Reddit mentions of Audio-Technica ATR3350 Omnidirectional Condenser Lavalier Microphone (Discontinued)

Hey dude. Great video. You might also crosspost to /r/cars. I bet they'd dig it.

My wife and I do a YouTube car show called Crossthreaded. We subscribed and retweeted and facebooked it.

We're by no means experts, but two things you can really easily do:

1. Grab a lavalier mic. The cheap (~$30), wired ones on Amazon really help get all the "room" out of your audio. We have two of these going into a H4N.
   
   
2. Be a little more dynamic. If you talk to the camera exactly the same way that you'd talk normally to a friend, for some reason it looks wooden.
   
   More shots of the car would have been good like the other poster said.
   
   Great work, though.

Okay.

1 - Take a breath.

You are overwhelmed and rightfully so, shooting is not easy and weddings are not easy either.

If you are doing interviews you need a mic. DO NOT USE ON CAMERA AUDIO! YOu can rent a rode videomic maybe from a local camera store, or buy this it is cheap, if your camera take audio in it will work. Keep in mind it would be Mono so in post you would need to make it stereo by duplicating the audio and sending it to the opposite side by panning it over or using a effect. Audio is very important it will be hard for you not having done this before.

As for video goes always have a camera rolling as a safety net. Sometimes when I do handheld for a concert or live event. I stick a go-pro on top of my camera in wide mode as a safety net incase something happens and I miss something.

I am not going to lie this will be very hard for you to do and you will be stressed out, a lot. Your friends will be better off hiring someone who has experience in this, but if they are content on having you do it I will walk you through.

Get lot of footage, if you don't ind editing a lot, then shoot a lot. Stick a camera up on a tripod during the ceremony frame it nicely hit record. Then go shoot something else with a different camera. That camera on sticks would be your safety net. Zoom in to get shots of the ring and face. Weddings are very emotional so the face, eyes and mouth are key to capture.

You said you don't know how to use the reflector. It has two sides as your know a silver and a gold. This is used to get light on people in the sun (or even from a light if you need to). You bounce the light from the sun into the subject. It is used a lot on sunny days to counter shadows the sun would cause on people's faces. The reflector would be bounce light from the sun onto the subject. You have to hold it or have a friend hold it. Keep in mind the sun moves so you constantly have to adjust your angle of reflection.

• There are other editing programs that are free. Search around I don't know off the top of my head, but I have heard of some.
  
• Gear wise, as I said a mic of some sort, you will need better audio then your cameras can record.
  
• the ring exchange depends on the layout of the wedding, if you are the only shooter I would do the wide from your safety camera and get a close up with another camera. Remember to get the smiles, the ring is important, but the emotions are more important.
  *Movie templates are always available, if you want a DVD template or open credits you can find something for free especially for weddings online.
  
• Common pitfalls include, shaky footage, out of focus footage, poorly framed footage, forgetting to record, BAD AUDIO.
  
• how you prevent it ending up like crap, PRACTICE. Go film things with your set up test audio test zooming, test editing test everything so when you are out and shooting you don't get the "Oh shit" moment. PRACTICE PRACTICE PRACTICE. Watch other wedding videos see what you like what you don't and how you can make a good video with your tools you have.
  
  
  TL;DR be prepared, plan, practice.

Buy a cheap lav mic and line it into a Zoom H1 hidden on the subject. Hit record at the beginning of each take, then ask the subject to clap once. Use 1/8" cable extensions for your headphones if you'll be monitoring more than a few feet away.

EDIT: Clap, assuming you don't have a slate. Also you can use cable extensions for the lav instead...however I find this isn't always reliable for some reason.

I second this. You HAVE to invest in some off camera sound capture equipment. Good quality sound is every bit as important as good video quality. Zoom H1 and a cheap lavalier mic are good suggestions. I've used this one and it's pretty good for the price. If money is really tight, you might get away with plugging the mic straight into the camera and forgoing the separate recorder. The audio just won't be quite as clean.

Just a few thoughts: If you are a beginner and especially if you are going to be both operating the camera and doing interviews at the same time, don't use a DSLR. You need a regular consumer camcorder, the nicest one you can afford. Be sure it has an external microphone input and a headphone output. So, you will need at least one external microphone, a shotgun and/or a lavalier. The most important thing in your documentary is good sound!

This little Audio Technica lavalier can sound just fine:
http://www.amazon.com/Audio-Technica-ATR-3350-Omnidirectional-Condenser-Microphone/dp/B002HJ9PTO/ref=sr_1_2?ie=UTF8&qid=1382119845&sr=8-2&keywords=audio+technica+lavalier+mic

This inexpensive shotgun also works well:
http://www.amazon.com/Audio-Technica-ATR-6550-Condenser-Shotgun-Microphone/dp/B002GYPS3M/ref=sr_1_1?ie=UTF8&qid=1382119920&sr=8-1&keywords=audio+technica+shotgun+mic

A little explanation: A consumer camcorder has pretty good auto focus and usually face recognition, so you won't have to worry about keeping things in focus. Also, you'll have pretty good auto exposure and auto white balance. If you are shooting your first documentary with limited experience and/or a very small crew, you need to think about content and let the camera help you instead of having to think about too many things. It's true a DSLR with a good operator can make your documentary look better, but it won't matter if the story isn't there. If your story is good, the audience will accept a lot of shortcomings, especially in the picture.

