Reddit mentions of Manfrotto 035RL Super Clamp with 2908 Standard Stud - Replaces 2900 - Black

Manfrotto Super Clamp, I also recommend getting the articulated arm to go with it.

I've been using this clamp - http://amzn.to/1S7oTqS - in addition to this arm - http://amzn.to/1S7oWD2 - to do a lot of my videos. It's very flexible and strong.

I also once built a rig using PVC that I attached to the ceiling that I could swing out of the way when I wasn't using it. It wasn't as solid as the clamp and arm, though.

We were told no tripods at the Louvre, Notre Dame and the Eifel Tower.

You might try bringing one of the Manfrotto Supper Clamps. It won't work everywhere, but I was wishing I brought mine to the top of the Eifel. Good luck!

I have the predecessor to the 055XPROB legs, the Manfrotto 3021BPRO. They also have a horizontal mode, and I agree that they can work as long as the subject is well within the bounds of the tripod legs (if directly above), or if the camera setup is light enough to allow an overhang of the horizontal crossbar (or if your table is large enough to allow full extension of the legs).

Another option could be a combination of Manfrotto Magic Arm components, such as this basic arm and then a superclamp. Those components are the least expensive, but there are also heavy-duty arms suited for SLRs.

If you need shots from directly overhead, a copy stand could work.

A rain sleeve and an umbrella do it for me. I've also superclamped a camera to the umbrella to aid with holding it (too few hands).

A super clamp with a stud (the gold pin shown in the pic) attached to a horizontal bar above the table will do the trick.

For this video we are using a single articulated arm attatched to a table using this clamp. it works, but you can see the shaking of the table pretty easily.

Some time ago, I created this guide for the Vive. However, it also works for the Rift as they use the same size threads (1/4"-20.) and I use them for both my Rift and Vive. I used similar clamps but the hole is in a different place so the mount is slightly different. OP, since you're into photography you might also consider the mini ball heads I mention in the guide, as they would allow you to rotate the sensor any direction you want.

Another option I use is Manfrotto Superclamps which offer more support for mounting to things than shop clamps do. They're more expensive ($20-$30 each, depending on where you get them) but they also allow you to mount to pipes, poles, and other round objects that a shop clamp would not.

Pair it with a super clamp and you're set to go.

Monopods would severely limit your mobility (or, moreso your range of motion) and for things like concerts, subject movement (which a monopod will not help with) will be a much bigger problem than unstable handholding technique. "Nighttime events" may be the same way. I never shoot slower than 1/60 for people, because then their hands (if they're in the shot) or their facial expressions get blurry, purely because they're moving. However, this would be a time where I would recommend getting a cheap(ish) monopod (somewhere between Wal-Mart and Manfrotto) and testing it out.

I asked about using a monopod as a pole to mount a remote camera onto, and someone said that monopods are not rated for their ability to hold weight sideways/not straight up and down. I would recommend getting a stiff length of tubing (PVC or metal) and a Manfrotto Super Clamp (Super Clamp clamps onto the pole of your choice, camera/ballhead screws onto Super Clamp). If you want to mount a ballhead on the Super Clamp (as opposed to screwing your camera in directly), you'll need this screw instead.

I just picked up a Manfrotto Super Clamp, and Heavy Duty Flex Arm. Haven't played with it much yet, but got some cool angles with it at the end of this video.

You need three things:

1. Manfrotto super clamp. The Kupo Convi Clamp works too and is cheaper.
   
2. Manfrotto magic arm. There are cheaper variations, but this thing is going to support your expensive gear. I don't skimp here.
   
3. Safety cables
   
   I don't remember if the Alien Bees have an obvious place for the safety cable to attach (my Einsteins didn't). If there isn't a place you can get 120lb. strength zip ties from a local hardware store and run one through the umbrella holder on the strobe to make a loop and then safety cable around that zip tie.
   
   Clamp to pole, use the magic arm to attach the light to the arm, and safety cable in case it comes loose.
   
   This is very similar to lighting for basketball arenas. A friend of mine, Joel, has a great blog entry on how to set up a similar system for indoor sports.
   
   Don't forget to come back and share photos of how it works out!

It's actually an overhead setup. I got my Sony a6300 held by this arm and is held by the edge of my table wit this

Good, even lighting is going to be the biggest concern, followed by the camera mount. I think given good lighting, almost any camera would do the job, provided it can make a video as long as you require (some cameras have a short time limit on how long of a video it can create).

Maybe something like a background stand, and mount the strobes on either end and the camera in the middle of it, with the table under it.

https://www.efavormart.com/products/8ft-height-adjustable-crossbar-kit-backdrop-support-system-stand-with-free-clips

Use some kind of clamp to mount the lights and camera:

https://www.amazon.com/Manfrotto-035RL-Super-Clamp-Standard/dp/B0018LQVIA/ref=asc_df_B0018LQVIA/

https://www.amazon.com/Smallrig-Thread-Cameras-Umbrellas-Shelves/dp/B0062U2M4E/ref=asc_df_B0062U2M4E/

Note that I'm not recommending any of these specific products, just citing them as examples to get you started researching. Browse around the Smallrig site and see what they have:

https://www.smallrig.com/

Not for the piano specifically, but for any top down knolled shots I use Manfrotto gear:

•244 Variable Friction Magic Arm with Camera Bracket

•TwistGrip Universal Smartphone Clamp

•496RC2 Compact Ball Head with Quick Release Plate

•055 Aluminum 3-Section Tripod with Horizontal Column

•035RL Super Clamp with 2908 Standard Stud

Amazon is linked, but I recommend looking around before buying, as pro photo gear is usually on sale somewhere.

The only thing not listed is the lighting, but that’s because location/content determines the setup.

Manfrotto clamp $30.

Plus a Ball head phone clamp $40

$70+ phone clamp on a starter set of clubs. Reddit approves!

Add an Anker power pack and you don't need to tap into the cart power.

Trying to build a simple, large overhead rig for work for under $300 to do creative, top-down shots. We have a Canon EOS 7D and a 28-135mm lens that we will probably replace because it has an issue with the zoom sliding down at anything more than a 30 degree tilt.

I think I've come up with a pretty bare bones rig that will work. But since I usually just shoot by hand or tripod and don't have much experience with studio equipment, I was hoping someone could check to make sure this would work.

• Ravelli ABSL Backdrop Stand Kit (13' x 15')
  
• Manfrotto 035RL Super Clamp
  
• Manfrotto 494RC2 Ball Head w/ Quick Release
  
• AmazonBasics Wireless Remote
  
  Was hoping if someone could tell me if this seems okay. Could anyone recommend an affordable lens that would be good for shooting from about 8' - 10'? Furthermore, is there a somewhat inexpensive method for routing shots to a Macbook for review while shooting?
  
  EDIT: It looks like the best way to route shots is a 15' USB cable and to route into a software, so that should be pretty straightforward.