#17 in Musical Instruments
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Reddit mentions of Behringer Ultravoice Xm8500 Dynamic Vocal Microphone, Cardioid
Sentiment score: 48
Reddit mentions: 64
We found 64 Reddit mentions of Behringer Ultravoice Xm8500 Dynamic Vocal Microphone, Cardioid. Here are the top ones.
or
- Dynamic Vocal Microphone with Cardioid Pickup Pattern 50Hz-15kHz Frequency Response
Features:
Specs:
| Color | Black |
| Height | 0.63 Inches |
| Length | 1.97 Inches |
| Number of items | 1 |
| Release date | March 2008 |
| Weight | 0.71 Pounds |
| Width | 1.99 Inches |
Arguably some of the best headphones for gaming under $100 are the Superlux HD668's. They are open back with large drivers, so the soundstage is huge.
Superlux HD668B Dynamic Semi-Open Headphones https://www.amazon.com/dp/B003JOETX8/ref=cm_sw_r_cp_apa_i_u-MnDbPGZC3YH
Not sure if you also need a microphone. The Behringer xm8500 is pretty fantastic for the price. You'll also need a way to get XLR to your PC. That could be as fancy as a USB interface. Or as simple as a USB to XLR cable.
Mic: Behringer Ultravoice Xm8500 Dynamic Vocal Microphone, Cardioid https://www.amazon.com/dp/B0002KZAKS/ref=cm_sw_r_cp_apa_i_BdNnDbREJJ63R
USB to XLR cable: USB Microphone Cable 10Ft, Tanbin 3 Pin USB Male to XLR Female Mic Link Converter Cable Studio Audio Cable Connector Cords Adapter for Microphones or Instruments Recording Karaoke Singing (10ft) https://www.amazon.com/dp/B079DQ9ZPT/ref=cm_sw_r_cp_apa_i_7dNnDb3NWRQ71
Or a basic USB audio interface: BEHRINGER Audio Interface, 1x XLR/TRS 1x 1/4" 2X RCA USB, Black, 1-Channel (UM2) https://www.amazon.com/dp/B00EK1OTZC/ref=cm_sw_r_cp_apa_i_4eNnDbZXTS70G
You'll also need a mic stand: InnoGear Microphone Suspension Mic Clip Adjustable Boom Studio Scissor Arm Stand for Blue Yeti Snowball Microphone and Blue Yeti Nano https://www.amazon.com/dp/B01L3LL95O/ref=cm_sw_r_cp_apa_i_1fNnDbNW9G9RW
You want a 4 input mixer with a USB out. Brands will cause an uproar in this sub but I've had 3 different Behringers and never had a problem and they are cost effective. You want a USB out for sound clarity. If you go with line out to a PC, it will sound like shit.
This is a great mixer for the price. It's has USB out to your pc and 4 xlr inputs for mics as well as a couple for your pc or whatever audio in.
This mic will do what you need it to. It's not a condenser, but it will sound great.
With cables and windscreens you should be able to keep it under 200 with those 3 items. But, you may want to look at some cheap mic stands (holding a mic makes too much noise that will annoy your audience) and balanced Y cables for your pc inputs. I'm pretty sure the mixer will come with the USB cable. Also you will need a good headphone splitter/amp. Or you can get a cheap 4 way headphone splitter, just make sure it's stereo.
You have a low budget so you will have to sacrifice on some of the equipment. Not to say this stuff is shitty, just that five hundred would get you more bang. I realize you only have 3 people now but a guest will happen over time. Chances are though, you will do 10 shows and quit - someone will not have the time or life will get in the way, it happens. The equipment I linked to will work in many applications so it will be easy to move if you decide to get rid of it.
Again, people here will argue for days over brand name and set ups. My suggestions are suggestions that will work. I've used them for years and have had a few incarnations of each. I personally use completely different equipment now, but I know this stuff works on a budget. No - I do not work for Behringer, but the shit works for its price. Good luck, guys. PM me with the first show!
I have a $20 behringer xm8500 mic and u can get a behringer $40 usb interface and it sounds pretty good. My vod from yesterday is my first stream with this mic and it sounds the same as a $100 shure sm58
Edit: I originally had an audio technica at2020. It was too sensitive for me so I got a shure sm58 based on reviews. Then people were saying you can get this behringer mic for $80 less and it sounds the same. I did and I am happy with it.
https://www.amazon.com/gp/product/B0002KZAKS/ref=ppx_yo_dt_b_asin_title_o02_s00?ie=UTF8&psc=1
https://www.amazon.com/gp/product/B00EK1OTZC/ref=ppx_yo_dt_b_search_asin_title?ie=UTF8&psc=1
I would recommend upgrading that at least a little bit. I host podcasts and I wouldn't want headphone mic audio on my show.
You should at least look at some cheap usb microphones. I'd recommend the [ATR 2100] () which I bought for 25 bucks. I'm currently using an [XLR mixing board] (http://www.amazon.com/Behringer-1202-BEHRINGER-XENYX/dp/B000J5Y282/ref=sr_1_4?ie=UTF8&qid=1456871248&sr=8-4&keywords=behringer+mixing+board) and a [10 dollar dynamic microphone] (http://www.amazon.com/Behringer-XM8500-Dynamic-Cardioid-Microphone/dp/B0002KZAKS/ref=sr_1_3?ie=UTF8&qid=1456871363&sr=8-3&keywords=behringer+3+pack) that sound absolutely wonderful and only cost me 70 bucks when I bought them used.
A full setup that will record four local mics, max, or two local mics and a Skype caller. A choice of mics.
Behringer UMC404HD interface for $100 (needs a USB cable I think)
https://www.amazon.com/Behringer-UMC404HD-BEHRINGER-U-PHORIA/dp/B00QHURLHM/
Behringer HA400 headphone amp for $25
https://www.amazon.com/Behringer-HA400-BEHRINGER-MICROAMP/dp/B000KIPT30/
Needs two TRS 1/4" stereo cables, one for the headphone amp and one for Skype. $10
https://www.amazon.com/Hosa-CSS-105-Balanced-Interconnect-Cable/dp/B000068NYF/
Behringer XM1800S three pack of good enough mics for $40
https://www.amazon.com/Behringer-XM1800S-BEHRINGER-ULTRAVOICE/dp/B000NJ2TIE/
or a slightly better Behringer XM8500 at $20 each
https://www.amazon.com/Behringer-Ultravoice-Dynamic-Microphone-Cardioid/dp/B0002KZAKS/
or a very nice Blue enCORE 100 at $60
https://www.amazon.com/Blue-Microphones-enCORE-100-Studio-Grade/dp/B002SQJL9U/
A couple 9-foot XLR cables for $12 or vary as you see fit
https://www.amazon.com/2-Pack-Cable-Male-Female-Microphone/dp/B074KYQ66J/
On-Stage, desk stand for $13 (lots of options)
https://www.amazon.com/Stage-DS7200-Adjustable-Microphone-Stand/dp/B0002M3OVI/
You need some RCA to 1/4" TS cables. Technically two though there are reasons up to four and this six pack is cheap at $8. Wish they were shorter.
https://www.amazon.com/GLS-Audio-Patch-Cable-Cords/dp/B0010XVYGA/
or you can get by with one of these.
https://www.amazon.com/Hosa-CPR-201-Stereo-Interconnect-Cable/dp/B000068O16/
and my personal favorite, the UCA202 for $30
https://www.amazon.com/BEHRINGER-U-Control-Low-Latency-Interface-Digital/dp/B000KW2YEI/
This gives you full Skype access to the other rig for Two local mics.