When shooting, use the external microphone whenever you can. If you have only one subject, use the lavalier, otherwise use the shotgun. Always monitor the audio in the headphones. I have a friend who accidentally plugged the microphone into the headphone jack and didn't know it until too late!

Good luck!

It's an Audio-Technica ATR-3350, my Father's Day gift to him because I'm just that awesome of a son.

> there really isn't a way to get external audio

That's not true. Buy the skeleton housing, USB microphone adapter, and any microphone (wired or wireless) that outputs to a 3.5mm plug (I use this one) and you're good to go. Much better sound quality than the crappy built in mic.

In your case, I'd recommend a separate audio recorder with a lav mic or shotgun mic. Here are a few options.

Audio Recorders

• Tascam DR-05 (~$100 USD)
  
• Zoom H1 (~$100 USD)
  
• TASCAM DR-40 (~$180 USD, XLR)
  
• Zoom H4N (~$270 USD, XLR]
  
  Lav Mics
  
  
• Azden EX503 (~$20 USD, phantom powered)
  
• Audio-Technica ATR-3350 (~$20 USD, battery powered)
  
  Shotgun
  
  
• Rode Videomic (~$150 USD)
  
• Azden SGM-1X (~$170 USD, XLR)

Any combination of these is good, I've also included a deal on amazon USA that has audio technical awesome audiophile headhones 199$ -> 70$;

---------------head phones-----------------

https://www.amazon.com/gp/aw/d/B00HVLUQW8/ref=mp_s_a_1_8?ie=UTF8&qid=1503205349&sr=8-8&pi=AC_SX236_SY340_FMwebp_QL65&keywords=audio+technica&dpPl=1&dpID=41EDeh-wXKL&ref=plSrch

https://www.amazon.com/gp/aw/d/B0001ARCFA/ref=mp_s_a_1_2?ie=UTF8&qid=1503205717&sr=1-2&refinements=p_36%3A1253505011&pi=AC_SX236_SY340_FMwebp_QL65&keywords=headphones&dpPl=1&dpID=41iu1l-OAvL&ref=plSrch

www.amazon.com/gp/aw/d/B00001WRSJ/ref=mp_s_a_1_16?ie=UTF8&qid=1503205768&sr=1-16&refinements=p_36%3A1253505011&pi=AC_SX236_SY340_FMwebp_QL65&keywords=headphones&dpPl=1&dpID=41ADlzRP9hL&ref=plSrch

https://www.amazon.com/gp/aw/d/B00ENMK1DW/ref=mp_s_a_1_15?ie=UTF8&qid=1503205768&sr=1-15&refinements=p_36%3A1253505011&pi=AC_SX236_SY340_FMwebp_QL65&keywords=headphones&dpPl=1&dpID=41%2BX-iFa0PL&ref=plSrch

https://www.amazon.com/gp/aw/d/B004FEEY9A/ref=mp_s_a_1_21?ie=UTF8&qid=1503205768&sr=1-21&refinements=p_36%3A1253505011&pi=AC_SX236_SY340_QL65&keywords=headphones&dpPl=1&dpID=41ljcZIdgGL&ref=plSrch

https://www.amazon.com/gp/aw/d/B009S332TQ/ref=mp_s_a_1_20?ie=UTF8&qid=1503205768&sr=1-20&refinements=p_36%3A1253505011&pi=AC_SX236_SY340_QL65&keywords=headphones&dpPl=1&dpID=41kFstqC55L&ref=plSrch

https://www.amazon.com/gp/aw/d/B00HVLUQW8/ref=mp_s_a_1_8?ie=UTF8&qid=1503205349&sr=8-8&pi=AC_SX236_SY340_FMwebp_QL65&keywords=audio+technica&dpPl=1&dpID=41EDeh-wXKL&ref=plSrch

---------------------mics---------------------

https://www.amazon.com/gp/aw/d/B002HJ9PTO/ref=mp_s_a_1_11?ie=UTF8&qid=1503205474&sr=8-11&pi=AC_SX236_SY340_QL65&keywords=lav+mic

https://www.amazon.com/gp/aw/d/B0058MJX4O/ref=mp_s_a_1_5?ie=UTF8&qid=1503205474&sr=8-5&pi=AC_SX236_SY340_QL65&keywords=lav+mic&dpPl=1&dpID=31l%2BOAM-HdL&ref=plSrch

https://www.amazon.com/gp/aw/d/B015R1U5XS/ref=mp_s_a_1_6?ie=UTF8&qid=1503205429&sr=8-6&pi=AC_SX236_SY340_FMwebp_QL65&keywords=neewer+nw&dpPl=1&dpID=51LxsbISrEL&ref=plSrch

https://www.amazon.com/gp/aw/d/B00XOXRTX6/ref=mp_s_a_1_1?ie=UTF8&qid=1503205393&sr=8-1&pi=AC_SX236_SY340_QL65&keywords=neewer+nw&dpPl=1&dpID=41yPNjD%2BW6L&ref=plSrch

At your price pont, you might want to consider stretching your budget a little for a couple of [$269 Audio Technica AT899 lavaliers] (http://www.amazon.com/gp/product/B000ZLQ3Y6/ref=as_li_tl?ie=UTF8&camp=1789&creative=390957&creativeASIN=B000ZLQ3Y6&linkCode=as2&tag=battleforthew-20) with XLR ouputs.

