pattern 50Hz-15kHz Frequency Response
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10. ART USB Dual Tube Pre
Two-channel tube-based Mic/Instrument preamp computer interfaceExtremely low noise discrete front end with variable input and output controlsAdvanced optical output compressor to simplify recording and prevent overloadUSB connectivity to desktop and laptop computersS/PDIF output for expanding inputs...
11. On-Stage MS7701B Tripod Microphone Boom Stand
- 30" Removable Boom Arm Allows For Easy Positioning
- Steel-Reinforced Composite Leg Housing Provides Low Weight For Portability While Maintaining Exceptional Strength For Stable Microphone Support
- Folding Tripod Legs With Rubber End Caps Deliver Stability Even On Irregular Surfaces While Reducing Floor Vibrations
- Steel Midpoint Locking Clutch Adjusts Height From 32" To 61 1/2" For Use In Variety Of Applications
Features:
12. Shure SM58-LC Cardioid Dynamic Vocal Microphone,Black
- INDUSTRY STANDARD - The first choice for performers around the globe, the SM58 Dynamic Vocal Microphone is ready to bring any performance to life. From the club to the stadium, Shure has your back.
- CLARITY & CARE - The uniform cardioid polar pattern reproduces every note as it was intended, delivering warm, crisp sound time after time.
- LEAVE BACKGROUND NOISE BEHIND - The SM58 has a spherical mesh grille and built-in pop filter to keep any unwanted noise out of the mix.
- DROP THE MIC - The durable construction and break-resistant stand adapter makes the SM58 the perfect companion on the road, going strong through the toughest performances.
- VERSATILE - The SM58 can hold its own live onstage as well as in the studio, isolating between vocals and instruments.
- WHAT’S IN THE BOX - Shure SM58 Dynamic Vocal Microphone, 1 - A25D Swivel Stand Adapter, 1 - 95A2313 Storage Bag, Free 2-YEAR WARRANTY included.
Features:
13. ART USB Dual Pre 2-Channel Audio Interface Preamplifier
- USB Dual Pre is powered via the USB bus. Internal 9 Volt battery, or optional external 12V power supply (or any combination of USB, battery & power supply) can be used depending on application. When running powered by battery alone, you should expect in excess of 50 hours of operation with phantom power off. Battery life will drop to approximately 20 hours (depending on microphone) when phantom powering is engaged (still enough time to get through an average session).
- Built-in low noise +48 Volt phantom power supply allows you to power up to 2 microphones as well as the preamplifier when running from any power sources including the USB bus.
- 1/8-inch TRS mini headphone jack with level and monitor mix controls on the rear allow for latency free local monitoring of the inputs while recording as well as playback monitoring of the USB bus. monitor mix is also routed to the 1/4-inch TRS balanced outputs. This lets you use the 1/4-inch outputs as either preamplifier outputs or as the monitor feed to your powered monitors.
- Fully compliant with the USB 1.1 specification and uses USB adaptive mode for playback and USB asynchronous mode for record.
- Works with the USB audio device drivers built into Windows 98SE/ME/2000/XP/Vista and Apple OS9.1/OSX computers with native USB support
Features:
14. Shure SM57-LC Cardioid Dynamic Microphone - Black
Contoured frequency response is clean, instrumental reproduction and rich vocal pickupProfessional-quality reproduction for drum, precussion, and instrument amplifier mikingUniform cardioid pickup pattern isolates the main source while reducing background noiseExtremely durable under heaviest useFre...
15. Aokeo Professional Microphone Pop Filter Mask Shield For Blue Yeti and Any Other Microphone, Mic Dual Layered Wind Pop Screen With A Flexible 360° Gooseneck Clip Stabilizing Arm
DUAL-LAYER POP FILTER: The first screen blocks air blasts as any pop filter normally would; The gap in between then disperses any remaining air pressure, so by the time it passes the second screen, the blast is easily contained to produce great quality recordings.ADJUSTABLE GOOSENECK: The steel meta...
16. GLS Audio Vocal Microphone ES-58 & Mic Clip - Professional Series ES58 Dynamic Cardioid Mike Unidirectional (No On/Off Switch)
- Artikelnummer: HFGPS-0,7-400FG
- Grösse: 430mm
- Gewicht: 1070g
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17. Rode K2 Multi-Pattern Dual Condenser Valve Microphone
- Large Diaphragm Vacuum Tube Condenser Microphone
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18. Rode NT1-A Anniversary Vocal Cardioid Condenser Microphone Package
As the seller is the only authorized fulfilled by dealer, and purchases from unauthorized dealers carry noDelivers a warmth, extended dynamic range, and high SPL capability typical of more expensive offeringsAn Incredible self-noise level of only 5dBA makes this an extremely quiet studio microphoneT...