!
Is your co-host local? If so
If they aren't local? I know blue makes some higher tier USB mics.
20$ Behringer Ultravoice Xm8500 Dynamic [dont be bothered by the price, listen to YT video reviews and how it sounds], its cheap because its just the mic no accessories.
48$ Shure SM48-LC Vocal Dynamic Microphone [This only better option if you going to actually sing, otherwise for voice the first one sound better, again compare and listen on YT, there are people that do 2-3 mic reviews a week and have hundreds in their review list over the years]
60$ Samson Q2U, the best all-in-one, has both USB and XLR, with this one you dont need to buy anything extra, highly recommend in tens of YT reviews by professionals.
What kind of computer are you using to record your gameplay with?
For audio, a cheap dynamic mic would be a great way to go. It might not sound great initially, but a lot of those problems can be solved easily with software--Audacity is free and easy to use, and makes our recordings sound much better despite the mic's problems. You'll also need an XLR cable to go with it--preferably XLR male to female, but you can also find an XLR to USB one if you want to connect it directly to your PC. Otherwise, you'll need an audio interface to go with it. As for mic stands, I've honestly never had a problem with this one. It's not as easy to maneuver as the 100 dollar one, but it should serve your needs as a beginer.
If you're recording multiple people, you could get the Blue Yeti--a lot of people swear by it--but it's also a lot more expensive and it picks up everything if you're not careful. A lot of people think that the Yeti is cruise control for great audio, but it really doesn't do much more than a cheap mic can. I would just recommend having an audio interface that connects at least two microphones and then buying another dynamic mic instead.
As for recording your Switch, the standard is the Elgato. I'm currently using the HD60 model, which is nice, but it has some latency issues (meaning you'll need to manually sync your audio with your video). The HD60s has no latency problems, but it's a bit more expensive.
You can afford to cheap out pretty much everywhere.
Get these first:
https://www.amazon.com/Behringer-UMC202HD-BEHRINGER-U-PHORIA-2-Channel/dp/B00EK1OTZC?th=1 Audio interface for $40
https://www.amazon.com/Behringer-Ultravoice-Dynamic-Microphone-Cardioid/dp/B0002KZAKS/ref=sr_1_3?keywords=behringer+dynamic+mic&qid=1555465176&s=gateway&sr=8-3 Microphone for $20
Get the cheapest mic stand and xlr cable you can find to go with them.
Use your phone camera (if your phone is actually serviceable and you want to appear in your vids). If not, a decent enough camera to start are the Logitech 1080p hd webcams which go as low as like $40. You can also get good used interchangeable lens cameras for like $200-300 or a new entry level one for $500, if you want to spend some money.
'Procure' a good video editing program in a '''non ethical''' manner (search for 'Vegas 14')
Download Audacity for editing audio (free)
I see in the comments below that you've already returned it, if you are willing to use a mixer the setup I would recommend to start would be:
Behringer Xm8500
Windscreen
XLR Cable
Behringer Xenyx 502
RCA to 3.5mm
All this is less than $80.
A stand like this would work well, and it is still below $100.
Here is a sound sample I found on YouTube.
Once you have more money to play around with for dynamic microphones look into: Shure SM58, Shure Beta 58, and the EV ND767A. These will run you roughly $100-$150.
Once you have a use case for condenser microphones look into: AT2020, Samson C02 Pair, and MXL 770. All of these will run you roughly $100, however if you went with the Samson C02s you would need more inputs and therefore a different mixer.
Xm8500 from Behringer. I love it because has built in pop filter and it’s very quiet. Required a little bit more gain than other mics so better have a good preamp.
One time an editor told me my mic was “too quiet to sound believable that was recorded in a restaurant”. Recorded used at that time, Zoom H4N Pro.
Behringer Ultravoice Xm8500 Dynamic Vocal Microphone, Cardioid https://www.amazon.com/dp/B0002KZAKS/ref=cm_sw_r_cp_api_i_fqNmDbC48M728
You can get an Audio Technica BPHS-1 Headset for $200 each. Or you can try a bunch of handheld vocal dynamic microphones. They range in price from the Behringer XM8500 for $20 to the Senheiser e935 for $169. What's your budget and how many do you need?
Also, have you tried Auphonic or Levelator?
I use a Behringer XM8500 microphone, about $20. You'll also need a mic stand of some sort though, because this is a performance mic. It's really good quality, though. This is what I use on the Gamer's Tavern for podcasting.
I also use Superlux HD 681 headphones, but if you don't want a headset, you probably won't want these. They're a little overkill anyway (I'm plugged into a mixer adjusting levels for recording). But use something like earbuds at least, otherwise there's a chance for echo on the feed.
Edit: I'm assuming you're talking about an online tabletop game via something like Skype or Hangouts. If you're talking about something else like World of Warcraft or something on a console, the push-to-talk is more a feature of whatever program you're using to talk.
A Zoom H4n (or any recorder that has XLR inputs and quality preamps) would work, but then you'd want to have nice XLR microphones plugged into them. Tascam DR-40 is a little less expensive than H4n and could probably be had for about $100 used. You could get one or two Audio-Technica AT-2100 or MXL-770 cardoid condenser microphone or even the Behringer Ultravoice Dynamic Microphone which is only $20. These with the clean preamps of the H4n or DR-40 will give you great audio.
(5) Behringer Ultravoice Xm8500 - $100
(1) Behringer Xenyx 1002B - $100
(6) XLR Cables - $35
(1) 1/4" to 3.5mm cable - $10
Total = $245 (before tax)
I'm guessing you've got a computer, so I included a cable to run from the headphone output of the mixer to the 'record-in' on your computer. Audacity/Garage Band/etc will record the podcast fine.
This is quite literally the lowest barrier to entry for a 5 person podcast if you buy new. You could probably find this stuff cheaper used but it may take more time finding everything than it's worth- at the very least you want to make sure your microphones match (sound-wise).
The alternative is 5 guys sitting around an audio recorder or an iPhone, but that doesn't sound good nor does it allow for proper conversation, so I don't really consider that a podcast.
I just bought a mixer, 3 XLR cables and 3 XLR mics for $300.
I would look into the Mackie ProFX12V2, it's $250. Then look at the Behringer XM8500. And you can put together a good setup at a decent price. You're probably looking at $400-ish, for what you're wanting.
You could go for an omnidirectional condenser mic, but you're going to have to be careful about background noise, as it's probably going to pick everything up. Also, you'll have to be more mindful of everyone's speaking volume and nervous ticks (tapping feet, clicking pens, for example). You'll want to treat your room where you're recording, using blankets and rugs to deaden the sound.
We used to record with Four Hosts using the Blue Yeti and Audacity. It works fine, but the sound isn't as ideal as you could get from a well treated studio or using a mixer and dynamic mics.
I don't think headphones are a super necessity, but if you're using an omnidirectional mic, it'll help you be more mindful of who needs to speak louder.