These mics will plug straight into your camera and give you pro quality sound.

Here is why a pro lav is preferable over a consumer lav such as the [ATR-3350] (http://www.amazon.com/gp/product/B002HJ9PTO/ref=as_li_tl?ie=UTF8&camp=1789&creative=390957&creativeASIN=B002HJ9PTO&linkCode=as2&tag=battleforthew-20) or [Giant Squid] (http://www.amazon.com/gp/product/B00HWMG44U/ref=as_li_tl?ie=UTF8&camp=1789&creative=390957&creativeASIN=B00HWMG44U&linkCode=as2&tag=battleforthew-20): http://youtu.be/C4spfSMe78Q

Hope this is helpful and good luck with your interview!

i think you mean lavalier mic. a lot of budget dslr users use this http://www.amazon.com/gp/product/B002HJ9PTO. it's wired and has a 3.5mm mono jack so you'll have to duplicate the left channel to the right in post. but it's very cheap and works. this could plug straight into the camera line in without an external recorder if you are super budgeted. the h4n is not really an interview mic, although it gives you xlr input recording if you get a more pro lavalier with an xlr connection.

Hey man awesome first video! I would like to give you a few suggestions. I've made a ton of noob mistakes that you can avoid. After a year and a half my channel has had moderate success, and I hope these tips help you out. Feel free to PM me with any questions.

1. Sound People are far more likely to view your videos if it's easy for them to do it. If there are dark scenes or sketchy audio you will lose the viewers' attention quickly. This microphone is cheap, easy to use, and will make your audio sound great.
   
   http://www.amazon.com/gp/product/B002HJ9PTO/ref=oh_details_o08_s01_i00?ie=UTF8&psc=1
   
   
2. Lighting Find a light you like and use it in all of your videos. For cooking shows a whiter light gives an added pop to the screen. Yellow light makes things look dull and boring.
   
   
3. Music Your music choice was awesome, but a little loud. Loud music can be distracting. Music is used to cover up an silence that may make your videos awkward. It should be there to comfort the viewer, but not distract them. If you're planning on making money on your videos you'll need to use royalty free music. Here are a few sites that have a good selection for free:
   
   http://www.royaltyfreemusicroom.com/
   
   https://musopen.org/
   
   http://machinimasound.com/index.html
   
   
4. Confidence I get the feeling that you want your channel to have a fun easy going vibe. Your confidence is key to the success of this idea. It's uncomfortable as hell the first few times you get in front of the camera, but it's vital to stay confident.
   
   
5. Animations You seem to have a nice grasp of adding small animations to your videos. I would suggest adding an ingredients list on the side of the video.
   
   
6. Perseverance Your channel will likely not grow big for a while. Even great channels take a long time to take off. Don't let this discourage you. You obviously know what you're doing, and I hope you're having fun. Don't let peoples' opinions change you too much. Take criticism but stay true to yourself.

Hi bunting - I plug simple lavs with 3.5mm plugs into cameras all the time. Works fine. Here I am with a lav mic (pulled off one of my wireless transmitters) and plugged directly into my Panasonic GH2 (please forgive my head cold):

https://www.youtube.com/watch?v=slRrwUiMGIw

consumer lavs with 3.5mm jacks cost from [$5 for 2 throwaway Neewer lavs] (http://www.amazon.com/gp/product/B005DJOIPQ/ref=as_li_ss_tl?ie=UTF8&camp=1789&creative=390957&creativeASIN=B005DJOIPQ&linkCode=as2&tag=battleforthew-20) [Referral Link] up to [$18 for an Audio Technica ATR-3550] (http://www.amazon.com/gp/product/B002HJ9PTO/ref=as_li_ss_tl?ie=UTF8&camp=1789&creative=390957&creativeASIN=B002HJ9PTO&linkCode=as2&tag=battleforthew-20) [Referral Link].

You should also get a [$5.30 Stereo male to mono female adapter] (http://www.amazon.com/gp/product/B000O7AW98/ref=as_li_ss_tl?ie=UTF8&camp=1789&creative=390957&creativeASIN=B000O7AW98&linkCode=as2&tag=battleforthew-20) [Referral Link]in case you run into a mono lav.

No need to rent an expensive mic and recorder.

Hope this is helpful!