19. KRK Studio Moniror (59107)
An incredibly versatile powered nearfield studio monitor great for any style of musicSoft-dome tweeter with optimized waveguide provides smooth pristine and articulate highs up to 35kHzLightweight glass-aramid composite woofer delivers clear midrange and tight bassFlat low frequency adjustment addin...
Yes, there are recorders that can record multiple tracks. Like the Tascam DR-40 has XLR inputs. I'm not necessarily endorsing the Tascam. I have the DR-05 and find it acceptable quality. Something like the Zoom H4N has XLR connectors built in, so you could record a mic into those and use the built in condenser mics to record your guitar.
You left out some relevant information: Budget, can your guitar be plugged in or will you mic it? Do you have a pretty sound free workspace?
I think budget is the most important part here. I interpret 'nothing flashy' as being a cheap as it can get without being poor quality.
I'm gonna link to listings on Amazon because it's easiest, but B&H or if you live near a Guitar Center might be a better place to buy.
A possible setup:
If you need/want to mic your guitar then consider the SM-57. It is nearly identical to the SM58. Here is a guy demonstrating using one to record his guitar.
This guy's video makes me wonder if just an SM57 with a decent preamp (i.e. one with clean gain) might be all you'd need... but that isn't ideal. You could go with two XM8500s, one for guitar and one for vocals ($40). Or one SM58 for vocals and one XM8500 for guitar($120). That all comes down to budget and preferences.
Potential Changes & other thoughts -
A more expensive preamp - ART Tube Dual Mic Preamp With USB - $190- this has some compression and a limiter. It's debatable whether in this range it would be better to get a decent mixer, a preamp for your vocals, and let the preamp on the mixer handle the guitar, or if something like this would be better. Like a Behringer mixer - Q802USB ($80) + ART single channel Preamp for vocals ($40/$50) would be less money than the Dual USB preamp.
Or maybe just the Q802USB would suffice for your needs. It has preamps already built in. They are not the best preamps in the world. I mean... after all I wrote above, the more I think about it the more I think you should try a Q802USB and see if the sound is what you're wanting.
Headphones - Add in some headphones to monitor your audio. ATH-M40x ($100) would be my recommendation, but this is where a lot of personal preference comes into the mix, no pun intended.
Different mics - Rode has some mics that compare the the Shure SM57/58 that might be better. And the options for mic are virtually limitless, when you consider not just the mics can vary, but the audio interfaces and processing options. I really think a dynamic mic will be most user friendly for a one off home recording.
I hope I haven't confused more than I helped. I think the essentials are this: good mics, clean gain, easy to use. Whether you get the dual channel ART preamp or the Q802USB, either will be easy to use. I would bet the gain on the ART preamp is cleaner, meaning less background hiss at higher levels, than the Q802USB, but perhaps that is just an unreasonable bias. In either case, the mic is going to be important and where your budget plays a big role. The SM58 and SM57 are superb for vocals and recording guitar. A condenser might be better if the acoustics of your recording space allow for it, but I hope you saw from the video I linked of the guy recording his guitar with the SM57 that a great sound can be achieved with a $100 mic. If that is out of your budget, keep in mind the XM8500, but the sound is not as clear as the Shure mics it tries to emulate.
Looks good
Ok, this is what I would do in your situation. This doesn't mean it is the right thing to do but I can recommend a few options that are regarded (generally) by the audio community as decent starting points.
First off Id suggest you do get two mics. It will also enable you to record both vocals and guitar at the same time if you wanted to do youtube covers or anything like that.
For vocals. Id get an AT2020. For the money, you won't really do better. I've used them myself and really have no complaints about there. sure, they aren't the best top level, high-end studio mics. But for someone starting out with Audio, the quality is amazing. If you want some examples before you buy one check out some youtube videos. Id also suggest getting a pop filter. There one here for 9bucks. If you dont want to buy one you can just try this. But personally i value not having to hold i, esp when playing guitar.
For guitar, Id get a Shure SM57. Even some of the best studios in the world still use these for guitar. A guitar recorded with a 57 is the coffee and nicotine combination equivalent of the audio world.
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Also, as a side note, id recommend finding an XLR cable with decent connectors. Neutrik is a trusted and reliable brand. Im not sure which ones amazonbasics uses. For the most part cables can be much of a muchness but the connector is important, its worth splashing out a little bit on this. On second thoughts, these amazonbasics ones have pretty decent reviews so might be good.
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Also maybe boom mic stand will help if you dont have one already.
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Hope this helps!
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What you really need is an interface. And interface takes the analog signal of your microphone and digitizes it for the computer to use. This is essentially the same as what your onboard sound card does but for audio is better in basically every way. Quality, flexibility, whatever...