Hummm this is my shopping list for the cheapest usable equipment I could find, the interface is for 8 people so don’t get that lol and the prices are for 4 people but this is about the best I can think of (they’re might be cheaper stands and getting a shorter xlr cable might be a good idea but this is kinda a baseline)
4 Microphones $80https://www.amazon.com/Behringer-Ultravoice-Dynamic-Microphone-Cardioid/dp/B0002KZAKS/ref=pd_aw_sim_267_1/134-4918017-9581726?_encoding=UTF8&pd_rd_i=B0002KZAKS&pd_rd_r=67247d59-873d-11e9-b9fc-e96a8f51671e&pd_rd_w=rl713&pd_rd_wg=YUNRU&pf_rd_p=469620d9-3e90-496d-9dc8-b19f900ba5fe&pf_rd_r=43C56ST8VNKF3SY65G3P&psc=1&refRID=43C56ST8VNKF3SY65G3P
4 Pop filters $40https://www.amazon.com/Professional-Microphone-Stabilizing-Recordings-Broadcasting/dp/B01N21H9WY/ref=mp_s_a_1_4?keywords=pop%2Bfilter&qid=1559702707&s=gateway&sr=8-4&th=1&psc=1
4 XLR cables $40 https://www.amazon.com/gp/aw/d/B003JJQMD8/ref=psdcmw_11973421_t2_B00018CXV0
5 Microphone stands $60
https://www.amazon.com/InnoGear-Upgraded-Adjustable-Microphone-Snowball/dp/B07F82BPLV/ref=mp_s_a_1_20?keywords=microphone+stand&qid=1559703326&s=gateway&sprefix=microphone+st&sr=8-20
Audio interface $150
Amazon.com: BEHRINGER Audio Interface, 4-Channel (UMC404HD): Gateway
Total: $370
Simply put: Amplifiers add amplitude. Mixers/interfaces cut back, if needed, on the amplitude, to preserve/achieve ideal dynamic range. If your signal isn't loud enough when it hits your mixing board/audio interface, you need to amplify it first, that's not the mixers/interfaces job. So Your amplifiers/other equipment should be fine tuned for ideal signal first (as best as can reasonably be done), and THEN mixers second, to achieve this dynamic range. The closer your signal(s) are to ideal before they hit the mixing board, the better when it comes to recording quality. Naturally, this is rarely the case (especially if you're playing with multiple people at the same time/for an audience), and why Mixing/Mastering/Recording is such a complicated field that requires experts, engineers, experience, and talent.
So, if your signal is not loud enough before it hits your mixer/audio interface, then yes, you need an amplifier. Period.
> so if there's a way to just run my guitar into my computer
You need an interface of some sort (this can just be the sound card mic-in input on your pc, but it's far from ideal)
> (using something to boost the signal)
That something would be an amp.
You could always get a small combo practice amp and run the headphone out to your computers mic-in port, and then have your computer "listen" to that mic-in (thus playing what it "hears" through it's speakers). Assuming there isn't appreciable play-back delay this is probably your best bang/buck solution.
I'd try that, and if that fails, get a Behringer U-Phoria UMC22, a Behringer XM8500, an XLR cable of appropriate length, and a mic clip/stand to position the mic in front of your amp speaker. That gets you a practice amp, a decent recording interface, and a very good budget mic for about $120. It'll be far far better quality than what you've got now form the sound of things, not to mention getting you some versatile equipment that you can use in future ventures.
There is other non-behringer alternatives as well of course, but I've got many XM8500's and they frankly are damn near the same quality as the $100 near-infamous Shure XM58's for 1/5 the price, and I've got two of the U-Phoria 400HD's and can't recommend them enough for people looking for quality multi-channel computer audio interfaces on a budget, so having used everything I've mentioned here extensively, I feel comfortable recommending them, as I know they work.
Handheld may be better. Tripod would be useful too. I don't know, offhand, if there are any decent handheld mics with a 3.5mm cable built in - we already had XLR mics so I went with the adapter cable. You can also get just an adapter that a 3.5mm cable plugs in to, or you can get an adapter cable that 15' or so long. There are pros and cons either way.
Remember to turn off one audio channel (I usually turn off the right channel) when you pull the video in to edit it - you can get weird phasing issues if you don't when you use the adapters.
I've seen good reviews on the Behringer xm8500 if you're on a super limited budget and can't drop another $100 on a mic. It runs for $20-30.
Are you talking about having a backing track on the computer, and then recording voice and mixing it to the backing track? Or just voice (like a podcast?)
Either way, I highly recommend a USB-mixer, like this one:
Behringer 502
I picked one up off Craigslist for $40 a few years ago. It's a great "swiss army mixer" that I use for little projects at home and on live-sound gigs.
Then start off with a solid vocal mic:
Shure SM48
or Behringer 8500
This will give you the option to easily upgrade the microphone in the future if you want to.
You'll also want a mic stand.
Audacity is awesome, and you can check out other options here:
http://www.homestudiocenter.com/best-free-audio-editor/
Go for an XLR setup, you get really good sound quality for the price:
Mic: Behringer Ultravoice Xm8500
Audio interface: BEHRINGER U-PHORIA UM2
XLR Cable: AmazonBasics XLR cable
Mic stand: NEEWER Mic arm
Total price: $68.50
Honestly, this is going to depend a lot on your budget. The more you have set aside, the more options you will have available. The minimum to get started can be you phone or any other mic/recording device you have laying around. It's not going to give you the best of quality, but there are podcasts out there that use stuff like this already. It's not optimal, but it can get you started if you don't have a budget for better options.
As far as cheap gear, the Samson Q2U is a good mic to start with. It plugs in with USB, can also be run through an interface with an XLR cable, and has a far better tone than other popular USB mics (and it's cheaper). If you have a bit larger of a budget, there are a number of quality dynamics under $100, such as the Behringer XM8500, the CAD D32, the Sennheiser E825-S, or the Audio-Technica Pro 41. There are plenty of others out there, but that should give you an idea of what's in that price range. You will need an interface for any of those mics, as well as a mic stand and XLR cable, so that adds to the cost. A setup like that can still be well under $200, depending on the interface (the Behringer UM2 is a low cost/good quality interface if you only need one input).
​
More important than mic selection though, is acoustic treatment. If you get your recording space well treated, even if it's improvised with blankets, your audio will sound much better. If it isn't treated, then it doesn't matter what mic/interface you get, it's going to have too much echo and reverb, and it's not going to sound professional.
​
Hopefully that's enough to get you started, and feel free to ask any more questions!
It depends on your recording environment. If you are just starting out and are recording in a bedroom or office I recommend a cardiod dynamic. Cardiod refers to the pattern around the mic that it picks up. Cardiod mics are most sensitive right in front of them in contrast to omidirectional mics which are sensitive to sound from any direction. A dynamic mic isn't as sensitive as a condensor mic and doesn't pick up a lot of background noise.
