You are going to need a few things:

• An APS-C sensor camera. Example: [Nikon D7200] (https://www.bhphotovideo.com/c/search?Ntt=nikon%20d7200&N=0&InitialSearch=yes&sts=ps); an older used Nikon D7000 would be perfectly fine too (~$350). The Nikon D7xxx series is the lowest-end Nikon that supports lens focus adjustment and older, motor-driven lenses, so that's where I would start. The D5xxx series isn't bad either, and the tilt screen is nice, but it doesn't support focus adjustment.
  
  
• A decent lens. A kit lens will work well for your purposes, although for interiors a wide angle lens is sometimes helpful. You can get the D7200 in a bundle with the kit lens. An older used 18-105mm (or even an 18-55mm) will do just fine too ($200). A kit lens will let you get shots where everything is in focus (i.e., using a narrow aperture like f/5.6); if you want shots that isolate a single subject, you may need more expensive lenses that support wider apertures like f/2.8 or f/1.8.
  
  
• A good flash, which supports aiming, wide angle lenses, TTL, and wireless triggering. Example: [Nikon SB-700] (https://www.bhphotovideo.com/c/product/734997-USA/Nikon_4808_SB_700_Speedlight_Shoe_Mount.html) (about $175 used). This is essential for good interior shots; good photographers often use multiple flashes and light modifiers, but this one solid flash will be great to get you started.
  
  
• A steady tripod that's easy to deploy. Don't cheap out on the tripod. Read [this] (http://bythom.com/support.htm) about tripods. A good mid-range Tripod brand is [Feisol] (http://www.feisol.net/tripods.html) (I'd budget around $400). A good tripod is absolutely essential to getting nice interior shots like you are talking about. You'll want to set your camera up on the tripod, get everything in focus, then use a cable release (or wireless release) to trigger it. That will give you sharp pictures in indoor light.
  
  
• A good ballhead. Don't cheap out on the ballhead: FLM (I'd probably just buy this new for around $200). I've used the FLM ballhead I linked -- it's technically only mid-range, but it works spectacularly well for the price. I actually like it better than my more-expensive Markins ballhead. The brands in the Thom Hogan article are all fine (RRS, etc.). Don't go with the low-end brands like Surui; I tried one, and it is not even close.
  
  
• A quick-switch plate: Peak Design ($30). I like the Peak Design plates because they are small, light, and they have strap hooks if you want to go that way. Any arca-swiss plate will work though.
  
  
• A remote ($20, or like $.50 used). These are super cheaply made but they generally work OK. The higher-end cameras use radio rather than infrared, but you can get by just fine with the infrared remotes the D7xxx cameras use.
  
  
• Two [memory cards] (https://www.amazon.com/SanDisk-Extreme-Flash-Memory-SDSDXPA-064G-X46/dp/B005LFT3UW/ref=sr_1_6?ie=UTF8&qid=1491828485&sr=8-6&keywords=sandisk%2BSDHC&th=1) ($80 total, I'd buy new personally). The D7xxx cameras allows you to use two cards (with the second as an overflow or backup).
  
  
• A [spare battery] (https://www.amazon.com/Nikon-EN-EL15-Rechargeable-Battery-Packaging/dp/B0045KGZOG/ref=sr_1_6?ie=UTF8&qid=1491828565&sr=8-6&keywords=nikon+battery) ($49, I'd buy new personally). You can get by without this, but it's much more convenient to have a spare.
  
  If you bought all of these things new, it would be way outside of your budget. But, luckily, camera gear has a great used market. I personally use the Fred Miranda forums buy/sell page, but you can also find great stuff on eBay or elsewhere. Refurbs are fine too. And the nice thing about buying used is that if you don't like it, you can sell it for about what you bought it for.
  
  If you buy used (and go for the D7000 rather than the D7200), this should add up to around $1500 or less. I've shot tens of thousands of pictures with the D7000, and it's a wonderful camera. I've also used the D7100, and it's fine too, although honestly I'd probably take the sensor of the D7000 over the D7100. I've heard good things about the D7200 but haven't used it personally (and it has been eclipsed by the more expensive D500). If I were you, I'd go for the used D7000.
  
  

1

If you're brand new I would highly recommend the book Understanding Exposure by Bryan Peterson. It's an awesome book that will teach you the fundamentals you will use along the way. Here

Another important thing is a good memory card. I loved my D90 and SD cards are much cheaper than the CFs I have to use in my D300. I used to used transcend cards like this one It comes with the card reader too which is something you should definitely invest in. They're faster for putting the photos onto your computer and also they get rid of the risk of connecting your camera to the computer and having some type of short circuit or something ruining the brand new expensive camera. I say get 2 cards at least the more the better. Cards will fail and it's good to have a backup I always have 2 or more of everything.

To clean my camera and lens I always use my Giottos rocket blower and a lenspen and a microfiber lens cloth to clean my lenses and body.

You're probably going to want a new camera strap if you're using that too. I used this one on my D90 and it was super comfy and strong.

Depending on how much you're shooting you could also get a second battery if you're going to be out all day somewhere with your new camera. Don't get fooled into thinking you always have to buy Nikon brand. For a lot of accessories you can get the cheaper 3rd party versions and they'll do you just as well if not better most of the time. I had this battery with my D90. Lasted longer than my Nikon one!

I saw you asking about a flash. If you want a nice flash that will do everything you want without really breaking the bank definitely look into the nikon sb600 if you can find one used it's an awesome flash! I would be hesitant to get the Sb400 because you may eventually want more from the flash and then you have to pay more and upgrade. The sb700 looks to be pretty nice but also pricier. If you're only going to be doing off camera flash which I doubt you can check out a Vivitar 285HV flash.