Bill

Actually pick up some seat covers to start. Been meaning to do that for the past 4 months but they're all so expensive and ugly.

Side note: Bass of the exhaust really picks up in the middle of the video and kinda drowns out your voice. Might be worth picking up a lavalier mic or something to get a little bit better sound and more of your voice. I use this one and it's treated me well so far. And it's only $30

That's not much to work with.

Here's a good, low cost wired lav for audio.

This webcam seems to get good reviews.

And then spend the rest on some lighting.

> Is there a loss of quality when plugging high quality mics into a lower-end camera's jacks?

Generally yes, but not always. It's more a usability thing. If you're shooting abroad with no way of repairs or replacements, an XLR will be a lot more rugged and reliable than a molded jack. Additionally, pro camcorders provide phantom power so you don't need to put batteries in the microphones meaning one less consumable to worry about.

You've linked to a lav microphone - but be aware that the one you've linked to requires a powered preamp, and will not work on standard 'mic ins' on consumer level equipment. Lav mics are great - they don't produce as 'natural' a sound as a shotgun microphone (due to the proximity to the chest giving emphasis to low end frequencies), but they do produce reliably clear, understandable sounds. There are, however, a few reasons why I personally would shy away from using one for your project:

• They're a bit awkward to use with subjects that are not used to appearing on camera. You need to give at least some mild coaching to make sure they don't move their head around too much, fidget with their clothes, or touch the microphone (which may be difficult if you don't speak the language very well!)
  
• They're fragile
  
• They only capture good audio for the person they're attached to, meaning that you'll need more than one if you want to do an interview-style conversation, or a conversation between multiple parties (and then you'll require some kind of mixer)
  
  If you'd like to go that route, then a nice affordable option is the ATR3350. Make sure you pack batteries though!
  
  
  

I have two zoom h1's for my videography business (interviews, talking heads, etc.). I pair them with the audio technica ATR 3350 lavalier mic because it requires a separate battery that I feel will lessen the amount of noise that would be present in an otherwise device-powered lav mic. Or maybe it's because the cord is ridiculously long and needs the extra power.

I haven't run tests to confirm, but the results have been great. I also have a rode videomic pro mounted onto my Canon 60D, but the low level noise I was getting was very noticeable. I then switched cameras to a GH3 and the noise is virtually nonexistent compared to the 60D.

So be wary of the Canon's ability to record non noisy audio without a separate system.

Don't mind the down votes in the sub. You guys will sound great with stand alone microphones and more experience. If your camera can handle it, you can get a lavaliere and split the channels. So you'll be right, he'll be left, and then combine them in post processing.

That podcasting kit looks very cool too! Have you got a link to the Reddit post you made about it? (I tried looking for it but I think it might have been some time ago).

I'm trying to put together some podcasting kit myself (low-budget, 2-person interview-style, but must be ultra-lightweight/portable as remote outdoor locations), so I'll ask some offtopic q's here anyway!

• Do you ever use the H4n without mics? (ie only onboard)
  
• No headphones? No mixing-board?
  
• Is there much there you could leave out if you were trying to get a just-the-essentials podcast kit? (but still podcast-quality audio)
  
• Can you tell me more about your cabling choices? ie you mentioned 3.5mm cabling...
  
• How do you like Shoutcast? (Suitable for podcast-noobs like me?!)
  
• With what you know now, If you were going to buy for a setup today would you change anything?
  
• I'd be interested to see another pic with your current mobile setup?!
  
  For field recording I was thinking maybe the Zoom H2n with a few simple Audio-Technica ATR-3350 Lavalier mics, and just switching to a better studio-mic if nearer civilization... any thoughts appreciated?!
  

I did a shoot for Kea in a van, I rode shotgun with a Canon C100, 24-105mm f4 combo, rode shotgun mic and hand stabilizer. BIG ass setup for a passenger shooter. What I wound up doing was taking a rope, looping it through the handle on my c100 and pulling it tight to a metal suction cup that was on the glass. I only had to use my hand to help the c100 hover, and image stabilizer did the rest. Gave it a nice hand held organic feel even though it was rope held. Came out super good, too lazy to look for screen shot right now I could probably find the commercial quicker, will report back

Anyways as far as noise, I think they were micd up and I got some audio too with the shotgun mic that came out great.

If its a 60D maybe use this?
http://www.amazon.com/Audio-Technica-ATR-3350-Omnidirectional-Condenser-Microphone/dp/B002HJ9PTO

Since your title specifies low cost you can save some money by using a wired lav mic like this Audio Technica or this Olympus lav mic. You simply plug it into the camera's mic input. A 3.5mm extension cable might be needed to reach the camera. Use the lav mic with an inexpensive voice recorder if you need the subject to move around. Smart phones have decent audio recording apps too. Syncing the audio in post can be a hassel so only do this if the shot requires being untethered. If you record audio with a separate recorder it helps to mark it by saying a scene number and making a clap sound so you can find it and sync it with the video editing software.

For lighting you might consider an inexpensive LED light and a second battery. Charge one battery while using the other.