If you are just starting out I recommend one of the following:
One Person w/ USB mic:
Audio Technica ATR2100 -- ($69)
https://www.amazon.com/Audio-Technica-ATR2100-USB-Cardioid-Dynamic-Microphone/dp/B004QJOZS4/ref=sr_1_5?crid=3VSBIQQ3JBF11&keywords=audio+technica+atr2100&qid=1551358784&s=gateway&sprefix=audio+technica+atr2100%2Caps%2C156&sr=8-5
Neewar Boom Arm -- ($14)
https://www.amazon.com/Adjustable-Microphone-Suspension-Broadcasting-Voice-Over/dp/B00DY1F2CS/ref=pd_bxgy_267_3/130-3630075-7767759?_encoding=UTF8&pd_rd_i=B00DY1F2CS&pd_rd_r=bbd378dc-3b58-11e9-bd63-17b75475049f&pd_rd_w=hAX4Y&pd_rd_wg=0cwDw&pf_rd_p=6725dbd6-9917-451d-beba-16af7874e407&pf_rd_r=THVQ9RCXBFP8QTKXH408&psc=1&refRID=THVQ9RCXBFP8QTKXH408
On Stage Foam Wind Screen -- ($3)
https://www.amazon.com/Stage-Foam-Ball-Type-Windscreen-Black/dp/B0002GXF8Q/ref=pd_bxgy_267_2/130-3630075-7767759?_encoding=UTF8&pd_rd_i=B0002GXF8Q&pd_rd_r=bbd378dc-3b58-11e9-bd63-17b75475049f&pd_rd_w=hAX4Y&pd_rd_wg=0cwDw&pf_rd_p=6725dbd6-9917-451d-beba-16af7874e407&pf_rd_r=THVQ9RCXBFP8QTKXH408&psc=1&refRID=THVQ9RCXBFP8QTKXH408
(Total - $86)
_____
One Person - w/ XLR interface:
BEHRINGER UMC22 Interface -- ($60)
https://www.amazon.com/Behringer-UMC22-BEHRINGER-U-PHORIA/dp/B00FFIGZF6/ref=sr_1_1?keywords=umc22&qid=1551358965&s=musical-instruments&sr=1-1
Behringer Ultravoice Xm8500 -- ($20)
https://www.amazon.com/Behringer-Ultravoice-Dynamic-Microphone-Cardioid/dp/B0002KZAKS/ref=sr_1_1?crid=2DW4EVX2PF5KX&keywords=xm8500&qid=1551358987&s=musical-instruments&sprefix=xm%2Cmi%2C192&sr=1-1
Audio-Technica ATH-M20, Can use any headphones -- ($50)
https://www.amazon.com/Audio-Technica-ATH-M20x-Professional-Monitor-Headphones/dp/B00HVLUR18/ref=sr_1_1?crid=2B8B1B60ZJQ7U&keywords=ath-20x&qid=1551359014&s=musical-instruments&sprefix=ath-20%2Cmi%2C195&sr=1-1-catcorr
Knox Boom Arm -- ($50)
https://www.amazon.com/Knox-Professional-Microphone-Snowball-Microphones/dp/B07D7JTR5M/ref=sr_1_1_sspa?keywords=knox+boom+arm&qid=1551359032&s=musical-instruments&sr=1-1-spons&psc=1
On Stage Foam Wind Screen -- ($3)
https://www.amazon.com/Stage-Foam-Ball-Type-Windscreen-Black/dp/B0002GXF8Q/ref=pd_bxgy_267_2/130-3630075-7767759?_encoding=UTF8&pd_rd_i=B0002GXF8Q&pd_rd_r=bbd378dc-3b58-11e9-bd63-17b75475049f&pd_rd_w=hAX4Y&pd_rd_wg=0cwDw&pf_rd_p=6725dbd6-9917-451d-beba-16af7874e407&pf_rd_r=THVQ9RCXBFP8QTKXH408&psc=1&refRID=THVQ9RCXBFP8QTKXH408
(Total - $189)
The first group is "as cheap as you can get" and still get decent quality. The second group is definitely a better setup.
Ethan cohost of the Shieldwall Podcast https://shieldwallpodcast.podbean.com
EDIT: The second group is definitely a better setup in that it allows you to upgrade down the road with better gear. If you have the money an Audio Technica ATR2100 or AT2005 would sound a good bit better in the second list than the XM8500. But do these sound 4 times better considering them being 3-4x the price? Hard to say.
You're probably looking for a dynamic microphone. There are plenty of them around, my two picks for good cheap ones are the atr2100 or the behringer ultravoice xm8500. The atr2100 is both USB and XLR, so it works with larger mixer setups through xlr and also works on its own through usb, and the latter xm8500 needs an interface to work, and works out to around the same price when you include something like a q502usb.
Barely one at all. It's basically the same mic with a different form factor. It's heavier and harder to position, so that alone will factor into the sound quality.
This plus this is a real upgrade. Or if you wanna get a cheaper mic, this is still better.
EDIT: Probably should mention that you're gonna want a boom arm, pop filter, and the XLR to 3.5mm cable too.
Hi, I'm the co-editor for podcast production and I think I may be able to help with your questions.
Mics: Depending on your current recording space you have 2 options, Condenser or Dynamic Microphones. Condenser mics are very good at picking up detailed sound but they are most of the time to sensitive to be used without some sort of sound proofing or acoustic treatment to the room as they are really good at picking up even the quietest of sounds. but if you have a treated room or a acoustic shield then that might be an option to look into. Dynamic mics however are really good at capturing loud sounds and because of that, they are mostly used for singing and instruments. however they are also often used for narration because you don't have to go all out with the sound proofing as they are less sensitive. now since my talents are in post production, I don't need an expensive microphone to get a good sounding recording, so I just use a $20 Dynamic microphone from amazon, they're great in fact I bought 4 of them for a podcast I was doing, I can give samples if you would like. As for price, Condenser are on average going to cost more because of everything that goes into it. Dynamic mics are older tech, so they aren't as expensive. my friend who does the vocal recordings has the Rode NT1a, a rather expensive condenser microphone $229, and I record using the Behringer Xm8500 Dynamic mic $20 on amazon. so it's really up to your budget and editing know how.
Rode NT1a
Xm8500
You will also need a audio interface if you're going to be using XLR mics, which I highly recommend you do. Here's the one I use, although you may not need that many channels
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Software: I use Adobe Audition around $20 a month subscription. However I have in the past used Audacity and if you know how to use it, you can get some really good results. If you are looking to get into industry standard software I would recommend Pro Tools also I think $20 a month.
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Yes, people who don't use a studio generally record to their preferred Audio editor and mix/edit then upload to a hosting website for their podcast, the production I work for uses Blogtalk which I think has a free option. However there are many options for hosting websites (E.g. Acast, Podbean, Libsyn, Ect.) I recommend reading this website for hosting options.
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People typically find voice actors through Casting Calls which they themselves set up or by going through a casting call website, and yes voice actors are typically paid although some may offer volunteer if they're just getting out there or for charity. For the sake of professionalism always assume you are paying for their services, that way if they decline payment then that's their choice as an actor.
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If your podcast gains enough listeners then yes, you can definaty make money through podcasting, but you should never go only for making money. because one, it takes a while ti gain listeners and two it's just no fun if your only in it for the money.
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I remember being exactly where you are now asking these questions, so If you need any help don't hesitate to ask. I hope this helps :)
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TL,DR
Mics: I use a $20 Dynamic mic which gives me great recordings, although there are more expensive and higher quality options out there.
