Reddit mentions: The best guitar books

I've been playing guitar professionally for 15 years. In that time, I've gotten a BMus in classical guitar performance, taught music, accompanied several accomplished musicians on stage and in the studio, and played in bands that have performed festivals / won grants / were written about in nationally distributed newspapers and magazines. I've edited three LPs and six EPs, mixed three records, and have production credits on them all. I've appeared on stage and in the studio ~ 1k times. All my income comes from teaching, playing, and writing.

Tips:

1. Never stop being a student of your craft. Be humble and take every opportunity to learn.
   
2. Play live frequently! I've met many talented musicians who want to reach a large group of people but don't play shows. There is no big secret to breaking through a scene: The more you appear on stage, the more people see you play.
   
3. Professionalism goes a long way. If you're playing a gig for a single person or a thousand people: Respect your crowd. Don't treat a gig like a throwaway ever. Communicate and be engaging no matter the size and demographic. You'll be surprised what one fan can do for you. I once met a guy in a small crowd who had traveled to my city and happened to be there. He liked our set and happened to book shows where he lived; this person became a springboard for us to reach an entirely new market!
   
4. It's important that you're well-rehearsed and sound great, but bar owners care about how you treat the business end of things as well. If you want to succeed: Don't get blackout loaded and forget to do things like man your merch table, give shoutouts to the serving staff, and treat the venue respectfully.
   
5. Network with other bands. We need each other to help an entire scene grow. I've been having songwriting sessions with other bands in my hometown and it's really fun to crossover and rewarding too.
   
6. Learn to sing. I've only ever sang backups but I can hold a tune. This is a very valuable skill, even if you're only singing "Ahhh" in the background. Backup vox can improve a song dramatically.
   
7. Invest in your craft. Sound matters! What's the point in honing all that skill if it's not going to sound great. Be on top of changing trends and know when a deal is a steal. You can grow your backline and not break the bank if you're well-educated. All this takes is time and browsing the internet.
   
8. Be conscious of your crowd. Looks and gear matter. When I get booked to play solo jazz at a corporate cocktail event, I'm not going to show up with a ratty jeans and a flying-V (rad as that would be). And, while those wallflower gigs are kind of boring, I can charge $500/hr or more and they don't blink an eye. That amount of money is nothing to them and pays my rent / expenses for a month.
   
9. Teach! All the time. There is nothing more rewarding than watching a person learn to do something they love and know that you helped them get there. At any level, you can become a teacher. Find a person who needs what you know, and share it with them.
   
10. Listen to music. Know what's out there. When you get stuck in a rut as a player, find an entirely new genre. The opportunity to do so, given what the internet is, has never been greater. You can invest in hours of listening at zero cost.
    
11. Transcribe music by ear. Knowing theory and being able to read sheet music is great; but a strong ear is the most valuable thing a musician can have. Contrary to what you might think, this is a skill that can be taught and learned. You might be horrible at it to begin with, but if you frequent Ricci Adam's MusicTheory.net every day, you will improve. I used this to quiz myself during my degree; great tool.
    
12. Know your value and don't be afraid to demand it. Music is a business and you will be your only agent for a long time.
    
    Books:
    
    
13. The Advancing Guitarist by Mick Goodrick.
    
    
    
    

I responded to your post in /r/luthier about buying tools. From what i remember you have access to the school wood shop but for limited amounts of time. I’m going to try and take you through some of the major steps in building a guitar and what tools you could use.

1. Dimensioning- taking rough lumber to surfaced. Three options are buying presurfaced, using a jointer and planer, or using hand planes. For this step I would go with buying rough lumber and using the jointer and planer at school to surface the wood to size. Presurface lumber would be my second option. It would save you time but be more expensive. While I love hand planes I feel like for buliding a guitar your money could be better spent elsewhere.
   
2. Laminating- both the body and neck. Wide boards are more expensive so the body you would probably end up laminating. The neck might also be as well depending on your preference. Get some clamps(you’ll need them) and do the glue up on your own. Just make sure you have enough.
   
3. Cutting out the body- options are band saw, router with template, jigsaw, or turning saw. If it were me I would make a template at school then roughly cut out the shape on a band saw at school I would then buy a router and flush trim bit to get the guitar to the exact shape at home. You could do it with just the band saw or jig saw if you are careful. Frame saws are great but will cost more than a jig saw.
   
4. Routing pick-up cavities- like the step suggests a router is best for this. If you get a router make sure it has a plundge base. This is also best done with a template to get exactly what you want. You can do this step with chisels which might be cheaper but as the next step will show you should probably get a router.
   
5. Routing the neck pocket- This step should really be done with a router. It will give you the most precise cut and you dont want to mess up the neck angle because then you will have issues with the action. Chisles could be used but I still don’t trust myself with chisles enough to do that.
   
6. Shaping the neck- here is where hand tools shine. Either spokeshave, rasps or both. finish with sand paper.
   
7. Headstock- it is a bit more difficult to tell tools without knowing if you want a fender style vs gibson. You could do any of the shaping with a coping saw though. For the tuners it would be best to drill the holes with a drill press. Brace and bit could be used if care is taken.
   
8. Shaping the body. There are some options for the body’s edge i.e. round over, binding ect. but if you want any countour for the arm or belly it will be spoke shave and or rasp again.
   
9. Finger board inlay- drill press, hand drill, or brace for round. Chisles for trapezoids
   
10. Fretting- Quality back saw would be your best bet. Making a jig for accuracy would help.
    
    Alright this isn’t a comprehensive list but I’m running out of steam. And some of these are out of order I was too lazy to fix it. As you can see a router would do a lot for you. I know you were thinking of hand tools only but if you could find a way to make the router work it would be the best bang for your buck. I recommend reading this book and figuing out what tools you can buy and use in your situation. There are also look at stuff on Youtube to get ideas.

One important thing is to relax, and especially relax your fretting hand. If you've got the strings in a death claw, it's going to sound bad and you might eventually wind up with carpal tunnel.

Instead of trying to do hammer-ons right away, force yourself to go back to fundamentals. Set the metronome (you must have a metronome) to 40 beats per minute and play one finger per fret. Your fingers should fall immediately behind each fret. Whole notes, half notes, quarters, eighths triplets and 16ths...make sure you're playing in time with the clicks. Try to relax completely and use only the minimum amount of pressure it takes to sound each note without buzzing. The idea behind this exercise is to teach your muscle memory the exact amount of pressure you need to play a given note. Forcing yourself to play slow will give your muscles time to readjust in order to sound the notes accurately. Your fingers, wrists, body posture, etc. should be completely relaxed and comfortable throughout. If you start tensing up or feel pain or burning in your fingers, make yourself relax and loosen up.

Couple other popular hand exercises.

1. The Soft Touch. Play exactly as above, only leave your fingers on the frets until each finger is ready to move up to the next string. Example: you play index A on the E string, middle finger A#, ring finger B, pinkie B#, keeping each finger in fret position. Now leaving your mf, ring and pinkie down on those frets, pick up your index and move it to D on the A string. Then pick up your mf and move it to play D#, ring to E, pinkie to F and hold. Then continue up the D and G strings the same way. It might help to start higher up on the neck, like C on the E string. Throughout this exercise, the most important thing is that you relax your hand. There should be no pain, no strain, no bizarre wrist angles. Just smooth, slow, relaxed and locked in to the 40 bpm pulse.
   
   
2. The Spider. Purpose of this exercise is to learn independent control of index/ring fingers and middle/pinkie fingers. Play A on the E string with your index, then E on the A string with your ring finger. Then A# on the E with your middle, followed by F on the A string with your pinkie. Then switch up and hit B on the E string with your ring finger, followed by D on the A string with your index, then B# on the E with the pinkie and D# on the A with the middle. Alternating 1-3, 2-4 fingers the whole time. Practice that until it's comfortable (could take a few days), then play the same pattern skipping up to the D string, and finally all the way to the G string. The full spider pattern is played E string to A string, then E string to D string, then E string to G string, then back down E to D, finally back to E to A.
   
   For books, there's a big difference between a good one and a bad one. I can personally recommend Serious Electric Bass, Bass Logic, Bass Grooves, and Standing in the Shadows of Motown (this last book is less of a beginner's guide and more of a project you could spend a lifetime on: i.e. learning from the great James Jamerson). Also highly recommended is Ed Friedland's Building Walking Bass Lines. I also have and recommend The Bass Grimoire, but it is more a reference book for advanced scale and chord building, as opposed to a beginner's guide. Bass Guitar for Dummies is actually pretty good and comprehensive.
   
   And there are some good online resources as well: studybass.com is great and starts from a beginner level. Scott Devine is an amazing teacher especially with more advanced techniques, but also for fundamentals. Paul from How To Play Bass Dot Com just steps you through a bunch of popular rock & r&b tunes...not bad for picking up new songs, but it's far better to learn the theory & structure behind a song than just memorizing the finger patterns. MarloweDK is a great player with hundreds of videos, but he's highly advanced.
   
   Finally, musictheory.net has some great ear training exercises you can do any time, in addition to a wealth of info about basic theory that applies to all instruments.

A few things that have helped me with my songwriting that might also help you:

• If you come up with something that even sounds vaguely mediocre, record it! You might come up with something that at the time doesn't sound special, only later to listen to your recording and really dig it. don't let good ideas get away.
  
  
• come up with 3-4 chords to write the rest of the song around. You can use more chords, but 4 chords is a good start. I'd highly suggest looking a a key chart (included in link below) to see what chords fit in the key of your song. With some creativity you can chords outside the key, but a key/chord chart is an excellent starting point for coming up with chord progressions.
  
  https://s-media-cache-ak0.pinimg.com/originals/5f/d3/ff/5fd3ffb8940285beca8a39c744fad7d4.jpg
  
  
  
• Learn to play some of your favorite songs so you can see the behind the scenes music structure. You can learn a lot about chord progressions, song structures, successful key changes, and use of riffs by learning from famous songs.
  
  
• I find it easier to write lyrics after you've already come up with a vocal melody. Just hum some gibberish until you have a melody that sounds good. Once you have a strong melody, just let it bounce around in your head and see if any words start to stick to it. Write down whatever comes to you, whether you think its good or not. I'd also say don't set out to write to write a song about a specific subject matter, let the song decide what its about.
  
  
• There is one songwriting book that I absolutely recommend, Rikky Rooksby's How to Write Songs on Guitar. I bought that book 9 years ago and to this day still refer to it from time to time. It is backed with incredibly helpful information. Rooksby's other books Songwriting Sourcebook, Chord Master (the absolute best chord book IMO) are also incredibly helpful for songwriting.
  
  https://www.amazon.com/How-Write-Songs-Guitar-Expanded/dp/0879309423/ref=la_B001K87RIO_1_1?s=books&ie=UTF8&qid=1502982573&sr=1-1
  
  
• If you want to improve your lyrics, listen to Bob Dylan. IMO he is the best lyricist in music and you will get better at writing lyrics just through osmosis.
  

Sorry for the long post -- I don't want to be discouraging, the best times I've ever had were playing or listening to jazz. The feeling is indescribable.

Most importantly:
Getting some lessons from a jazz bass player will help big time. If for nothing other than some direction, a teacher can be a huge help.

On "walking a bassline":
Boiled down, you will be tasked with outlining the chord movement and keeping time by playing (roughly) quarter notes with a slight emphasis on beats 2 and 4, as opposed to 1 and 3.

The rhythm is critically important. You might be the only timekeeper playing at certain points. This doesn't mean you have to always be playing quarters, but you do have to be focused and have solid time: other people will depend on you. You can make embellishments -- the more effective the less frequently they are used -- leave rests, play long notes, imply a different time signature, etc. My favourite part of playing jazz is walking chorus after chorus and jamming on different rhythms with the drummer.

Harmony is your other job. This has to do with note choice. Like your rhythm, this will become more sophisticated with time but start simple. In a small group you'd have more flexibility but big bands will necessitate a straightforward approach: in short, chord-tones are good, avoid-notes are bad. You might need to get comfortable playing in some weird keys but if the band is centred around a horn section, you'll be playing in Bb and Eb a lot. Learn some melodic minor harmony, the m.minor, augmented lydian, and altered chords are all very common sounds in jazz and you'll need to be comfortable navigating these.

Albums to listen to and their bassists:
Miles Davis - So What (Paul Chambers)
Oscar Peterson Trio - Night Train (Ray Brown)
Modern Jazz Quartet - anything at all, these guys are awesome (Percy Heath)
Bill Evans Trio - Waltz for Debbie, Portrait in Jazz (Scott LaFaro) - It feels weird mentioning these guys without also saying something about Sunday at the Village Vanguard, but this is about walking lines and LaFaro was on fucking fire for that recording.
Diana Krall - Live in Paris (John Clayton) - Lots of straight standards, exemplary accompaniment from John Clayton.
Keith Jarrett Trio - Up For It (Gary Peacock)
The Quintet - Jazz at Massey Hall (Charles Mingus) - Superband with Bird, Dizzy, Bud Powell, Max Roach, and ol' Crazy Mingus. Dig the beboppy goodness.
Thelonius Monk Quartet ft. John Coltrane - At Carnegie Hall (Ahmed Abul-Malik)
Art Pepper Meets the Rhythm section (Paul Chambers) Same rhythm section from Miles' "So What," cool recording with egalitarian distribution of solo time fairly ahead of its time, and entirely fueled by heroin.

The albums are all fairly straightforward with plenty of walking going on. You might even be able to find a few at the library and there are plenty of more examples online. Sorry for the lack of electric bassists -- these are all DB players -- but the prevailing variation in jazz is the double bass. Truthfully, a huge part of the sound that characterizes a "walking bass line" (and other ostinato bass lines frequently used in jazz) is the quick note decay of an upright bass. The note envelope is very smooth on an electric bass by comparison and as a result many electric jazz players elect to accompany in some other distinct manner.

Some materials:
Rufus Reid's "The Evolving Bassist," is aimed primarily at new upright jazz bass players. Some of the DB-specific information might be unnecessary but this is absolutely the best instructional material on jazz bass I've ever seen.

Mike Downes' "The Jazz Bass Line Book" is, like you might expect, about making great basslines. Downes is a monster and his book is bitchin'.

tl;dr - This is a big question, and there's no real easy way to answer this. Basically, it's asking "How do jazz bass." Getting started is deceptively simple but great musicians have made their entire careers off of beastly walking.

My two cents:

• Electric - a cheap electric is far easier to play than a cheap acoustic. While it will be important to build callouses and finger strength (both of which are facilitated by playing an acoustic steel string), I feel it is far more important for you to enjoy playing and make some initial progress. If you can get some momentum in learning/playing, then you can start worrying about strength, endurance, etc. If you give up after 3 months b/c your hands hurt and you haven't made any progress (b/c it hurts to practice), strength, endurance, and everything else is moot. However, if you really want to play acoustic, consider starting with a nylon-string (classical) guitar.
  
  
• I would look for a used electric, probably something like a Mexican-made Fender or a lower-end asian-made guitar (Ibanez, Jackson, Schecter). Many folks like the Epiphone entry-level models... I haven't played one so I can't say.
  
  
• As I said above, electric is more likely to get you quickly to the point of playing something interesting and enjoying it.
  
  
• In my experience, most guitarists do not read music. (Many have only a superficial understanding of theory and some don't even know scales or chords by name). Significant portion of those that do read cannot sight-read (self included). Anyway... it's perfectly reasonable to learn to read while learning to play. Barring that, tablature is widely available and very popular. Well-made tab is useful and often will include rhythmic information.
  
  
• Get started by learning some riffs and songs you like. Also, learning something like the 12-bar blues will let you start playing with friends and that can greatly enhance your enjoyment and learning.
  
  
• Being self-taught is fine. Many guitarists never take lessons. I personally have benefited a lot from taking private lessons. However, practicing and playing new stuff will get you a long way. I recommend getting a good book to use as reference. The Guitar Handbook by Ralph Denyer is a personal favorite.
  
  Have fun and good luck!

Your frustration is perfectly natural. The same questions and doubts arise in all of us at all levels. The standard answers you noted are true, but only in your context and when you are at the right place in your journey.

A few things come to mind that might be of use.

Seek out a mentor. We all need guidance and teachers. Find someone who has had the type of succeses you are looking for. Ask questions and learn from the wisdom of their experience.

Seek out a collaborator. One of the most rewarding aspects of what we do is sharing it with others. Sharing the creative process and bouncing around new ideas with someone else is fun and creates an environment where new ideas and avenues can flourish.