Then comes the tripod. Don't cheap out when looking for a tripod. Remember that it's holding your multi thousand dollar equipment so don't cheap out. They say when buying a tripod you have: price,weight,sturdyness and pick any two. There's a million different tripods out there. I have a manfrotto 190xprob but wish I would have spent the extra money on the 055xprob.
Check out these make sure you look at how much weight it can hold and then make sure it's a few pounds more than you think you'll be putting on it to be safe.

This little remote was awesome I still have mine actually if you want to buy it for pretty cheap i'm sure I could help out.

If you already want another lens depending on what you're shooting a great walk around lens is the Nikon 35mm 1.8 it's the equivalent of a 50mm on a DX (52mm ish) Here or maybe you like portraits more and sweet bokeh check out the 50mm 1.8D Here also a great lens.

You're going to need something to keep all of this in so check out a nice camera bag. Take a look at some of these I have the kata 3n1 Medium and a Tenba shootout to hold all of my stuff and the Kata is great for when you have some gear and walking around town or hiking or something.

2

While I do use M at times unless you're shooting using studio lighting and everything controlled I don't really recommend it. People say you have to use it to learn photography but I don't agree at all. I have my camera on Aperture Priority 90% of the time. You still have to control your ISO and aperture (f#) but the shutter speed is taken care of.

Remember it's digital so just keep shooting and changing things until you get what you want. That's the beauty of it all. Have fun and enjoy it.

If you want to see some reviews of some of the products I mentioned I did some on youtube Here and a few photoshop beginner tutorials.

If you have any more questions about stuff just ask I might have forgot a few things. Most importantly get out shoot and have fun with it all!

I recently went on a once in a lifetime trip to France for two weeks, so hopefully I can provide some helpful advice/insight.

First, and I cannot stress this enough, have enough memory! I'd recommend bringing at least 16GB, if not more.
I brought two 8GB cards to France and transfered them to my computer each night. I never used the second card, however, if I wouldn't have had the luxury of transferring to a laptop each night, I would have quickly exceeded this.
If you are able to bring a computer or other means by which to back up your photos, I'd STRONGLY recommend it. It's great peace of mind to not have to worry about losing pictures or running out of room.

Second, DO NOT use the Auto mode, that just makes your DSLR a big point and shoot. A lot of people recommend using M(anual), but it can be a little overwhelming if you're not used to your camera. The Av (Aperture Priority) mode is great because it allows you to select the aperture value you want (which will effect what's in focus and Depth of Field) while automatically determining the rest. Constipated_Help gave you some very sound advice on exposure, so follow that if you're able.

Third, make sure you have the right accessories. A tripod would be great for landscape shots. The Dolica Proline is a great value at 40$. At least one extra battery would be good to have, especially if you will not be able to recharge during the trip. An Opteka t2i battery can be had for 12$, and works with your Canon charger.

If you can swing it, a new lens would be good to have since the lens is the determining factor of image quality. If you like to "zoom" and isolate subjects, you'll want a telephoto. The Canon 55-250 IS is a great deal at 240$. If you like wide angle, you'll need an ultra wide. These will typically run above 400$. I have a Tokina 11-16 and I am very pleased. As others have recommended, the Canon 50 1.8 is an incredible deal at 100$ and provides creative options with it's wide aperture.
A nice bag is also a good thing to have. You can buy either a messenger style, a holster or a backpack. Filters would also be nice, but they're not a necessity.

I hope this can help. If you have any questions, feel free to ask. I'd be glad to (try to) help! :)

This is long, but here is a quick lesson on some of the principles of photography. I think this will help you understand how to get the shots you're looking for.

Make sure you have a lot of memory, batteries and shoot in RAW. Exposure issues, levels, white balance and temperature will have a greater range of adjustments when you go into editing.

Use the burst feature like crazy. It may be a bit of a cheat, but I would compare it to shooting arrows. When you start off, about 1 in every 100 shots will result in a bullseye until you get about 1000 under your belt.

It has been mentioned tons, but you will definitely want to rent a better lens, ideally a K lens (though they are VERY expensive).

One of the things that will make your pictures look more professional is to have some good "depth of field" to where the background is out of focus. The K lenses are very "fast" which means they have a very large aperture (this is your f stop). The 18-55 kit lens has an f stop of 3.5 which frankly is a bit pathetic considering how wide the camera is.

The canon fixed 50mm lens has an f stop of 1.8 which will give you some amazing looking pictures without even trying. The problem is that the lens is really only good for close up shots such as face portraits. I'd say pick one up after F1 for your own personal use. Great lens for beginners to play with. Here is an example of how a great depth of field can make your pictures look "professional"

The depth of field will help separate the cars from the background and create a much cleaner look. It gives you less to look at, so the picture doesn't look as "busy". Wow... I'm using quotation marks like crazy.

Anyway, long range lenses typically don't have the same depth of field, but there are some fast lenses out there. A fixed lens is almost always faster.

I don't know much about lens rentals, but I think your best bet for an all around lens that will give you great shots would be the 70-200mm 2.8 if you can get a hold of one. The long distance range isn't spectacular, but if you can get close enough, the depth of field will help make them look great, and at 70mm you can still get some reasonably close up shots.

If you have no choice but to shoot long distance, the 100-400mm lens will give you a good range. With 400mm, two cars should fill the frame at the start from up in the stands at turn one.

Since you'll be outdoors, having the f stop all the way open will allow you to use 100 ASA settings with a medium shutter speed and your images shouldn't come out blown out. 100 asa will give you great quality shots with nearly no noise. Here is an example of a noisy picture taken with a high ASA setting. If the images are getting too blown out, you can try setting your exposure levels to -1, though it will increase your shutter speed which can take away the feeling of motion from the picture.

