(Part 2) Reddit mentions: The best camera & photo lighting products

One of the cool things about lighting is that you can create light with a variety of different things, so you can really play to your budget really well. As others have recommended, if she's serious about learning to light, tell her to check out Strobist, read his tutorials, buy his DVDs, the like. She'll learn a ton and David Hobby is a great writer. His blog is awesome, too.

As for a basic setup, she'll need some sort of light source, a diffuser (or light modifier or some sort), and some way of triggering that light if it's a strobe. That's the very basic setup. Fortunately for her, she can do this for $10, $20, $50, $100, or $1000. Whatever she (you) are willing to spend on it.

If she's trying to do it on the cheap, she can grab a lamp from Ikea (match the type of the bulb with the type of lighting the food will be in. If she's in a kitchen with flurorescent lighting, get a fluroescent lamp), a work light in a clamp, etc, some paper (try tracing paper or wax paper as it's more translucent), and some tape. Stretch the paper out so that it covers a nice area, tape it up to some boxes or something so it stands, and shine the light through it so it's nice and evenly lit. The only thing that affects the "softness" of light is the size of the light source, so the paper is useful for spreading out the focus of the bulb in your lamp and giving you a nice big source. Be creative, move the lamps around, try layering on the paper or removing the paper. Just play with it and see what works. She'll probably need a tripod and a slower shutter speed though, since these lights aren't incredibly bright. Here's another idea using the same equipment for inspiration.

Moving up in the budget, she can start to explore the world of flash photography, and start playing with strobes. These cheap YongNuo Flashes (and there are other models that are great, too) are surprisingly good, reliable, and cheap! I own a few and use them all the time. They come with stands, but she could tape them up around for better angles. Just one of these off camera, or angled properly can make her photoghraphy stunning. Start by placing them off to the side, aimed at the food, and triggering them with the on-camera flash and the strobes set to "optical slave" mode. Tell her to turn down the on-camera flash power to very low as to not give the food a bland look, and just use it to trigger the off-camera flash. Exposure here gets a little more tricky, without going on a huge rant (I could if you want, just let me know), but she should be able to figure it out. Start on low power, and dial it in more and more until she gets the look she's going for. Then, start experimenting and playing more! Use that same paper as before for a quick and dirty diffuser, or, if you want even bigger, softer, light for free, crank the power and shoot it onto the ceiling. The reflection will give her a great, even light source that compliments nearly everything nicely. Play with the built-in diffuser too, bouncing off different things, etc. Shoot, see what works, have fun, and learn. There's a lot to learn, and she'll learn best by just throwing things at the wall and seeing what sticks. Just make sure she's having fun and not stressing too much! If she needs more help, just throw me a question, google around, or post to this forum. Someone will be able to help.

From there, she can keep expanding upwards. More flashes, umbrellas, light stands (make sure she has all the necessary hot-shoe adapters, or umbrella mounts she might need), snoots, grid spots, and other sort of modifiers she might want to get the look she's going for. Worth noting that most things here can be made with some creativity and some crafty DIY work.

Oh, I'd also urge she get a set (or two) of gels for her lights, mainly the CTO (colour temperature orange) and CTG (colour temperature blue) so she can match the colour of her lights to whatever the ambient light is.

Hopefully this helps. If you have any questions or need more help, just let me know. :)

> would like to go with Yongnuo for the triggers (YN622) and flashes themselves (probably 1 565EX and 1 560).

Good choices. But, you could get a 568EX which supports High-Speed Sync. This would allow you to use flash more effectively outdoors during the day. Otherwise you are limited to the normal sync speed of your camera.

The YN-622 support HSS so you're good there -- if you get a 568EX.

> I have no idea what to go with for the stands (Maybe Manfrotto Nano or Lumopro Compact?)

Both of those lightstands are great. I've actually found generic ones that I'm somewhat happy with: http://www.amazon.com/Ravelli-ALS-Cushioned-Included-Equipment/dp/B003TM600U/ref=sr_1_1?s=electronics&ie=UTF8&qid=1410198056&sr=1-1&keywords=ravelli+heavy+duty+light+stand

> swivels

What's important with an adapter is that it's full-metal -- none of this plastic housing or cold-shoe bullshit. I have these and they're fine: http://www.amazon.com/gp/product/B004EGE39A/ref=oh_aui_detailpage_o03_s01?ie=UTF8&psc=1

> umbrellas

Are you sure you want to go with umbrellas? A softbox may be better for on-location work, especially without an assistant (outdoors, with an umbrella and no assistant, if it's windy, you're pretty much screwed). You may want to get one umbrella and one softbox, that way you can switch them between key and fill in two light setups, and pick whichever one is more appropriate for one light setups.

If you do want to go with umbrellas, size is the primary consideration. ~45" is probably a happy medium for on-location. I have had some ~30" umbrellas and found the light quality to be not so great. And I have a ~60" that I love, but rarely take on location unless I know I will have a lot of room indoors (60" umbrella is a big fail outdoors, even in low wind) and not have to move around a lot.

Another thing is the ribs -- aluminum ribbed umbrellas may wear out quicker. However, I don't think that umbrellas are a "buy it for life" thing at all and I've never been concerned about build quality in my umbrellas.

I use and recommend Impact convertible umbrellas.

If you want a softbox, I can recommend Westscott Apollo 28" as a good on-location softbox for hot shoe flash.

> I'm also not sure what modifiers to pick up for using an on-camera flash, like a softbox (LumiQuest Softbox or Lastolite Ezybox?), the Gary Fong Lightsphere that everyone has, or something else (LumiQuest Quik Bounce?).

Modifiers for on-camera flash don't actually do much. A bounce card of some kind is nice to offer catchlights when the light is bounced but that's about it. Save the money that you would have spent on on-camera modifiers and buy Neil Van Nierk's books and some beer instead.

> I will put some good rechargeable batteries (Eneloops?) into my budget

Good.

> is there anything else that I'm missing?

Since I do a lot of run-and-gun type work at festivals and conventions (often conventions have very high ceilings and bouncing the flash is difficult) as well, one thing that is very helpful to me is my painter's pole and a Kacey Pole Adapter ( http://www.amazon.com/Kacey-Enterprises-Pole-Adapter-Extension/dp/B00ANZVFME/ref=sr_1_1?s=electronics&ie=UTF8&qid=1410198878&sr=1-1&keywords=kacey+pole+adapter ).

Check out Syl Arena's blog here: http://pixsylated.com/blog/longarm-and-metalhead/

While it's ideal to have an assistant, I often use the pole solo. By simply holding the painters pole as if it were a walking stick (maybe you could say a wizard's staff at the con), with the end on the ground, in one hand and shooting with the camera in the other hand. In order to shoot like this, you will generally want to use a shorter focal length to get directionality and softness in the light. I try to shoot 5 feet away from the subject with this setup. The smaller shoot-through umbrellas are great here because placement is less precise. But you could use the 28" softbox as well.

PCPartPicker part list / Price breakdown by merchant

Type|Item|Price

----|:----|:----
CPU | Intel - Core i3-8100 3.6GHz Quad-Core Processor | £91.14 @ Aria PC
Motherboard | MSI - B360M PRO-VD Micro ATX LGA1151 Motherboard | £66.99 @ Ebuyer
Memory | ADATA - XPG GAMMIX D10 8GB (2 x 4GB) DDR4-2666 Memory | £84.50 @ Amazon UK
Storage | Kingston - A400 120GB 2.5" Solid State Drive | £23.99 @ Aria PC
Video Card | Asus - GeForce GTX 1050 Ti 4GB Phoenix Video Card | £143.99 @ Aria PC
Case | Fractal Design - Focus G (Black) ATX Mid Tower Case | £41.99 @ AWD-IT
Power Supply | Corsair - CXM (2015) 450W 80+ Bronze Certified Semi-Modular ATX Power Supply | £47.99 @ Amazon UK
Case Fan | Cooler Master - SickleFlow (Red) 69.7 CFM 120mm Fan | £9.33 @ CCL Computers
Case Fan | Cooler Master - SickleFlow (Red) 69.7 CFM 120mm Fan | £9.33 @ CCL Computers
Monitor | Hannspree - HE225DPB 21.5" 1920x1080 Monitor | £75.41 @ More Computers
| Prices include shipping, taxes, rebates, and discounts |
| Total | £594.66
| Generated by PCPartPicker 2018-05-15 01:20 BST+0100 |

CPU: Intel i3 budget processors are getting better and better, 4 cores is plenty for gaming, and the 3.6 GHZ clock speed, although it doesn’t turbo, is still pretty good!