Take time to be introspective without being reactive. Be real with yourself. What are your goals. Really think about the why and the outcome you hope see. Successful people are not successful by accident. They work incredibly hard to achieve their success - we are only seeing the end result.

Sometimes the best thing to do is take a break. Walk away from it and give your mind and spirit a rest so when you return it is with renewed exuberance. As odd as this may sound, when I take a break, my brain tells my it's time to come back through dreaming about playing and being on stage or jamming with others.

Something else you might consider is [Zen Guitar] (https://amzn.to/2IO4IfU) or [Victor Wooten's The Music Lesson] (https://amzn.to/2GbuyJf), both of which are fantastic and inspirational reads.

I hope this helps my friend!

In your case, yes, I'd recommend a guitar over a lower end keyboard that you'll find very limiting very quickly. You can absolutely learn theory on guitar, though it is a lot more well laid out on a piano keyboard and therefore easier to visualize.

But for someone just wanting to have fun, start with guitar since it will have a much quicker return on investment of your time to get to a point where you're able to have fun playing. You can quickly pick up 3-6 open position chords on guitar and play hundreds of songs probably within months... which would not be the case on piano.

I can also absolutely recommend this guitar which falls well within your budget and leaves you a little more room for other stuff.

If you want to learn theory, I would make sure you supplement you learning of basic guitar chords and strumming patterns (tons of resources everywhere online) with some actually sheet music reading using a method book like this one.

Also, if you're working out of a book like that (or doing scales or melodic playing in general) I'd strongly recommend you get a thick, hard pick like this. You'll have a ton more control and less long-term frustration.

You'll probably also want some softer picks (maybe .50 -.70mm) for general strumming stuff though, particularly early on where you won't have good control of pick distance. You can work up to using hard picks for strumming once you get a bit better hand control, but I'd never recommend a soft pick for non-strumming work.

After all of this, you can easily grab a better keyboard in the future if you want to get more serious and delve a little deeper. Even as a hobbyist the two instruments will compliment each other and the theory stuff will make more sense on piano.

The problem is, the entry point for a decent keyboard is much higher than guitar (usually $400-600). Keep an eye out for used Yamaha P series or Casio Privia keyboards. The older models are fine and can be found used quite a bit cheaper if you're lucky.

As for guitars, I'd recommend against starting electric. There are benefits (beginners find the softer action easier to deal with), but the downside is that there's a lot more gear involved and the entry level is honestly a bit higher for an electric. You probably don't want to spend much less than $150-250. Below there you start to get instruments with uneven tuning and lots of other problems. If you want to look at a guitars in the lower end, the Yamaha Pacifica is well known for being an amazing bang-for-the-buck in terms of quality and not cutting as many corners as other budget guitars.

But you have to worry about amps with electrics and very low end amps are going to be very frustrating to play with and mid-tier amps are going to add a lot of cost... so you'll be looking close the same entry point as a keyboard if you want to go electric from the start.

The acoustic Jasmine I linked is great though. The action is fairly light, the tuning is consistent across the neck and, and it holds in tune very well and the tone is very good for the price. Mine came well setup direct from the manufacturer. I bought it years ago planning to just use it as a beater and expecting very little, but I've been using it for 8 years and it continues to work well for me with the bonus of me not worrying at all about taking it outside or anything like that. Which, obviously, portable music making is the other huge advantage of an acoustic guitar.

Don't give up man. There's many ways to improve.


1.) My best advice, is find a good teacher that you like and feel comfortable around. Once you do you'll really begin to improve and like your sound.


2.) If you can't find a teacher there's plenty of online resources


3.) This is probably the best and hardest way to improve; it's very slow but the pay off is amazing. Transcribe everything. Start with the Beatles or CCR and transcribe simple chord songs and slowly (I mean after several months of doing this) move on to harder material.
This method is not recommended as it's hard, but it'll make you damn good.


Don't give up bro, I've played guitar for 5 years. I sucked for the first two, was mediocre the last 2 years and it's only recently that I've begun to get good. Just like anyone can learn algebra or learn to read anyone can play guitar.

Two Books to Recommend (On the Mental Aspect of Music):

Effortless Mastery - Liberating the Master Musician Within
by Kenny Werner. This book is simply awesome.

• Download it here (It's a safe download, I uploaded it myself. Shhh!)
  
  Zen Guitar - Philip Sudo
  
  
  don't click me! :)
  
  
• Even more awesome, it not only changed how I view music but also my life. This is personally better than Effortless Mastery, as what you read in the book not only affects your music mindset but spreads into your life. Buy It
  
  Two Final Tips
  
  

1. Just get into the habit of practicing, even if it's only for 5mins everyday. Make sure it's at the same time.
   
   
   
2. There's a cycle. Practice -> Improvement -> Motivation -> Practice -> Improvement - Motivation ->
   
   
   Occasionally you'll hit walls or plateaus at which point, watch Crossroads or listen to Zeppelin and remind yourself why you started playing, then go and practice.
   (-> = leads to)

Hey,

In terms of learning large volumes of work quickly, what's best to do when if you have a variety of difficulty levels is just play through the easy ones that you know will be OK every day. With the harder ones take care to isolate the difficult passages and practise them not only slowly but with different rhythms - if you have a fast quaver passage then practise it 4 times with dotted quaver (dotted eighth note) - semiquaver (sixteenth note) in the place of quaver - quaver. Then another 4 times with semiquaver (sixteenth note) - dotted quaver (dotted eighth note). Experiment with different rhythms.

To get used to the pieces it might be a good idea to get a few versions of the harder pieces you have to learn onto your mp3 player. Just get used to hearing them in the way the best players play them. It might result in your interpretation being pretty close to the guy's one on the track you listened to 10 times on repeat during your morning jog, but to be honest when you only have 2 weeks to learn a bunch of pieces you really want to make sure you can play it. If you feel really shitty then obviously it would be a good idea to ask maybe some of the players (a drummer and a few horns?) if they would play with you a few times away from the orchestra, in their own time, before the concert.

Are you used to playing with nails? If not then this will be a small part of a many year journey to find the right shape anyway... Don't apply any varnishes or anything - even many so-called strengthening solutions are just layers of a kind of varnish that ultimately damage the real nail. Eating a boiled egg in the morning helps keep them strong, as does jelly. Start doing things more with your left hand (ie. opening doors). Buy a nail buffer and look at Scott Tenants Pumping Nylon as a starting guide to nail care:

http://www.thebodyshop.co.uk/hand-care/accessories/big-nail-shiner.aspx?cm_mmc=FusePump-_-GoogleShopping-_-TagMan-_-Link&gclid=CLPjnKa0gbcCFVMftAodomUAgQ

http://www.amazon.co.uk/Pumping-Nylon-Classical-Guitarists-Technique/dp/088284721X

Good luck :D

When I was first starting out, way back in the last century, there were few places to go to learn this type of thing. And those that had the knowledge were usually less then excited at the thought of sharing their knowledge with you, so that you could become their competition.

But times have changed, and we have this Internet thing, and everybody is sharing everything. Maybe it isn't the Info Age, as much as it is the Era of Sharing, and sharing means a lot of crappy stuff gets thrown in the mix.

So choose your trusted sources carefully, and see who their trusted sources are.

For a good primer in guitar electronics, I recommend reading this book. It's dated, but it's basic info is good, and it's free to read in your browser (takes some time to load):

https://www.scribd.com/doc/2154081/Craig-Anderton-Guitar-Electronics-for-Musicians

I'm anticipating another book on guitar electronics from a source who's previous work I like:

https://hazeguitars.com/completeguitarwiring

This is a good video to understand shock hazards associated with play the electric guitar:

https://www.youtube.com/watch?v=xS_5K5YEYv8&feature=youtu.be

When it comes to other aspects of guitar adjustment, Dan Erlewine has been the go-to source for decades. His books on guitar repair and maintenance are the gold standard. This first book I've linked is more for the guitar repair professional, and might be a bit much. But the second book I've linked should be must-reading for anyone curious about adjusting their guitar to play it's best:

https://www.amazon.com/Guitar-Player-Repair-Guide-3rd/dp/0879309210

https://www.amazon.com/Make-Your-Electric-Guitar-Great/dp/0879309989

Although I haven't actually read any of the books by John Carruthers, I studied under him and on the basis of that experience I would recommend anything he's involved in:

https://www.musiciansfriend.com/books-sheet-music-media/alfred-teach-yourself-guitar-repair-and-maintenance-book?src=3soswxxa

There are a bunch of John Carruther's videos on YouTube:

https://www.youtube.com/playlist?list=PL9C05D39374BFA9B1

https://www.youtube.com/playlist?list=PLB7631EF18F62E16D

I like this book because it's illustrated so well:

https://www.amazon.com/Players-Guide-Guitar-Maintenance/dp/0879305495

Dan Erlewine is a consultant at the guitar tools and supplies seller Stewart-MacDonald. They are a good resource for not just tools and supplies, but they have educational videos, some of which you can get via email, and some of which can be seen on YouTube:

https://www.stewmac.com/

Many of the boutique pickup makers have blogs on their sites, where they talk about pickup design and characteristics.

Just learning good practices on installing strings on various types of guitars is an important starting place:

https://www.youtube.com/watch?v=bfK8lQZaq_8

https://www.youtube.com/watch?v=hW0d9bBzUao

https://www.youtube.com/watch?v=EvTFtHLOQvk

And if you can master the secrets of floating tremolo set-up, you can impress your friends and strike fear into the heart of your enemies:

https://www.youtube.com/watch?v=TYcGmMJnX0M&feature=youtu.be&t=213

There are so many more good sources, but that should give you a start.

My best advice for you is to find a project for focusing your improvement. It's fun to be able to jam in different styles and settings, and it's a worthy long-term goal, but it's impossible to tackle so many things at once. Find a band to start/join, doing covers or originals. Or find some people to jam with every week. Or take lessons. If you can find a good teacher, lessons will be the best thing for you. Even if you can learn a ton on your own, you'll always have questions along the way that are best answered in person by a master player.

Once you find that project to focus on, center your learning around it. Figure out what theory will be useful. (I second smackhead's endorsement of musictheory.net. Also, Music Theory for Guitarists is a great theory book.)

Learn songs by ear as much as possible. It improves your ears, fingers, and mind. Even if you forget how to play it later, you'll improve through the process, and have that extra experience with you. Imagine learning 1000 new songs in the next year. You'll develop the ability to hear a song in your head and know how to play it, so that you'll never have to remember how the tabs go.

And for some serious motivation, check out some articles on my guitar blogs: From the Woodshed and Deft Digits. Good luck!

Hi there!

I'd say that an important first step is plenty of research on the principles of guitar building, so that you have a good understanding of what you are trying to achieve before you start designing or building:

There are some excellent books on the subject, and also many resources on YouTube where you can watch the pro's at work and see how it's done....

Having some woodwork experience is a good starting point, and having the right tools for the job definitely helps, but many people have managed to achieve a first build on their kitchen table with just the basics....

Do you have an idea of what type of guitar you would like to build? I'm assuming a solid-body electric of some kind, which is somewhat more straightforward than say an acoustic guitar....

It's a good idea to base your first guitar on something which already exists, rather than trying to reinvent the wheel (some time spent trying out as many guitars as possible down at the local guitar store is always fun, until they get heartily sick of you!)....

Another good learning strategy is to acquire a couple of secondhand cheapo guitars to tinker with and take apart etc, without fear of ruining a decent instrument (also good for practice at soldering and wiring pickups, pots etc)...

You might also bear in mind that a kit guitar, or buying in components like a factory-made neck, or pre-slotted fretboard etc, can be a great starting point, and considerably less daunting than trying to make absolutely everything from scratch for a first-timer!

Nobody's first guitar is ever 'perfect' I'd say, so aim for something relatively simple and execute it really well, then save that triple-necked guitar with eighteen pickups and loads of exotic hardwoods you've always dreamed of (lol) for a future build, once you have mastered the basic skills... :>)>

Hope that helps.

PS - ask loads of questions as you go along, if something crops up that you are not sure of... that's what we're here for!

Best wishes,

Woody

www.guitarzoom.com. Look for the course "Music Theory for Life". It's a 12 week online course by Steve Steine. Very good. You can also find many of his videos online that talk about music theory in shorter form but still more than enough to get you started. Here's a good series to follow by him: https://www.lessonface.com/absolute-fretboard-mastery-steve-stine

The other thing that really helps is playing every day. This really helped me get through solos that previously I never even attempted to play because i thought I would never be able to. I use an app on my phone called "habit" to track that. I mark every day I play and end up with a streak. I never want to break that streak so I play every day. I started with a wall calendar where I crossed off the days. After a while, you have a nice long line of days and you will feel really bad breaking that line.

Now comes the question of: "Ok... I can play everyday, but what should I play?" I had that issue. So I went ahead and bought this book: http://www.amazon.com/Guitar-Aerobics-One-lick-per-day-Developing-Maintaining/dp/1423414357/ref=sr_1_1?ie=UTF8&qid=1462400123&sr=8-1&keywords=guitar+aerobics

This book is basically a year's worth of every day licks to play and practice. Priceless. It will give you something to do every day by default. No thinking required. It starts off easy and builds up. It will teach you usable licks straight away from different music styles. It will also teach you how to play in time since you should be using a metronome (or the drum tracks they provide).

I use the book when I am not in the mood to practice a song I am working on that day. I make sure I am playing some "challenging" song since it's fun to end up with a song you've been wanting to play. I give it time... no hurry. I've been having fun learning "Hangar 18" for like 2+ weeks now. I am taking it slow and making sure I am not rushing through parts.

Good luck!

work through the original Aaron Shearer books (I linked book 1, there are 3, you should at least go through the first two and maybe some of the supplemental ones) . If your classical technique is decent then you will breeze through them pretty quickly but you might pick up a few subtle things like playing rest-stroke with your thumb at the same time as free-stroke with your fingers and vice-versa. Once you are good there there are two books you should buy: Pumping Nylon for the various exercises it has. They are very good if you play them regularly. Then buy The Library of Guitar Classics. It is a big spiral bound book of repertoire that looks like a lot of those piano-rep books. It has music ranging from easy to very hard and from the renaissance period all the way through the romantic era with pieces by Tarrega and Albeniz. There is a lot of really good rep in there. There is also a second volume of the book that is almost as good. When it comes to more modern music buy the Villa-Lobos book and work through some of that stuff. It is a great book that was edited by - if I remember correctly - Frederick Noad. There are also some really good books with the complete Bach cello/lute suites (although some of that can be found in the books I already mentioned).

If you REALLY want to kick your ass, see if you can dig up a copy of the Abel Carlevaro right hand book. It is like the Giuliani 120 studies on steroids. I have never struggled that hard to play an arpeggio in my life! I think it is this book but I am not sure. I had a really old photo-copy of it and I don't know where it came from.

You need to consider why you want to learn guitar. That will answer some of your questions in itself.

For instance, do you intend to become a professional, virtuoso concert guitarist? If not, what difference does it make if you won't be as good as you could have been if you'd started earlier?

If you're like me, and you play for the pleasure of playing, for the joy of making music, how good you are doesn't really matter. I play because I love playing and I always have, even when I was just starting out and awkwardly struggling through my first chords. Practicing is never work for me because it's fun.

That's not to say that I'm not constantly trying to get better -- I certainly am. But this isn't a job or competition for me, it's something I do for fun and enjoyment. Let yourself have fun with it and the rest just doesn't matter. So if you're having a hard time learning to play something, but you're enjoying the learning process, it's all good. If playing the guitar is a chore for you, why bother? It's supposed to be fun.

So I say to you, go try it. Try to enjoy it. Find your way of making music with a guitar. If you love playing, keep it up. If it's just drudgery to you, let it go. There are no guitar police out there who will throw you in jail if you "aren't good enough" or you don't learn the "right way". There is no "right way". If you are enjoying making your own music then you are good enough and you're doing it the right way!

This is a wonderful book on the subject.

A great theory book for guitarists (starting from the basics) is this. Definitely nothing in there about "polytonal rhythms" (whatever they might be, they certainly ain't "fundamental")!

You'll see it goes as far as "chord substution and reharmonization", but by that point I would be starting to take it a little less seriously, and maybe moving on to something more in depth. (Those "jazz theories" can get controversial.)

Of similar level - less guitar-based - is this. This is more like an exercise book, with the information in each chapter followed by test questions, with answers in the back. (Just one of the answers is wrong in my very old edition... hopefully fixed now.)