Software: I use Adobe Audition to edit everything but there are a myriad of other audio editing options out there including the free software Audacity.
Yes it can be as simple as Record/Edit/Post depending on what your doing and the type of podcast your going for.
You find actors through casting calls, and typically you always pay actors for their services. Always expect to pay.
Yes you can make money through podcasting depending on your listenership and Ads and things like that.
That X/Y mic is great for recording in stereo, but that would make for a weird listening experience I think. If it was all you had, then you'd make it work, maybe combine the L/R tracks into one Mono track so as to avoid being distracting, but since you're not intending to try that, I'll shut up about it.
You've got the right idea wanting ISO tracks of each speaker. Makes editing MUCH more effective. It's also SOP these days for stuff like this. (In the old days of analog recording up through even a few years ago, you wouldn't have the data-writing speeds or bandwidth to record 5 high-quality digital audio tracks to the same hard disk at the same time, so you'd have a dedicated mix engineer whose main job would be to constantly 'ride the faders' on the five people speaking so that the output was clean, clear, and easy to listen to. MAYBE you'd edit, but if you did, you did it with a razorblade and scotch tape. Post-processing was minimal compared to what a lot of folks do today as well. Especially for radio.)
ANYWAY. Forgive the wordsalad.
WAIT! More wordsalad: I should offer up a bit of a correction to my last message, too, because I was using cardioid/omni reasoning that would apply more to standard mics, not lavs. So I changed my mind. Go with omni :-). Reason: Because of how microphones get built, and how lavs are used, the 'dead zone' on the cardioid version would just...point at the floor. So. Not much in the way of rejection in any case. Plus, the more directional the mic, the more careful the speaker has to be not to move their head while they're talking, which is harder to remember than it sounds. With that in mind...
Movo LV4-C: Get these, I think. Maybe just buy one, test it to make sure it's not utter crap, and then buy the rest. There's a favorable comparison to MXL in the comments, and they have some of the best budget-mics I've used. They're never going to replace a lectrosonic or sennheiser or electrovoice or shure or or or...but they'll get you there if you don't have $2000 to spend on mics alone. And by the looks of it, the LV4-C mic may well be a copy of the MXL mic referenced, if not the exact same hardware with different branding. So, even better. Not a pro mic by many measures, but it'll do the job and be an improvement over nothing.
As for the rest:
Shure CVL: The adapter you'd need to run these costs a minimum of 20 bucks apiece. Doesn't justify the cost, plus: adapter. More stuff to forget, more stuff to break.
Behringer XM1800: These are probably ::choke:: fine? But You'd need stands and cables and also they probably don't sound any better than your laptop mic. So...they could work, and 80 bucks for six mics is just a ridiculous price. Couldn't hurt to try, I suppose. Still, with the lavs, as long as you affix them correctly, you'll have the least amount of stuff to worry about while you're recording.
Goliton Cardioid Lav: NO. No. Please just...not these ::Cries::. These would be WORSE than just screaming really loud and hoping your neighbors can hear and enjoy your show.
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If you do get the lavs, check out this pic of a 'Broadcast Loop' for an example of a good way to minimize cable noise and strain on the cable. (Although with a cheaper mic, I'd use a bigger loop than you see in the pic to avoid breaking the cable. You're not doing this on video are you?)
And for that 5th mic, the inline preamp /u/matgoebel doesn't actually supply phantom power, so it wouldn't work for your setup. Keeping it cheap, something like this might do the trick, but it's one more piece of kit.
So here's a question(s) to consider, in no particular order of importance:
If it is, then it is. But if it's not, you could always go the dynamic mic route, which means you wouldn't need phantom power on ANY channel, hell—even handheld would be fine if you don't want to mess with stands, just be careful to have some slack in the cable coming off the mic—don't let the mic support the weight of the cable. Those Behringer mics are worth a shot, although after listening around I think if you go that route you might want to check out these Behringer 8500s instead. They're a little meatier sounding, not quite as harsh, which I think you'd end up preferring in the long run. (Until you can afford THE VOICE OF GOD)
EDIT: fixed my own stupid markup mistake.
> then an XLR cable to 3.5mm jack into the motherboard's sound card.
FTFY.
You really need a preamp, possibly an EQ, and better room acoustics. Then depending on the pattern of the mic, you need to learn how to position it.
BUT - you don't need a condenser mic for your voice/podcasting. Condensers are designed to pick up every little nuance.
You'll want a dynamic mic - There's a reason the (dynamic) EV RE20 is still the defacto standard for radio DJs. You don't need a mic to pick up everything when it's for a human voice (being broadcast), and you're going to compress, gate, and EQ it as well.
If you're shying away from spending a grip of money, I'd seriously look into Behringer's products - This is pretty much all you would need (besides a quiet, dull room).
Lots of things you can do with $25 on Amazon:
Behringer Ultra Vibrato UV300 pedal ($25)
Behringer Ultra Chorus UC200 pedal ($25)
Rock Band 25-key MIDI keytar ($24)
M-Audio SP-2 sustain pedal ($14)
Behringer Ultravoice XM8500 dynamic vocal mic ($20)
Auphonix 6" double mesh pop filter ($19)
Behringer Ultra-DI DI400P passive DI box ($20)
On-Stage single X keyboard stand ($22)
Andoer melodica ($20)
Andoer kalimba/mbira thumb piano ($12)
Big Thunder Tube ($30)
Small Thunder Tube ($8)
Angled Thunder Tube ($28)
Meinl Percussion 8" claves ($6)
Stylophone ($24)
Cables
Cable adapters
Yes, there are recorders that can record multiple tracks. Like the Tascam DR-40 has XLR inputs. I'm not necessarily endorsing the Tascam. I have the DR-05 and find it acceptable quality. Something like the Zoom H4N has XLR connectors built in, so you could record a mic into those and use the built in condenser mics to record your guitar.
You left out some relevant information: Budget, can your guitar be plugged in or will you mic it? Do you have a pretty sound free workspace?
I think budget is the most important part here. I interpret 'nothing flashy' as being a cheap as it can get without being poor quality.
I'm gonna link to listings on Amazon because it's easiest, but B&H or if you live near a Guitar Center might be a better place to buy.
A possible setup:
If you need/want to mic your guitar then consider the SM-57. It is nearly identical to the SM58. Here is a guy demonstrating using one to record his guitar.
This guy's video makes me wonder if just an SM57 with a decent preamp (i.e. one with clean gain) might be all you'd need... but that isn't ideal. You could go with two XM8500s, one for guitar and one for vocals ($40). Or one SM58 for vocals and one XM8500 for guitar($120). That all comes down to budget and preferences.
Potential Changes & other thoughts -
A more expensive preamp - ART Tube Dual Mic Preamp With USB - $190- this has some compression and a limiter. It's debatable whether in this range it would be better to get a decent mixer, a preamp for your vocals, and let the preamp on the mixer handle the guitar, or if something like this would be better. Like a Behringer mixer - Q802USB ($80) + ART single channel Preamp for vocals ($40/$50) would be less money than the Dual USB preamp.
Or maybe just the Q802USB would suffice for your needs. It has preamps already built in. They are not the best preamps in the world. I mean... after all I wrote above, the more I think about it the more I think you should try a Q802USB and see if the sound is what you're wanting.