Mobo: Intels mid range chipset, and this one has 4 RAM slots so you could put in another 2x4 kit for a total of 16gb if you need in the future, but 8gb will be plenty for now as long as this is mostly for gaming and not a lot of programming/editing.

RAM: DDR4 RAM at the highest clock speed supported by the mobo, 2666mhz. Like I mentioned above, this could be upgraded to 16gb in the future.

GPU: 1050 ti is perfect for running games at high settings, some easier games at epic, some more difficult at a combo of medium and high, at a steady 60fps at 1080p.

Case: Good case which gets good reviews and is easy to customize as the 2 main front fans are easily visible, and it has a window and good airflow.

PSU: Solid PSU, and 450w will be plenty for this build.

Fans: 2 basic red LED fans, but feel free to get any color that you want, I just think black/red looks cool but it’s really up to you. Also, if you’re want to illuminate the inside of the case, go ahead and get an cheap but solid RGB lighting strip kit like this - https://www.amazon.co.uk/gp/aw/d/B00N2QYP50/ref=mp_s_a_1_2?ie=UTF8&qid=1526344133&sr=8-2&pi=AC_SX236_SY340_QL65&keywords=DeepCool+RGB350&dpPl=1&dpID=41cLs0QtRGL&ref=plSrch. Also, unrelated, but if you need help finding how the pc will perform on your favorite games just ask and I can help you figure it out.

Hope this helps!

Hey! Always great to see more new MTG youtubers. The game can always use more. First, a few questions, what program do you use to edit? What do you use to record your audio and video? What kind of computer do you have?

Ok, a few tips I’ve learned is if you’re gonna be mainly talking to the camera you gotta have great audio and it needs to be recorded separately from your cameras mic. I would suggest this lab mic as a starter. It’s cheapest and can record right to a smart phone.

BOYA BY-M1 Omnidirectional Lavalier Microphone for Canon Nikon Sony DSLR Camcorder Audio Recorders iPhone 6 5S 5 4S 4 https://www.amazon.com/dp/B00NHN168W/ref=cm_sw_r_cp_api_jdKYBb701AGWS

Lighting helps make videos look so much better and less washed out. I couple of light behind the camera pointed at you never hurts. I’ve had these for 3 years and they still work great.

LimoStudio 700W Photography Softbox Light Lighting Kit Photo Equipment Soft Studio Light Softbox 24"X24", AGG814 https://www.amazon.com/dp/B00E4YS2XU/ref=cm_sw_r_cp_api_3eKYBbM38FJ0N

I don’t personalky have these but my friend does they they seem to work for her and are cheaper
Fancierstudio lighting Kit (DK2) Umbrella Lighting Kit, Professional Lighting for Studio Photography, Portrait Lighting, continuous lighting kit and Video Lighting https://www.amazon.com/dp/B004TSCARK/ref=cm_sw_r_cp_api_fgKYBb2GV6BFZ

If you have some sort of social media presence (twitter, Facebook, tumblr), mention it at the end of the videos. It’s a good way to get your videos out there and seen more.

An intro and outro title sequence are always nice. They’re not necessary but add a little something to make the videos feel more professional. Plus, you just have to make them once and can tack them to every video.

Make thumbnails for your videos. Use something like Fotor to just add text of the title of your video to a screenshot of the video. Most people watch YouTube on their phone and just see the thumbnails. So it’s good to have informative ones.

Lastly, don’t be afraid to edit your videos. It might feel jumpy and choppy but most people are use to it. Or be like me and do many takes till you get it close enough. I usually do one take to get it all out and find my flow then try again. I find scripts work for some people but a lot of the times come off stilted. An outline of points to hit might be a happy medium.

Anyway, if you have any questions you want to ask me go ahead. I’m not a seasoned pro or anything but I’d love to help.

Ok, this is SUPER short notice, but who would like to attempt a 'Fit Pic February'?

The challenge is to take a fit pic every day, no matter what you're wearing. The point is to build up good fit-pic-taking habits, not to show off our wardrobes. I know I need it, at least.

EDIT: Yo, if you're reading this and thinking 'I'd love to do that but I can only take mirror selfies', may I recommend this cameraphone stand and this light kit?

They're a bit of an investment for sure, but if you love taking OOTD pics they'll pay for themselves in time. And if you're at all crafty, that big-ass bright light will come in SUPER handy for all kinds of things. Hell, I don't even have mine right now because my dad borrowed it while he cleaned his guns.

EDIT 2: There's nothing wrong with mirror selfies, this is just a suggestion.

EDIT 3: But if you could just get one thing, I would recommend the light kit. It's easy to jury-rig a phone stand -- I used one I made out of clay for a while, and I've used soda bottles in a pinch -- but dim, yellow-toned, overhead lights can't be fixed as easily.

I'd recommend an LED over a fluorescent ring light, if you can find one for a similar price.

I just bought this Neewer LED a couple weeks ago (this is the same, I think, the pink one was just cheaper at the time).

I also own (and have previously used) this fluorescent one from Interfit.

I'm still working out my video setup with the LED light (no examples posted yet) but so far I'm much happier with it. I always set a custom white balance on my camera with a grey card but with the fluorescent light the WB always seems to fluctuate in videos and in photos I'd still have to do color correction if I used a shutter speed shorter than 1/60 (annoying because I don't like to use a tripod for photos). The LED is much more true to color & doesn't seem to fluctuate in video.

Both of the lights have about the same size outer ring, but the Neewer (which is just one ring with the center empty) seems to give more flattering lighting angles. I also like it because I can actually use the flip-up screen on my camera.

How bright a light to get depends on a lot of things - what lens aperture you're using, distance from the light to you, distance from you to your background, etc. I actually dim my light to about halfway for videos because I sit about 2 feet away from it, and if I turn it all the way up with my camera settings set to the correct exposure for me, my background (another couple feet behind me) is super dark. tl;dr - get something bright but make sure it's dimmable so you can play around to get the best lighting.

I'm guessing filming on a webcam. C920 by Logitech or something in that vein?

Around the 36 second mark your voice doesn't sync up with your lips for a few seconds when you turn to Mime Jr.

Yikes, 1:18 the audio clip! My ears. Maybe it's just me but the clipping audio jokes are never funny. I have crazy sensitive ears.

So, we finally get into the meat of the video by 1:18 of a 14:08 video. I'm a big, big proponent of having your introduction tight. This is where your audience will decide to keep watching or immediately click away, leaving your audience retention rate plummeting. You don't have enough views for an adequate sample size, but I can say that personally I'd have clicked away.

I don't have as much time to spare nowadays to be patient on content. The quicker, the punchier, the video, the more it will keep me watching. I want the meat of the video, NOW, not later. Not a bad segment introduction for Triple Play either, very retro and it fits the concept well.

We're getting a ton of light refraction off your glasses, as well as some direct cast shadows behind you on your shelf. You can definitely tell where the light is coming from. If I might make a recommendation, if you're going with this setup you need to get some diffusers and some cross lighting to your sides to filter out those shadows and prevent that kind of direct refraction on your glasses, if you choose to wear them.

https://www.amazon.com/gp/product/B018KE5XUO/ref=ppx_yo_dt_b_asin_title_o03_s01?ie=UTF8&psc=1

This is the set I use. It's cheap and effective for my purposes, which is mainly light up my shots. I don't wear glasses during my live action shots though. I don't have enough lights to diffuse to the sides (removing my cast shadows) or the front enough to light up my face. I have one single light up front, which still gives me a glare. If you don't understand this concept let me know. I'm in my office right now and can record a brief video giving a mild tutorial on how my lights are setup and how they impact my live action shot.