So, TL;DR

• Rent a lens, find the lowest f stop you can
  
• Pick your range. 100-400mm with a 4.5 f stop or the 70-200mm with 2.8 are good choices. The higher the number, the greater the zoom.
  
• Shoot with your f stop as open as possible to get some depth of field to separate the cars from the background (shooting in AV mode will probably be best. Fixed f stop and the camera will adjust the shutter speed to compensate for exposure).
  
• With an the f stop set so low, make sure your subject is in focus (USM lenses are extremely fast at focusing and will make your job easier)
  
• Set the ASA as low as it will go
  
• Shoot in RAW and find RAW photo editing software for editing
  
• Shoot in burst mode as much as you can to help get to help ensure you get a good shot or two
  
• BRING EXTRA BATTERIES AND MEMORY CARDS (you can find high capacity batteries on amazon for cheap and get them shipped overnight)
  
  GOOD LUCK!

The most important accessory that you can get for any mirrorless camera is a couple of extra batteries. The X100T is supposed to have better battery life than previous cameras in the series, but it's still a good idea to have at least a back-up battery -- maybe more, especially if travelling.

I have these: http://www.amazon.com/Wasabi-Power-Battery-Charger-Fujifilm/dp/B005CRHM5C/ref=sr_1_1?ie=UTF8&qid=1411507057&sr=8-1&keywords=wasabi+power+x100s (Not sure if X100T uses the same battery as my X100s).

Some things that are ergonomically helpful are add-on grips, such as the lensmate: http://www.amazon.com/Fujifilm-X100S-Thumb-Lensmate-Silver/dp/B00E259GCC/ref=sr_1_1?ie=UTF8&qid=1411507115&sr=8-1&keywords=thumbs+up+x100s , though I use a knock-off: http://www.amazon.com/NEEWER-Thumbs-TU-100S-Camera-Sliver/dp/B00C9UROH6/ref=sr_1_5?ie=UTF8&qid=1411507115&sr=8-5&keywords=thumbs+up+x100s , and it works fine. Another ergonomics helper is a soft shutter release button (the shutter button on the camera is an old-school threaded one), there are tons of these on the market, again I went with a knock-off ( http://www.amazon.com/dp/B00JCJO5QU/ref=sr_ph?ie=UTF8&qid=1411507202&sr=1&keywords=soft+shutter+release ) and it's fine.

As far as the hood / filter-adapter, I would recommend buying this. I don't really care for the lens hood (though it does cut flare) but instead use the filter adapter and a B+W MRC UV filter. I've never used UV filters on digital before, and still don't on my interchangeable-lens cameras, but being that this is a fixed lens camera and I'm pretty rough on it, I just use the filter and toss it in bags without a lens cap or anything and it's just fine.

A different strap may be good, it's all personal preference. I use a leica non-slip strap and it's great.

Here is a nice neoprene case that will snugly fit the X100s for carry inside some kind of other bag: http://www.amazon.com/OP-TECH-USA-Digital-D-Compact/dp/B0001TSSM2/ref=sr_1_2?s=electronics&ie=UTF8&qid=1411507453&sr=1-2&keywords=op+tech+compact

Fuji makes wide/tele converter lenses for 28mm and 50mm equivilent perspectives. They are supposedly very good but I haven't used them.


Other than that, it's all in what you want to shoot. filters and tripods might be nice for landscape shooters, lighting gear is nice for portrait shooters. Just like any other camera, really.


If you're new to photography, I would recommend picking up some books -- start with Understanding Exposure by Bryan Peterson and The Photographer's Eye by Michael Freeman. A book about the X100T specifically would be helpful too -- they are sure to come out soon.

/u/Bootsdamonkey - I have the BMPCC, and with an LCD viewfinder and an inexpensive external battery solution, it is a great camera for run and gun. [Here] (https://photos.google.com/share/AF1QipOf1JmbNxoDgNt_1lEWJApfng3s9HyzPQ5giK0FCucnCW9B-fxB9hIGvtwIAY6FwQ/photo/AF1QipOwYp2OJSCMiAIFKeu58KhsKRKrcrWtRtDjz3D9?key=bWEtSUxPalNuWU9OWTNqaHMtT3dWeF9Lamw4d0NR) is how I do it.

The rig in the picture is of the BMPCC ([$995 new] (https://www.amazon.com/Blackmagic-Pocket-Cinema-Camera-Thirds/dp/B00CWLSHUK/ref=as_li_ss_tl?m=A17MC6HOH9AVE6&s=merchant-items&ie=UTF8&qid=1519140138&linkCode=ll1&tag=battleforthew-20) or [$674 used with a 30 day warranty from Adorama] (https://adorama.evyy.net/c/60286/51926/1036?u=https%3A%2F%2Fwww.adorama.com%2Fus%2520%2520%2520%2520966521.html)), an [$89 Kinotehnik LCDVF BM viewfinder] (https://www.bhphotovideo.com/c/product/1013082-REG/kinotehnik_lcdvfbm_blackmagic_pocket_2ea_mounting_plates_soft.html) and a [$16.88 battery plate] (https://www.amazon.com/Andoer-Battery-Adapter-NP-F970-Cables/dp/B01FYSD2Y8//ref=as_li_ss_tl?ie=UTF8&linkCode=ll1&tag=battleforthew-20) with a [$2.49 1/4" male-to-male screw] (https://www.amazon.com/Threaded-Double-Screw-Adapter-Camera/dp/B06ZY9ZBS7//ref=as_li_ss_tl?ie=UTF8&linkCode=ll1&tag=battleforthew-20) to connect the battery to an [inexpensive pistol grip] (https://www.amazon.com/JJC-HR-DV-Stabilizer-Camcorder-Blackmagic/dp/B00MRNP2LA//ref=as_li_ss_tl?ie=UTF8&linkCode=ll1&tag=battleforthew-20).