Headphones - Add in some headphones to monitor your audio. ATH-M40x ($100) would be my recommendation, but this is where a lot of personal preference comes into the mix, no pun intended.
Different mics - Rode has some mics that compare the the Shure SM57/58 that might be better. And the options for mic are virtually limitless, when you consider not just the mics can vary, but the audio interfaces and processing options. I really think a dynamic mic will be most user friendly for a one off home recording.
I hope I haven't confused more than I helped. I think the essentials are this: good mics, clean gain, easy to use. Whether you get the dual channel ART preamp or the Q802USB, either will be easy to use. I would bet the gain on the ART preamp is cleaner, meaning less background hiss at higher levels, than the Q802USB, but perhaps that is just an unreasonable bias. In either case, the mic is going to be important and where your budget plays a big role. The SM58 and SM57 are superb for vocals and recording guitar. A condenser might be better if the acoustics of your recording space allow for it, but I hope you saw from the video I linked of the guy recording his guitar with the SM57 that a great sound can be achieved with a $100 mic. If that is out of your budget, keep in mind the XM8500, but the sound is not as clear as the Shure mics it tries to emulate.
Here's a short lists of what you need to start recording:
Computer: I'm assuming you already have this, it allows you to do work.
DAW: stands for Digital Audio Workstation, and this is where you'll be doing most (if not all) of your work. A popular and cheap option is Reaper, but you can also use a less powerful (and free) program like Audacity. I would recommend starting off with a "full featured" one like Reaper (which I believe has a 30 day trial period?) because if you do end up getting really into it you'll be glad that you have a bit of background knowledge. Some might argue that certain DAWs are better than other, but it really boils down to personal preference. All DAWs can allow you to have multiple tracks going on at once, for instance, overlaying lyrics over an instrumental track.
Audio interface: this is the hardware that sits between your computer and your instrument/microphone. It allows the signal from the microphone to be converted from analog to digital which the computer can interpret. If you're just starting out, go with whatever you can find on eBay or Craigslist, but make sure it has what you need (correct number of input/output, USB or firewire connectivity, phantom power if you're using condenser mics).
Microphone/instrument: without this, you won't get far. The microphone you linked above I think is generally used for vocals, as most condenser microphones are. A solid recommendation that a lot of people give is the SM57 dynamic microphone for micing cabinets or instruments; some people even use it for vocals (myself included, 'cause honestly, it gets the job done).
The link that you gave looks like has a microphone and a DAW, but no audio interface. I think this might be because the microphone itself has some kind of hardware on the inside to be a plug-and-play, using your computer's motherboard as an interface. So for now if you wanted to use that package for recording instruments and vocals with that specific mic, you're good.
My personal recommendation to start writing music without breaking the bank that will leave you a lot of flexibility going forward:
Interface: some random 2-input audio interface with decent reviews Keep in mind that you would only be able to use dynamic microphones on this, as condenser require 48v phantom power.
Microphone: simple dynamic mic
DAW: I highly recommend trying out the 30-day trial of Reaper, but like I said, this is all your preference.
Bottom line: the Blue Yeti All-In-One can get you started, but it has limitations (no audio interface) if you want to start getting deeper into it.
Sorry if this is a bit rambly, I'm at work and kept getting distracted while writing this, let me know if you need any more info or clarification.
Ok, Thank you. Here is a similar setup to what I use. My personal one is a bit more sophisticated but nonetheless, these items will certainly get you started and aim you in the right direction.
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Let's start with the Mixer:
Your mixer will be your new interface. Rather than plugging one microphone into your computer you'll plug all your microphones into one mixer which then will be connected to your computer via USB.
Microphone - Mixer - Computer
Here is a good starter at a decent price. It'll be your most expensive single piece of equipment (unless you decide to get top tier microphones). You'll be able to EQ and set levels to each microphone hooked up to the mixer before sending it to Audacity (or Audition, Reaper). You can also hook up more than 3 mics, a guitar, your phone, maybe you want to hook your computer up to it to play a sound, basically anything that sends one signal to another, you'll be able to do it with this and record it.
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Next Microphones:
If you're able to hook up a mic cable (XLR) to your Blue Yeti, you can still use that microphone, too. Obviously, switch your polar pattern to cardioid that way it's more directional and doesn't pick up as much room noise. Also, try to point it away from your AC unit. Regardless, since the Blue Yeti is a condenser microphone, it'll pick up more room noise because it's much more sensitive. That's why in broadcast situations you'll always see dynamic microphones such as the Electrovoice RE20 or Shure SM7b. For your own sake, I would do some research on condenser vs dynamic but any website you shop at (or if you go to Guitar Center in person) you can filter microphones by condenser or dynamic. I highly recommend buying yourself 3 dynamic microphones to reduce room noise.
Here are my microphone recommendations:
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Finally, your Accessories:
You'll need 3 XLR's to hook 3 microphones up to the mixer. I recommend purchasing them from monoprice.com - very cheap cables that last a long time if you learn to wrap your cable correctly.
Same with your microphone stands:
Most microphones you buy will come with the mount for it. If you get the Behringer XM8500 or the Shure SM58 you might need one of these if it doesn't come with it:
Also, for both of those mics I definitely recommend buy either a pop filter or wind screen to put over top to reduce plosives. If you don't know what plosives are, google it. You wont need to worry about plosives if you purchase the Rode Procaster or RE20.
One very last thing to mention is headphones. Through the mixer, there is a headphone jack where you can plug headphones in to monitor the mix. However, there is also something called "Main Out" or "Control Room Out" - you can send your vocal mix to an external Headphone Amplifier/Splitter that way you and your friends can all listen to the mix in real time.
Audacity is a good program but I recommend getting familiar with Reaper The trial version is free version and I think after the 60 day evaluation you're still allowed to use it although it may press you to buy it. I personally use Adobe Audition but that requires a subscription. If Audacity works fine for you, then by all means.
I apologize for the long post and I hope it's not too overwhelming. Mixer, Microphones, Cables, Stands, and headphone splitter is basically what this whole post is about! Feel free to ask questions.
If all else fails just find a podcasting kit to purchase from somewhere and go from there http://www.bswusa.com/Podcasting-Packages-BSW-Internet-Radio-Going-Pro-Kit-Dual-P10534.aspx
For the love of god, do not buy a Blue mic. I don't know how they got a reputation for making good mics. I think they are terrible.
The best cheap mic I've heard is the BEHRINGER ULTRAVOICE XM1800S (affiliate link). But, it comes in a pack of three for $40. Could work if you can find friends to split with. Still all three are cheaper than the ATR2100 (which is in fact an amazing mic).
There was a booth at Podcast Movement in which I was able to test about a dozen different mics. If you want to listen, it's up on my Dropbox here. The Behringer is the first mic on this test. You can even listen to how much background noise the Blue Yeti picks up. Awful, awful mic in my opinion.
EDIT: Just noticed there's also a Behringer Ultravoice Xm8500 (affiliate link), that goes for $20 for one. I would suspect (and the Amazon ratings suggest) it's as good as the three-for-$40 model.
EDIT EDIT: Also just realized the ones I listed above are XLR. You'd need an XLR to USB cable, about $10.