There's a big imbalance in your live shot audio and your narration audio when you break into the video. Your narration is actually really pleasant, the live action shot wasn't. The equipment you have at your disposal needs to strengthen your presentation and you need to work with that in mind. Your strength is going to come in your presentation on the non-live action parts, so break into this quicker.

If you want to do live action shots, you're going to need the lighting and some work on how to frame your shots. While I appreciate that you've setup in front of a bunch of games/game consoles and a shelf full of pretty stuff to look at, the live action shot (ignoring the points I referenced above) aren't very nice to look at. We have a frame that's split in half; a top blue wall with nothing up top and a lot of dead space, and the bottom half that's filled to the brim with tons of colors. Your frame also looks slightly askew too.

As I'm watching the video your narration is still out of sync with your live action shots of your voice. Again, I want to click away. I really, really want to click away. These live action shots aren't good, man, I'm sorry. I want you back to the in game narration ASAP.

This is where I just couldn't keep it together anymore. I clicked away. The screaming, audio clipping and the joke setup about motion controls just wasn't funny. Some younger views might get a kick out of it, but I'm definitely not the person who would enjoy this.

Overall there's some good stuff here to build on, but a lot of bad stuff detracting from it. Sorry for taking so long to respond to you, I fell asleep.

Hi /u/misdy - welcome to /r/videography! I am a big fan of ring lights because you only need one to get nice, even light.

With two or three, it looks like you have a whole studio full of lights.

I started out with a [$120 AC powered Ring Light] (http://www.amazon.com/gp/product/B00B1V6QAU/ref=as_li_tl?ie=UTF8&camp=1789&creative=390957&creativeASIN=B00B1V6QAU&linkCode=as2&tag=battleforthew-20), which I bought after I saw this review: http://www.lafcpug.org/reviews/review_diva_ring.html

This is a fabulous light, but I needed a light that was battery powered and portable - so I bought a small, but powerful [$199 F&V R-300 Ring Light] (http://www.amazon.com/gp/product/B00AY0J4OY/ref=as_li_tl?ie=UTF8&camp=1789&creative=390957&creativeASIN=B00AY0J4OY&linkCode=as2&tag=battleforthew-20) with a [$25 Milk Diffusion Filter] (http://www.adorama.com/FVMWDR300.html?KBID=66297).

Here is what the lights look like on a [$28 pair of light stands] (http://www.amazon.com/gp/product/B001WB02Z4/ref=as_li_tl?ie=UTF8&camp=1789&creative=390957&creativeASIN=B001WB02Z4&linkCode=as2&tag=battleforthew-20): https://lh4.googleusercontent.com/-jrqsQtPN3TU/U1sjz3-jwnI/AAAAAAAAIt4/k2WveyQeO4o/w724-h543-no/P1120732.JPG

The R-300 runs on either a 12V AC adapter or a [$10 Sony camcorder battery] (http://www.amazon.com/gp/product/B0007Q9PWQ/ref=as_li_tl?ie=UTF8&camp=1789&creative=390957&creativeASIN=B0007Q9PWQ&linkCode=as2&tag=battleforthew-20). I bought a couple of them along with a [$19 dual battery charger] (http://rover.ebay.com/rover/1/711-53200-19255-0/1?icep_ff3=2&pub=5575034783&toolid=10001&campid=5337235943&customid=&icep_item=321347920244&ipn=psmain&icep_vectorid=229466&kwid=902099&mtid=824&kw=lg).

You can also buy a [$40 rail mount] (http://www.adorama.com/FV15RMR300.html?KBID=66297) for it and put it on a set of 15mm rails. This light does a great job in the field as well as in the studio.

Here it is on my camera: https://lh4.googleusercontent.com/-rhqiHavOnGM/U1J4paO2vRI/AAAAAAAAIrk/eW1mhniD0gY/w724-h543-no/P1120708.JPG

Two F&V lights, two stands, a couple of milk filters, two batteries and a dual charger and you'll have a pair of cool, powerful and compact portable lights that will fit into very small spaces - all for about $500.

Hope this is helpful!

Bill

/u/chadaptation - congratulations on the new BMPCC! You might want to subscribe over at /r/bmpcc - lots of knowledgeable shooters there who can help you get the most out of your new camera.

The Pocket can be a pleasure to shoot with once a few challenges are overcome (e.g. the battery, LCD, ergonomics, small sensor crop and audio).

[Here] (https://photos.google.com/share/AF1QipNogz62VyNhz8UOC-IHZPJFun72aIhJiKGNlpsKE8VDDUwk63tN53HA56TQfjElXg/photo/AF1QipMEweRTRutSEybNv7Y0ImOWdUNMkkW6o1uk9MEq?key=ckk3X2lsaU5JQlhsMGZFVUs4R2Q0S2M0UnlRcVVn) is a picture of my run and gun setup. With the pistol grip and LCD viewfinder, the camera becomes very easy to handle - while remaining fairly compact.

Here's the parts list:

• Pistol/trigger grip is a [$25.09 JJC HR-DV Remote Handle Pistol Grip for Blackmagic design pocket cinema camera] (https://www.amazon.com/JJC-HR-DV-Stabilizer-Camcorder-Blackmagic/dp/B00MRNP2LA//ref=as_li_ss_tl?ie=UTF8&linkCode=ll1&tag=battleforthew-20)
  
  
• Viewfinder is the [$99 (on sale) Kinotehnik LCDVFBM] (http://adorama.evyy.net/c/60286/51926/1036?u=http%3A%2F%2Fwww.adorama.com%2FLCDVFBM.html)
  
  
• The shoe on top of the camera is a [$9.83 Alzo cold shoe adapter] (https://www.amazon.com/Blackmagic-Cinema-Cameras-ALZO-Digital/dp/B00HQPF7PU//ref=as_li_ss_tl?ie=UTF8&linkCode=ll1&tag=battleforthew-20)
  
  
• The battery is a [Sony NP-F550, which is less than $10] (https://www.amazon.com/Generic-Replacement-NP-F550-Digital-Battery/dp/B0007Q9PWQ//ref=as_li_ss_tl?ie=UTF8&linkCode=ll1&tag=battleforthew-20)
  
  
• The battery is mounted on a [$25.90 ILED NPF-Series Plate] (https://www.amazon.com/ILED-Battery-Adapter-BMPCC-HDV-Z96/dp/B00WLEKQS4//ref=as_li_ss_tl?ie=UTF8&linkCode=ll1&tag=battleforthew-20)
  
  
• The battery plate is attached to the bottom of the pistol grip with a [$5.99 1/4" to 1/4" male to male screw] (https://www.amazon.com/SmallRig-BIG-Double-Head-Stud/dp/B006TAGWT8//ref=as_li_ss_tl?ie=UTF8&linkCode=ll1&tag=battleforthew-20)
  