This is the cheapest interface I could even sort of recommend. If you have more to spend, I would recommend doing so, but this should sound ok. You are limited to 1 mic which may or may not become a problem eventually. The 2 mic version is a little more expensive but worth it imo. I recently upgraded to a 4 input interface with the ability to expand.
http://www.musiciansfriend.com/pro-audio/behringer-u-phoria-umc22?rNtt=U-phoria%20&index=5
If you can return that mic, do. It will work, but there are better mica for your use for less money. From my limited knowledge, dynamic mice are better for spoken word. They are marginally less crisp but also pick up WAY less background noise. Most broadcasters use nice dynamics like and RE20 or and SM7B. I would buy this instead of your current mic. I have the 57 (instrument version) and it's a solid mic for the money. It's not the end all be all, but it get useable sounds out of anything I point it at.
GLS Audio Vocal Microphone ES-58 & Mic Clip - Professional Series ES58 Dynamic Cardioid Mike Unidirectional (No On/Off Switch) https://www.amazon.com/dp/B000RKWTPC/ref=cm_sw_r_cp_api_OmpBzbCXSWK62
I couldn't agree more with /u/SativaGanesh 's comment below. I'll add that when you start learning to record, your focus should be on signal flow, gain staging, microphone technique, and learning how to edit and mix audio. Until you have a handle on the basics, a tape machine won't be beneficial to you. And when you DO have a handle on the basics, consider getting an internship at an analogue studio. If you're sharp and likeable, you'll probably have an opportunity to learn how to use a tape machine and console.
Here's what I suggest for your home setup. You can get a perfectly usable interface for around $150. That apparently comes with Pro Tools, but Reaper is a full-featured DAW that sounds great and supports most plugin formats out there. It's $60 for a full license. Here is a perfectly adequate microphone made by Rode. (Or if you can spend $600 go for the K2, it's awesome.) These speakers are halfway decent and will get you started on the right foot.
I'm using a 2i2 and not having any issues like this. I just tested it, and even with using a Shure SM58 (very different mic, SM58 is a vocal mic) and plugging in my acoustic electric the first few seconds of the track are completely silent on both channels.
I'm not much of an expert here but you may have either electronic or literal background noise. I used to run a Dean Markley Soundhole pickup to amp my acoustic guitar and it would have interference, and I just picked up a couple of ferrite cores from RadioShack for like $5. They seem like some kind of magic, but the magnetic ferrite core just snapped onto the line cord fixed my problem. You can find them on Amazon for like $4.
http://www.amazon.com/Ferrite-Core-Cord-Noise-Suppressor/dp/B0002MQGE0/ref=sr_1_4?ie=UTF8&qid=1449275303&sr=8-4&keywords=ferrite+core+1%2F4%22
The second thing may just be the fans on the laptop or anything else in the room. I'd try changing the power settings on the laptop to low power, that uses less energy and will spin the fans at lower rpm making them quieter.
Finally, I'd try the Line and INST selector switches as I think that might be part of your problem. I'm not much of an expert, but here's the manual page on the two options.
> The front panel input sockets are Neutrik Combo®, which accept either an XLR male connector (you
will probably have one on the end of your microphone cable) or a ¼” (6.35 mm) jack plug. Note the
Scarlett 2i2 has no “Mic/line” switch – the Focusrite preamplifier stage is automatically configured
for a microphone when you plug an XLR into the input, and for a line or instrument when you connect
a jack plug. Set the LINE/INST switch next to the socket to INST if you are connecting a musical
instrument (a guitar in the example) via an ordinary 2-pole (TS) guitar jack, or to LINE if you are
connecting a line level source such as the balanced output of a stage piano via a 3-pole (TRS) jack.
Note the Combo connector accepts both TRS and TS types of jack plug.
I'm fairly sure if you're using the SM57 mic it's using an XLR connector, what you definitely don't want is some kind of adapter that changes it from XLR (the three prong cord) to a 2-prong TS or TRS jack. XLR is a balanced cable and shouldn't have as many problems with interference. It seems like with XLR it doesn't matter what the selector switch is set at.
Hope this helps, good luck.
https://www.amazon.com/MXL-550-551R-Microphone-Ensemble/dp/B002LASBS0
I've been using these for a while. Get two quality mics for the price of one. 550 is great for vocal stuff. Not sure what your channel is, but if it isnt music-based, the 551 will be sort of useless... As others have said, the MXL V67 is very good. Good luck!
Don't laugh, I've been using the logitech guitar hero mic because I can't get the condenser to have sound, but I'll list what I have for the ACTUAL set up.
Videos, mostly youtube/advocacy content, in the future there may be podcasts. Mostly spoken content, which is why I went condenser, all the research I did suggested this for talking. I also have a pop screen (not sure if you consider that relevant, but being thorough).