Everyone here hit the nail on the head. Condenser mics like the one you have are death in these situations. I've been using the Behringer XM8500. Great mic, always getting compared to the Shure SM85, and only $20.
I have no idea if this is the right place to ask, so I waited until this thread to ask it, It's a silly question but if anyone can help I would greatly appreciate it. We will be attending a convention coming up and may need to take some relatively quick camera interviews, for a camera we use a phone to shoot in 4K which is more than capable for these interviews, however the audio is quite bad and loud in the environment. My question is: Could we use this Microphone http://amzn.com/B0002KZAKS connected to this http://amzn.com/B00FC4YR58 (Going into a Mono to Stereo converter) and record interviews directly to the phone this way? In theory it seems it would work, but I honestly am not sure which is why I am here. These interviews really aren't important enough to go the extra mile and use something like a Zoom H4N. Any help would be greatly appreciated, even though I know this is a bad question. Thank you.
If you have a lot of background noise your going to want a dynamic mic. Something like this behringer would be good.
. https://www.amazon.com/gp/aw/d/B0002KZAKS/ref=psdcmw_11974701_t2_B002HJ61PK
Looking to get a mic for recording voice and for use chatting in video games.
I was looking at this but I realize I would need an audio interface which would require spending money on said interface. I might upgrade mics in the future but I'm not sure I want to spend that much and am also considering just getting a USB mic.
What should I do?
Hi! im looking for input on which item to add to my audio kit next.
Both of these items cost the same - $299
The Rode TX-M2 Wireless Mic
or
The Rode TX-XLR Transmitter Pack
^^^ I have the receiver covered for both, with a Rode filmmaker kit
Current Audio Kit for an idea of tools at hand:
REG/K_Tek_KE_89CC_KE_89CC_Avalon_Series_Aluminum.html) (XLR attaches at base of pole)
Looking at the TX-XLR i would use it with my handheld mic, the NTG 4+ & DR-40. The handheld mic to use during run and gun reporting or interviews, eliminating the string hanging/running from the mic to the Filmmaker kit on their belt/pocket, which sometimes gets snagged and it would also clean up the look of the interviews. On my NTG 4+ shotgun mic with either a boompole or placed remotely at an event or interview. (I understand this can be completed with the transmitter from my Filmmaker kit.) 2 other sides i see are, if i wanted to upgrade my handheld mic, it would be additional $$$, but wouldn't limit me to the same mic over the next few years, i can upgrade mics for so many years and always be able to connect to the filmmaker reciever
Looking at the TX-M2 it would be my handheld Mic upgrade/replacement (hopefully future proofing me for the next few years) using it for the same run and gun reporting or interviews (no string running to a belt/pocket) but unsure if this buying the mic locks me into it being "limited" to a single use, just as a handheld mic. Also if i decided to upgrade mics in a few years, i would need another all in one wireless mic or purchase a transmitter pack and mic.
I see positives in both, but would love to hear others input, so what are your thoughts on the direction to go?
The Behringer XM8500 is a really good quality and cheap microphone with really solid build quality. There's also this video review gives a really good insight into it too.
Infact, I'd recommend podcastage for any microphone and interface queries because he does some really good tests and reviews.
How are you doing it currently? Do you have an example of how it sounds? Possibly a lot of background noise?
Latency is the delay between when you (say) hit a note and when it gets recorded. A massive latency would mean things were out of time, but wouldn't give you any static.
A cheap solution:
Microphone:
https://www.amazon.co.uk/gp/product/B0002KZAKS/ref=oh_aui_detailpage_o01_s00?ie=UTF8&psc=1
Mixer/Audio interface:
https://www.amazon.co.uk/gp/product/B005EHILV4/ref=oh_aui_detailpage_o09_s01?ie=UTF8&psc=1
You'd need an XLR to XLR cable as well. There are more expensive options than these, but these are good for starting out.
As far as I'm aware there's no difference between XLR and jack - the audio interface I link has a combined XLR/jack input.
No, we don't "need" wireless, nor do we gig enough to justify the cost. In fact, part of my goal here was to convince my groupmates out of wireless so I could guide them to a cheap wired solution. The one reason wireless would be great is that NYC stages are very cramped and having wires on them basically prevents any real movement and saps energy.
I did not, however, think of renting, but even that seems like it would be a poor choice when I could get everyone their own handset for $20 apiece. I got this Behringer XM8500 just to make sure I have a decent perc mic for the venues that don't have enough handsets (i.e., all of them) and it's basically a poor man's SM58, doing the job for my purposes (but I'd never bring it to a serious show at a serious venue). I figure 15 of those would do the job just fine and we won't need a sound board because all the in-house systems would connect to us.
Thanks for your thoughts. Any other ideas?
Unfortunately I'm no expert in the area.
You'd probably be better asking in something like /r/WeAreTheMusicMakers
Getting a mixer second hand is probably your best bet, but off the top of my head you'd need something like:
But please ask some experts, I've no idea if that setup would actually work. You'll be needing those 6 things though (1x Mixer, 2x Mics, 2x Mic Cables and 1x 3.5mm Mic jack to Mixer connection cable), maybe not those specific models though.
True. I've been using a h1 zoom recorder i have for a mic that i didn't purchase for pc voip(but it works great). If didn't have that i would use this mic with this to keep under 200.
Recording studio under $150
First of all, buy everything in this video. It’s literally the cheapest way to get started unless someone is giving you everything. The interface allows for real vocals, guitar, and bass. I’m not trying to be a dick cause it’s awesome that you are diving into this, but you’re midi guitar and bass sound like trash and it’ll never be as good as the real thing.
Next, get better at making your drums sound more human. There are tutorials on YouTube about making them sound less robotic. I’m all about recording cheaply, and I use the same program as you in Reaper. I’m not the best, but my demos have improved greatly. Adjusting velocity, less fills, pull your drums back in the mix, use loops that complement the song, etc. you can setup MT so that every drum element is its own track. Tweak til satisfied and then run them to a master bus.
Finally, subscribe to this guy, watch, and profit.
awesome Kenny ](https://www.youtube.com/channel/UCq297H7Ca98HlB5mVFHGSsQ)
Bonus stuff:
XM8500
Solo
Katana 50
For that, I would download Mixcraft 6 demo for PC or just use garageband for Mac. Look up tutorials for making midi loops and drum loops and just play around with it. For downloading instrumentals, find something that you feel like you could rap over it. Once that's all done, look up how to mix and master vocals on whatever software you use. I would recommend a better mic and a preamp.
Interface/preamp
Mic
order it with the XLR cable and windscreen.
That should be fine for equipment, and then use your DAW to record and mix.
I agree with tplgigo. Here is a link to a decent mixer, mics and mic cable.