  This battery/pistol grip setup is pretty flexible. Each battery lasts about 3 times longer than the built-in EL-20s - and you can add a [bottom mounted recorder] (https://www.amazon.com/TASCAM-DR-60DmkII-DSLR-Audio-Recorder/dp/B00MIXFBL0//ref=as_li_ss_tl?ie=UTF8&linkCode=ll1&tag=battleforthew-20) or preamp without rigging, as seen [here] (https://photos.google.com/share/AF1QipNkBeFcX8uG_KmLjMUGOKFzPWd79a9jshFvwGoqq-BMhqFHecC9CfqkVKJCRriU-w/photo/AF1QipPHVxKeVJxsgjqCi6poxlAkD3ACoscVDLufv6Z_?key=SEpOQWx6a1NMVV93NXd2NUFDcjhnZ3phTnk0Y0x3) - or, by adding a [couple of rails] (http://www.amazon.com/gp/product/B00DUK1K3I/ref=as_li_tl?ie=UTF8&camp=1789&creative=390957&creativeASIN=B00DUK1K3I&linkCode=as2&tag=battleforthew-20), plus a [$30 cold shoe extender] (http://www.amazon.com/gp/product/B00B7QQ91U/ref=as_li_tl?ie=UTF8&camp=1789&creative=390957&creativeASIN=B00B7QQ91U&linkCode=as2&tag=battleforthew-20) and a [shoulder pad] (https://www.amazon.com/Shoulder-Pad-for-Dslr-Rig/dp/B00BIPUQJQ//ref=as_li_ss_tl?ie=UTF8&linkCode=ll1&tag=battleforthew-20), you can provide mounting points for a top mounted mic and a [ring light] (https://www.amazon.com/R-300-LED-Ring-Light-L-Bracket/dp/B00AY0J4OY//ref=as_li_ss_tl?ie=UTF8&linkCode=ll1&tag=battleforthew-20) with a [rail mount] (https://www.amazon.com/Lighting-15mm-Rail-Mount-R-300/dp/B00GMYA9LI//ref=as_li_ss_tl?ie=UTF8&linkCode=ll1&tag=battleforthew-20), as seen [here] (https://photos.google.com/share/AF1QipPpNqf_6Br306Q0W7kOF50O_IYEvDDLk5lzIFkoxsNwcQ0voFS6WcxM7XZagYBXXw/photo/AF1QipPS1KToloOPWtwCPM9K-sJJx3_uYc3Ko3te6T67?key=c2ZKUjhpWUU3REhzT3pURUtZbkw0NExlcVc4R2dB).
  
  When I need to put the rig on a tripod, I remove the pistol grip and replace it with a [quick release plate] (http://www.amazon.com/gp/product/B0010SIAV2/ref=as_li_tl?ie=UTF8&camp=1789&creative=390957&creativeASIN=B0010SIAV2&linkCode=as2&tag=battleforthew-20), as shown in [this video] (https://youtu.be/dYKjvnfwyvU).
  
  Hope this is helpful, good luck with your new camera and best of the holidays to you and yours!

I recommend this ring light. I also do my makeup in natural lighting, in-front of my bay window in my bedroom, (weather and time permitting), but on super cloudy days or during winter hours, sometimes it isn't possible, like you said, and I use this ring light to substitute for the lack of natural light. I have 2 of the warm light shields and 2 of the white ones (white on top and bottom, warm on the sides), and use the adjustable lighting feature to substitute for natural light, and find it very effective. It doesn't get super hot, and it can light VERY low (i use this for cloudy days) to insanely bright (never have used it on it's brightest setting) based on your preferences, it's on a dial , not levels, so you can be pretty specific with it. It doesn't come with a stand, so keep that in mind, but I already had one I could use, so it didn't matter for me.

Stands are the thing you do not want to cheap out on... when your $300 AD200 goes tumbling to the floor, you don't want to have saved 10-15 bucks on a light stand. https://www.amazon.com/gp/product/B003TM600U are cheap for a light stand but are large base and support a good amount of weight.

https://www.amazon.com/Neewer-Bracket-Speedlite-Reflector-Umbrella/dp/B00JAAXH1A

That is the brackets you will want to use with an AD200, or you can pick it up in https://www.amazon.com/Glow-Softbox-S-Type-Bracket-80x80cm/dp/B01N35GUW6 that as a kit with a 32x32 softbox.

https://www.amazon.com/Neewer-80cmX80cm-Speedlite-Speedring-Panasonic/dp/B00KQDZE52 is a a decent octo for the money, I use a quick collapse one I like better, but its more expensive

https://www.amazon.com/gp/product/B008ACQA0O is the beauty dish I use that is great for on location shoots as its less likely to blow over in the wind.

your vids are getting better, bro. And your recipes are amazing :) I would've never thought of making curry paste. I gotta try it now.

I still think that you could shave a minute off of this by doing more dynamic cuts, even though i did notice you playing with speed ramping -- looking good. One big thing i was thrown off by in this one was camera shake when you were pounding the paste and when you slam your fist on the table :) Setting up a tripod may be a little more work, but it will help out. Also, watch your shadows when doing an overhead shot. I think you need more of those, but you would need an LED light to help you with those. Check this one out, it's affordable and very versatile. It can give your dishes some really desirable light. https://www.amazon.com/YONGNUO-YN360-Adjustable-Temperature-3200K-5500K/dp/B01D2X4A8Y/ref=sr_1_1_sspa?ie=UTF8&qid=1550150996&sr=8-1-spons&keywords=yongnuo+led+light+wand&psc=1&smid=AMIHU7JS0U6DA

​

also, check out my channel when you get a chance :) https://www.youtube.com/channel/UC05j4axvVhIUu0FOr3zzkLg

​

For the camera, i think a G7 should do the job, but if you don't even move that much and have a somewhat broader field of view, maybe a set focus will even do the job.

For audio i'd personally get a sound recorder from zoom or tascam and a cable - lav which will cost you 120$ to 150$ and get you great results.

For lightning i'd take something like https://www.amazon.com/Neewer-Dimmable-Professional-Photography-3200-5600K/dp/B01934RL0U/ref=sr_1_3?ie=UTF8&qid=1492541966&sr=8-3&keywords=neewer+led

with some cheap tripods, because your indoors mostly there should be no worrys, and they can be powered per battery, too.

Software... Davinci Resolve ist free if you only want to work in a 1080p workflow and even for like 20$ a month you get get the full adobe cc bundle. And yeah you don't want to spend much money there, but many things can be created with the combination of Premiere, AfterEffects and Audition.

Hey SHG, I took a look at a couple of your videos and I think there are a combination of factors at play (cam quality and lighting).

Your cam is doing the best it can, but honestly you are not going to get a lot of performance out of a $20-30 webcam. You'll need to really give it a lot of light to avoid the fuzz that is bothering you, and even then... you'll probably still get more than you are happy with (because the actual sensor that is collecting the light is pretty small). I think the room lighting it is being provided is not sufficient (it can be just fine for us with our premium, high quality light collecting eyeballs, but it's not enough for most webcams).

Although I can't guarantee more light will do the trick, I think it is likely to help. Something like this maybe: https://www.amazon.com/Fancierstudio-DK2-Umbrella-Professional-Photography/dp/B004TSCARK/

I suspect a webcam with better low light performance, plus a little bit of directional studio lighting, would help. Just a somewhat educated guess though.

https://www.amazon.com/gp/product/B005DFP6M4/ref=oh_aui_detailpage_o00_s00?ie=UTF8&psc=1 I used two of these. I guess $80 for both isn't exactly "cheap" but for lighting it is, and given the quality boost it gave me it seemed a worthwhile investment. Especially if youre the kind of person to sell your replaced GPU's etc. on ebay, you also get value there by having nicer pics. I'm glad you liked the pics!

Good questions. (Warning Wall of text ahead)

TL:DR

• 1. Try some soft lights so they don't reflect off your wall
     
• 2. Pick times that work for you and stick with them. Will power is a muscle, Exercise it.
     
• 3. Decide if you want foot traffic (viewers that show up for a game) or viewers (followers that tune in for any game). Foot traffic only comes from games and visibility. Viewers come from foot traffic that you won over with your personality.
     
     

1. Now i've done very little with lighting my cast my info may just be a place to start looking.
   Lighting is always tricky, there are 2 ways you can go about it.
   First is using some propper defuse/soft lighting will work the best. Something like http://www.amazon.com/LimoStudio-Photography-Continuous-Lighting-AGG702/dp/B005DFP6M4/ref=sr_1_3?ie=UTF8&qid=1451332880&sr=8-3&keywords=soft+lights Should light your face without bouncing off your red walls creating the miscolor.
   Second you may be able to go into your webcam controls and play with the saturation and remove some of the excess red color. As for exact settings i'm unsure but you should be able to get the picture to a more desirable asthetic.
   