This phantom
https://www.amazon.ca/InnoGear-Condenser-Microphone-Recording-Equipment/dp/B00KAPGLQC
This mic (or very similar):
https://www.amazon.ca/Professional-Broadcasting-Recording-Condenser-Microphone/dp/B00X9OM4BW/ref=sr_1_13?s=musical-instruments&ie=UTF8&qid=1500311177&sr=1-13&keywords=bm+800
Line-in from the phantom thinger to my iMac (late 2011)
Garageband to record.
By the way, thanks so much. This is by far the most supportive, helpful, and kind r/ I've ever been to!
I've never used Audacity but I doubt it's causing any problems with your sound. DAW's generally don't directly impart anything to the sound of the audio. I think it's more likely to be your mic, recording technique or mixing.
It sounds like your vocals are clipping. I've never used a USB mic. Does it have an input gain? How do you control the strength of the signal that it sends to the computer? Are you running any plugins on what we hear in this recording?
I would focus on getting a cleaner recording prior to mixing. That being said, if I had to work with this vocal recording as-is, one of the first things I would address is the sibilance. It's pretty brutal. I would definitely put a de-esser on these vocals. If Audacity doesn't come with one, you can probably find a freeware plugin or you can shell out $30 for one from Waves:
https://www.waves.com/plugins/deesser?gclid=Cj0KCQjwho7rBRDxARIsAJ5nhFqMUAjLTR8WqSPyRmzn0JKgjxp7_oprsVoreHbSUdBXDSwa_xr1tpcaAhdeEALw_wcB#andrew-scheps-on-deessing-guitars-and-cymbals
The vocals also are a bit loud which is making the rest of the instruments sound small. You might get a mixing book and practice some mixing. I recommend this one:
https://www.amazon.com/Mixing-Secrets-Small-Studio-Presents/dp/1138556378/ref=sr_1_2?crid=ARKCMXORM8IP&keywords=mixing+secrets+for+the+small+studio&qid=1566872451&s=gateway&sprefix=mixing+secrets%2Caps%2C185&sr=8-2
Let me start by saying I highly recommend going the route the other commenter said and buying the audio interface - it will save you a lot of headache and is the proper solution for this. However if you still really want to use that sound adapter with that mic you will need this to be able to get a signal: https://www.amazon.com/dp/B00KAPGLQC/ref=cm_sw_r_cp_awdb_t1_KMu.AbYYXBWAS Plug the XLR to 1/8” that came with your microphone on the output and plug the other end into the sound adapter. Then plug the included XLR from the input of the power supply to the microphone. Disclaimer: You may have hums and hisses doing this and that is why it is better to go the interface route. Plus your trusting cheap electronics to not send 48v directly to your computer and fry the whole damn thing just to save about $80.
I have 2 audio-technica at2020s that I love for everything. They cost about $100 (on sale, and canadian. Probably cheaper everywhere else in the world).
I don't think you have to worry about AMAZING recording quality right now, you're just trying to start out, right?
I just picked up a Scarlett 2i2 second hand for around $100 too. This is what I'll plug my mics into, and what I would plug my bass into if I was going DI.
As for SM57 vs SM58, a couple of people I know swear by SM57s
You can get a 2-pack of MXL for $76 https://www.amazon.com/MXL-550-551R-Microphone-Ensemble/dp/B002LASBS0/ (You still need an external audio interface to connect these to.)
For playing live or live streaming, you will sound better with separate guitar and vocals mics.
For recording things you'll later mix and edit, it's usually better to record vocals and guitar separately, so you can get away with just one mic.
Not sure your budget but i just picked up a Tascam US-16x08 to finally mic my kit right.
http://www.amazon.com/TASCAM-US-16x08-USB-Audio-Interface/dp/B00MIXF200
I've had it about a month and it works great so far.
Any name brand, modern smart phone will do better than anything that costs $20. Yes, you might find an old MiniDV camcorder at a second hand store, but it won't be HD, it won't have HDMI out, and the battery will likely be dead.
I cannot recommended it, as I have never tried it, but the cheapest 1080p camcorder with HDMI output that I found on Amazon is twice your budget, here:
https://www.amazon.com/Camcorder-WELIKERA-Control-Digital-Rotation/dp/B07G36D3PB/
Drawbacks based on what I saw on Amazon include:
Digital Zoom. This sacrifices resolution when you zoom in to things. It's best to keep the camera zoomed out all the way, and use positioning to frame the shot.
Sound Quality. The reviews on the internal mic are bad, and I did not see an option for an external microphone input. You would end up having to record your audio elsewhere and sync it up.
Frame Rate? Sometimes these cheapie camcorders have low frame rates at their top resolution. I couldn't find details on the frame rate at 1080p, but it certainly won't be 60fps like you would find on a Panasonic HC series camcorder or similar.