I really recommend at least two sources when reading music theory. Every author has their own angle, and their own readership in mind. It may be that one book (or website) clicks with you, but the others will always fill in gaps here and there, and what's not clear in one may be clear in another. When all sources agree, you can be sure you've got good info. When they don't ... more research needed!

Best general theory website is probably https://www.musictheory.net/lessons - very well organised, right from the basics. It will "walk you through" if you resist skipping pages and take it steadily, step by step, in order. You may need the first book above (or something similar) to help translate notation to the guitar.

Don't forget to always play the stuff on the guitar as you're reading. If you don't know how to play it, don't try learning it. musictheory.net provides sounds, so you can at least hear the stuff, but best if you can play it yourself.

I make enough from guitar building and repair to be able to fund it as a hobby in itself. You're looking at a significant initial investment in tools, workspace, and marketing in a market that's pretty saturated with factory guitars and independent builders. I hope someday to build up a customer base large enough to make this a career, but until then I enjoy it as a hobby and an art that pays for itself. As an art, I'd suggest picking up a couple of books:

Guitar making tradition and technology and Make your own electric guitar.

Both of these will give you a great background on how to build an instrument. The links in the sidebar will be very helpful to you as well.

One thing that has been helpful to me is engaging in your local music community. I live in an area of the US with lots of churches and worship pastors that need their guitars worked on. I work on their guitars and every now and then do builds for them that meet the needs they're looking for. I don't know what your community looks like, but engaging with musicians where they're at and building up a report is the beginning to a self-sustaining hobby and hopefully will carry you to a business.

Best of luck to you!

Dan Erlewine's Guitar Player Repair Guide has been around for years and covers a lot of ground. I bought my copy when I was 16, over 20 years ago. The newest edition also comes with a DVD too. You can get it at StewMac here, although it's available from Amazon and most book sellers. No one book can cover every single little thing, but it's a good reference to keep around; I still check mine from time to time.

Anymore, it's easy to find most of this information freely available online. Someone already mentioned frets.com, which is an awesome site. There are tons of great Youtube channels too (Freddys Frets, StewMac, Crimson Custom Guitars, Sully Guitars, Dave's World of Fun Stuff, Blues Creek Guitars, O'Brien Guitars, and dozens more I can't remember offhand.) I think it's easier to learn certain things by watching videos, so I'd suggest picking one book as a main source, then look up videos for anything that's not entirely clear to you. I didn't have the benefit of Youtube or the internet when I started working on them, so take advantage of it!

I'd also recommend getting at least one book on building guitars, because it can give you quite a bit of insight about how different instruments are constructed. I've had Melvyn Hiscock's Make Your Own Electric Guitar for years too and it's a great book, but it's currently out of print. Keep an eye out for a used copy, or look into the ones that are currently available. StewMac has a good selection of books, but again you can find most of them from any book seller.

Finally, don't get too overwhelmed. Guitars are not particularly complicated things and it's not rocket science, even if it looks like it sometimes. There really aren't that many repairs that I'd consider too difficult for the average person, as long as you're willing to put in a little time to learn how to do them. Even refretting isn't that hard (although it's tedious and takes all friggin' day.) Learn how different types of guitars are built, because all a repair is is repeating a particular part of the build process to fix a problem. Watching "factory tour" videos on Youtube of various manufacturers can give you a surprising amount of information on how a particular builder tackles certain aspects of the instrument. There's almost always multiple ways to achieve a repair, it's just a matter of figuring out what works best for a particular instrument or situation or just how you prefer to work.

I'll comment on the tools. I do my own setups and have for years. I don't have any professional luthier tools. I do not do setups for others to receive payment.

I view tools like those linked as great resources for professional techs who are looking to do a lot of setups quickly and to a very high degree of technical accuracy. Having high quality tools makes the job easy and efficient.

But I don't think that level of tools is required. You could fashion your own from some basic stuff you could get at any hardware store or use some other 'tricks' that don't require tools. Also, realize that the idea of 'setting up' a guitar is not a black / white binary situation. Getting a guitar setup to a place that it plays well to your preferences is very doable with a screwdriver and some practice.

For example, the basic setup kit has some great tools - but you can accomplish a similar job much cheaper with some research. The string action gauge could be made by printing those radius' on a piece of thick poster board. Dan's book 'How to Make a Guitar Play Great' has this exact tool as a punch out in the back. A precision straight edge could be replaced with a decent ruler or wood or metal that is confirmed straight elsewhere.

Again, with the tune-o-medic kit you can service a Tune-O-Matic bridge very successfully with a typical screwdriver. The specialized tools would be helpful if you're doing a lot of setups each day - possibly on valuable or vintage guitars where a greater level of care is needed.

A truss rod wrench could be replaced with a screwdriver and a set of hex heads available at a hardware store.

So if it were me, I'd buy a copy of that book (linked above) and go through it. Some basic screwdrivers and allen wrenches should be able to get you through almost all basic setup procedures. If you get to more advanced things like fretwork, finish repair, or are doing lots of setup for paying customers - then look into specialized tools.

You need a method, not random bits of knowledge. You may use Justin's, or you may look for a book.

The secret here is structure, which is only provided by a method. Otherwise you'll always feel your knowledge is scattered all over the place and hence barely usable.

A good method should at least:

• give you tools for identifying the notes on the fretboard. I highly recommend this book, in addition to whatever method you choose.
  
• the CAGED system - essential knowledge. Once you master this, you'll easily be able to play: the chord, the arpeggio, the major scale and modes for each of these five shapes, anywhere on the fretboard.
  
• accent the role of the major scale (the Ionian mode of the diatonic scale), because if you know its shapes in all five (CAGED) positions, you already have the shapes for all other modes, and using modes becomes simply a question of choosing the respective harmony, not learning new shapes. Also, by simply removing certain notes from it, you automagically get the pentatonic scale. You get the idea, most common use scales and modes may be played using the major scale patterns.
  
• teach you intervals and how to build chords, which are simply intervals stacked on top of each other
  
• point out the use of arpeggios in soloing, as opposed to scale soloing only, this makes a world of difference if you want your solos to be interesting
  
• teach you rhythm and how to play in time, even (or perhaps especially) when soloing
  
  Once you have a structure, the Internet truly becomes an awesome resource, because now you can research the issue at hand with a better sense of purpose and more specifically.
  
  So don't fret, this isn't a stupid question, it actually shows you are ready and willing to progress, you'd be amazed how many people become dismissive at this stage, and think they've achieved mastery, because it's "all feel and talent, man," and don't even see how much there is to learn and improve.
  
  TL;DR: get a method by trying several, then stick to the one you choose.

I've been playing and practicing for 2 years 4 months at this point. For the entire first year of practice I utilized the Seinfeld Method of Productivity. My goal was to practice guitar for at least 30 minutes a day.




This helped me get to the point where I felt comfortable handling the instrument and was actually able to start to get some more creative enjoyment from it.




The important thing here is deliberate practice. Meaning, don't lose focus, figure out what you're going to be working on for that 1/2 hour and stick to it. This could be theory, chords, alternate tunings, etc. Just make sure to cover the basics somewhere in there. I bought a great book to help me with the fundamentals, Pumping Nylon. This book is for folks getting into classical guitar. Though, in my opinion, all guitarists ought to start with classical if you'd like to develop the best/most efficient techniques in your right and left-hands.



Beyond that- I'd say the most important component is passion. Ask yourself why you're willing to put in so many hours into something. Come up with reasons that keep you excited for the next thing!



For me, my passion comes from the fact that, in this lame world we live in, magic doesn't exist. I'll never be able to pursue my childhood fantasy of becoming a Wizard. However- Music does exist, and, in my opinion, music has many of the same qualities of magic. You can transport a listener into an emotional landscape of your making. You can create a world of sound where you get to call all of the shots. You can ease someones pain, create excitement, wax-poetic about love, you can even create unease and a sense of creeping dread. It's all up to you and how you handle your instruments of sound.



This is what keeps me pursuing the guitar and music. The rest of the world fades away while I'm playing. I suppose it's almost like having a day dream that other people can hear.



I'm not sure if I answered your questions or not :P

tl;dr - Deliberate daily practice and passion seem to be working for me.

When it comes to improving rhythm playing, as well as overall fretboard knowledge, I'd recommend diving deep into the CAGED system and learning how to play chords and progressions in different areas around the neck. Fretboard Logic is pretty much the classic book on the topic.

Learning to focus on chord tones while soloing/improvising, as u/pigz points out, is also massively important. The 12 bar progression is definitely a great place to start with this, but as you get comfortable with it, it's worth branching out and practicing the same thing over other common progressions.

Also, if you're pretty comfortable with the pentatonic shapes, it's probably a good idea to start practicing the shapes of the major scale. I'd still focus on the pentatonic stuff when you're practicing soloing and improv and stuff, but go over the major shapes as a separate part of your practice to start laying the groundwork.

Also, if you don't already, it's a tremendously good habit to sing along when you practice. I don't mean singing songs, rather when you practice scales and/or licks, try to sing the notes as you play the scale, or sing the lick before playing it. This will help you build a connection between the notes you hear in your head and where they are on the fretboard.

You can't buy a factory made classical guitar that is truly high quality. Yamaha makes great beginning classical guitars. I wouldn't pay over $500 for anything with a "brand name," if you're looking for a nice classical then start looking for luthiers or a dealer in your area that sells luthier guitars(either should let you try their guitars before you buy).


D'addario Pro-Arte strings are generally regarded as the all-around best classical guitar strings, and fortunately they're also the cheapest. Go with normal or hard tension if you like more resistance.


The book Pumping Nylon is a great technical resource for classical guitarists at any level.
http://www.amazon.com/Pumping-Nylon-Scott-Tennant/dp/088284721X

http://www.amazon.com/Library-Guitar-Classics-willard-Series/dp/0825614759/ref=pd_bxgy_b_img_y

^ Volume 1 and 2 of that guitar classics book are great for finding rep out of, they have great music from different eras, composers, and difficulties.


More specifically, studies by Sor, Carcassi, or Brouwer are great for beginning pieces. You can move from there to pieces by Tarrega, Villalobos, possibly some easier Bach like BWV999 or Cello Suite#1. Really anything you want. For best results, seek our recordings and videos of well-renowned(not just some shmuck on youtube) guitarists. Use these to make sure you're not playing wrong notes, inspire your own interpretation, and possibly steal their fingerings if it's a video.

I have 2 books. One that nobody likes is by Melvyn Hiscock. Admittedly its a bit dated, but gives a pretty good idea of the principles of guitar design. It is not a woodworking book however, so it assumes you have some knowledge of woodworking techniques. I say nobody likes it because anytime its mentioned, someone will complain that they bought the book but couldn't build a guitar.

I have this booklet as well, and I also have his booklet on how to make a 5 string banjo. I think its pretty good as well.

Honestly though, there is enough information online about making guitars in this day and age, that I think you can do just as well by watching a bunch of videos and reading a bunch of online articles. Also, there are some really good people on this subreddit that can help answer questions in great detail.

Practice is important, but the focus should be on learning good upright style position playing, especially in first and second position. And learning to really incorporate open strings in your playing, as that definitely helps you 'calibrate' unconsciously. Learning to walk changes like that will easily dial it in, esp. if you start working to tempo. Use iReal Pro and just practice random Real Book changes, or the standard jazz exercise sets available.

I have students switching to fretless pick up the Rufus Reid book [The Evolving Bassist] (https://www.amazon.com/dp/0967601509/ref=cm_sw_r_cp_apa_i_40YQCb7935GP8) to learn double bass position playing and walking/2 feel lines. (I use the [Chuck Rainey](The Complete Electric Bass Player, Book 1: The Method https://www.amazon.com/dp/0825624258/ref=cm_sw_r_cp_apa_i_p3YQCbKQKWVWG) books for fretted players, which i heartily recommend in general, btw)

Mostly its a matter of getting a steady, repeatable hand position in the lower registers and letting the muscle memory develop.

Perfect intonation is a goal, but i never worry about it when i get moving in a line or solo. Developing a good vibrato and approach/slide covers a lot of minor mistakes. And on stage, no one will notice a few cents out of tune especially if you play expressively and use good vibrato and slide movement on approach notes.

On improving your chord knowledge. The best place for you to start would be to find fingerpicking songs you like, learn them, and play them a lot. Through the process of learning songs, you will improve your chord knowledge and your overall musicianship. Also this book.

For your singing/strumming problem, remember, singing is rhythmic and will fall somewhere on or between strums. Start doing simple songs. The more you do it, the better you will become at it. If you try to do it 5 times, it will probably be pretty hard at first. Maybe even perceptively impossible. If you do it 10,000 times though, I promise you it will be easier.

So pick an easy song, play and sing through it a gazillion times. The first few times might seem impossible, but each time you do it, you will learn and become better. Never give up. You'll get it.

On improving your listening (aural) skills, most musicians don't have "perfect pitch", but you can improve your relative pitch by doing some ear-training (www.musictheory.net/exercises). Another great approach to ear-training is by simply figuring out songs by ear.

Also don't forget your metronome is your friend, and playing with it constantly will make you a better guitar player and musician.

As an older employed guy, he charges me $40 for 40 minutes. The is the basic going rate in town for professional lessons. But I have heard from others that he will work with some on a sliding scale. But, if you truly only have a couple hours playing so far, the very first thing to figure out is how serious you are. In the beginning, you have to devote a least several hours a week practicing both scales and chords. Both finger strength and dexterity are the key to getting anywhere, and there really are no shortcuts, other then practice, and practice some more. Consider getting this book set: https://www.amazon.com/Hal-Leonard-Guitar-Method-Complete/dp/0634047019/ref=sr_1_1?ie=UTF8&qid=1485995196&sr=8-1&keywords=learn+guitar
It will both teach you how the very basics of reading music, and make you practice putting your fingers on the right frets. Do you have to know how to read music? Well, not if you are only looking to sing around the campfire.. but if you ever want to play music with others, and not be totally lost, it is pretty much a must that you know some level of chord structure. Speaking of, here is one of the cheapest chord books you can buy:https://www.amazon.com/Alfreds-Basic-Guitar-Chord-Chart/dp/0739048953/ref=sr_1_1?ie=UTF8&qid=1485995714&sr=8-1&keywords=basic+guitar+chords
Learn the following chords C,D,E,F,G, Em, Am, Dm. Most songs can be played in the key of C, (which is C, dm,em,F,g,am). There are an mind numbing ways to play each and every chord, so learn the ones that you can play in the first 3 frets to start with. Then learn the E, em and A barre chords, again practice will give you strength and you will start to build up finger callus's too. Once you can jump from chord to chord somewhat comfortably, then go see Ron (or a taskmaster of your choice) Consider finding others that want to start, and meet once a week. OK, enough babble... ( you can tell I love playing....)

I highly recommend Fretboard Logic SE by Bill Edwards. It teaches the CAGED system for chords and scales in a very natural and intuitive way. No prior music theory knowledge is necessary for the book, it starts from the ground up. It isn't very long, you should be able to get a solid grasp on the foundation of the ideas it teaches within a week, but you'll be going back to back to it to learn more for a while to come. I was simply astonished at how much better I understand the guitar after a short time with this book. Before the book I was in the same position as you, played guitar but only knew chords through rote memorization and learned solos by copying others, after I was able to begin writing my own music and I felt comfortable and ready to go deeper into the music theory rabbit hole.

The book teaches the CAGED system, and I know there are resources online that teach it, so if you don't want to drop the money on a book, you can find those and they'll teach the same concepts as Fretboard Logic. However, Bill Edwards does a great job at easing the reader in to the ideas and makes them very easy to understand. Plus, it's nice to have a physical book to reference the diagrams inside of it.

I second the jazz piano book, jazzadvice.com, and all the rest of this advice.

My two favorite music books are Victor Wooten's The Music Lesson and Philip Toshio Sudo's Zen Guitar. They contain wisdom that a lot of other music education misses.

As far as playing the piano goes, I recommend really exploring the piano as an instrument. Find the piano's strong and unique points, and be pianistly (in this sense). Conversely, target the piano's weak points, and learn to imitate other instruments: playing long unbroken lines like a sax will make you "light on your fingers" and help you to decompartmentalize fingering patterns you have learned.

I'm a big fan of this video right now. Download the pdf too, and practice the scales listed. The idea of chords being fragments of larger scale families (and being able to hear the entire scale families going by) is important. This is easiest to wrap your head around by playing modal chords on a C major scale. Allan holdsworth explains it better. This also ties into the "find which notes can be added to round out the standard chords" thing- if you hear the entire scale, then extrapolating which notes can be added is fairly intuitive.