   
2. Schedule is all up to you. As a student i've suffered the woes of having to change my schedule...A lot. But here are a few tips for picking the best times. If your work schedule changes a lot, Look for trends in the changes and pick times your work wont schedule you to work. That way you can always stream those times. As for your side job, you could incorporate that into your stream, and just stream working on the graphics. And finally whatever you decide, Remeber the channel is a show. If you pick times you're making a promise to your viewers that you'll be there rain or shine. Sometimes you'll be sick, Dead tired, or have real life stress distracting you. But if you truely want a consistent schedule its up to you to exorcise the will power to maintain whatever schedule you set.
   
3. There are so many different ideas and theories as to how to get more viewers. None of them confirmed, all of them believed. So why don't I just tell you what I've noticed working, and not working. First, There is a difference between foot traffic and viewers. Foot traffic are people that pop into your stream becuase they noticed you playing a game they are interested in watching. Viewers are the people that follow your channel and watch no matter what your playing. Some will argue its easier to influence your foot traffic, Others will say its easier to influence your viewers. I believe both camps have marret but I'm going to be frank, if you find a game that has good foot traffic, and the viewers to push you to the top ten of that game. Foot traffic will give you crazy numbers for your channel. BUT that doesnt mean you're gaining any viewers from that game. Its very often that you'll be experiencing one time spikes. That being said the only way to gain viewers is by having foot traffic and being a caster they like when they pop in. So what influences foot traffic? How active a games community is, How many streamers are broadcasting that game. Basically you have to find the combination of game you stream well, that people are looking for, and you show up at the top in. Example, I was one of the few people with a 3ds capture card when Pokemon X/Y came out, and I averaged 40 viewers and gained about 700 follows in a month. I stopped playing pokemon went back to 10 viewers and 50 follows a month. You've just got to find an audience to cast to. But you have to decide if you just want foot traffic or viewers.

Thanks so much!

Someone else recommended these. Do you think they would work well? I like the fact that there are three, but will they look as good?

Also, someone recommended F&V Ring Lights. I love the fact that I can use batteries, but I can't find many reviews on them to see what they would look like.

I'm a former lighting tech, so my view is skewed, BUT:

I'd get yourself a Rosco Swatch Book (or another brand, but whatever), and test out the different diffusion "gels" they have. They're plastic film, and pretty temp tolerant you will not hurt them with these LEDs. make yourself a little holder frame, and see which you like best. Then, if the swatch isn't big enough, just order one sheet of that "color", which will be WAY more than you need.

disclaimer: I refer to these as "gels" "colors", etc. It will have Hundreds of colored gels, but also a lot of diffusion and other "effect" type films.

> one thing I've learned from by cheap gear is, it breaks and it's not worth it

This is the truth. I've wasted more money on cheap gear than I would have spent buying quality gear in the first place.

• the least expensive tripod you can get that isn't junk is the [$250CDN Ravelli AVTP Professional] (http://www.amazon.ca/gp/product/B00139W0XM/ref=as_li_ss_tl?ie=UTF8&camp=15121&creative=390961&creativeASIN=B00139W0XM&linkCode=as2&tag=hybrcamerevo-20). It will give you smooth tilts and pans and is built like a tank and will last forever. I own this tripod and highly recommend it.
  
  
• get a [Rode Videomic for $200CDN] (http://www.amazon.ca/gp/product/B00CAE8PM4/ref=as_li_ss_tl?ie=UTF8&camp=15121&creative=390961&creativeASIN=B00CAE8PM4&linkCode=as2&tag=hybrcamerevo-20) - great sound quality for the price - and the new Rycote Lyre shock mount has eliminated the flimsy (and noisy) shock mount on the original Videomic.
  
  
• after you shoot for a while with the kit lens and your 50mm, you will know what lenses to get. My guess is that you'll need something wider and faster (e.g., the [$680CDN Tokina 11-16 f2.8] (http://www.amazon.ca/gp/product/B00E5N765U/ref=as_li_ss_tl?ie=UTF8&camp=15121&creative=390961&creativeASIN=B00E5N765U&linkCode=as2&tag=hybrcamerevo-20))
  
  
• for lighting, I recommend you invest in a [$279CDN F&V ring light] (http://www.amazon.ca/gp/product/B00AY0J4OY/ref=as_li_ss_tl?ie=UTF8&camp=15121&creative=390961&creativeASIN=B00AY0J4OY&linkCode=as2&tag=hybrcamerevo-20), put it on a light stand and shoot through it. At some point in the future you can buy a rail mount and put it on your camera rig. Ring lights make your subject look good, are compact, run cool and they are enormously flexible. You can even turn them into soft boxes. I own this light and it has been a great investment.
  
  Yes, if you add it all up, it's a lot of money - but you will spend less in the long run.
  
  Good luck!
  
  

Hello Everyone,

I am making this post about a Studio Continuous Lighting Kit by Fovitec I bought for use since I am a beginner. However while I intend to make good use of it I have some conerns. I knew what I was paying for, and understood it was a continuous lighting kit but I am a bit regretful I bought it before seeing the video that showed how it was assembled. I am not sure if I should work with it the best I can or sell it and get a better continuous lighting kit.

Here are my concerns,

• The Softboxes where hard to get on and I won't be removing them so they will stay on.
  
• There is a inner defuser that should I put on will touch the light bulbs used. I am concerned the fabric light burn because the bulbs will touch it.
  
• The Case itself opens on the side with the carrying handles on top, which is awkward.
  
• I may have to keep the soft boxes and lightbulbs attached when transporting, and just keep the stands, power cords and the hanging soft box with the hanging weight inside when transporting.
  
• It comes and used standard 45W photo fluorescent spiral daylight light bulbs. For those who have used this kit, what are some other lightbulbs to buy for it. Are there LED lights that would work with it?
  
• Has anyone used this for photography and had good success with it?

Unanswered question from the previous megathread

Author /u/HypridElastiAccord27 - (Permalink)

Hello Everyone,

I am making this post about a Studio Continuous Lighting Kit by Fovitec I bought for use since I am a beginner. However while I intend to make good use of it I have some conerns. I knew what I was paying for, and understood it was a continuous lighting kit but I am a bit regretful I bought it before seeing the video that showed how it was assembled. I am not sure if I should work with it the best I can or sell it and get a better continuous lighting kit.

Here are my concerns,

• The Softboxes where hard to get on and I won't be removing them so they will stay on.
  
• There is a inner defuser that should I put on will touch the light bulbs used. I am concerned the fabric light burn because the bulbs will touch it.
  
• The Case itself opens on the side with the carrying handles on top, which is awkward.
  
• I may have to keep the soft boxes and lightbulbs attached when transporting, and just keep the stands, power cords and the hanging soft box with the hanging weight inside when transporting.
  
• It comes and used standard 45W photo fluorescent spiral daylight light bulbs. For those who have used this kit, what are some other lightbulbs to buy for it. Are there LED lights that would work with it?
  
• Has anyone used this for photography and had good success with it?

How bright is your monitor? The typical factory default settings are way, way too bright for long term use. I've heard it said that your monitor should ideally be about as bright as a well-lit book page. It will look a little odd at first, but you'll get used to it.

I'm in the process of setting up LED backlighting (bias lighting) on my monitor as well. Apparently it is loads better for your eyes than playing in the dark, or shining a bright overhead light or desk lamp near your screen.

Here's a cheap option for LED backlighting with minimal fuss: http://www.amazon.com/Antec-Halo-LED-Bias-Lighting/dp/B0053B347M

If you want spend for branded quality that is and is rather robust (even though it will be in the office and not traveling with you for diff film sets) go with the aperature branded products

However if you want some good budget lights and can buy some bell and whistle add ons to help with your set up later, go with Neewer 660 LEDs here and their 5 in 1 reflector kit here

Personally I love Neewer as they have a solid product and if you take care of it, as you should for all of your equipment, it will last.