With a couple of [Sony NP-F550 batteries and a dual charger] (https://www.amazon.com/RAVPower-Battery-Charger-CCD-SC55-Replacement/dp/B0761SH551//ref=as_li_ss_tl?ie=UTF8&linkCode=ll1&tag=battleforthew-20), you can shoot all day.

Here it is shooting TV spots:

• [Pinocchio Barrique Bottle - Commercial by Matteo Bertoli] (https://youtu.be/ct1QBje_mE0)
  
  
• [Piad’Amore Commercial by Matteo Bertoli] (https://vimeo.com/groups/pocketcamera/videos/108714025)
  
  
• [TV Ad shot with BMPCC by East2WestProductions] (https://youtu.be/EKsKuERzOi0)
  
  
• [The Dream Begins Here CC by ArtsisMedia, Inc] (https://vimeo.com/81148562)
  
  
• [Hockey Promo by Nick Solly] (https://vimeo.com/groups/pocketcamera/videos/79682360)
  
  
• [EXPERENTI wow COMMERCIAL by Lorenzo Milan] (https://vimeo.com/groups/pocketcamera/videos/124810737)
  
  That said, even though I love my BMPCC, today I would recommend the Blackmagic Micro Cinema Camera instead ([$995 new with a free Oly 40-150 lens] (https://www.amazon.com/Blackmagic-Design-Micro-Cinema-Camera/dp/B01D7ZOYUG/ref=as_li_ss_tl?m=A17MC6HOH9AVE6&s=merchant-items&ie=UTF8&qid=1519140243&linkCode=ll1&tag=battleforthew-20) or [$800 used] (http://rover.ebay.com/rover/1/711-53200-19255-0/1?icep_ff3=2&pub=5575034783&toolid=10001&campid=5337235943&customid=&icep_item=323079775686&ipn=psmain&icep_vectorid=229466&kwid=902099&mtid=824&kw=lg)) - for its 1080/60p frame rate (versus the BMPCC's 1080/30p) and superior battery life.
  
  You'll need a monitor (I recommend the [$249.99 Ikan VL35 3/5" monitor with the LP-E6 battery plate] (https://www.amazon.com/Ikan-VL35-Camera-Monitor-Battery/dp/B01IUANCOM//ref=as_li_ss_tl?ie=UTF8&linkCode=ll1&tag=battleforthew-20)) and a [cold shoe adapter] (https://www.amazon.com/CAMVATE-Mount-Blackmagic-Cinema-Cameras/dp/B014DLP51A//ref=as_li_ss_tl?ie=UTF8&linkCode=ll1&tag=battleforthew-20) to go with it.
  
  The BMMCC is the only 1080/60p RAW camera in this price range and will give you a much wider color palette for grading than other cameras below $2000 (most theatrical pictures are shot in RAW). It will also give you wider dynamic range.
  
  Here are a few TV commercials and promos shot with this camera:
  
  
• [ACCIDENTAL LOVE // PERŁA SPOT by Tomasz Dobski] (https://vimeo.com/180172474)
  
  
• [The Gathering Karak Pancake Ad by Chema García (Mumford)] (https://vimeo.com/165262005) (shot with the BMMCC and the BMPCC)
  
  
• [I Love Rolki ŁÓDŹ by Kuba Sobański] (https://vimeo.com/groups/pocketcamera/videos/182920186)
  
  
• [Carmen Steffens Beachwear 2017 by Michelangelo BernardoniPLUS] (https://vimeo.com/groups/pocketcamera/videos/170094455)
  
  There are many more examples in the [Pocket/Micro Cinema Camera group] (https://vimeo.com/groups/pocketcamera) I moderate over on Vimeo.
  
  Although Blackmagic cameras have a steeper learning curve than consumer DSLRs or mirrorless cameras, and color grading in post is pretty much mandatory - in my view, they are the best pure filmmakers' cameras in this price range and well worth the money - especially if you're shooting for broadcast, theatrical distribution or entry in festivals.
  
  If you decide to get either the BMPCC or the BMMCC, you might want to subscribe over at /r/bmpcc and /r/Blackmagicdesign - lots of knowledgeable folks there who can help you get the most out of your new camera.
  
  Hope this is helpful and good luck with finding the right camera for your needs!
  
  

That's almost exactly the same setup I have! I sent a week in Little Cayman doing 3 dives a day and a handful of night dives and that setup served me well. I'd like to make a helpful suggestion...when diving but not using the lights they fold nicely behind the camera and it balances the camera through the water. They can be a tad top heavy and the drag through the water makes it easy for you to introduce some vertical wobble if shooting while moving.

I also noticed the 100-degree beam was a bit broad for illuminating individual subjects. For example on night dives the other divers would be against the wall focusing on some small life and my lights come on and BAM! daylight returns. I'll probably end up grabbing a 20-degree head for my next trip and my night dives would be with 20 and the UV.

I know you don't want to run down that hole of buying everything but here's what worked especially well for me:
Batteries: A pair of Wasabi extended batteries with dual charger. That probably doesn't work for your Hero 5 but I could get 2 hours per pack and always had the second one ready to go. With that an a pair of 64gb microSD cards to cycle through I could tackle an entire day with what I had on me. A quick charge overnight and we were ready for the next day.
https://www.amazon.com/gp/product/B00MQ6PBX2

Lanyard: This was my favorite! The velcro wristband kept the camera close by in case it slipped from my hands but I could also clip the camera tray to my BC if I needed to focus on something more important.
https://www.amazon.com/gp/product/B007H6DR9G

Charger: With my phone, the Gopro batteries and two 18650's for the UK lights I brought along an Anker 4-port wall charger. This saved me from having to keep track of a variety of separate chargers and finding available outlets around the room. I had an out-of-the-way spot where I just plugged everything in knew I had everything when I left.
https://www.amazon.com/gp/product/B00L40YJ8O


Enjoy your dives, can't wait to see what you capture!