Also, listen to great players. I like powell, monk, tatum, george shearing, and marian mcpartland, Mccoy Tyner, Kenny Barron, Esjborn Svensson Trio, Keith Jarrett, and Bill Evans. These are just a few mainstream examples. Also, learn from other instrumental traditions. If you like something, try to extrapolate a principle or lesson that you can bring with you from that song, and likewise if you dislike something, articulate what it is you dislike, then you can learn to play the opposite. John Hartford says "style is based on limitations", so choose carefully how you learn to play. If you don't like something, don't learn to play like that just because it's part of the jazz aesthetic cannon or some nonsense.

Also, play with someone. Play with bandinabox, which is easy to steal and fairly cheap to buy, and has many many many song files freely available online. Play with a metronome, at least.

Learn to adjust your technique to different pianos. Not every piano you play on will be good or even fair, so being able to get a feel for a new instrument and its limitations quickly is a great skill. On your home instrument, focus all the more strongly on finding technique compatible with that instrument. On a related note, let your mind step back and lead with your hands, letting fingerings and reflexes show you the way forward. On the other hand, let your technique fade into the foreground and practice bringing out the ideas in your ear, even if they navigate unfamiliar territory (do this slowly or it won't work and you'll revert to reflex) Both modes have their merits, and the more you get comfy with both, the less of a distinction there is between them.

Also, practice singing and playing. Meld your understanding of harmony on the piano with your ear and voice. Also, practice thinking big (long musical fragments, specific complex voicings, etc, etc) at & away from the instrument. If you can't think big, your creativity will never have good macro structure & flow. I really believe that our creative impulse is a divine gift, but it often builds on our existing experience and abilities.

Don't give up. Learning ANY instrument is frustrating as hell. I remember my first days of scales and wanting to chuck my brand new guitar across the room (been playing for 8 years). I'm glad I was stubborn and kept at it - in about a year's time I was working my way through Satriani riffs by ear.

Practice SLOWLY. I don't care who you are, but you can't just pick up a piece and expect to play it perfectly the first time through - ask ANY of the performers from ANY G3 how they started a song, they'll answer "slowly." As EMG81 said: "Perfect practice makes perfect," and he couldn't be more right. If you practice something fast and sloppy, guess what? You'll play it inaccurately and sound like you have drunk fingers - you don't want that. The sign of a guitar god is clean fret fingerings and string pickings.

Practice alternate picking. I will never forget the day my teacher showed me how to do alternate picking. Until that day I'd been playing all down strokes or upstrokes on my scales - a REALLY GOOD WAY TO START - but when he showed me alternate picking and how to do it properly I thought "eh, that's not too hard." It was THE most frustrating part of learning the guitar.

I've mentioned them several times now: learn your scales. I recommend picking up this book for quick fingering references. I've learned the sweep patterns in that book and it's made soloing and writing riffs so much easier.

Finally it's been said several times by others, but learn what you like. After you get your fingers used to the neck and fretboard just have fun - the rest will come in time if you stick with it.

Everything this guy said is gold. I would add a couple things.

• If you are completely new to guitar and not adverse to spending money:
  http://www.amazon.com/Guitar-Handbook-Ralph-Denyer/dp/0679742751/ref=sr_1_1?ie=UTF8&s=books&qid=1269624397&sr=8-1
  You can get a lot of this info on line, but the book is a classic.
  
  
• You really want to pick a few songs that you really like and want to play as your goals. It helps you with focus and inspiration. And if you tell us what type of music you are looking to play to start I can recommend more books or websites.
  
  
• For guitars you really get a lot more bank for the buck for a few bucks more. Basically from 100 up to 600 dollars the guitars really improve every bit you spend. However, BloodyThorn is right about wasting guitar equipment. This is why there is so much used equipment on craigslist.
  
  
• For buying a beginner guitar, don't be afraid of buying used. Try craigslist. But if you have a friend that plays, get him to come along and help check it out. And if you decide to keep with the guitar and you outgrow the guitar after a year or two, then you can always use a guitar that you can afford to lose. Much nicer to take your second $150 guitar with you on a boat than your only $700 (or $2000) dollar guitar.

I started guitar really late in life and as such, my hand dexterity was really shit. Guitar Aerobics is helping out a lot with increasing my fretting accuracy and speed. I still struggle with the max speed in the individual exercises, but i have noticed improvement week over week.

It's not a cure all and while it may expose areas where you have technique deficits, it won't really be able to tell you what to do to correct it. On the other hand, it's a good addition to and a good warm up in a longer practice session. It's well structured and covers a different technique each day of the week, each week building on the last. It's was definitely worth the $15.

I ripped the CDs that come with it and put them on my phone which made it much easier to use them too. The play along drum tracks are a nice alternative to a metronome.

I started at 19, but came from a musical family and came off of tinkering with guitar for 13 years prior and a steady gig in school on the trumpet. Got my first bass at 19 as it was the mid 90's and grunge was hot and there were so many opportunities to be in a band but nobody wanted to play bass.

Don't get discouraged! Ask anyone here; playing bass is not only a lot of work but it's a "growing" experience. Unless you're Mozart people just don't pick up the unwieldy instrument and become proficient over night. Notwithstanding the muscle training just to get past that awkward stage where you have to stop and think about where you put a single finger on a string, there's the whole emotional aspect, as well as the mental, academic and spiritual components of bringing music to life. The only way to become an "experienced players" and gain "experience" is to experience the journey; if you can get into a band quickly do it. Your playing will advance exponentially.

Check out the book called Zen Guitar. It's very easy, short and enlightening as well as watch some of Victor Wootens teaching vids. He has some great concepts that will change how you look at bass and music.

Good fortune to you.

The best way to start, IMO, is to read. Get as much info as you can on the subject. There's a couple of books that are pretty good; This One or This One are good places to start. Another thought is to check out websites like projectguitar.com. They've also got a forum with lots of tips and such.

Finally, it's going to be a big asset if you already know your way around some various woodshop machinery, if you plan on doing it all from scratch. Knowing how to solder helps too.
One final thing. Do't expect to be able to build something utterly incredible your first time around. Start simple; it's easy to bite off more than you can chew. You will make mistakes; it's pretty much guaranteed. Don't worry about it. When you finally finish, you'll have an instrument that you can be proud of.

Good luck!

EDIT: Almost forgot, there's also an /r/luthier subreddit as well.

I wouldn't be too worried about the nut. Chances are that they didn't need to do any change to the nut when going from factory 9s to 10s. I've put 10s on all my Fenders and haven't had any issues with the nut action. Even if it was filed slightly, the chances are that it isn't going to really cause any issues going back to 9s, but you won't know for sure until you get it strung up and see what the nut action is like. As for the rest of it, basic setup on a strat is pretty straight forward. You may need to adjust the truss rod slightly in order to get the proper relief, but it isn't difficult. Just do it slow and make small adjustments at a time. The most tedious part is really adjusting intonation and/or if you want the trem to be floated. It isn't difficult, it just takes patience as you have to keep re-tuning after every adjustment.

As for taking all the strings off, you shouldn't have any problem with this. I've never had any issue with taking all the strings off when I restring, because I usually do a fret board clean (and oil if it is rosewood or ebony) and a quick fret polish. The only real worry is the need to reset the trem if you want it floated, which in this case you would have to do anyways since you are changing gauges. It really isn't difficult to do a setup. Just read up/watch some how-to videos and take your time. Also, if you plan on doing your own maintenance I highly recommend checking out this book. It is definitely a great reference/guide for most repair/maintenance work.

http://www.amazon.com/Guitar-Player-Repair-Guide-3rd/dp/0879309210

That is a really good source of useful information. It goes as far in-depth as you wish to go. There is information that is useful to every level of guitarist and luthier as well. Clearly explains the basics every guitar owner should know. Using this book, I set up my LTD with FR Special on it in drop C the very first time I did it. Really simple procedure and my guitar stays in tune very very well. Divebombs go back up right in tune every time.

I suggest trying different strings, different tunings, and different setups (varying string height etc) to find what you like and what feels good. Take it to a pro if you don't want to go to that much trouble, although it is pretty easy if you have any DIY skills. Try to let them know what you plan to mostly play on it.. different styles will favor a certain setup. That book tells how guitarists including Jimi Hendrix, Eric Clapton, Stevie Ray Vaughan, B.B. King and several more have their guitars setup.

From my experience, ear training and visualization should be your focus, not theory. I learned a shitton of theory, and it did not do me much good without practice. It’s like how I know a lot about baseball, but I don’t play baseball, so knowing that what to do in certain situations won’t actually help me do it if I have to process it like it’s a math problem—there simply isn’t a way to transform thought into kinesthetic movements without taking the time to “lay down the tracks”.

The theory will come from practicing, both with guitar in hand and when you are out and about by visualizing chords changes or melodies or the Circle of Fifths or whatever. Then, as you look through theory for things to practice, you’ll likely already have a place to put the names of the things in your head. I should add, try singing the notes you try to play, even if your voice sucks—practice will make your voice better.

The point of theory is music. To that end, I recommend doing what I didn’t do, practicing the exercises in The Advancing Guitarist by Mick Goodrick. Also, really play with the Circle of Fifths and the brightness/darkness implicit to it.

There are a lot of ways. To learn theory, you can ask your teacher, or, if you're self taught, look for some books. Ed Friedland has some great books and I suppose most books and DVD's from Hal Leonard are great too. Berklee Press sells awesome books as well. You can find a lot of lessons online, but it's a lot harder to find valuable material, in my opinion.

The best way to learn about genres is listening to enough music and play as much as you can. When you learn enough songs, you'll automatically learn to apply that when you're creating your own lines. Starting from a book may be a good way to get you started, but the knowledge you learn will be too limited. Learning the songs by ear is a good way to train your musical ear, but there is no shame in buying some songbooks too.

The most important thing is to apply everything you learn. Try to create your own bass lines, loop some chords and play around with your scales, maybe analyze some songs, stuff like that.

It's always a good idea to try them out in person to see how they sit with you as if it's uncomfortable you won't want to practice with it. Since you said you can't, the MS model you're looking at looks like a good option. From what I can tell, the only difference is that it's matte finished which shouldn't be much of a difference at all compared to the S model. Yamaha makes some great instruments so I think you're safe with whichever you choose.

A tuner and picks are a must (in my opinion) but it's also nice to have a strap so you can practice standing up. A good beginners book that teaches you chords and some basic notation is also good to have around when starting out. This is a good one that will give you some structure when you practice.

Good luck!

It's called a dominant[0] resolution and it's one of the most common harmonic techniques you'll find in basslines. Going to the fifth (i.e. the dominant chord) creates instability which wants to be resolved by going back to the root; it's a way of creating tension and release.

You've probably noticed chromatic resolutions coming up a lot as well, i.e. playing a note one-half step either above or below the note you're about to play.

Generally, you want to place the note you're resolving to on a strong beat of the bar (usually the first or the third beat) so try playing around with creating basslines or fills that put a note a fifth above or below the root, or a note one half-step above or below on the 4th beat of the bar or the '4 and' of the bar. You could try this on the 2 or the '2-and' too.

For more information like this check out Ed Friedland's 'Building Walking Bass Lines'. It doesn't sound like a walking line would be appropriate for the music that you're listening to right now but the information in this book absolutely is.

When I'm playing this I'll typically use the same finger to fret the note across two strings and roll the finger across the two notes to play each one. This didn't come naturally to me, I had to work at it a lot. I played major /minor scales in ascending/descending 4ths to practice it [2]. I find that if you can play these with the same finger (rather than one on each string) you can playing some pretty sick sounding fast pentatonic runs.

I'd be happy to clarify any of this if you'd like me to.

[0] https://en.wikipedia.org/wiki/Dominant_(music)
[1] https://www.amazon.com/Building-Walking-Bass-Lines-Builders/dp/0793542049
[2] http://faculty.spokanefalls.edu/InetShare/AutoWebs/dannym/Jazz%20Improv%20II/Exercises/3_Major%20Scales%20in%20Fourths.pdf

Standing the Shadows of Motown is the book that has had the single greatest impact on my playing overall.

The first part is a cool bio about James Jamerson and the Motown studio origins, and then it is super well done transcriptions and explanations of his bass lines which are some of the most innovative and influential bass lines of all time. The book also comes with cd's (if those are still relevant) of the songs with bass mixed to front so you can play along which was super helpful. Using that book taught me the bulk of note reading, taught me the mechanics of writing bass lines that compliment melodies, rhythms and complicated arrangements and really cemented a sense what is groovy and what is catchy.

I cannot recommend standing in the shadows of Motown enough https://www.amazon.com/Standing-Shadows-Motown-Legendary-Jamerson/dp/0881888826

I am 21 (well, almost) and I've been playing guitar for two years now. This is how I went about it. I am in no way claiming this to be the best or most efficient way to learn though. First, I learned the major chords: D, A, G, F, E, and so on (I just googled "major chords"). I constantly played them whether it was while watching TV or sitting down and focusing on it. At the same time, I looked up tabs to music I enjoyed. One of the first pieces I learned was "Green Eyes" by Coldplay. It's a great one because it's got pretty much all the basic chords (and a lady killer if I may say so ;). Also if you take a look at the top 100 tabs on Ultimate-Guitar, those are some good pieces to learn not only because they are good songs, but you'll learn a lot about playing guitar in the process. After about six or so months of this, I really wanted to jam, so I began learning scales. I began with a natural scale, then moved on to memorizing the pentatonic scales. I'm still working on that actually! I recently also ordered this book to help get more comfortable as well as a theory book. At the same time as learning all the scales and things I'm constantly looking up tabs, trying to pick up pieces by ear, and all around fiddling with my guitar! If I ever get frustrated, I put that bad boy down and do something else. Been playing for two years now almost every day and I love it. Just take it slow and easy.

Edit: Grammer

The same way you learned the E string, you can learn the A string with A-shape barre chords. (Then you can learn the C, G and D shape barres.;)

I have spent some time using just about anything I could find for help with learning the fretboard. I use a little trainer app on my phone, and I also used this book. The author uses a system based on five patterns for finding all positions of any given note on the fretboard. ("Pattern 1 has roots on the second and fifth strings, two frets apart.")

In addition, as cthrubuoy says, knowing about the octaves is very useful.

Try learning just the natural notes, or try drilling yourself regularly. Put your finger behind a fret and then identify the note. Or pick a note and find all of them. 10 minutes of this a day can be a HUGE help.

I also memorized a few landmark notes on the fretboard. Places where E, F, B, and C are stacked on top of each other, for instance, helps to learn the notes around them. Also, knowing that in standard tuning the nut (open), the 5th, 10th, 12th, and 17th frets are all natural notes could be useful.

In the end, what works best is consistently applying yourself to getting it. Until I started working at it every day (a few months ago) I could pretty much tell you the E string, and some of the A string, and anything else I would have to count out.

My advice is to buy some books. There's a lot of info on the internet, but it's all spread out and often chopped up into pieces, which can make it a bitch to make sense of. If you're going to go the internet route, though, check out guitarlessons365.com (not affiliated in any way). The vast majority of the lessons are free and the music theory section is completely free, not to mention very good.

http://www.guitarlessons365.com/lessons-archive/music-theory-lessons-archive/

Regarding books, this is a great, easy to read book on music theory that won't hurt your head. I'd start either here or with guitarlessons365.

http://www.amazon.com/Everything-Music-Theory-Book-understanding/dp/1440511829

For guitar books, Fretboard Logic is a must read. Definitely buy this. It focuses on the 5 position system (CAGED). If you're interested in learning the 7 position system for the major scales and other 7 note scales, check out guitarlessons365.

http://www.amazon.com/Fretboard-Logic-SE-Reasoning-Arpeggios/dp/0962477060/ref=sr_1_1?ie=UTF8&qid=1348759781&sr=8-1&keywords=fretboard+logic

After that, I'd check out this as well.

http://www.amazon.com/Music-Theory-Guitarists-Everything-Wanted/dp/063406651X/ref=sr_1_1?s=books&ie=UTF8&qid=1348759708&sr=1-1&keywords=guitar+theory

Worth checking this out as well.

http://www.amazon.com/Guitar-Fretboard-Workbook-Barrett-Tagliarino/dp/0634049011/ref=sr_1_3?s=books&ie=UTF8&qid=1348759937&sr=1-3&keywords=guitar+theory

Here's another important book. I'd probably buy this last, though.

http://www.amazon.com/Jazz-Theory-Book-Mark-Levine/dp/1883217040/ref=sr_1_1?s=books&ie=UTF8&qid=1348760257&sr=1-1&keywords=jazz+theory+book+by+mark+levine

I think the best thing I can recommend, and I know this isn't what you wanted, is for your child to either

a. Read method books, this Hal Leonard one is pretty good (https://www.amazon.com/Leonard-Bass-Method-Easy-Use/dp/0793563836)

b. Because your child can read bass clef (he played piano so I'm assuming he can), he already has a huge advantage as a player. Have him learn how the notes relate to the frets (https://www.youtube.com/watch?v=7ui66iADgzo), and he can begin to read transcriptions and play pretty much whatever he wants

Definitely get a teacher, and just encourage him to practice. That's about it.