I've used clamps like this and this for quick and simple mount of camera and small lights to a chair, windowsill, cupboard, etc. You can use JB Weld to put a 1/4-20 nut-coupler on the light if it doesn't have it already.

edit: I like Canon equipment and their line of Vixia Camcorders starts at around $300 and has a mic input. The lens and image stabilization gets you a nice picture compared to a camera phone or similar "cheap" camera.

IIRC Premiere has a basic mode that uses a simpler timeline more like Apple's iMovie. You can download 30 day trial versions of the latest Adobe products. Give Premiere Elements a try.

>http://www.overclock.net/products/zalman-zm-mic1-high-sensitivity-headphone-microphone
>http://www.amazon.com/Sony-ECMCS3-Omnidirectional-Stereo-Microphone/dp/B0058MJX4O/ref=pd_cp_MI_2
http://www.amazon.com/Audio-Technica-ATR-3350-Omnidirectional-Condenser-Microphone/dp/B002HJ9PTO

And as suggested by /u/zifay:
>Get a Samson pro mic. It sounds much better than any headset mic and its $30

All of these are great examples of fine microphones at low prices. ;)

Oh and I'm glad you have no gold to give stranger, I do this because I love making sure people are getting the best piece of equipment. Fake internet points and real money thrown at my comments are a wasted effort. I'd rather see you post pictures of obtaining one of these headphones paired with one of these mics! :)

On the mic input jack - I've only ever used the GH4, but assuming the audio hardware is the same/similar, it is much better than the two Canon cameras (t3i and EOS M) I've used.

I can plug one of these cheap button battery powered mics directly into the GH4 and it sounds pretty good. If I used that same mic with a Canon, it would be unusable because of all the hiss. Also my Rhode VideoMic (not the pro which can output even more volume) works fine directly plugged into the GH4 while was terrible on the Canons.

Less than $500 for even a decent camera will be difficult. I'd suggest looking into a used Canon T3i or a new/used T2i. They may be slightly more expensive but they're the best thing you'll find around that price range (in my experience). Also because they both have interchangeable lenses you can upgrade/adapt them as you get more cash to invest.

I know less about mics although I think it may be difficult to find what your describing, especially at that price. Something like this may be what your after but I really can't say that the quality will be great and the cable will probably get in the way if you're moving around.

What I'd really suggest is to abandon the idea of on-body unless it's absolutely necessary for some reason. If you're up for doing that I'd suggest a shotgun mic (something like this would probably do just fine). The absolute best option in terms of quality and lasting value would be to buy an H4n. The disadvantage is that you'll end up having to sync your audio to the video but the advantages are that the audio quality is great, you can add better (XLR) mics in the future and you can move it around depending on where your audio source is.

I know that this isn't exactly what you're looking for but I hope it's some help anyway. If you have questions please feel free to ask :)

Lavalier doesn't have to mean expensive. I recommend checking the customer video review.

I'm not a professional, but I thought this one did a good job especially for $25.

http://amzn.com/B002HJ9PTO

it depends what you do. If you do voice overs get a yeti. Same for gaming. If you want to film interviews and get decent audio you can buy a $25 lav with a cord: http://amzn.to/1QjgXke - this works well for quick interviews or blogs

Depending on the work you are doing, you could use one or several of many options.

The first is to use a more directional shotgun mic on top of your camera or mounted on a boom pole above your subject to capture a more focused and cleaner sound.

The second is to use a lavalier/lav/lapel mic clipped to your subject's clothing. Wired (if you are cheaper or are recording to an external recorder) and wireless if you are rich. Wired and wireless both have many options. Wired: option 1, option 2, option 3, option 4, option 5. Wireless: option 1, option 2, option 3. The wired lavs are a bunch of good ones at different price points. The wireless ones are three industry standard sets at different prices.

There are many more options you could do but those would be for more specialized jobs.

yup! the gopro 2 uses the standard mini mic plug so it plugs right in, the newer gopros require a USB to mic plug.

Cable: 6 m (20') terminated with 3.5 mm (1/8") dual mono mini-plug

http://www.amazon.com/gp/product/B002HJ9PTO/ref=oh_aui_search_detailpage?ie=UTF8&psc=1

Nothing super fancy. Just a GoPro Hero4 mounted to my roll bar. For audio, I use a lavalier mic from Audio-Technica. I run the mic through the trunk and tape it to the rear bumper. Your Corvette looks like a lot of fun, BTW! :)

The [Audio Technica ATR3350 costs about $28.50] (http://www.amazon.com/gp/product/B002HJ9PTO/ref=as_li_tl?ie=UTF8&camp=1789&creative=390957&creativeASIN=B002HJ9PTO&linkCode=as2&tag=battleforthew-20) and has 50 to 18,000 Hz frequency response and -54dB of sensitivity.

The [Bronstein LM15 costs $19.95] (http://www.amazon.com/gp/product/B00EZB9XY4/ref=as_li_tl?ie=UTF8&camp=1789&creative=390957&creativeASIN=B00EZB9XY4&linkCode=as2&tag=battleforthew-20) and has 20 to 20,000 Hz frequency response and -47dB +/-2dB sensitivity.