MIXER:
https://www.amazon.com/Behringer-802-Premium-8-Input-Preamps/dp/B000J5XS3C?SubscriptionId=AKIAILSHYYTFIVPWUY6Q&tag=duckduckgo-d-20&linkCode=xm2&camp=2025&creative=165953&creativeASIN=B000J5XS3C
MICS:
https://www.amazon.com/Behringer-Ultravoice-Dynamic-Microphone-Cardioid/dp/B0002KZAKS/ref=sr_1_4?crid=16DVZ2YVY2R7F&keywords=behringer+xm8500+microphone&qid=1571594175&sprefix=behringer+xm8%2Caps%2C151&sr=8-4
XLR Mic Cable (Pic the lenght that works best for you).
https://www.amazon.com/AmazonBasics-Male-Female-Microphone-Cable/dp/B01JNLTTKS/ref=sr_1_1_sspa?keywords=xlr+cable&qid=1571594240&sr=8-1-spons&psc=1&spLa=ZW5jcnlwdGVkUXVhbGlmaWVyPUEzME9ZTFFaNERWU1dFJmVuY3J5cHRlZElkPUEwNjk3ODA0MzdCSks2STBYWlVQTSZlbmNyeXB0ZWRBZElkPUEwMDQ3NzA5MjIyT1oxTjVDUkdBUCZ3aWRnZXROYW1lPXNwX2F0ZiZhY3Rpb249Y2xpY2tSZWRpcmVjdCZkb05vdExvZ0NsaWNrPXRydWU=
this is $30
Would this mic and This mixer work? apparently I wanted to start recording stuff and got these a while ago and have been putting it off.
This one? Damn, good find! Thank you!
If you're looking for some solid mics that don't break budget I recommend The Behringer Ultravoice Xm8500 . Only cost 20$ for one and I have to say it's a pretty solid mic. They also sell a 3 pack of the Behringer Ultravoice Xm1800s for around 40$.
That's tough.
This is what I am thinking. Get two of these and record everything on your Zoom H1. That's the cheapest thing you could do that would sound ok. Don't use USB mics. Always avoid them at all costs. If you ever decide to upgrade get a good preamp first.
What he said. Are you practicing to sing live or in the studio? If you want to practice live mic technique you really should use a dynamic mic. The great option would be an SM58, and the cheaper option would be a Behringer Mic. If you are practicing for studio work you should be using headphones.
So, a headphone splitter will only feed outward from a source, you would not be able to capture a microphone and feed that into a computer to mix into your stream. And like I said, if you want the best quality, have 1 mic per person.
For up to 4 mics I would get these microphones: https://www.amazon.com/dp/B0002KZAKS/ref=wl_it_dp_o_pC_nS_ttl?_encoding=UTF8&colid=292074DNOL1VR&coliid=INXXPO6Y015HZ
This audio mixer, which will only connect up to 4 microphones via XLR: https://www.amazon.com/dp/B008O517IW/ref=wl_it_dp_o_pd_nS_ttl?_encoding=UTF8&colid=3QOBG8ZG11MY7&coliid=I2FAJU33T9L7ZR
Something like these for XLR cables: https://www.amazon.com/Pack-Foot-Female-Microphone-Cable/dp/B00X7YJUGG/ref=sr_1_3?s=musical-instruments&ie=UTF8&qid=1492408487&sr=1-3&keywords=xlr+cable+4+pack
And these stands for the mics: https://www.amazon.com/PYLE-PRO-PMKSDT25-Adjustable-Desktop-Microphone/dp/B005MII5MK/ref=sr_1_10?s=musical-instruments&ie=UTF8&qid=1492408533&sr=1-10&keywords=mic+desk+stand
Many people here have already recommended the SM58, so I'll spare you that one.
The two I've used besides the SM58 are:
Behringer C3 condenser mic - Worked pretty good, but ultimately I'm not a big fan of the tone on this mic. Has a hard time picking up lows and since it's a condenser, got lots and lots of room noise.
Behringer UltraVoice XM8500 - My current mic. I highly recommend it for a cheap dynamic mic. For the difference in cost between this and the SM58, the difference in quality (at least for the application of lets plays) is pretty small. Yes, the SM58 is a better mic, but the UltraVoice picks up my voice in a much more pleasing and enjoyable tone. And it's 20 bucks, so...
What's your budget like? Here's a $70-80 budget setup that actually sounds quite good for voice overs:
I'm going to - Both shure mics were recommended as good mics under $50 just wanted some more opinions on them.lly not sure where to start and i need some suggestions. I've found a few, if you could give me your thoughts on them as well.
Behringer Ultravoilet xm8500 - This was suggested in the U.S gamer section, wondering if its a good choice considering how cheap it is.
Sure PGX48-XLR
Shure SM48-LC - Both shure mics were reccomended as good mics under $50 just wanted some more opinions on them.
I've done a bit of research and i think dynamic would probably be better for me, as I'm in a somewhat open room and i fear a condenser microphone might pick up background noise, or my loud keyboard.
I might end up with a Scarlett solo audio interface soon, so I'd like to get a mic that i can take advantage of it. I plan on using it for chatting over discord, games, and recording voice overs. Thanks in advance!
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I would really look for an 58 clone. A 57 sounds nice but the missing pop filtering makes it hard to use live, especially live when playing the guitar. I would recommend something live this https://www.amazon.com/Behringer-Ultravoice-Dynamic-Microphone-Cardioid/dp/B0002KZAKS (they have even cheaper ones in a 3x box)
Save your money for that helicon thing and just use the reverb of the soundboard, its all you really need.
First up, I'm a complete noob.
I know in these threads people discard what's asked re:price because they know better, but I must stress that I really don't want to pay too much for this, which is why I'd rather something like these [1] [2] instead of a couple of Shures for £200.
Thank you!
as for headphones I'm not really sure what to recommend, as there are so many options and I'm not sure what your preferences are, but maybe take a look at the Sony MDR7506 (these are ~$75 USD, but can be had for less in the used market as they have been in production for like 20 years) and the Phillips shp9500 ($70-80, open back, great all-arounder)
for the mic this is a very good and inexpensive setup, as long as your PC has decent built in sound card (I use this exact setup and often get compliments on my mic quality, you can't beat it for ~$40 total)
Mic: Behringer Ultravoice XM8500
Mic Stand: Innogear Mic Stand
Mic Cable: 3.5mm to XLR cable
sorry my prices are in USD, not sure about the price difference in CAN
It probably is, which is why I recommended the $20 Behringer vs the $70 Blue Snowball. Generally speaking, condenser mics (snowball) are more sensitive than dynamic mics (XM8500). This is why they work so well in sound-proofed studios vs on stage, where dynamics really shine. Therefore, there is greater likelihood that you will pick up the fan noise/TV with the Blue. And since you are gaming, keyboard/mouse clicks will also probably be picked up.
Alright I bought the M40x and just a cheap actual mic to go with it.
Ballin on a budget
Sorry to bother you again, but what do you think about this one? The $20 price tag is really appealing to me, and I was wondering if it'd work with an XLR-to-USB cable, dropping the preamp? Thank you!
They're probably outside your budget. This would work and should be budget friendly:
6Ft XLR Female to 3.5mmm Mono Male Cable $5.99.
Headphones/Mic splitter TRRS, $6.99.
Behringer Ultravoice Xm8500 Dynamic Vocal Microphone, Cardioid pattern, $19.99.
Total investment per person: $32.97
Edit: I'm assuming with this setup that everyone has a smartphone. If a newer iPhone, you'd need an additional lightning to 3.5mm adapter. Ugh.
Although I'm sure the SM-57 works much better, I've got absolutely no complaints about these $20 Behringer mics. I have 4 of them, and I've used them on a ton of stuff - djembe, electric guitar and bass, and live vocals.