Learning to read music is probably most important. While there is more and more classical repertoire available in tab, the tendency is to get stuck in someone else's fingerings. People talk about classical as being very rigid and set in its ways but the freedom to play a note wherever it works best for you is one of the great strengths of the guitar. This is something that tab can take away from you. The "correct" position that is variously so lauded and derided is - at least today - a compromise of ergonomics and technical requirements. The guitar is not a very ergonomic instrument so apparatus usually needs to be brought in to play in order to get it in the right position but this position varies considerably from player to player. The main concern is that the music is playable; much of it would not be without full control of technique. "Proper" position is something that takes years, even decades, to figure out, I know players in their 60's who will tell me "I found this new support that works with my footstool, now my height is nearly perfect!"

Resist the temptation to attempt pieces that are too advanced too soon. You're going to do it, every player is, but the frustration of moving so slowly with little to no results is dangerous. I've heard so many students come in and play Asturias or Bouree (or any of the other "standards") without any concept of the pieces in a musical sense. They play the right notes mostly but there is no division of melody and harmony, no concept of counterpoint, dynamics or anything else that makes this music brilliant. These students often become completely dejected when they are told by a teacher, jury or audition panel that they are not nearly as good as think they are, in so many words. The problem usually comes from a poorly structured education, either from themselves or teacher(s), and jumping into material they don't yet understand.

I would strongly recommend finding a good teacher because any one book is not enough (there are a few good ones like Aaron Shearer's Learning the Classic Guitar and Pumping Nylon) but none of them cover everything you need and there will be some contradictions. In order to learn most effectively, you must do so without confusion and error. If you learn a mistake or bad habit, it will be more difficult to fix later on than if you never learned it wrong in the first place. If you don't understand what you're doing or why, you won't get very far with it. In the absence of a good teacher, I would get as many reputable instruction/method books as you can and read them all thoroughly.

This is a really short description of each, but hopefully will help.

CAGED system is a way of knowing how to play chords all over the neck. If you know the notes of the fretboard and where the root note is in each chord shape, then you can use that to play any chord, in any position using only the C, A, G, E and D chord shapes. If you're looking for a C chord near the 13th fret, there's an C on string 2 fret 13. The D shape has the root note on the 2nd string, so if you play a D chord shape at the 12th position (which uses the C root note on the 2nd string), that'll be an C chord. Alternatively, you could think about it this way... if a D chord is at the 14th position, slide a full step down to the 12th position and you'll have a C chord.

Next, if you know the scale positions and the root note within each, you can combine the CAGED system with scale positions and blend them.

The keys to understanding this are 1) understanding the CAGED system, 2) knowing scale positions (you mentioned pentatonic and mixolydian - just pick one scale type for a start), and 3) knowing the notes of the fretboard. Once you have a solid understanding of those, a bit of practice will get you over the hump with combining them.

The thing that helped me put all of this together (apart from hours of practice with backing tracks), was a book called Guitar Fretboard Workbook. The exercises are short and helped with memorizing note positions on the fretboard, and it has a good explanation of the CAGED system as well.

I hope this helps.

Edit: corrected chord name.

I've been playing for 17 years, and had my share of plateaus, but these days I can't wait to get home and practice, and I feel like I get better every time I pick up a guitar, even if its in a very small way.


I think this is partly because I am in a band again, and writing riffs and songs that will actually get played live. So I'm eager to make these songs awesome, then to take a break from working on songs, I'll just solo over something for a while for fun/technique.


Also, I recently quit drinking and smoking, so I have been channeling a lot of restless energy into the guitar.


I still feel the thrill, but I feel it more often when I have a sick drummer behind me and strangers in front of me.


I highly recommend the book Zen Guitar , it may sound a bit cheesy at times, but it really helps you to have a positive and practical attitude, and to forget about competitiveness and wankery and gear lust and other things that get in the way of you getting better. It also helped me realize that there is no such thing as 'the best'. He describes playing as a path with no end, and our goal is to always walk forward on it. Some people sit down on the path, others lose the way...

I did exactly what you're explaining with my dad. The process takes a long time. I'd recommend starting with designing the body. If you want to design your own body, sketch it out, and GIVE VERY EXACT MEASUREMENTS ON THE STENCIL.

This includes the center line. EVERYTHING ON THE GUITAR IS BASED ON THAT CENTER LINE. The neck, pickups, and bridge all have to be exactly on that line.

Also you have to factor the scale of the neck you're planning to get. I got my neck from Warmoth. It's a great neck and I can't be happier with it, but a finished neck is around $250.

Back to the body: What wood do you want to use? Are you going to book end the wood if you're going to use a translucent finish (burst, dye, etc.) or are you going to just paint it? I dyed my guitar and used layers upon layers of laquer (~15 to be exact of museum quality finish).

Hardware is something else to consider. Stewart-MacDonald is a great site for that. Think pots, switches, tuners, bridges (stopbar too if you're doing a Gibson-style bridge), pickup rings if you're not using a pickguard, pickguard, neck plate for bolting the guitar on, etc.

Basically, there's a lot to consider when building a guitar. It's not easy at all, but if you have fun with it, you can build a hell of a guitar. I recommend buying a couple books on guitar building. This is one of the books I got. It's really good and I highly recommend it.

Good luck!

I know more by heart than you do. I also know how to use them.

You should check out The Guitar Grimoire series. This particular book has every mode of every 5, 6, 7, and 8 toned scale in context, in staff and tab, with the scale overview at the beginning of each scale section broken down into how the modes fit together and how they're created with super easy to translate charts and a list of chords each scale and mode works over.

It's tremendously comprehensive, as is the rest of the series. What's more, it directly shows how each example can be used in real music, because the author knows a lot of traditional theory as well as having explored set theory in a more comprehensive way than you have. He's also got books for chords, one for common chord progressions, one for exercises and more. It's a great series and highly recommended.

Edit: OH YEAH! He also relates everything from guitar back to a piano overhead shot so you can see how it lays out on the piano roll, so in a way this single book doubles for both guitar and piano.

last year i bought like 3 guitar books. two were mostly theory, but my favorite one was Guitar Aerobics. Its basically a book full of riffs, broken down into 6-7 categories of different mechanical skills (alternate picking, barre chords, rhythm strumming patterns, sweep picking) spread out every week, with backing tracks and sample sound banks of the riff being played. Every day you have something different.

it starts off basing everything on the Am pentatonic and starts building on complexity as it progresses
I didn't really stick to it daily, but i really think it still improved my mechanical abilities a lot. I was basically only using downstrokes to pick but now i find myself naturally alternate picking even across strings.

my favorite aspect of it is that if you don't know how to practice, amd at a certain point in time you only have 10 minutes can open up the book to where you left off, do one of the exercises.

at <15$ on amazon it's cheaper than a guitar lesson but works great for supplementing your spontaneous "i have to learn this song" moments by helping you get the chops to handle harder stuff

Buy a book called The Guitar Handbook by Ralph Denyer.

I bought my copy a few months after I started learning (been playing for close to a decade now), and my only regret is not having bought it even sooner. It's tattered from use, but I still read it often and still find new things to learn. It's always in my flight case.

It has sections on any guitar related topic you can imagine: from biographies of influential guitarists to music theory to illustrated guides on how to rewire your electric guitar's pickups. It's essential, and I consider it worth at least ten times its price.

Edit: There's also a British guitar magazine called Guitar Techniques that I used to read up until about a year ago. I only stopped because importing the mag to South Africa became too pricey for me. It features top quality lessons by professional guitarists, tablature, music notation, exercises, articles, etc., as well as a CD with backing tracks, et al. A copy of the above-mentioned book plus a subscription to GT and some regular, disciplined practise will probably turn you into Eddie Van Halen :)

Good luck and have fun!

I was in a similar situation as you are, I played piano since I was young and when I took up guitar the fretboard was a bit daunting to me. It clicked for me when I imagined that each of the six strings was like its own separate piano so six dimensional if you will ;). Since each fret is a half step, its like the keys on a piano going up a half step. So the 'piano keys' on the lowest string start on E and go up by a half step, the next string is A so the 'piano keys' start on A, then go up and so on.

Once the set up of the fretboard made sense to me, it's all about memorization to know the exact locations of notes off hand. I think that this is going to be different for each person you need to figure out what makes sense to you. Memorize 'landmarks' such as each open string, the 12^th fret is an octave up, and the odd frets are good ones to start with memorizing.

I used this: http://www.guitarhabits.com/learn-the-guitar-fingerboard-thoroughly-in-16-days/ as well. I found it pretty helpful.

Also if you're looking for some books, http://www.amazon.com/Fretboard-Logic-SE-Reasoning-Arpeggios/dp/0962477060/ref=sr_1_1?ie=UTF8&qid=1313039330&sr=8-1 & http://www.amazon.com/Guitar-Fretboard-Workbook-Barrett-Tagliarino/dp/0634049011/ref=sr_1_6?s=books&ie=UTF8&qid=1313039376&sr=1-6 were both really good and helped me with understanding the fretboard and general mechanics of guitar.


Hope this helps! Good Luck!

From a recommendation by this sub, I've been learning lead blues guitar from a book called "Blues You Can Use". I can't recommend the author and book enough. He also has other books in the series, but I'd start with this one. Then, if you get through his works and still want some more work in the blues vein, the author Joseph Alexander wrote some great stuff, like The Complete Guide to Playing Blues Guitar.

After that, I recommend using a few books on the "CAGED" system of learning scales/chords/patterns. In particular, some that have helped me are Joseph Alexander's The CAGED System and also Fretboard Logic.

Then, if your head hasn't already exploded, use Justin Guitar.

Good luck!

Real books are great. When you feel comfortable find a jazz jam in town, playing with people will help.

Here’s a book I enjoyed:

Building Walking Bass Lines

You should also get this book:



The Improvisers Bass Method Book

The improvisers bass method book is an industry standard. The beginning may be things you already know, but it does a great job providing you with practice techniques that will actually help translate knowledge to playing. I’d highly recommend both in addition to going through the real book. Outside of that just listen to some jazz. A lot of the key is listening. Go put on some Bill Evans or Miles or Mingus and listen to their bassists

While I'm a few years out of building my own, here's the thread that documented basically everything I did for mine: Link. I'd also highly recommend purchasing this book - there are some invaluable tips and hints scattered throughout it.

Overall mine was probably about $1000, but the main costs came from the pickups and components I used -- as a side note, good wood can be found for cheap if you do some thorough research. Additionally, I contracted out the fretboard to a local man who built guitars as a hobby, and that cost a few hundred IIRC.

As everyone else is saying, StewMac and the internet will be your best friends if you decide to move forward with building one. There are dozens of particle board/acrylic templates online that can be purchased and printed off. A good guitar can be built for only a few hundred dollars if you are patient and learn from your mistakes as you go. If you have any questions, feel free to PM me.

Start off by listening to a ton of jazz. Afterwards, learn your major, minor, dorian, and mixolydian scales/modes. Check youtube, there's a ton of good tutorials if you don't know them yet. Then buy a real book and start attempting to follow along with the changes. Start with just the root notes and later add the 3rds and 5ths. Here's a book that I think explains walking basslines pretty well, and another one if you're interested in soloing.



Here's a list of jazz songs most students learn early on:

Afro Blue

All Blues

All Of Me

All The Things You Are

A Night In Tunisia

Au Privave

Autumn Leaves

Beautiful Love

Black Orpheus

Blue Bossa

Blue In Green

Blue Monk

Blues For Alice

Body And Soul

Cherokee

Cotton Tail

Don’t Get Around Much Anymore

A Fine Romance

Footprints

Four

Freddie Freeloader

The Girl From Ipanema

How High The Moon

How Insensitive

Lady Bird

Maiden Voyage

Misty

Mr. P.C.

My Funny Valentine

Oleo

Ornithology

Recorda-me

Red Clay

Satin Doll

So What

Song For My Father

Sugar

Take Five

Take The “A” Train

There Will Never Be Another You

Tune Up

Firstly, I never recommend going to GC for a setup...GC is the WalMart of guitars. Instead, I highly recommend going to your local guitar shop where there are people dedicated to setting up guitars, and do so on a daily basis.

Knobs are usually just 'push on, pull off' toppers, so it is very possible the plastic 'head' of the control knob simply wasnt tight, or the threading on the pot itself was stripped, therefore not gripping that knob as well. If you bought it at GC, it is possible it was a recurring problem since before you bought it.

Note that there is a difference between 'acoustic' buzz (unplugged) and 'electric' buzz (plugged in). It is okay for a little bit of fret buzz on an unplugged electric guitar...this doesn't necessarily mean that the action is poor. However, if that fret buzzing passes through to your amplifier, you need to adjust your action.

Alternatively, if you are getting very terrible buzz, you may need to adjust the bridge itself (where the 'thumbscrews' you mentioned are) and raise the action. It is not very difficult, but if you don't feel confident take it to a guitar tech.

Here is an article going through a setup (albeit slightly more advanced) of a Les Paul guitar.

Here is a basic YouTube video discussing various pieces and how they affect action on a Les Paul.

In this video, Joe Walsh does a pretty decent job explaining the basics of a setup on a Les Paul.

Also keep in mind that thicker strings on a guitar = more tension on the neck.

Don't be afraid of your guitar! You only learn from adjusting it yourself. It can be intimidating at first, but once you do it several times you will feel much more confident. Like I said, don't be shy about taking it to a trained technician at a local guitar store.

I hope this information was helpful.

EDIT
Also, for some quality reading material, check out Dan Erlewine's 'How To Make Your Electric Guitar Play Great'....very useful to have sitting around

Guitar Aerobics by Troy Nelson is a book I picked up to supplement my playing with Rocksmith. I do a daily technical exercise from it (it has 365 of them that cover a variety of techniques, starting at an easy level and working up to an advanced one.)

I'm noticing it help me with my overall playing ability and would recommend it to anyone interested in boosting their chops, regardless of level :)


Guitar Aerobics: A 52-Week, One-lick-per-day Workout Program for Developing, Improving and Maintaining Guitar Technique https://www.amazon.com/dp/1423414357/ref=cm_sw_r_awd_vhcgvb0BKS7SR

A little late to the party but you sound just like me dude, was playing tabs and could do a few scales, but when I wanted to start playing triads and stuff, I needed to learn sheet music. I bought this book off Amazon and sat down 10 hours a week going through it. It does a good job of going string by string, showing you the notes applied to actual sheet music. There’s some tab examples but after a month or so I didn’t need them anymore. It really helps if you say the note you’re playing as you play it too.


Hal Leonard Bass Method - Complete Edition: Books 1, 2 and 3 Bound Together in One Easy-to-Use Volume! https://www.amazon.com/dp/0793563836/ref=cm_sw_r_cp_api_i_C.xyCbV7M9AWF

Here are two books that helped me exponentially:

http://www.amazon.com/gp/aw/d/0634049011?pc_redir=1413778480&robot_redir=1

http://www.amazon.com/gp/aw/d/063406651X?pc_redir=1413771056&robot_redir=1

The first book helped me visualize the fretboard a lot faster, and also taught me how to form really complex chords using interval knowledge. The second book gets into some really advanced stuff like modal interchange, chord substitution, and playing with modes over extended and altered chords. I'd suggest you start with the first book as the second book ramps up really quickly and it's easy to get lost if you haven't figured out the basics yet. Oh, and there are tips on how to use the harmonic and melodic minor scales as well, which is super helpful if you want to get into jazz.

At the same time, I still use a lot of lessons from justinguitar.com because that guy is amazing at relating complex concepts to others in a simple and coherent manner.

Since you seem to enjoy working through things on your own, I'd suggest working from front-to-back with a good bass method book, like Ed Friedland's 3-volume set. You'll be able to move through the early material easily, but it will force you to read. Reading is essential to moving forward and you can't really develop a complete understanding of theory if you can't read.