The Bronstein is less expensive, is more sensitive and has better frequency response. I own an Audio Technica lav that came with my Audio Technica wireless set, and I wouldn't buy another one.

Hope that helps.

I have the Audio-Technica ATR3350 and it's a great mic for the price, but it's not a XLR connector. You could plug it into the Zoom with a 3.5mm to 1/4" adapter though. I have heard the Rode lavalier mic is awesome, but it's several times the cost of the AT. It also doesn't have an XLR connector, but it has a proprietary connector and there are XLR adapters for it.

As a Youtuber who's invested in the wrong gear before the right gear, here's a quality list that I've found works for my needs and will likely be great for you.


Camera

Panasonic GH4: This is a great camera that shoots 4K. If you are shoot in 4K, downscale to 1080p, you have the option to reframe and zoom into a closer shot without losing quality. It has a flip out screen so you can see yourself, focus peaking to show you on screen if you're in focus, and can record longer clips (in select modes) than the Canon T3i to make syncing easier. This camera is also great for when you want to deliver in 4K one day.
$1699


AC Power adapter: No worrying about batteries for the indoor shooting. $20


Lens

Panasonic 12-35mm: Versatile lens that gives you great range. $1000


14-42 kit lens: Cheaper alternative. $120


Audio

Zoom H4N: Great recorder for your mics. Monitor each mic's level independently. $250


Rode NTG-2: Shotgun mic. $270


Sennheiser Wireless Lav: Expensive, but great quality. $640


Audio Technica ATR-3350s: Cheap corded lavs with long wires. $30


You'll need one long XLR cable, a light stand to use for the boom, and some kind of shotgun mic shock mount. $60 for all.


Lighting

3-light softbox kit: Great kit, been using it for a year with no issues. I don't use the over head light, as I don't have the space. I can use the light stand to boom or for another light. $170


Neewer CN-160: Small LED light to help light certain situations or to use as a hair light. $30


Tripod

Manfrotto Tripod w/Fluid Head: Great set up, worth the investment, but there are cheaper alternatives. $350


Memory Card

64GB Sandisk Extreme Pro: Great card which will allow for smooth 4K recording. $100


____



If you have any questions about any of this gear, let me know and good luck with everything!

Would this work with an iPhone? Also, would you recommend recording with a boom mic simultaneously with the lapel mic?

A short on-camera shotgun like the Rode VideoMic Pro works best in an open environment (e.g. outdoors). When used indoors, it is susceptible to echo from audio bouncing around the room.

Bringing the mic closer to the source (i.e. the interviewee) will help in any environment.

You can use a boom pole with a shotgun mic to position the mic closer to the source if you have another person who can handle sound.

A lav mic is another way to position the mic close to the source for optimal quality. The Audio-Technica ATR-3350 lav mic suggested by u/reddit is an affordable option if you're just starting out.

The main issue with recording audio directly to the camera is that the preamps on most DSLRs are not high quality. It can definitely be usable though if you set the camera's audio level as low as possible and feed it a strong audio signal.

A good external recorder will have better preamps, gain control, limiters, etc. which are all useful tools in recording usable audio. The main downside is that you need to manage separate audio files for every clip and sync them up with the video in post. This can often be automated using software like PluralEyes, but it's not 100% bulletproof and it adds another step in your post-production workflow.

I did a fair amount of looking but, honestly, most lav options are not very cheap. Audio Technica has some wired options but you're still looking at a couple hundred bucks. I wound up going with a shotgun mic, Rode has some decent cheap ones.

Edit: Ha! Found this online, generally well recommended: https://www.amazon.com/gp/product/B002HJ9PTO/ref=od_aui_detailpages00?ie=UTF8&psc=1

I think I'm going to try this one and test it. If the wind noise is still too much, I'll look into the a windjammer.

It's probably pretty cheap, but it has it's own battery power supply - so there's no wondering about whether it'll have power, I think and I like the on/off switch. The person who made the mod tutorial did not end up with very good audio quality at all, just mostly-reduced wind because of his external mic placement, which did not lend to good audio quality as the mic was in the tail of his bike, which is basically the usual storage place for a rattling circuit-breaker box. It almost exclusively picked up muffled engine noise.

If you have any thoughts on that mic selection, I'd appreciate it.

Thanks for your help!

What are you going to be recording with; phone, computer, other? I assume you will only be mixing the mic?

If you intend to record to your phone I would recommend either the Rode Video Micro or for a lapel the Audio Technica 3350

If you are looking for a USB dacs I would recommend behringer as it fits your budget. I use the U-Phoria UMC22 at my desk but I also have Behringer mixers in 5,8 and 12 channels - they all sound the same.

For the xlr mic I would normally recommend an SM58 but given your budget I think the Peavey 100 will work just fine and it comes with the XLR cable you would need. Don't forget a mic stand, these are as cheap as 10 dollars for table mount stands.