I've used these fairly cheap umbrella lights from amazon, they are a little bit flimsy, but are a great deal for the price, and put out a good amount of bright light. https://www.amazon.com/dp/B004TSCARK/ref=cm_sw_r_cp_api_WcGQybTKT1YVG

I ordered a bundle from Amazon about 3 years ago from LimoStudio. It was about $150 and came with a backdrop stand with three different fabric backdrops, a bunch of clamps, two softboxes with diffusers, two umbrellas, four light stands, four bulbs, and a bag to carry it all in. I don't use it much anymore, but it's still going strong. I know $150 is over your budget, but the same company offers smaller bundles that are well within your budget. I used the two softboxes more than anything else, and for a while, I always carried one of them in my car. They really do produce beautiful light.

​

Link to what I think is the bundle I bought:

https://www.amazon.com/LimoStudio-2-6meter-Background-Portfolio-Photography/dp/B00LV46738/ref=sr_1_7?keywords=photography+lighting+kit+limostudio&qid=1554499137&s=gateway&sr=8-7

If it's an indoor location with no windows, you might be hard pressed to get nice images without a flash. The ISO performance on the d5300 isn't fantastic. I would look into possibly getting video lights, or a flash to light your images, you can pick up both from yongnuo pretty cheap.

The best moments to pick up here would be if she had family or friends she's interacting with, you can only take so many pictures of her getting her hair done before it gets boring. Look for laughs and interactions, good luck!

Yes, there's a market for all body types. Many sex workers are pleasantly surprised at the level of demand for their "look". However, you will likely need to hustle more and it may take you a little longer to find your audience if you don't have a classically beautiful body. CamModelMom has tips on getting started as a plus size cam model.

You can get started with just your computer's webcam or a phonecam. People have shot feature films on phone cameras.

The key to getting good video out of a phone camera is to learn to take advantage of natural lighting, and lights you already may have (such as desklamps, worklights, Christmas lights). I recommend reading about how to light / film yourself first, then decide what kind of lighting you need:

• lighting
  
• how to film yourself
  
  If you have some money to spend, I would recommend the following as a basic kit.
  
  Camera, and camera boom. The Logitech C-922x has a built-in microphone.
  
  
• Logitech-C922x webcam - $75.00
  
• Smatree Flexible Webcam Boom - $17.00
  
  Next, upgrade your lighting:
  
  
• Emart 600W lighting kit - $60.00
  
  Finally, upgrade your sound:
  
  
• Blue Yeti microphone - $130.00
  
• Blue Radius II Microphone Shock Mount for Yeti - $50.00
  
• Microphone boom stand - $71.00
  
• Blue Yeti pop filter - $25.00
  
  You can spend hundreds or thousands more for better quality and easier to use equipment, but with the above kit, you should be able to get professional results. Depending on what your niche is, it may be worthwhile to spend money on costumes, tip-activated sex toys, room decorations, BDSM equipment, etc.
  
  
  

I have the Neewer CN-160 which are LED fixtures for only $27.95 on Amazon. Of course these are cheap and have a color cast. They do, however, operate off of NP-F550 batteries so if you plan on filming on a location without wall outputs, you can easily use these. Although, just as HybridCamRev said, The F&V R-300 Ring Lights are great options but more expensive. They're brighter and can hang right over the lens of your camera or off on a light stand. These are great because you only need one to evenly lite your subject (in this case, yourself). It all just depends on your budget.

Awesome! I hope you do trying it out! Here's what I got.

Camera: https://www.amazon.com/gp/product/B019UDIDXS/ref=oh_aui_search_detailpage?ie=UTF8&psc=1

Audio Recorder: https://www.amazon.com/gp/product/B01DPOXS8I/ref=oh_aui_search_detailpage?ie=UTF8&psc=1

Mic (Same we use for podcasting) https://www.amazon.com/gp/product/B001IPUJJI/ref=oh_aui_search_detailpage?ie=UTF8&psc=1

Lighting Kit: https://www.amazon.com/gp/product/B00KRN0SEI/ref=oh_aui_search_detailpage?ie=UTF8&psc=1

Ring Light: https://www.amazon.com/gp/product/B00O1UCDKU/ref=oh_aui_search_detailpage?ie=UTF8&psc=1

I have a subscription of Adobe Creative Suite and use almost all of it. After Effect and Premiere. We use Cubase for audio engineering but Audition is great too.

I work Streamate and have been a full time cam girl/escort for 4 years. Equipment matters! The better your stream, the better your traffic, visibility, and money.

1. Ideally you need a laptop or computer with an i5 or i7 processor
   
   
2. Technically no, you don't NEED a fancy cam. But if you want to make money, you should invest in one. The most popular cam for camgirls right now is the Logitech c920, which runs 60-70$ currently.
   
   
3. Invest in a set of umbrella lights. I use these. They're $40 on amazon:
   https://www.amazon.com/dp/B004TSCARK/ref=psdc_14014911_t1_B005FHZ2SI
   
   
4. The more time you put into cam and treat it as an actual, real job, the more $$ you will make.

The basic principles of light are quality, direction, and luminosity.

Quality is how hard or soft the light is. Having a larger light source will produce softer light, that's why softboxes are so large. Keep that in mind if you're going with a DIY option. (Also remember that larger is relative to the subject, so having a light a lot closer makes the light larger, and therefore softer)

Direction is obviously the direction of the light. The most popular use of lighting in facecams is two lights each at 45 degrees from your face. This will give the most even and pleasing light. Experiment and see what you like. Other uses for a two light setup can be things like key light, fill light, and rim light. Look these terms up if you want to learn more.

Lumonisty is the power of the light, and this can be controlled through the light itself or the exposure settings of your webcam. Try to find a good balance and capture realistic skin tones.

Using these principles this is how my facecam looks using two of these and a Logitech C920

Depends on the desk specs I would assume and if you want them to face outward towards the user. You’ll need something rigid to tack/attach the diffusion material and custom form it to the edge of the desk (if I’m understanding that correct, that is).

There are diffusion gels (they’re like thin plastic sheets - paper thin) and fabrics (typically used in photography) that you can cut and wrap around a frame. Order a Rosco Swatch Book to see what would work for you.

Or you can do indirect placement and put it under/behind the desk. Don’t necessarily need diffusion if you’re hitting the wall or something since you 1. Would be using the wall as a sort of diffusion and 2. Won’t be looking at it directly. Unless you can see hot spots/uneven light spread, you may not need anything.

Overall, I would recommend an aluminum rail LED strip housing with diffusion insert. I would recommend these for almost every home LED project, outside of anything drastic which would require much more work. This is the easiest and best looking solution.

I have the 800s, they are pretty damn comfy with the vive. I love them. Had them for about 2 years now. Bought them back when they were $300, $150 now. The vive does come with earbuds, never tried them. But I already had mine before the vive.

I financed the vive from HTC with the 6mo plan. I will pay it off within 3. I could have paid in full, but didn't want that $900 hole in my wallet.

Also, I bought this tripod it made taking my vive from the bedroom to living room much easier. Because I didn't want to have people in my bedroom when I am showing off the vive.

I have yet to buy any other peripherals like skins or lens protectors which I will. Only had my vive for 2 months. I have family members who sweat excessively, vive covers are a good idea.

I just got this light and so far it fkin rocks. You can probably find something for half the price if you look hard, but this thing puts out a lot. I plan on getting a second in the future.

https://www.amazon.com/gp/product/B01934RL0U/ref=ppx_yo_dt_b_asin_title_o03_s01?ie=UTF8&psc=1

https://www.amazon.com/gp/product/B008MI5VMO/ref=ppx_yo_dt_b_asin_title_o03_s01?ie=UTF8&psc=1

Other than that check out YouTube. It's a well of content and there are honestly too many to list.

Next Level Painting

Jack of Clubs Painting

Slow Fuse Gaming

Sonic Sledgehammer

Midwinter Minis

Also TWITCH. A lot of people streaming live content and will take questions from viewers as they're working. I pretty much always have someone running on screen while I'm building/painting.

If you want to go one step further, there are people who do private solo or group classes thru Patreon.

I'm in the midwest so I know how this is; I'm at work during the best natural light hours and in the winter it's just gray all the time and it gets dark so early.

It's a little bit of an investment, but I bought this light to take photos with (you can look around at other lights, this one had the best price as far as I could find at the time). It's collapses so you can store it under your bed or in a closet so it's apartment friendly.