As others have said, joining a band is a great idea for moving past your plateau. In addition, you can use playalongs (music with all the instruments except for bass) from youtube, the web at large, or through programs like Band-in-a-Box or apps like iRealb. These are all good for working on rhythm and developing your own lines.

I'm working through Troy Nelson's Guitar Aerobics at the moment, and it's really excellent. What makes it is the structure: 365 exercises, one for each day of the year. The techniques repeat on each day of the week. e.g. Monday is always an alternate-picking exercise, Wednesday is always a string-bending exercise, etc. The exercises build on each other, they start off easy and get progressively more difficult. But they do so in an incremental and logical way so you don't feel lost (at least I'm not so far, 6 weeks in).

I'm finding it great to help nail the various techniques....you practice a 2-bar hammer-on lick for half an hour, you'll get the technique pretty well down. Whereas if it was part of a longer song, it'd be easy to half-ass it and move on to the next bit before you'd really got it right.

The structure of the book, where you have your practice plan laid out for you for the next year, is a good motivator too.

Your questions are pretty broad theory questions and the FAQ should cover most of them or at least help point you in the right direction. If you've been playing for 15 years but don't know what a Cmaj7 is, you have a hill to climb, but not an impossible one.

It seems like your questions are theory based, you already know basic chords, so start with learning basic music theory. What notes make a scale?, Do you know your notes on the fretboard?, What notes of a scale do I use to make a chord? What are intervals? You don't have to be an expert in theory to be a great guitarist , but you have to know the basics, and should be able to answer these questions. This book is a great resource.

A lot of bass players swear by this book and for a good reason too. I personally don't own it, but when I used to take lessons my teacher would use it and my playing improved tremendously. If you wan't to learn why bass is played like it is today, get this book.

As for my listening reccomendations:

Paul McCartney (The Beatles)- the man practically invented pop rock bass playing.

John Paul Jones (Led Zeppelin)- you would think that the guy playing in the biggest hard rock band of all time would be rather straightforward, but he could do it all. JPJ came from a studio player and could do jazz, blues, funk, you name it. He and John Bohnam could straight up hold it down.

Geddy Lee (Rush)- Sure Rush is technical and flashy (that's kind of the point) but Geddy Lee is the epitome of power trio bassists. He carries the melody, fills space, holds down time, and sings. At the same time.

Get this book. It's been a tremendous help to me.

I also recommend getting the free trial of Scott's Bass Lessons and going through the Bass Guitar Foundations course.

With learning any instrument, you have to learn to crawl before you can walk, walk before you can run. Having strong fundamental skills will save you a lot of frustration down the road.

I'm not much of a pick player, but I've watched one of my favorite bassists who exclusively uses a pick, and she anchors her pinky finger below the bottom string on the body of the bass. I tried it, and I found it helpful. She (and, I believe, most pick players do this) also wraps her thumb over the top of the fretboard to mute the top string when she's playing the string beneath it, and when she frets a note, she uses that finger to mute the strings below it. Here's a video of her playing (it's an acoustic bass, but everything still applies).

Thanks!

Over the years it's faded a bit, but the artist did such a great job. It was supposed to be a Japanese-calligraphy style. Originally it looked like it had very detailed brush strokes that were cool. I really should get it touched up after 15 years.

I got the design from the book 'Zen Guitar' by Philip Sudo. Do yourself a huge favor and get the book. It's a must-have for guitar players. It totally changed the way that I approach music back then.

http://www.amazon.com/Zen-Guitar-Philip-Toshio-Sudo/dp/068483877X

I think this is pretty well written, it's stickied in the BHO Theory subforum and covers the essentials well: common chord progressions and scales that go well in the context of the particular chord in the progression (and somebody also asks about what keys songs are in) http://www.banjohangout.org/topic/71709.

That theory subforum doesn't get a lot of threads but there is a lot of good explanations in older threads

What book/s are you using with your teacher? Most of them cover chords and scales in the context of soloing and playing backup rolls or vamping. You could look at the books by Ned Luberecki and Janet Davis and Trischka's Complete 5 string wehre they gradually introduce basic bluegrass chord progressions, pentatonic, blues and diatonic (8 notes/octave) scales.

Also if you play guitar i remember Kolb's book being good: https://www.amazon.com/Music-Theory-Guitarists-Everything-Wanted/dp/063406651X

If I were you I'd look into Justin Guitar for a solid base and to just get you playing songs. He's produces the best internet lessons I've seen and they're all free. He's an amazing teacher and is very entertaining in his lessons. Start with the beginner's course and work your way to intermediate and then into specific areas you want to learn.

I also enjoyed this book. It covers basic music theory and how to navigate the guitar.

Short answer is with your wrist. You also want to ingrain good habits now, that will help you with string skipping, speed, etc, later. First, don't hold the pick between the tips of your fingers and definitely don't use your fingers to move the pick. The fingers hold the pick, your wrist is what moves it. The pick should rest between your thumb tip and the side of your index finger (not the tip). Tighten your grip by making a complete fist, rather than squeezing two fingers.

It's best to not anchor your pinky/ring finger onto the body of the guitar for stability. If you're making a fist, you'll be less inclined to do this. Try to train for accuracy without anchoring and it will pay dividends later. Ideally your only anchor should be your forearm against the guitar body's edge. Lightly anchoring the wrist against the bridge is OK, and sometimes actually necessary to mute strings, either to palm mute the string actually being played, or to silence the lower strings when playing the higher ones not being muted.


You should also be angling your pick on two separate planes. The more important of these being the string horizontal plane. That is, you don't want to hold your pick perfectly horizontal to the string, but rather angle it a bit so your downstroke strikes with the nut (headstock) end of the pick first (the other end being the bridge side). You also want to pick in such a way that your downstroke ends slightly under the strings and your upstroke ends slightly above. Not as important as the horizontal plane, but this second tip will help with moving from string to string.

Start practicing your alternate picking on a single string, using just a single finger on your fretting hand, if necessary.

Use Amazon's "look inside" feature to check out the first exercise in this book. Once you can do that, you can progress to multi-string patterns. With multi-string patterns, you'll have to be more mindful of upstrokes and downstrokes, as they relate to the movement from string to string, but always try to stick to the up/down repitition and try to avoid throwing in consecutive down/down or up/up.

Use a metronome and start as slow as necessary to maintain accuracy. Once you can repeat a pattern flawlessly, bump up the BPM's, rinse, repeat.

EDIT: Fixed Link

Any good theory book will keep you plenty busy for at least a couple months, just getting the basic fundamentals down. No point in paying a teacher to guide you through that process.

That book is by no means the only decent one out there. That same author actually wrote the "...For Dummies" series for Guitar Theory, which is pretty well reviewed, though I can't vouch for it personally, as I've never read it.

This is another one I could recommend. It's ridiculously short (100 pages, or just two-thirds the length of Fretboard Theory), but in a good way. It's more of a TL;DR quick reference guide, where Fretboard Theory gets a little bit more into application. But both are short books. The basic theory at work is surprisingly compact and deceptively simple.

Another book I recommend all the time is "The Handbook". They should hand out a copy with every Squire Strat starter pack they sell at Guitar Center. If you only ever own one guitar book, that should be it. Not strictly a theory book. It more of an owner's manual for a guitar.



I was in the same boat as you, BTW. Been playing since I was 14. Only bothered to actually start learning after 20 years or so of noodling aimlessly. It's been revelatory. Hope your experience is the same.

Sounds like you're going about it the right way. Speed is about muscle memory so there isn't a quick way to learn it. Start slow, with a metronome, and build up the speed when you've perfected the slower tempo. Muscle memory sticks with how you learn it, if you practice perfect slow technique then that's the technique that develops, if you fudge it to rush to faster tempos then that will be reflected in your technique.

I can highly recommend this book:

https://www.amazon.co.uk/Bass-Fitness-Exercising-Handbook-Guitar/dp/0793502489/ref=asc_df_0793502489/?tag=googshopuk-21&linkCode=df0&hvadid=311325854090&hvpos=1o1&hvnetw=g&hvrand=12459488065697696982&hvpone=&hvptwo=&hvqmt=&hvdev=m&hvdvcmdl=&hvlocint=&hvlocphy=9045629&hvtargid=pla-450362569161&psc=1&th=1&psc=1

It's a great selection of finger twisters that will really help both hands.

“Building Walking Bass Lines (Bass Builders) https://www.amazon.com/dp/0793542049/ref=cm_sw_r_cp_api_i_Z8qNDbFB7YZWN

There’s a second volume that goes deeper, but this is about the best intro level book I’ve found. Ed Friedland FTW. Great backing tracks, too.

I wouldn't normally recommend a book, but Bass Fitness has the perfect exercises for getting your left hand fingers to get used to moving independently. If money's tight, just take a look at the first few pages on amazon and you can get an idea of what the exercises are. Play even just those first few chromatic patterns up and down the neck again with a metronome and your motor control should start to shape up pretty quickly.

If you're looking to improve your technique (chops), i HIGHLY recommend checking out guitar aerobics

Its broken down into daily 5-10 minute segments. Really easy to get through it, since it comes accompanying audio tracks that progressively pick-up the BPM. The lesson itself has both notation and tabs (so you can use what you're comfortable with, or try to pick up reading some notation)

Starts of real basic, so in the first two days I did the first week or two. In two weeks I improved so much more than I had in the 6 years I'd been playing up to that point. Forcing you do a technique PROPERLY at slow BPM is just as important as being able to do it quickly.


Best $20 I ever spent on guitar.

Like blackfiremoose said, Guitar Pro and slow the song down along with turning on the metronome. It will help you immensely. You can look up cover songs on youtube to see how someone else plays too, to get an idea of how to play the song. Use those two together and you'll learn how to play tightly/cleanly.

As far as breaking down technique, it might be better to take a couple lessons. Plenty of metal guitarists offer lessons and will help you one on one. I know for sure that Dave Davidson from Revocation and Reese Scruggs from Havok do them. I also recommend getting The Guitarist's Grimoire. That will teach you all the scales and modes you'll ever need.

Bass Fitness is, for me, the golden standard to which I hold all guitar practice books. It's a no-nonsense text that offers little in the way of guidance or assistence, but stick with it and you will notice a difference in your playing in due time. It's not perfect by any means -- in fact it is quite rough around the edges -- but it works.

For more general resources, check out 101 Bass Tips, which features of a plethora of different tips and tricks for the working musician -- everything from set-up and maintenance, to technique, to recording and tone, and much more. It's also accompanied by a CD with examples and practice songs you can play along to.

Once you've got the basics down and you're ready to move into the more advanced facets of bass playing, you might want to try out some books on musical theory. I suggest this, this, and these. Hope these help!

Always warm up before playing. Take 5 minutes to do a 1 2 3 4 finger pattern up and down the neck. Bonus points if you use a metronome.

Switch up the pattern for a good finger dexterity practice exercise. E.g. 1 3 2 4, 1 4 2 3, 4 3 2 1, etc...

Start by doing these across one string and then slowly start incorporating multiple strings.

This book is a great resource for these types of exercises.

Good luck!

Get a Hal Leonard Bass Method Book. It's fucking great. Definitely the best 15 dollars you can spend to help learn bass. You can read a lot of awesome information without actually owning the bass yet. Once you get your bass, every single page in that book has something for you to practice or learn.

Guitar Fretboard Workbook is a great place to start if you want to build a strong theory foundation from scratch. I recommend it to every person in this sub that asks this type of question because it's such a useful resource. Good luck!

Take private lessons! I teach privately and there’s something so awesome about working WITH someone directly (vs learning thru YouTube or something) — also if you don’t know how to already, learning how to read music would definitely give you a leg up as a musician in general and might give you a different perspective to things you’re already doing well now.

I love the Hal Leonard book for bass, the wound one has books 1-3 in it and is very affordable ($15):

https://www.amazon.com/dp/0793563836/ref=cm_sw_r_cp_api_i_g4zZDbV1NR8R4

There’s so many gigs I can say YES to because I know how to read music, so if you can play by ear already learning how to read music will definitely make you a more well rounded musician.

A little late, but it kind of depends on what you want to play. But I really like Fretboard Logic and the CAGED system, makes chords/scales pretty logical:

https://www.amazon.com/Fretboard-Logic-SE-Reasoning-Arpeggios/dp/0962477060

But there's a ton of free resources out there too. YouTube isn't a bad place to start.

OK, I've recommended this book on this subreddit before and will continue to. This book is amazing. Advanced Modern Rock Guitar Improvisation by Jon Finn is pretty spectacular. I took the class that he wrote the book around and it's pretty eye opening. I can't rep a single book harder when it comes to just straight ahead practical rock playing with a solid theoretical background.

After that, Chord Chemistry by Ted Greene is a classic and every guitar player should have a copy.

I'm self taught and I explored anything I could come up with. I like math, therefore a Matrix like webpage inspired me to work on scales.

1+1
http://i.imgur.com/TaN53.png
means 1st of Dorian. The major scale's intervals are known as 1 2 3 4 5 6 7. You'll pretty much see this noted in any scale reference book. The Guitar Grimoire is a good example. http://astore.amazon.com/themachiguita-20/detail/0825821711

The Dorian mode has a flat 3rd and 7th. 1 2 b3 4 5 6 b7

In short, a whole column would go where the red arrow is in the following pic. http://i.imgur.com/KxEb4.png The other columns would go where the other 6 highlighted arrows are.

Therefore, it's best just to learn CoFmachine Chart 1. Same thing.

So to a beginner bassist I would recommend two different study materials.

First buy this DVD, Groove Workshop. It's basically a lecture with exercises on the different components of music as it relates to the bass. One of the largest take-aways is that the notes you play are WAY less important than how you play them. They don't have the clip on youtube, but here is him doing something similar live. On the DVD it's just incredibly well done. He lists all the notes in a G major scale, then only plays the "wrong notes" (notes not in the scale) as Wellington lays down a chordal pattern in G. He then switches to playing in G major and the moment he does this, the G major sounds terrible. When he was playing out of key it was aesthetically pleasing, but when he switches to in key he changes how he's playing and it sounds more discordant.

Second, buy this book on building walking basslines. It's a great introduction to walking bass lines. The point here isn't to remember the notes, but rather the patterns and the feel of "walking".

But for more immediate tips do this. Play the root on the kick, the 5th on the snare, and embellish with the octave and 7th in time with the drummer's fills. You can move up to the 5th by hitting the 4th and down from the 7th with stops along the way at the 6th and the 3rd. If you really want to outline the chords play the root 3rd 5th, but be warned this sounds tired very fast.

The above is just my opinion and is provided merely as a quick outline to start getting the feel of moving around a chord.

I mean, you can always buy one of the many many instructional books that are out there. Hal Leonard is a pretty well-known company, and it's probably good to have some kind of reference or learning books around for looking things up.

The other thing I'd suggest is basing it around the types of music or songs you want to learn. There's some super basic stuff that you should learn like keeping in tune, knowing the strings, basic open chords, etc; but beyond that it might be worth making a list of decently easy songs you want to learn and what techniques or concepts you'd need to learn to be able to play them.

When I started out (back in 2003 or so) I found a website that had a bunch of beatles tabs, and I learned chords and various types of playing styles to go with the songs I wanted to learn.

You would try taking some online courses from Berklee.

I'd also recommend getting Guitar Pro and dloading plenty of tabs from Ultimate-Guitar.com, since it's much easier than looking for old copies of Guitar for the Practicing Musician and such.

Lessons are good, but beware that you'll be made to concentrate on the fundamentals of music, which many pupils think is not related to playing guitar.

Finally, if you're learning to sight-read, probably good to start at the beginning, such as with the Hal Leonard Guitar Method set of books. If you're interested, I wrote a small python app that writes randomized music based on which notes you choose, so that you can get around the problem of having memorized the notes on the exercises (so that you are actually forced to sight-read). It works quite well, since it creates notation for only the notes you want, and coupled with the method books, is very useful for getting a good sense of sight-reading.

All parts has a sale on second bodies right now for $60. Eyguitar music link has the other parts you will need ,they also have bodies, for pretty cheap. If you got your parts from those two sources it would be in the range your'e looking at.

I should mention that I've built a grand total of one guitar so I'm by no means an expert but I did spend a lot of time trying to source cheap parts.

As for assembly instructions I would check around the internet or maybe some of the other redditors can help out. I did find the guitar player repair guide really useful.