A question before I start; will you be using an editor to sync things up in post or would you rather take things together(audio and video) and have them all sorted out at one time?

Here's a list of things that I think would be beneficial, but not an encompassing list. If you're trying to go for a cheap list that could still get the job done, I find that these items have decent reviews on Amazon and websites and they do offer a good starting point for a budget.

1. The Camera: Canon EOS M2 ($250)
   
   I feel like the Canon EOS M2 would be a strong contender. It is actually a mirrorless camera that has the same sensor as that of the more expensive T3i. Due to it's lack of popularity with photographers due to the slower autofocus, it has seen multiple price reductions. Although it contains autofocusing issues in the photography modes, it's video modes are what really helps this camera out. You have a good starting lens with an 18-55mm lens, which may be wide enough for that room at 18, but it could even be close enough for a closer image. You can even be more technical and add in other features. Also this camera has a direct mic-in line for use of an external mic, like the shotgun mic below.
   
   
2. The Audio: Zoom H1 Portable Audio Recorder $99 OR TAKSTAR SGC-598 $29.99
   
   Audio is key here. You want to be able to hear the pastor as he gives sermons, so you have two general models. You can place the portable recorder closer to him, giving you crisp audio at a very minimal distance, or you can attach a shotgun microphone to the camera and pick it up from a distance further away. The only thing is, would you rather have the camera do it all for you or would you rather have to sync up the audio in editing? The Zoom mic is nice because you can purchase one of these ($21.38) and mic the pastor up before service to give a very crisp lapel audio.
   
   
3. The SD Cards: Sandisk 64GB 80mb/s ($22.49)
   
   This should be a given.
   
   
4. Power and Adapters: AC Adapter ($15.50) OR 2-Pack Spare Batteries($28.99)
   
   You can choose to have it either plugged in the whole time during recording, or you can have it run off of batteries. Your personal preference.
   
   
5. Tripod: AmazonBasics 60" tripod ($23.49)
   
   You requested a tripod for the ease of use.
   
   Given that you live in the US, after taxes, you're essentially looking at a $500 setup for all of that equipment. That may not be the best equipment for people or even be suggested by anyone else here, but that is just my $0.02.
   
   
   Source: Use the EOS M1 and most of the gear listed.

I've used power extra and Opteka and Wasabi power

Initially they'll all perform the same as the OEM battery but wont last more than a year or two depending on how often you use them.

I'd go with wasabi they have reasonable brand recognition. Pretty popular 3rd party gopro battery supplier. Probably lasts longer than the other lesser known brands but I managed to loose my wasabi battery so I can't vouch for it's longevity.

Still better than buying a bunch of Canon batteries if you're going to be going through a bunch of them in a day.

But if you just need an extra battery you might want to just invest in the Canon branded one since it will last for years.

Since I usually just use my t3i for Macro stuff in a more studio-ish environment. This is a life saver. highly recommend you get one if you use your camera indoors and on a tripod often.

The Canon T3i is probably the best bang for your buck camera-wise. They are limited to 12 minute clips, but as mentioned if you're sets are longer than that you can install magic lantern firmware.

I would buy the body only, and then get a cheap used zoom (like the 18-55) off of eBay.

Rode makes a few sub $200 mics that are all really nice.

Good sound is very important, especially for comedy, so definitely don't skip out on sound gear.

For tripods, check thrift stores, I find nice tripods there all the time for $3.99.

Lastly, you'll want some extra batteries. Don't buy them from stores, they cost usually cost 40+ bucks. These are the ones I buy. Two batteries for $10 is a steal. Never had an issue with them.



That puts you at about $564

The best flashlight I have ever owned is my Surefire Guardian M6LT. At $400 it is also the most expensive flashlight I've ever owned. This is a searchlight/spotlight with an incredible throw. I live on the side of a mountain and have lit up bears and coyotes with it from around 75 yards away. I can point it at trees across the (short) valley here and see them light up. At 300 yards I can see the light reflecting off metal bits from light poles. Occasionally I'll point it straight up into the sky just to enjoy the beam, and allow neighbors to do the same. It is a remarkable piece of gear that I expect will last me a lifetime. My (now ex-) girlfriend once asked to borrow it to take camping and I said no. It is simply too expensive and powerful to leave in less capable or responsible hands. In my defense, I offered her my smaller E2E Executive but she was still pretty irritated.

Surefire CR123A batteries are expensive, near $2/ea, but you can use the Tenergy brand to bring them down to about $1.12/ea. The M6LT takes six of these batteries and has a runtime of 3 hours at a rated 900 lumens. The output is constant, not variable. If you want variable output, I would suggest the M3LT ($430) or the UB3T ($550). For me it came down to the form-factor and already having a lower-output flashlight for lesser duties. This is a searchlight and you would go blind trying to look at something lit up from only five feet away.

Here's a video showing the throw, here's a video of unboxing and comparison between M6LT and M3LT, and here's an M6LT video with music to get you pumped.

I also purchased a GizzMoVest case for it some months ago so I could attach it to my belt for hands-free carrying while hiking. It's worked out wonderfully.

I have an EOS M.

I'd suggest installing Magic Lantern firmware to unlock 3x lossless crop zoom which gives you the same benefits of the t3i crop zoom.

Along with the 22mm it came with, I have a Canon 50mm f1.8 and a Sigma 30mm 1.4 that work with my Fotodiox EOS M adapter.

The EOS M goes through batteries kind of quick, so I bought a 2 pack third party Wasabi batteries and charger.

I also have an EOS M AC adapter which lets you plug the EOS M into a wall or to a large battery like this...



Here's a couple videos I shot with the EOS M.