Hi everyone. Photography noob here though I understand basic manual settings. I built a diy photobooth and will be using it at my cousin's wedding very soon. It is an open air type booth with a canon t3i in it and is self automated. The wedding will be outside from 4pm to late hours. What are the best settings for it so that I can set and forget? Assuming we have full outdoor lighting, and sun setting at 7:30, what shooting mode would be best? It will have continuous lighting seen here VILTROX L132T 0.78"/2cm Ultra... https://www.amazon.com/dp/B01MYGDGUQ?ref=ppx_pop_mob_ap_share

TIA

If you can return those I would. Those are meant for larger studios and not really for constant light.

If you can look into led panels. They have dimmers and you can mix in yellow and blue light to get the perfect balance for your room, especially if you have any natural light coming through a window.

Look at these, I'm pretty sure it's what I use (I steal them from my husband who's a videographer) and they are amazing! (Not an affiliated link btw)

Neewer Dimmable Bi-Color LED with U Bracket Professional Video Light for Studio, YouTube Outdoor Video Photography Lighting Kit, Durable Metal Frame, 480 LED Beads, 3200-5600K, CRI 96+ https://www.amazon.com/dp/B01934RL0U/ref=cm_sw_r_cp_apa_i_OiArDbD2DT7J9

I'm glad you're learning through my experimentation haha. I bought this kit for 33 shipped,

https://www.amazon.com/Photography-Continuous-MOUNTDOG-Professional-Equipment/dp/B07G3423NQ/ref=mp_s_a_1_2?ie=UTF8&qid=1541789325&sr=8-2-spons&pi=AC_SX236_SY340_QL65&keywords=light+softbox&psc=1. It works really well.

Yeah the picture you linked was one of my first with multiple light sources. Definitely come a long way since then in a short time.

Are you interested in a DSLR/interchangeable lens type of camera, or a straightforward video camcorder? Based on what you're looking to film (interviews plus footage of art being created over a period of time), I think a DSLR camera could work for you. It would be capable of getting quality video footage, and if you want to take photo timelapses of the art pieces being created that would be easy to do as well.

So based on that and your $2000 budget, here's what I'd recommend.

Panasonic G85 w/kit lens ($800)

Rode Wireless DSLR Audio System ($330)

Manfrotto Video Tripod ($360)

Neewer 660 LED 2-Light Kit with stands ($160)

Lumix 25mm f1.7 lens ($180)

This should bring you comfortably under $2000. The kit lens that comes with the G85 isn't the greatest but it's a start. I'd recommend getting the Lumix 12-35mm f2.8 if you have another $800 or so to shell out...you can probably get it cheaper used though.

The 25mm f1.7 is equivalent to a 50mm focal length on a full-frame camera (the G85 has a micro four thirds sensor) and should do well in lower light situations.

With the leftover money, I say go buy a decent bag or carrying case for the camera gear and get some SD cards, lens filters, etc.

Hmmmm, personally I would go with the less expensive camera and a nice lighting setup. Then I would upgrade your camera later on if you want/need to. I don't know that camera but it seems to have pretty good reviews. If you are just using it for facecam with gameplay then you'll be scaling down the video anyways so it shouldn't matter as much.

I use two of these lights for my lighting and it works well.

I agree with u/greypowerOz, I'd definitely start looking into off-camera flashes! My favorite OFCs are actually super affordable, they're the Neewer TT560 and they're great starter flashes. You can also gel them really easily with a pack of these: https://www.amazon.com/Rosco-Lux-Small-Swatchbook/dp/B0002ER2YG. It's a sample cine gel pack; I got mine for free in film school but they're wicked cheap and the perfect size for flashes.

Open Source Software

• exiftool Command-line metadata editing tool.
  
• dcraw Command-line RAW processing tool.
  
• GIMP Photo editing.
  
• Blender Video editing.
  
• Audacity Audio editing.
  
• OBS Studio. Realtime streaming and clip production.
  
• Darktable. Light table and raw developer.
  
  Proprietary Software
  
  
• ManyCam Pro - freeware software that enables webcam use with multiple chat applications simultaneously, such as Skype, Omegle, Chatroulette, MSN, or YouTube
  
• OnyxServers - white label video streaming / hosting service
  
  Hardware
  
  
• [Logitech C922x webcam] (https://www.amazon.com/Logitech-Webcam-Widescreen-Calling-Recording/dp/B01LXCDPPK/) - well-reviewed webcam.
  
• [Fovitec StudioPRO softbox lighting kit] (https://www.amazon.com/Fovitec-StudioPRO-Softbox-Lighting-Softboxes/dp/B00KRN0SEI) - Good lighting is essential for high quality videos/photos.
  
• Blue Yeti microphone - well-reviewed microphone
  
• Microphone shock mount - Reduce rumbles from stand / desk.
  
• Microphone foam windscreen - Reduce pressure on the microphone sensor from wind, breath blasts, and splosives ("b" and "p" sounds). One thing to note, a mic windscreen often will dampen higher frequencies more than a pop filter will.
  
• Microphone pop filter - Same purpose as foam windscreen, but doesn't dampen high frequencies as much.
  
• Microphone boom stand - Useful if you want to capture good sound on your bed / couch.
  
• HyperX Cloud II USB Headset - good for phone sex, video editing.
  
  Tutorials
  
  
• DIY ultimate tripod with camera boom
  
• DIY Mini Camera Jib Crane $25 dollars
  
• Easy DIY Camera Crane Jib - Complete parts list

Thanks! So something like [this?](https://www.amazon.com/Neewer-Pieces-Bi-color-Video-Light/dp/B06XW3B81V/ref=sr_1_3?keywords=neewer%2Bled%2Bpanels&qid=1555434010&s=electronics&sr=1-3&th=1)

Looks like you can control their intensity and light temperature without gels, which is nice.

How do you position these? I know traditional lighting setups look something like [this](http://i.imgur.com/PXOMvoj.png) but as I am now I don't have a solid backdrop behind me for a good 15 feet or so.

This brand is great for the budget conscious. I have this version and it is excellent for the price. The fan would be noisy for video in a quiet setting where you need silence, but for most video and for stills, it's great.

Oh yeah, like I said, all 3 of my sensors are on tripods that can extend almost as high as the ceiling. I've tried moving them all over the place and up and down. Every time I think I finally fixed it my left hand randomly floats off into space on a harder song. This has been going on for 6-months plus, I've pretty much given up on Rift.

unfortunately i only have time to make video at night.

Clamp light like this one ?

For the light bulb, how many wattage do i need for a small room (10 feet x 9 feet)?

I think i can buy one cheap diffuser, but i don't know the differences between the one that looks like umbrella, or softbox

If i can only buy one, which 1 is better?

Thanks

LEDs for the win. Yes. Night portraits, night ceremonies, details, first dances, and speeches. I use a pair of Yongnuo YN-300-III panels for all of that.

Separately, was playing around with some different LED tubes on Sunday. Fun stuff, more to follow...

I pickup up a set of these a little while back:

Rosco Rosco Lux Small Swatchbook https://www.amazon.com/dp/B0002ER2YG?ref=yo_pop_ma_swf

It was like $5. I pulled all of the shades of orange to find what works best with my phone/lights.

As a bonus there's a bunch of reds that you can cover your flashlight with to do some night creeping!