EY Guitar Shopping list

Strat Tele Gutiar String Tree Retainer Neck custom CR -- US$1.20

1Set,Big Size Strap End Pin,Chrome Finish, for Acoustic,Electric Guitar,Bass -- US$2.50

PACK12PCS* Strap Pin,End Pin Felt Washers,Vitage White -- US$0.80

PACK 6PCS,Telecaster Chrome String Mounting Through Ferrule -- US$3.00

New Chrome Neck Plate w/ Screw fit Fender Strat Tele -- US$3.00

pack15pcs,telecaster bridge mounting screw chrome -- US$1.50

10pcs,19mm Straight Pickup Height Springs,For Telecaster Neck or Bridge pickup adjusting,Chrome Finish -- US$1.00
Amercian Standard Tele pickguard 3 ply white -- US$6.19

Tele Jack plate Cup For your Tele body custom,Chrome,Metric Thread -- US$5.50

New,Natural Color in Satin Finish,Telecaster Neck 21 fret,Rosewood Fingerboard,10mm or 8.3mm, machine head mounting hole,White Dot,free shipping -- US$57.00

Tele Bridge Chrome 6 saddle String through body style_004 -- US$9.00

Chrome Grover 6 INLINE 305C6 Mid-Size Rotomatic Tuners -- US$20.00

3 Meters (9.8 Feet) Coated Hook Up Wires,22awg,style001 : Red -- US$1.70

3 Meters (9.8 Feet) Coated Hook Up Wires,22awg,style001 : White -- US$1.70

Artec Tele bridge alnico,TRA-44 --- US$10.00

Artec Tele neck Alnico Chrome,TFA-40C -- US$10.00

Eyguitar Total: $133.09

add the body from allparts.com $60

Approximate total shipping (I'm guessing here) $70

Grand Total: $263.09

Hope that helps.

Edit: Formatting & added Total

Edit 2: I just thought about it and you may also need to get screws attaching the neck & pickguard. You can get them from all parts.

Also, you'll probably need to use a drill press, people please correct me if I'm wrong, to add the holes for attaching the neck / pick guard.

I learned from a teacher for like 5 years and used a wide variety of texts. The Standard Guitar Method was my preferred series of lesson books, while The Guitar Grimoire is probably the most useful single book if you know how to use it. Cheesy as it may be, a subscription to Guitar World magazine is great because it provides you with fresh material every month, at least some of which will be useful (both in terms of technique and sound). The Alchemical Guitarist was my favorite column back in the day, it provided me with a lot in terms of solo improvisation and theory. It warped my entire approach to the instrument, because I became so much stronger in lead roles.

Both Bass Aerobics and Bass Fitness are aimed at helping with these sorts of things.

Fitness can be very dry and is more of an exercise book with, in my opinion, lots of basic patterns then stretched out. Personally I don't need tab/score to say "play 1-2-3-4, 1-3-4-2, etc. until you go through every possibler iteration of fingering across every string", but it has that sort of exercises along with others.

Aerobics, on the other hand, is trying to be much more musical. Each etude is intended to be both exercise along with actually sounding like something. So, for example, it starts off by using pieces that consist of a lot of chromatic runs. The problem is that the speed and difficulty tend to ramp up pretty fast and it devotes what I feel is far too much space to slap. The later chapters are far more challenging than I feel is necessary. I'd suggest more of a low-stress, high-rep approach personally.

Oh and to get back to what I mentioned earlier one of the exercises I keep coming back to is to go through every iteration of fingering in a one-finger-per-fret position, e.g. 1-2-3-4, 1-3-4-2, 1-4-2-3, 2-4-3-1, etc. then start moving those across the strings with first one and then multiple fingers always playing on one string while the others move up and down:

E --1--2--3--4--1-----------1---------
A -----------------2--3--4------------
D -----------------------------2--3--4
G -------------------------------------

Work through this and eventually you'll have covered every possible fingering. As always use a metronome to keep your timing consistent starting slow to build up muscle memory and then slowly increasing the speed.

Books are a great idea. Not necessarily books of TABs, or method books though, unless he's specifically asked for something... they can be a personal choice thing.


Coffee table type books with lots of pictures and articles on guitar history, blues history etc are always a good gift. Or an all-round encyclopedia book (like Ralph Denyer's Guitar Handbook )


Then again... Rocksmith 2014 would be a good gift for a player as well.

My standard rec's, MyLesPaul and TDPRI luthiers forums, [Make Your Own Electric Gutiar] (https://smile.amazon.com/Make-Your-Own-Electric-Guitar/dp/0953104907/ref=sr_1_1?ie=UTF8&qid=1502761069&sr=8-1&keywords=build+an+electric+guitar+melvin) by Melvin Hiscock.

Learn how to use woodworking tools, hand tools and powered tools.

Check out StewMac.com for the kinds of tools you will need. (you can make most of these yourself, or find cheaper alternatives)

Also, learn to love making jigs. :)

Seymour Duncan and Phostenix for schematics. To start, used Seymour Duncans and GFS pickups and bits and pieces.

This place for lots of guitar template PDFs.

USACG and Warmoth for quality pre-made necks and bodies.

And probably another dozen I'm forgetting.

Welcome. :)

So far the book "make your own eclectic guitar" has helped me a lot.

http://www.amazon.com/gp/aw/d/0953104907/ref=redir_mdp_mobile

I suggest building from a kit to start out. The shop I work for is an AllParts dealer, so I really like them, an I'll bet if you emailed the boss he'd cut you a deal, but Stewmac.com is good too.

The book I suggested it's really vague on finishing, so I suggest looking up an online tutorial specific to what finish you're doing, YouTube has been a big help, but Stewmac.com has some good tutorials on their site. be sure your clear coat, paint, and sanding sealer all work together I had to start over because no one will give me a clear answer about how to finish an ash body with a stain.
Here's a link to the StewMac videos.

http://www.stewmac.com/online_video.html

This book is pretty good. Most of it is about James Jameson, but in the back are loads of his Motown basslines accurately transcribed by some of the top session musicians. Comes with some CDs of them playing the bass lines too. Some of the bass lines are pretty solid, but there's some easy ones in there too.

https://www.amazon.co.uk/Standing-Shadows-Motown-Legendary-Jamerson/dp/0881888826/ref=mp_s_a_1_1?ie=UTF8&qid=1527806266&sr=8-1&pi=AC_SX236_SY340_FMwebp_QL65&keywords=james+jamerson+bass&dpPl=1&dpID=61pAjXGCGzL&ref=plSrch

I have some callous on my fretting hand index finger, as it gets the most action. But you should aim to get the clean tone with applying as little force as possible. For this, try to place your fingers right next to the fret.

If you want to build up your fretting hand strength and flexibility, there's a nice book for it: https://www.amazon.com/Bass-Fitness-Exercising-Handbook-Including/dp/0793502489

The exercises aren't the most fancy ones, but if you stick with them, you should notice improvement in a couple of weeks. Just start slow and don't overdo it, focusing on getting a clean and consistent sound.

I've been doing occasional repair work for guitars and other fretted stringed instruments for several years now (i.e. new nuts/saddles from bone, adjusting intonation, and minor fret work). Your problem is most likely a combination of high action and scale length being too short. This is common on cheaper ukes. Contrary to what others might have posted, I do not recommend filing the nut slots unless it's difficult to fret notes at the first fret, and if you've never done it before, I don't recommend fiddling around with a nut at all - unless the uke is only a cheap $20 one, then grab some jewelers' files and have fun with it. You'll learn quickly how NOT to fix a nut if you do it wrong heheh.

To fix a short scale length (the vibrating area/length of the string between saddle and nut), you'll need to move the saddle further away from the fretboard. This is done by carving a new one that allows for this adjustment. That might require widening the saddle slot somehow by removing wood from the side of the slot that is furthest away from the strings and then inserting a shim for the saddle in front of it when you replace it etc. There are lots of ways to do it. Please don't mess around with the nut - that's not usually the cause of the problem. Look more toward the saddle.

For my ukes, I always make a new saddle - one that is lower than the original, and from bone for better tone. I carve intonation compensation into it if required, similar to what you'd find on an acoustic guitar. Most of the time the factory nuts are fine, but sometimes I have to use nut files to deepen them (there is a limit to this - technically a string should only have half of its thickness within a nut slot - it shouldn't disappear in there - if it does, then I remove material off the top or make a new nut entirely so that string depth is optimal). Again, only try that if the 1st fret is hard to play. As a quick check, press down on the 3rd or 4th fret, and then see how much clearance you have at the first. If you have more than 1 or 2mm under the string at the 1st fret while holding down at the 3rd or 4th, then the nut slots may be too high for that instrument. Have a luthier look at it then. In fact, have a luthier help you with anything involving the removal of wood or bone, unless the instrument is inexpensive.

Check out this book for info on how to set up a stringed instrument. It's written for guitars, but it'll give you a good idea of the correct shape of necks, scale length, angle of strings from saddle to nut etc. The principles are the same.

Edit: Scale lengths (vibrating area of the string between nut and saddle) that are too short result in sharp notes as you play up the fretboard. Scale lengths that are too long result in flat notes as you play up the fretboard. To check your scale length / intonation, play a harmonic at the 12th fret and then compare with the fretted note itself. If the fretted note is too sharp, then the scale length is too short and the saddle (that little white piece of plastic/bone at the bridge) needs to move back to lengthen it. You should have the same pitch between the 12th fret harmonic and the fretted note at the 12th fret. Excessively high action can also cause intonation problems because you're stretching the string as you fret it. Fix the action, then adjust the intonation, and your problem should disappear.

You don't need to know theory to write music. It's certainly useful, but it is by no means a necessity. You probably know more theory than you realize. There are likely various patterns and things that you recognize as common, you just don't have a name for it. A lot of music theory is just giving names to those things.

If you're looking for a good resource to get you going, I recommend Tom Kolb's Music Theory for Guitarists book. It's basically a crash course on A LOT of theory subjects. It's far from the most in depth look at any of the topics involved, but it does a great job of immediately relating everything to the guitar.

I also recommend Rikky Rooksby's How to Write Songs On Guitar. This book is a flat out classic of guitar and songwriting instruction.

First off, you don't have to spend a fortune to get decent gear, we are in the golden age of cheap, decent gear. I would look at the Squire CV or VM line, both are really great instruments for the price. If fenders aren't your thing Ibanez also makes some really good entry level stuff.

As far as learning, nothing you have learned so far is a waste as long as you build on it. I would start out just getting used to playing the bass, both physically and then once the bass feels natural in your hands and you think about playing bass lines instead of guitar lines when you are playing, dive into jazz as a bass player.

The Evolving Bassist is one of the books that I see commonly reccomended to beginning jazz bassists.

Welcome. :)

I can say as a fellow bassist that my big first step into undstanding and using theorywas when I got Real Book and started doing walking bass lines between chords. Walking basslines are really one of the places where understanding chords is really important on bass because we are playing more than just the root or the fifth.

When it comes deeper understanding of harmony and chords, it kills me to say this, it's helpful to know how to play just a little guitar or even better some piano as you can start to connect the sound and movement or chords better by playing them. Bass, while being the supreme instrument, isn't a chordal instrument. We can play chords on bass but it's really not the same as how they sound on chordal instruments.

If you need help on how to get to started on walking bass lines I've heard good things about the Book Building Walking Bass Lines.

Check out Bass Fitness. I scanned this a while ago, but I dunno if I still have the file around. Pretty awesome for finger strength and independence.

Happy to help.

A set of allen keys, a ruler, and a screw driver will take care of most basic setup issues. Go slow and don't over think it. Searching google and youtube can get confusing and overwhelming. I keep a copy of Dan Erlewine's book, The Guitar Player Repair Guide as a reference. https://smile.amazon.com/Guitar-Player-Repair-Guide-3rd/dp/0879309210 Once you learn the how-to stuff then it is a matter of determining and setting everything to your personal preferences.

Good luck. I hope you get everything sorted out.

Based on the description of your Strat, it sounds like it has the vintage 7.25" fretboard radius. String bending, especially in the higher registers, is know to be problematic on that fretboard radius for exactly the reasons you describe.

Essentially, you need to do a proper setup to try and lessen the problems you're describing. If you're unfamiliar, doing a setup on a Strat involves adjusting things like the truss rod for neck relief, the bridge/claws to determine how you want your tremolo setup, the action, the intonation, and the nut. In essence, everything that your strings touch that can affect how they function mechanically.

You can learn how to do this yourself even if you have no experience. Dan Erlewine has a great book to tackle just this sort of stuff called How to Make Your Electric Guitar Play Great and you can snag a used copy on Amazon for the price of a new set of strings, practically. StewMac, the company where he works and that sells supplies for guitar building, has also started releasing some very helpful YouTube videos on different aspects of the setup. You can also poke around r/Luthier for any tips you can find there (though there's a lot of shorthand that would be tough for a beginner to get into).

My advice to you would be to buy the book, read it over a weekend (it doesn't take long to get from cover to cover), buy a few tools to get the job done and learn how to setup your own guitars so you'll always be able to make sure they're in perfect playing condition and won't have to rely on your local Guitar Center.

Basic tools you'd need include either a pre-assemlbed kit if you want to go the expensive route or a few of the individual components from elsewhere:

• My advice would be to get the StewMac String Action Gauge (it's worth it going for this specific brand name here since it's higher quality and has better makrings than the ones you'll find on Amazon),
  
• Some small screwdrivers and wrenches that'll fit what you need (again, this set from StewMac is pricey but it's very good for its purposes, you can certianly find all the hex wrenches, etc elsewhere for less) if you don't have them,
  
• Some radius gauges (here's the set I have)
  
• A straightedge (not necessary, since you can use a string on the guitar and calipers or even an old guitar string to measure relief--but the straightedge does make things a lot easier)
  
  If you can install a stereo, hang a picture and put together a puzzle, you can set up your own guitar.

Hello!
The first thing that you have to do is pick a system to help you memorize the fretboard, because 21-22 frets across 6 strings gets confusing really quickly. The system I recommend to everyone is the CAGED system, and you will find that it's the most commonly used system for understanding the fretboard. There's a great book that breaks down the entire fretboard using CAGED called Guitar Fretboard Workbook by Barrett Tagliarino. Here's an Amazon link - https://www.amazon.com/Guitar-Fretboard-Workbook-Barrett-Tagliarino/dp/0634049011

That book will give you a system to work with which acts as a foundation for your understanding of the fretboard. If you're looking to memorize all the notes on the fretboard as well, here's how I did it. Pick a note, C for example, and play all the C notes across the 6 strings. Then pick another note and play every instance of that note across the 6 strings. Start with maybe one or two notes a day, then slowly work your way up till you can do all 12 musical notes. Of course, there are many other ways to memorize the notes, but this exercise should suffice for now.
I hope I was helpful!

/u/PelleSketchy is right. A beginner bass is a beginner bass etc. There isn't really such thing as a 'light weight' bass though. You'll have to go to a music store and literally pick some up and see which one feels best. I play a six string these days so weight doesn't really factor into it for me. You want to go more on ergonomic feel; bass player's back is no joke.

I recommend this book for method. But if you find you're the kind of person to get bogged down by that just get thee to YouTube and start learning songs you like.

I do recommend against selling that piano though. It's a valuable instrument to have in your mental arsenal and quite a few of us actually compose our bass parts on piano first. You may find you're one of those people. You can get a used Ibanez or a Squier for under $100 if you try hard enough.

The chord changes form the structure of a song.

Everything I say after this is opinion.

As a bass player, I find that you follow those chord changes. You play the root note of the chord. What make a bass line more fun (and at least to me, more interesting) is to find ways to transition between those chords by playing other notes that "fit".

The boring stuff is when you just play the root note of the chord. Even if you're doing that you "own the one", as Bootsy would say.

Always own the one, and when it's tasteful, jazz it up between the chords of the song.

An OUTSTANDING resource is this: Building Walking Bass Lines

It's not what you think. Trust me. Get it.

Chord Chemistry is a great book. It's my guitar bible. I'm always coming back to it. It was written by one of the best guitar players ever, Ted Greene.

I've heard The Advancing Guitarist is quite good but I've not read it.
One last suggestion. If you can find a book called SuperChops by another legendary player (Howard Roberts) you'll be set. It's a great 20 week course that'll take your playing to new levels. Howard was one heck of a jazz player, teacher and nice fella. It's out of print (now) so it may be a struggle to get a copy but once you do...hold onto it.

Great points. For radius, I got a set of stewmac metal under-string ones as a gift; an even better idea for most would be picking up this great book, which actually has a set of plastic radius gauges included.