• Home Studio Setting
  
• Event Coverage
  
  It's a great starter camera.
  
  I wish it had remote shooting, so I can use apps like DSLR Controller.

I have three of these, and arlo pro 2's. https://www.amazon.com/gp/product/B0721PJYTY/ref=ppx_yo_dt_b_asin_title_o00_s00?ie=UTF8&psc=1

​

For some reason they have bad reviews, but they work great. Keep the battery constantly at 100% durning sunny days. I highly recommend them. Make sure you get the Arlo ones. I tried a knock off one before because they where cheaper. The camera thought it was constantly plugged in and thus the battery just drained.

I have a very similar setup with a couple of revisions:

For a handle, I first purchased the one you're looking at, only to return it and buy the 1955 NATO handle (https://www.amazon.com/dp/B07145WLX3/), which is much easier add/remove (for storage purposes). It's super secure and adjustable to boot! Even comes with a allen key storage!

For SSD mounts, I bought the CAMVATE (https://www.amazon.com/dp/B07M66TM6J/). The Smallrig version will only mount to one designated spot on the SR cage- this CAMVATE product can mount anywhere in case you need to rebalance or configure it differently.

As for power, I opted for a CORE Powerbase; (https://www.amazon.com/dp/B07JFDZTXL/). It'll give you much more runtime than a NPF and especially more than LP batteries, and you can check the LCD to see how much battery you've got left instead of guessing. Though I'd also recommend grabbing a DTAP to Weipu adapter (https://www.amazon.com/dp/B07KGQ869X/), so you don't have to worry about the dummy battery (and you'll also have a secondary source of power if you need to switch batteries).

Most if not all of your example images could have been taken with a 18-55 lens - the kit lens. The main difference between the kit lens and "better" lenses in its focal length range is the last 5 to 10% increase in image quality (IQ) will cost an additional $400 to $1000.

Here is a link to some images from the kit lens.

• http://www.pentaxforums.com/forums/122-lens-clubs/45425-kit-lens-club.html
  
  Here is a link to a lens focal length simulator
  
  
• http://imaging.nikon.com/lineup/lens/simulator/
  
  In your example images, I am going to guess that a lot of them were taken at around 24 to 28mm.
  
  I am going to go out on a limb here a bit and say the only two lenses you are going to need (for quite a while - several years), are the DA 18-55 WR and the DA 55-300 WR. Between the two, you can cover everything. They are as small as you can go and as light weight as possible, and both WR (need to have the WR or AW designation as there are non WR models also available). Using stitching will give you wide angle shots. Long exposures will give you low light shots (the longer the exposure the greater the need for a tripod).
  
  Tripods can induce sticker shock too. Removing the last ounce becomes VERY expensive. Here is a good overview.
  
  
• http://hikeitlikeit.com/2014/lightweight-tripods-for-the-hiker/
  
  
• http://www.jmpeltier.com/2015/02/24/5-lightweight-backpacking-tips-for-photographers/
  
  Note - all tripods usually come with a center column. The shake that the legs remove, if you use the center column up - it will put back in. So, keep the center column down, and since you have the tilt screen on your camera body, use it in LiveView to frame the shot and shoot the image.
  
  I took a look at the Ks2 user manual, and it does not support a cabled external shutter release. You have your choice of an IR shutter release, or a WiFi (smart phone) app tethered capability. See pages 61 and 91 of the manual.
  
  
• http://us.ricoh-imaging.com/wp-content/uploads/2015/04/KS2-OPM-EN.pdf
  
  The Pentax OEM battery is very good. It takes about 6 hours to charge and is good for about 600 shots. A good third party battery costs 1/4 and is good for 3/4 of the shots and charges in a bit over an hour or so. Check out a Wasabi battery on Amazon.
  
  
• https://www.amazon.com/Wasabi-Power-Battery-Charger-D-LI109/dp/B00598PMY2
  
  

Congratulations. Treat yourself and your camera
to make an X100T really rock, and be an extension of your arm get yourself a thumgrip and a wrist strap. I wont sugar coat if for you. you want a Lensmate thumb grip....which costs an astounding $60. yup, trust me on this. You also want a Gordy's wrist strap. a bit cheaper there. not only are these outstanding accessories, they also make your camera look cool. Oh, love my Fuji but he battery charger is probably going to break. Get this. wall charger, with car and European adapter plus 2 extra batteries. you will need those too. http://www.amazon.com/gp/product/B005CRHM5C?psc=1&redirect=true&ref_=oh_aui_detailpage_o00_s00

I think the best quality and most useful products were the Neewer Battery Grip and some no-name Canon batteries from Amazon. The batteries are not quite as good as the original batteries, but for the price, they are great to throw in your bag as extras!

Neewer Batter Grip $19: http://www.amazon.com/Neewer-Battery-Grip-Canon-Rebel/dp/B004UTQRHW/ref=sr_1_1?ie=UTF8&qid=1367941647&sr=8-1&keywords=battery+grip+t2i

Batteries (x2) $6: http://www.amazon.com/LP-E8-Equivalent-Battery-Canon-Rebel/dp/B003CVLTCW/ref=pd_bxgy_p_img_y

The technique is much more important than the camera at this level. I would get the Nikon D3100 with 18-55mm f/3.5-5.6 lens and a 55-200mm f/3.5-5.6 lens. Then you would have plenty of money left over for accessories (or other lenses once you know what you want) and maybe a good book on photography technique.

edit: An extra battery can be a lifesaver. Also, make sure the memory card is fast enough if you plan on ever taking video.

Both of what these guys said is great advice and you will definitely have to consider what to do.

The G7 often fluctuates in price between $500 and $800 so try and get it on sale if you can. Find a price tracker website and use it if you don't check prices everyday.