Pretty small for boom arms, but the only other option for a discreet mic is something like Mod Mic or a Lavalier microphone .

Unless you don't mind the desk noise that may happen with it on a surface, many do come with stands you can put on your desk anyway. Blue has a mic called the Snowflake more of on the go laptop usage, but is pretty high quality and is very small.

Thanks for the advice! In terms of wired lav mics, do you know what's typically recommended for audio quality? I've seen the ATR-3350 thrown around a lot but that seems to be more of a budget thing primarily used with the H1. I don't think I'd need wireless, just want something to sound good as I think the video will be presented onstage to an audience with large sound systems, etc.

You might be on to something. It's not stereo but it's omni mono. That might have something to do with it.

This is the exact model:

(also, thanks)

http://www.amazon.com/Audio-Technica-ATR-3350-Omnidirectional-Condenser-Microphone/dp/B002HJ9PTO

you could also buy a lav mic like this, plug it into the h1n, put it in the talent's pocket, and then sync the audio using the audio that the camera records.

How familiar are you with SLRs in general? If you already know what your doing go for it. If not, your better off getting one of the Sony or Canon camcorders.

But since I know your budget I'd reccomend this mic running into this recorder. You can hear and audio sample here.

This is a nice simple/cheap lighting kit.

That will leave around $650 for a camera.

You can change up the lights a bit if you need more money for a camera. You can get this and this to diffuse the third light since the kit only comes with 2 umbrellas.

Hey, I need a new headset. To answer the common questions:

Budget: Undetermined / anything. Say, under $500.

Source: PC and iPhone. Mostly PC, with a Soundblaster ZXR soundcard. I also have an external amp I use with speakers, but most likely won't connect my headphones to that.

Isolation: More is better. I used them to block people-noise on busses/airplanes as well as listen to music/gaming. (the 'bus noise'/whitenoise on airplanes doesn't bother me, it's the people noise that I want gone)

Public: Yes

Type: Over ear. Closed back.

Tonal Balance: Unsure. I like how my current headphones sound, but I'm open to better alternatives. I heavily dislike tinny sound.

Past headphones: Currently use Beyer DT770 Pro, but they're dying on me. Bass is going (vibrating?), the earpads are coming off, the foam covering the drivers has disintegrated.

Other concerns: Vastly prefer all metal/little plastic construction for durability.

Looking to improve: I need a mic. Every single mic I've tried so far has been unable to pick up my voice reliably. I'm not sure if that means I should buy something like a modmic or if I should buy a "headset" with the mic built in. For mics I've tried: Desktop boom mics, blue snowball, ZXR "puck" mic, this one: https://www.amazon.com/Audio-Technica-ATR-3350-Omnidirectional-Condenser-Microphone/dp/B002HJ9PTO/ref=cm_cr_dp_asin_lnk
With all of them I get complaints that I'm too quiet. This is with the gain maxed in the game + sound card + windows. I always have to disable noise canceling because otherwise the mic does not pick up my voice.

Positional audio is important, but the soundcard can fake it or the game can fake it with stereo headphones, so not worth buying based on that.

Primary usage is gaming; I have speakers for listening to music. Secondary usage is listening to music on my iphone / blocking sound from other people while traveling(active canceling is useless because it usually lets voices through).

Thanks again! I had noticed on the back they had a "external mic input (plug in power)", but somehow didn't comprehend what it meant... great to know. Great tip about clip-ons for guests too, just the stuff I need :)

That mic you linked was somewhat pricey though... would something like this $22 ATR-3350 lavalier be OK? (I've heard good things about them for the price (mixed on amazon though!), but unsure if they count as 'powered' as in this application))

I will get the remote control too: had found a good deal for an accessory pack and I was wondering :)

These

It all really depends on your budget. I would say spend more on audio equipments

So I have a GoPro and the model I have can accept a 3.5mm input. So I have a case with a hole drileld in the side to pass through said 3.5mm which is for an external, powered lavaleer mic. This one, for $30 +/-

http://www.amazon.com/Audio-Technica-ATR-3350-Omnidirectional-Condenser-Microphone/dp/B002HJ9PTO

It's got enough, way more than enough, length that I can run it to any place on the bike. On my super moto, the mic body lives under the seat, and the wire runs under the tail and I just secure it with some duct tape. There it's sheltered from wind blast and picks up the exhaust well.

The ATR-3350 fits your description, however it requires a battery, and if it's going to be running 24/7 it might not last long: http://www.amazon.com/Audio-Technica-ATR-3350-Omnidirectional-Condenser-Microphone/dp/B002HJ9PTO


If you can afford it, I would suggest using an external audio interface giving you more inputs so you can set up multiple microphones throughout the house that do not require batteries to power them. A focusrite 18i8 and 2 of these microphone bundles: http://www.amazon.com/gp/product/B002A3KSZW?ie=UTF8&camp=1789&creativeASIN=B002A3KSZW&linkCode=xm2&tag=tecn00-20 would cover 4 rooms.

Keep us posted about the project!