For tuners, also true. Biggest protip there is probably checking your hole measurements before you buy replacements, I'll never make that mistake. Again. :/

I own about 20 guitars. I've learned to do most of the basic stuff. I don't file nuts, and I don't dress frets, but I've successfully adjusted neck position, truss rods, pickups, replace or adjust bridges, saddles, intonation, etc. I'll even do minor soldering, although I'm skittish about soldering on the pots since I don't think I have the right tools to do that without damaging them.

I'll second the recommendation for Dan Erlewine's book -- his stuff is fantastic.

http://www.amazon.com/Guitar-Player-Repair-Guide-Book/dp/0879309210/ref=dp_ob_title_bk

How often? Well, usually if you get the thing adjusted right, and it is not put in storage for a long time or subjected to major temp/humidity changes, it shouldn't need too much tweaking. You ought to be able to change strings (to the same brand and gauge) without having to change much, if anything. In general if everything else is right, and the only thing that has changed is the humidity, a minor tweak of the truss rod alone might do it. If you're going to change string gauges, like going from 10s to 11s, you'll have to re-intonate it and perhaps have issues with everything to correct for.

I watched a few videos of it on YouTube. It does seem pretty fun lol. I'm tempted to get a copy for myself.

On the other hand, you can get these four books for the same price, and take advantage of your existing knowledge in reading music:

• Motown
  
• Funk
  
• Book for beginners
  
• Scales

So this is a pretty awesome contest idea!

Here is my list:
Something I want - A gift card was the only thing I would decide on for this category. Why a gift card? I'm indecisive!
Something I need - This soldering tip is something I very much need.
Something ^^(for ^^my ^^cat) to wear - This bow tie would be hilariously awesome on my cat Lovey.
Something to read - This book on music theory is something I want to read to learn a bit from.
Something to watch - The Big Lebowski is one of my favorite movies, and I don't own it!
Something to listen to - This is the new Modest Mouse album I have been waiting (literal) years for!

Here is your clue:
It's time to relax, it's time to kick back,
It's no longer time to hold back!
Let loose the gates, release the hounds,
And grab a chair to sit around.
It's in the air, it's in my head,
And soon my opinion will be set.
I like it, I hate it, I want more of it!

But in the end, my thirst is fed,
And nothing more than thanks can be said.

I tried! :D

You'll have to buy a new switch, open the back of your guitar, remove the old one and mount and solder the new one in.

Any good guitar store will have the switch in stock, and it will be cheap. Just tell them what model your guitar is.

The rest is easy or hard depending on your soldering skills. You could just take careful notes of where each wire is connected on the old switch, and then resolder the new switch in the same way, but i might be good to get some schematics for your guitar.

If your interested in being able to service your guitar, The Guitar Player Repair Guide by Dan Erlewine might be a good purchase.

Did this about 12 years ago. Bought most stuff from StewMac.com I would heavily suggest buying their premade neck-fretboards. I did, and it turned out pretty awesome. I bought the maple neck/ebony fretboard for through neck type construction, an alder body blank, bridge, pickups, wiring, and paint all from them. Cut out the body sides and use them as clamping cauls when you glue the sides to the neck. I bought the book "Build Your Own Electric Guitar" and it was a great help. TAKE YOUR TIME!!! DO IT THE RIGHT WAY!!!

Verdelet gives good advice!
All I would add is the age old advice of "measure once, cut twice"

I also recommend Make Your Own Electric Guitar by Melvin Hiscock. The book is considered the "Bible" of guitar making, and is an excellent guide/ reference.

I'd also recommend reading plenty. Project guitar is great. MIMF is another good site. By reading about mistakes others have made you can avoid them yourself ;)

Here's a great site that explains the CAGED system, which in turn explains the fundamental layout of the fretboard very well.

http://www.cagedguitarsystem.net/

A great all-around book is "The Guitar Handbook" by Ralph Denyer. It has everything from Theory to construction to influential players and the history of the guitar in one handy resource.

http://www.amazon.com/The-Guitar-Handbook-Ralph-Denyer/dp/0679742751

Ted Greene's Chord Chemistry

For chordal stuff, he is one of the absolute greats and I cannot recommend him enough. This book contains pages and pages of shapes for every type of chord you can think of, but also goes on to teach you how you can apply them and reharmonise from a guitar point of view.

His website with lots of free lessons and chord melody tunes. You can get the gist of his stuff here. The book has also got all hand written chord boxes like the stuff on his site.

Example of his playing

Tommy Emmanuel talking about the book Bitches love Tommy Emmanuel.

I really enjoyed this book, the rest in the series are a bit blah, but this stood out as helping me a lot.

https://www.musicroom.com/product-detail/product332583/variant332583/guitar-springboard-technical-workout/

Also the popular Guitar Aerobics book might be what you want. I dont own this one, but I will buy it eventually, some friends have it and seemed to really improve when they stuck with the 52 week thing,
When i borrowed it i just went through it at my own pace which might not be best, as I cant remember most of it.

https://www.amazon.com/Guitar-Aerobics-One-lick-day-Maintaining/dp/1423414357

I have several friends who are professional musicians/instructors at the college level, most of them classical musicians. I've asked them this question before, talked about taking theory from them (which is a FOUR semester course sequence), and looked for options that are a bit less involved. Ultimately I ended up with Tom Kolb's Music Theory for Guitarists, which I liked a lot better than the college-level textbooks my friends gave me.

I've been playing 30+ years and most of the theory I knew was simply from playing, learning from others, etc. This book opened up a lot of doors.

This has a bunch of easy standard tunes with everything, including the bass, written out:

http://www.shermusic.com/new/1883217156.shtml

Plus it'll give you scales and arpeggios for all the chords for each tune.

Here's a sample:

http://www.shermusic.com/samples/cold-duck-time.pdf

It's great for getting a handle on how Jazz works and also for starting up a combo.

Also, Ed Friedland's excellent book can help you:

http://www.amazon.com/Building-Walking-Bass-Lines-Builders/dp/0793542049

One of the biggest downsides is your intonation will change especially on a guitar with a trem system. so essentially your guitar will no long play in tune all along the fretboard. your action may also become lower causing fret buzz or possibly notes fretting out on bends.

it's worth it to learn how to take care of your guitar yourself. its going to be your best friend for the rest of your life, take some time and effort and learn the in's and outs of guitar maintenance.

here is a good book to learn from
http://www.amazon.ca/dp/0879309210

This is a great book once you get technique down. I've been playing professionally for about 8 years now and this book really took me to another level about 4 years ago, I wish I'd known about it sooner.

But first and foremost is technique. Learn good habits and everything else will be a lot easier.

There's only 1 kind of setup and it involves adjusting the neck relief, saddle/bridge height and nut slot depth.

Contrary to what some of these posts have stated you should be prepared to adjust all of these things when changing string gauges. Learning how to setup your own guitars is a skill I would recommend to ANY guitar player.

I'd recommend using/buying a book called 'The Guitar Player Repair Guide' -- written by Dan Elewine. It does a good job of explaining the setup process for some common electrics as well as acoustics.

Link: https://www.amazon.com/Guitar-Player-Repair-Guide-3rd/dp/0879309210/ref=sr_1_1?s=books&ie=UTF8&qid=1484774002&sr=1-1&keywords=dan+erlewine

Glad to see that you're on the road to guitar independence. It's great because nobody can know better how you want your guitar to play than you! This book has everything, it is indispensable. The Guitar Handbook

Pure theory alone will not improve your technique on any instrument, but will enable you to understand the mechanics of the music being played, and communicate it to another musician. You might consider applying your knowledge to extended chords and harmonies available in Jazz. Books by the following would be useful:

• Mickey Baker - Book 1 and Book 2;
  
  
• Ted Greene;
  
  
• Mick Goodrick;
  
  
• Frank Gambale - Book 1 and Book 2
  
  ---
  An answer with useful music theory resources that I gave recently:
  
  https://www.reddit.com/r/Guitar/comments/4h5i2y/question_which_book_should_i_read_to_understand/d2njtxs

if you are self taught,i would highly recommend the book hal leonard bass method,with that you can learn how to read music and pretty much all the theory you need (well for now at least,after this book feel free to explore other things) like learning the fretboard ect and if you just wanna read tabs the second book (theres 3,but you can buy one that contain all 3) include tabs as well as regular notation and you can skip some things in the book to learn scales and such.
https://www.amazon.ca/Leonard-Bass-Method-Easy-Use/dp/0793563836/ref=sr_1_1?ie=UTF8&qid=1480454305&sr=8-1&keywords=hal+leonard+bass+method

I was prepared not to like this guy .. for several reasons .. most of them with your interpretation/flavoring of your opinion about the guy and "if" I learn his stuff I'll be liberating myself. It felt a little pretentious and put me on-guard.

However having given it a listen - I do like it - and I thank you for pointing him out.

I will say that I don't think the only avenue to liberating yourself as a guitar player is to learn to play this guys stuff.

For me there were two keys to liberating myself on guitar .. the first was when I was a teen my mother would come home drunk/stoned at 3 AM with whomever she had picked up at the bar and blast her stereo .. on a school night.

I had a Peavey Bandit 65 and a low endTokai japanese $100 guitar but I would open it all the way up and just play whatever my rage spoke to me - and at the end I would yell "BIIIIIIITTTTCCCHHHHHHHH!" at the top of my lungs.

Usually after 2-3 verses of my rage inspired performance the music from the stereo downstairs would stop.

The other key came much later (perhaps 25 years or so later) which was getting a book called Zen Guitar. I had been in a bit of a rut, and I being older and self sufficient I was no longer "inspired" by my mother's antics I was looking to expand my skills and stumbled on that book and bought it on impulse. I personally think it did a lot more for me than any music theory book I could have purchased.

See to me - the music that impresses me the most .. is the music that has an incredibly unique voice.

The opposite of that of course is "pop music" - which, to me, often sounds formulaic and vapid.

So in Zen Guitar I finally forgot entirely about chords and progressions and what sounded right and started playing in a completely exploratory way .. and that's how I liberated myself the second time. Which has stuck with me as it doesn't depend on someone else to exist :-)

Anyhow .. thanks for the recommend - sorry for the long winded reply.

"Music Theory for Guitarists" by Tom Kolb is popular. http://www.amazon.com/Music-Theory-Guitarists-Everything-Wanted/dp/063406651X/

The above-mentioned Fretboard Logic is good, but it isn't quite what you're asking for, if you were to buy only one book.

The above Mikrokosmos is a classic, but aimed specifically at piano. For some people that's not an issue, it can be a plus. For other people it is off-putting or confusing.

I really couldn't say what the best non-instrument-oriented music theory book is; there are so very many of them -- and I've got a whole bunch, just not one in particular that I think is an absolute must-read. There are a lot of topics even in basic music theory, and lots of approaches (very formal and academic versus casual writing style, for instance).

The one you found seems to cover a lot of the important topics, and is well-rated by 37 reviewers on the U.S. Amazon site, too, in addition to the 6 on the U.K. site.

You could always combine that one with the guitar-centric one.

How to Write Songs on Guitar by Rikky Rooksby

I don’t know if that’s what you’re looking for, but it’s mostly about chord progressions. I have the keyboard one and it’s pretty good basics. I thinking some practical application (songwriting) will help you understand theory learning on your instrument.

Well...point being don't overcomplicate it I guess. There are many good books about writing lyrics, definitely read one. It will at least give you all the mechanics of writing and good tips on writing in general.

This is one of the ones I have read that I found really helpful: http://www.amazon.com/How-To-Write-Songs-Guitar/dp/0879309423

Second if you are writing in a group it's exponentially more difficult than alone. For one thing it's hard to communicate a full vision for lyrics or a song until some sort of tipping point. Actually this is true of anything creative, so it might be better, if you are in a group to get at least a bit written ahead of time before collaborating. Also you absolutely need to just say upfront, this is gonna be corny and awkward as hell. In fact writing parody or joke songs is so easy cause you are detached from the emotion of it a bit. In real lyrics I suppose this isn't the case and so if you think of something you think is great others may not agree and feelings get hurt. Gotta get over this quick or you will get nowhere fast.

Disclaimer: I am not a professional musician, I have no songs written that are even worth sharing but I do collaborate with people creatively a lot. I have done a lot of improvised jams with lyrics and stuff to try and write but I should say that probably any professionals opinion would be better than mine.

Try books. They tend to be more focused on sequence and scope of information. While you may get some of the same info online, the manner in which a text will present it adds significant value.
here're two i've liked: http://www.amazon.com/Guitarists-Chords-The-Foundation-Melodic-Soloing/dp/1423483219/ref=pd_sim_b_4?ie=UTF8&refRID=1P4KMJPFH2RW2XY8WK6K

http://www.amazon.com/How-Write-Songs-Guitar-Revised/dp/0879309423/ref=sr_1_1?s=books&ie=UTF8&qid=1411569974&sr=1-1&keywords=write+songs+on+guitar

have fun.

Make sure you get a neck with the proper scale length to match the body. On the flip side, if you have a body with pre drilled holes, make sure the bridge holes are in the proper place for the scale length to match the neck.

Also I would very highly recommend this book:
http://www.amazon.com/Make-Your-Own-Electric-Guitar/dp/0953104907

I've gone to school for guitar building and the core of what I learned there is covered in this book. Comprehensive, easy to read, good illustrations, etc.

Learn to do it yourself. Many years ago a friend recommended Ralph Denyer's The Guitar Handbook. And I've been using it ever since. It has a great chapter on guitar setup (applies to electric basses too), and with a few simple hand tools, you can learn to set them up yourself. Its not that hard.

I always recommend dropping $25 on this book.

It's an easy read, and gives you a great understanding of intonation, string height, truss rod adjustments, etc. The more you know about your instrument, the better you can make it suit your needs.

Two things, check out what David Lynch has to say about meditation and inspiration, he talks about how when he started meditating his creativity just skyrocketed.

Also depending on what type of musician you are, simply exploring theory, chords, scales, etc. can open up all kinds of inspiration. For example the Mick Goodrick book The Advancing Guitarist is basically just a bunch of exercises that multiply out into hundreds of different positions and iterations. I can never mess with a book like that for longer than twenty minutes before I'm spinning out all kinds of ideas based on the raw material given.

My suggestion is to learn on your own, and if you choose to go to college, pursue a major that has more profitable career options. Minor in music theory and invest your free time in practicing your instrument. Here is a reading list I recommend to start getting into serious music study and guitar playing:

• William Leavitt's Modern Method for Guitar - all three. buy it on amazon, this is your guitar bible
  
• Chord Chemistry by Ted Greene
  
• The Advancing Guitarist by Mick Goodrick - Seriously one of the best practice guides around. It is light on content, but explains how to practice and challenge yourself.
  
• A Real Book, for reading practice
  
• Tonal Harmony by Kostka
  
• Materials and Techniques of 20th Century Music, by Kostka
  
• The above books by Kostka will cover most of the theory content in the general undergraduate requirements for U.S. music programs
  
• Elementary Training for Musicians, Paul Hindemith - Very good book, particularly work on the sight reading material
  
• Progressive Sight Singing One of the most important skills for a well rounded musician
  
• Paul Gilbert's Terrifying Guitar Trip - Out of place with the above, but easily the best technical guide to guitar playing I have ever found. Even applicable if you don't want to play rock guitar.
  
  That was a fucking wall of text. Hopefully I didn't come off like a negative asshole or bore you to death. If you have any questions or complaints, let me know!

Read This It's widely known as the bible for guitar making. Find your local lumberyard for wood - don't get 'luthier wood' from eBay, it's much more expensive. The other questions you asked can't really be answered without a day long conversation to find out what you like. I'd personally go for something pretty simple for my first build - think bolt on, Telecaster simplicity. Getting the simple stuff right first is more important than being able to carve a perfect Les Paul top for example

The books I recommend for guitarists and musicians aren't so much instructional as they are tomes of wisdom.

The first is Zen Guitar, which is helpful in shaping your attitude towards playing guitar, improving, and interacting with others.

The other is The Music Lesson by Victor Wooten. Kind of new-agey, but also a ton of advice that isn't really taught in instruction books.

If you're just looking for instructional books, however, William Leavitt's books are good, as are Troy Stetina's books.

https://www.amazon.ca/Modern-Walking-Bass-Technique-Richmond/dp/9995982447

This is a great book. It's based on 12 bar blues in several different keys and gradually introduces more concepts. It's a great place to start and will also help if you're new to sight reading.

https://www.amazon.com/Evolving-Bassist-Millennium-Comprehensive-Developing/dp/0967601509

This one too