If you go with HybridCamRev's idea, I would highly recommend getting the g7 on sale. That would allow you to get an sd card, shotgun mic, battery, and a lav mic. You could also go for a cheaper tripod since the g7 is so light. Up to you though.

https://smile.amazon.com/dp/B017XO5BJK/ref=dp_cerb_3

They apparently don't make the one I use anymore. It lasts a bit longer than the one I have linked above, but that one says it will last 5 hours, so good enough.

Make sure you buy this type that replaces the whole battery like I have linked. Not the kind that adds on by clamping to the back with the original battery installed. I found that style totally unreliable.

Love my Surefire, I use these and they work just as well as the brand name batteries and for a fraction of the price.

12 pack

40 pack

This. This is the easiest/cheapest way to go. This plate and take your pick of battery capacity from this brand, DSTE.

The NP-F 970s last about 3-4 hours depending on conditions and the much smaller NP-F 550s last over an hour, up to 2, again, depending on conditions.

I found using a cage for the BMPCC like this was helpful for attaching it. It’s definitely not a perfect solution but absolutely one of the cheapest. The biggest fault I’ve found would be that the Battery plate gets absolutely no feedback from the camera, so it constantly drains the battery until you physically unhook it from the plate, even when not charging/powering the camera.

I’ve also heard great things about this battery/power solution from a lot of guys who use the BMPCC and BMCC but haven’t used it myself. I can confirm that a 12v usb battery bank will also do the job, I use the same cord from my battery plate to connect it but you can order them separate simply by searching amazon for “BMPCC Cords”

Get this Panasonic G7 kit and a Rode VideoMicro. And grab a couple of cheap spare batteries and an extra memory card.

Easily the best video camera at the $500 price level.

700 battery (close match)

I just ordered this battery. I will try it out later today and see if it charges ok. $9 for 2 batteries. Easy peasy to change it.


Good luck...

Yes!
I use this combination as a battery solution:

https://www.amazon.com/gp/product/B01N3TWBXI/ref=ox_sc_act_title_2?smid=A1SDRS5D54HY4U&psc=1

https://www.amazon.com/gp/product/B07MMZRKWK/ref=ox_sc_act_title_4?smid=AGNG3CODDNL8&psc=1

When I'm using it with the Ronin S, I rig it on the side using 1/4" accessory I picked up from amazon.

[Question] hey does anyone know how do we tell which 'powerbank' has the longest batt life? here are 2 examples of battries

https://www.amazon.com/dp/B01JIWQPMW/

https://smile.amazon.com/dp/B017XO5BJK/

1. like what info, what are we looking for on the varoius shop sites? the sites doesnt seem to always show whichever info we're suppose to be looking for
   
   
2. also how do we tell which things are 'powerbanks' and which things arent since they arent always label/titled in a helpful way
   
   https://en.wikipedia.org/wiki/Battery_charger

BATTERY
Juicebox Battery for Blackmagic... https://www.amazon.com/dp/B073BMTFFJ?ref=ppx_pop_mob_ap_share


CABLE
Juicebox Blackmagic Pocket Cinema... https://www.amazon.com/dp/B07LFN75KM?ref=ppx_pop_mob_ap_share


CLAMP
CAMVATE Super Clamp with 1/4"-20... https://www.amazon.com/dp/B06XWTL7LC?ref=ppx_pop_mob_ap_share

You’ll need a pretty solid clamp and this one works well, but the part you use to tighten it slides back and forth, but it hasn’t affected my gimbal use.

I wanted to find a different higher mah battery to put into mine and just did a bunch of research last night and found a battery that would fit. I found somewhere though that the psp won't charge bigger batteries completely or something along those lines. I'm not sure though. Anyway here's the link to the 1200mah battery that will fit. https://www.amazon.com/dp/B00EDQ6LZ0/ref=cm_sw_r_em_apa_yre-BbQNB0EYP


Edit: for PSP Go

It was a wasabi battery for the hero 3

+1 on managing power.

GoPro batteries suck. Switching GoPro batteries sucks. This is exacerbated when you're tired and hot from hiking.

I used GoPro mount to mount a USB battery pack onto the back of my treking pole (also had my GP mounted to the pole). I used a small USB cable to keep the GP constantly charged via the battery pack. This worked incredibly well but was clumsy.

I finally broke down and purchased an extended battery for the GP. This is not the exact one I bought but it's similar. This battery is bigger than the GP itself and comes with a new backdoor.

I very much like this extended battery. It lasts all day without issue and I can charge it at night when I get to camp using the USB battery pack.

Whatever you do, and however you power the GP, have a great time!

Buy this: https://www.amazon.com/Neewer-Dimmable-Professional-Photography-3200-5600K/dp/B01934RL0U?ref_=ast_slp_dp

​

With 4 NP-F970 Batteries: https://www.amazon.com/Powerextra-Replacement-Compatible-DCR-VX2100-HVR-HD1000U/dp/B01N3TWBXI/ref=sr_1_3?crid=3AVTU7RI3GKN2&keywords=np+f970+battery&qid=1574805414&s=electronics&sprefix=np+f%2Celectronics%2C227&sr=1-3

​

Some gels: (cut to size) https://www.amazon.com/Neewer-12-Inches-Transparent-Correction-Different/dp/B01CCIKB5Q/ref=sr_1_1?keywords=neewer+gels&qid=1574805440&s=electronics&sr=1-1

​

and two light stands and you're in business.

​

I've been using these for a long time and always do the trick.

Look up the film guys (thefilmguys.net) and see what that cinematography looks like. Only those lights and nothing else.

Wasabi power lithium batteries from Amazon. Paid something like $12 each versus $45 for OEM ones.

http://www.amazon.com/gp/aw/d/B00598PMY2/ref=mp_s_a_1_1?qid=1421866704&sr=8-1&pi=AC_SY200_QL40&dpPl=1&dpID=51z1%2BRCBmHL&ref=plSrch

Soo...$100 CAD is an OK price?