Just grab some lav's

[This Rode smartLav is great] (https://www.amazon.com/gp/product/B00EO4A7L0/ref=as_li_qf_sp_asin_il_tl?ie=UTF8&tag=mic-reviews-20&camp=1789&creative=9325&linkCode=as2&creativeASIN=B00EO4A7L0&linkId=4ccaf6812920138f74d980411d5a90a8)

[This ATR-3350] (https://www.amazon.ca/Audio-Technica-ATR-3350-Omnidirectional-Condenser-Microphone/dp/B002HJ9PTO)

[If you can stretch for $800 bucks this will be excellent] (https://www.bhphotovideo.com/c/product/618735-REG/Sennheiser_EW_100_ENG_G3_A_Evolution_G3_100_Series.html)

[This BOYA mic is great and inexpensive] (https://www.amazon.com/gp/product/B00MRMU2HU/ref=as_li_qf_sp_asin_il_tl?ie=UTF8&camp=1789&creative=9325&creativeASIN=B00MRMU2HU&linkCode=as2&tag=pv0dbb-20&linkId=UZT4YZXUAJ7VKBG6)

Basically watch this video and decide what you think is best for your application.

Keep in mind, for a condenser mic you need a sound treated room for the best quality audio.

But yeah, there are FAR better mics out there.

[This is a great setup] (https://www.twitch.tv/videos/140197666)

I say, Grab a Zoom H4N and a Lav mic like the ATR-3350 And you're pretty much set for most things! However if you want a decent shotgun microphone that goes into the H4N you might want to consider a RODE NTG2

if you have an extra like $60, pick up:

1. A tiny sony px440 or px333 type recorder (dont buy new, these are like $30 on ebay): http://www.ebay.com/itm/Sony-Digital-Voice-Recorder-ICD-PX333-4GB-/321988872421?hash=item4af80848e5:g:15kAAOSwcBhWWKIJ
   
   
2. Cheap lavalier like this: https://www.amazon.com/Audio-Technica-Omnidirectional-Condenser-Lavalier-Microphone/dp/B002HJ9PTO/ref=sr_1_1?ie=UTF8&qid=1473928026&sr=8-1&keywords=audio+technica+lavalier
   
   the sony recorder is (sort of) auto. so you dont have to worry about levels, just set to low, medium, or high (low if you're recording loud sounds like a bike) and leave it running.
   
   

Mic'd up with an ATR 3350 which is covered in a Red Head Mini Windscreen (you have to e-mail him about the "mini's" for the ATR 3350). It's plugged into the mic adapter for the GoPro Hero3, I have a "custom" hole in the case made for it haha.

I've never been happy with desktop mics. I'd go with something like a lapel mic, like this:

http://www.amazon.com/Technica-ATR-3350-Omnidirectional-Condenser-Microphone/dp/B002HJ9PTO/ref=sr_1_1?ie=UTF8&qid=1320678495&sr=8-1

The downside being that you'd have to put it on your shirt lapel each time you wanted to use it.

I've used Olympus digital voice recorders in the past for ambient recordings and have nothing but good things to say.

This seems to be the most popular version and comes at a good price. I haven't used this model myself, though.

I'd recommend also buying an external mic just in case you hiding the actual device on your person is a lil too cumbersome. This might do.

Edit: Changed the external mic suggestion. (Links to an Audio Technica product on Amazon, about $7 more)

I did this for my sister's wedding last summer. I used this, which was surprisingly good. Best of luck.

For lavalier mic, the Audio Technica ATR3350 cannot be beaten for bang/buck.

https://www.amazon.com/Audio-Technica-ATR3350iS-Microphone-Smartphones-19-69-Feet/dp/B002HJ9PTO

its just a simple microphone, looks to be something similar to this

Overall that gives you better options. Just be aware that the NTG-2 is going to get in the way mounted to your machine. You'll have cables all over the place getting in your way while you're trying to set up a nice shot, it won't be in an ideal position, you won't get the best quality sound.

My suggestion is, if this is like a sit-down interview thing, to get some sort of stand to mount the NTG2 on in the proper boom mike position, and connect that to the 60D, and get something like this: http://www.amazon.com/dp/B002HJ9PTO/ref=wl_it_dp_o_pC_nS_ttl?_encoding=UTF8&colid=FTI8OFGCX48K&coliid=I425Y4KS8J4T7 and put that on your interview subject and hide the cable as it runs to your 60D. Put the boom on Track 1 and the lav on Track 2. Then mix it all the way you want to later.

If this is a run-and-gun shoulder rig fly-on-the-wall thing the 60D and NTG2 are going to be a terrible bother. That's why the VMP is great for when you are just going off the cuff, improvising, fly on the wall type stuff. But the NTG2 is just way cumbersome when attached to camera, especially if you use a shockmount (and you need to because just attaching the mic clip to the cam is going to make for lots of handling noise).

Without knowing your setup and your goals I can't tell you to do one or the other for you, I can merely tell you how each piece functions and you can make the call for yourself. :)