Or is this official enough: https://www.amazon.ca/Nikon-EN-EL14-Rechargeable-Battery-Digital/dp/B003ZYF3M8

Just get the 2-pin power connector that BM is selling and solder it to a 12V NP-F battery plate. It's the cheapest solution.
Link to the connector, scroll to the very bottom.

Battery plate

Battery

Charger.

I opted to get this battery:

https://www.amazon.com/gp/product/B073BMTFFJ/ref=ppx_yo_dt_b_asin_title_o06_s00?ie=UTF8&psc=1



The battery comes with a handy quick release system so i attached the clamp piece to a 15mm rail block and slid that on the back of a set of 18" rails. At least on my Tilta cage, it ends up just barely not obscuring the built in screen, which is nice. Plus, Juicebox makes a 12v locking pin cable for the battery to avoid using the dummy battery which in my opinion is awkward and clunky. The other nice thing about this set up is that it balances the camera quite well since it's normally so front heavy.

​

Here's a photo of my set up: https://imgur.com/a/4e6kGNU

Got this for power and love it > Juicebox Battery for Blackmagic Cameras (Pocket 4K, Micro, Pocket, Cinema, Production & Video Assist) https://www.amazon.com/dp/B073BMTFFJ/ref=cm_sw_r_cp_api_i_6k.TCb6096Y6Z

Decent but cheap met lens > PANASONIC LUMIX Professional 25mm... https://www.amazon.com/dp/B014RD6RC0?ref=ppx_pop_mob_ap_share

I used one from Wasabi that replaced the original battery and came with an extended back piece for the case: Wasabi Power Extended Battery for GoPro HERO3, HERO3+ (with Backdoors) https://www.amazon.com/dp/B00O3H05IS/

Just got mine from Amazon a few days ago. Comes with a mount but it is only for the panel, not camera/panel combo mount. It's the same mount sold for the Arlo Pro. It also comes with a 6 foot charging cable. Amazon link

https://www.amazon.com/gp/product/B00EDQ6LZ0/

Just search "battery" in the search bar.


https://www.amazon.com/Juicebox-Battery-Blackmagic-Cameras-Production/dp/B073BMTFFJ/ref=sr_1_8?ie=UTF8&qid=1547593381&sr=8-8&keywords=juicebox

Fog and Rain, PDX baby.

I was buying a 40 pack of CR123's every 2 months when they were 50-60 bucks.

They don't make my light anymore but this is close with a much narrower beam angle.

Me and a buddy split the cost of these, so it came out to $1 each.

How much did you pay for them? Cheapest I've seen is $6/battery for a brand that I'd trust. I've got 4 cameras so at $6 that is $96 to go rechargable. (Plus probably another $24 to have a set to swap in so I can have 5 sets of batteries for 4 cameras) I've bought these tenergy 40 pack for $44 on amazon and that should last me at least a year. When I run out of these I'm definitely going to have to consider rechargeables again (I hate the waste as well).

Rocket Blaster

Spare Battery

Lens Filter - ok you will hear all kinds of opinions on this one. Me, I put a filter on the front of all my lenses as soon as they come out of the box. i also never use a lens cap and I spend a lot of time shooting in dusty/sandy places. To me I would rather replace a filter than a lens. Other people will disagree.

Some options:

Tilta WLC-T04-BP-18650 Power Supply Box with USB 5V and DC 8V Power Output for BMPCC 4K Camera Cage Follow Focus Moto https://www.amazon.com/dp/B07WNCNX9Q/ref=cm_sw_r_cp_apa_i_30CRDb6YFQ2QV

Tilta Side Focus Handle TA-SFH1-97-G for Tilta BMPCC Camera Cage Type I (F970 Battery) Tilta Gray https://www.amazon.com/dp/B07X198GNJ/ref=cm_sw_r_cp_apa_i_c6CRDb3MQCYYP

SOONWELL 70Wh Power Grip Battery Handle for Camera BMPCC 6K 4K Canon 5D 6D Camera Cage Rig with DC D-TAP USB Output & LP-E6 Dummy Battery -PH70 https://www.amazon.com/dp/B07XQ6R7SC/ref=cm_sw_r_cp_apa_i_L7CRDbJ332MT8

Core SWX Powerbase Edge Battery for Blackmagic Design Pocket Cinema Camera 4K https://www.amazon.com/dp/B07JFDZTXL/ref=cm_sw_r_cp_apa_i_29CRDbTN3Z3CX

Tilta TA-BTP-F970 NP-F970 Battery Plate for BMPCC 4K Cage Blackmagic Pocket Cinema Camera 4K Rig https://www.amazon.com/dp/B07RQXQT27/ref=cm_sw_r_cp_apa_i_h4CRDb64BKDSN

Runshuangyu Movie Blackmagic Cinema Camera BMCC 4K BMPCC Power Supply Mount Plate Adapter for Sony NP-F970 Battery https://www.amazon.com/dp/B07MMZRKWK/ref=cm_sw_r_cp_apa_i_r2CRDbRE6E4MZ

SMALLRIG DV Battery Plate Adapter for BMPCC/BMCC/BMPC - 1765 https://www.amazon.com/dp/B01EFSUK98/ref=cm_sw_r_cp_apa_i_Q2CRDbTMMYAS4

Not rechargeable, but I've been running these in pretty much all of my torches for over a year and a half, with no complaints.

Price comes out to just over a buck per. I've not gotten any duds, and still have almost half the box to go.

Borrow the money (~$150) and get This + This

Lasts atleast 3.5 hours, I had a shoot recently and used one battery all day (I have two).