Maybe this motherboard will be better compared to the ASUS Z170-A, much more white, the audio trace is white LED lit, PCI Express slots are better reinforced, also has SLI capacity, with one extra slot of spacing between graphics card for better air flow: (There is also the more expensive Z170A Krait Gaming 3X variant, as it has USB 3.1 Type C and better placement of the SATA 3 slots )

http://pcpartpicker.com/part/msi-motherboard-z170kraitgaming

The CPU cooler I would use is the Cryorig R1 Universal, it is very large and come with a white shroud, however it is quite difficult to install similar to a top end noctua

http://pcpartpicker.com/part/cryorig-cpu-cooler-crr1b

Then top it off with some blue or RGB led strips:

http://www.amazon.com/DEEPCOOL-RGB-version-shipped-randomly/dp/B00N2QYP50/ref=sr_1_1?ie=UTF8&qid=1462272851&sr=8-1&keywords=deepcool+LED

You can also add in blue led fans such as Thermaltake Riing:

http://pcpartpicker.com/part/thermaltake-case-fan-clf038pl12bua

Well if amazon ship to your country you are in luck.
http://www.amazon.com/CowboyStudio-Photography-Photo-Reversible-Background/dp/B0064L8KYW/ref=sr_1_10?s=photo&ie=UTF8&qid=1450894331&sr=1-10&keywords=green+screen
and if you really wanna go super professional you can buy this
http://www.amazon.com/LimoStudio-Photo-Video-Studio-Light/dp/B00LV46738/ref=sr_1_7?ie=UTF8&qid=1450894424&sr=8-7&keywords=chroma+key
or if you wanna build it
http://lifehacker.com/5644256/make-a-portable-green-screen-on-the-cheap

I’m starting to get into lighting. The goal is for portrait work outdoors.

A friend was kind enough to give me 2 yonguo speed lights and a trigger that he doesn’t use anymore. He told me to buy this:

Neewer 2 Pack 33"/84cm White Translucent Soft Umbrella for Photo and Video Studio Shooting

Camera Flash Speedlite Mount,ChromLives Professional Swivel Light Stand Light Bracket Umbrella Bracket Mount Shoe Holder E Type for Canon Nikon Pentax Olympus Nissin Metz and Other Speedlite Flashes

AmazonBasics Aluminum 7-Foot Light Stand with Case - 2-Pack

Can someone explain the difference between that and something like this?

He said to go as cheap as possible, but after you factor in the tax the amazon option is about ~$10 cheaper. My gut is telling me to go with the B&H because of the vast amount of positive reviews. What are your thoughts?

I use light stands. They are taller and have a smaller footprint than normal tripods.

​

https://www.amazon.com/AmazonBasics-Aluminum-7-Foot-Light-Stand/dp/B074VMTP68/ref=sr_1_1_sspa?s=photo&ie=UTF8&qid=1535956111&sr=1-1-spons&keywords=light+stand&psc=1

​

These should work fine.

​

Also get a ball swivel. Like this:

​

https://www.amazon.com/BESTEAM-Degree-Swivel-Tripod-Camcorder/dp/B01LWE9S9Z/ref=sr_1_3?s=electronics&ie=UTF8&qid=1535956180&sr=1-3&keywords=ball+swivel

​

Note that you don't have to use the max footprint that a tripod can do. You can make it as small as you feel comfortable with. Mine are at like 1 square foot. They are out of the way in the corner so that's fine for me.

When shooting a show, it's going to save you a ton of time & work if you run 2 cameras (one on a semi wide shot of you and one as a close up to your prep or cooking). You might think that will ruin your budget but not if you go for a good "bang for the buck" setup. You can do this in any reasonable budget if you go with the following:

1080p audio & video for under $400 https://www.youtube.com/watch?v=iKuGweaTrkY or https://www.youtube.com/watch?v=W2KYWzKaqEk


As others are saying you need lighting, so you'll need at least two of these, which are portable (battery option) and perfect for indoors (weak for outdoors) https://www.amazon.com/dp/B00T3W0KDS/

Hey, wondering if anyone have experience with using a camera stand or something similar for light house, and have any recommendations? Just have an open area and can't attach to wall.

I asked a while back and someone suggested using a Telescopic pole instead, but its something like 4 metres under my roof so its a bit less convenient.

Edit: Actually just found something searching for Vive Stand on amazon so that was easy https://www.amazon.de/Neewer-Packungen-190-Zentimeter-verstellbar-Produktfotografie/dp/B01LZ1Y076/ref=sr_1_2?ie=UTF8&qid=1526746803&sr=8-2&keywords=htc+vive+stand

If you are looking for a full setup with lights and backgrounds this looks like a pretty good option, but it is close to your max budget. https://www.amazon.com/dp/B01MSMRZEO/ref=cm_sw_r_cp_apa_i_uX-6AbFA0SSHR

If you have Amazon prime and don't mind spending $20 more to get it a little faster...
https://www.amazon.com/dp/B073JF96QP/ref=cm_sw_r_cp_apa_i_mX-6AbR2EKDZE

If you are just looking for lights you can go with either this
https://www.amazon.com/dp/B01LXA1J0H/ref=cm_sw_r_cp_apa_i_8Z-6Ab8798CGM

Or this
https://www.amazon.com/dp/B018KE5XUO/ref=cm_sw_r_cp_apa_i_F1-6AbEZSMH3Z

All of these kits use pretty similar gear. The main thing you want to look at is the bulbs.

I use a Galaxy S8+ for my photos and I have a Samsung Dex Dock to make it my computer in my work space too. I do my photos, editing, listing and shipping all from the same device. I have a photo set up similar to the first and second one. I'm also in a basement so natural light isn't an option.

Here is a sample photo I took with those lights and my phone. I do use pro mode most of the time. https://imgur.com/gallery/DZMLEcL

you should be fine id recommend these stands to use with the sensors since your obviously not going to be drilling holes in the walls at the convention.

Secondly Possibly protective skin though its not 100% necessary but does look cool


and last but not least you'll need a good collection of games and demos thry this handy dandy list and see what you like once you have your vive.
https://docs.google.com/spreadsheets/d/18oSyAAbS0RSA_QdG9QBjRkd-25Cj8rpBE9d5nyITKtI/edit#gid=0

The lights you linked are nice, but probably far more than you need for what you want to do. Do you already have a plain white wall with no extraneous light source? (windows, etc.) If so, what's in your picture is pretty simple. Basic 3 point lighting (key/fill/back) will do the trick with 2 extra dimmable lights for the background. Softboxes are nice but diffusion will work just fine. In recent years we've switched to color-shifting dimmable LED panels for pretty much everything. these lights are dirt cheap, have black barndoors, and color shift between warm/cool, tungsten/daylight, 3200k/5600k, whatever your preferred terminology is:

https://smile.amazon.com/gp/product/B072QB3K9T/

We have 4 of them and they're fantastic. You probably don't even need the diffusion really but old habits die hard. If I were you I'd get 3 of them plus 2 for the background and you can reproduce that look exactly. (if you already have something you can use for fill or back you can prob get away with 4.)

I assume you already know 3 point lighting, but if not there are plenty of tutorials online.

EDIT - the lights I linked don't come with lights stands, but if you don't already have them here's some cheap ones: https://smile.amazon.com/AmazonBasics-Aluminum-7-Foot-Light-Stand/dp/B074VMTP68

I bought this recently. It's fucking great. Two umbrellas two softboxes three backdrops and frames and tripods for all of it. Works great so far.



https://www.amazon.com/dp/B00LV46738/ref=cm_sw_r_other_awd_VwPPwbG1DHRE5

So from my use, i like a 35mm lens or 50mm.

The A6000 is a great choice. I didn't see a mention of it, But you'll also need a capture card or a cam link 4k.

You may want a boom arm stand to give you a lot of angle control. Something like this Manfrotto 196B-2 143BKT https://www.amazon.com/dp/B000OPWSYM

I have removed your post because it contains URL shorteners which are against this subreddits rules. Please have a read of rule 6:

https://www.reddit.com/r/PSVR/wiki/rules#wiki_6._don.27t_post_spam.

You are welcome to submit your post again, using the full links i.e.

https://www.amazon.com/dp/B003TM600U/ref=cm_sw_r_cp_ep_dp_1MxDybV8J64GW

not

http://a.co/gEJcBCD

If you want to keep it tidier looking, you can create named hyperlinks by putting the link name is round brackets, then the URL in square brackets like this:

Air Cushioned Light Stand

I can't stand wearing glasses and I don't like how F.lux looks, so I invested in some led strips along the back of my television and monitor to create a "bias lighting" effect. I think it helps and looks cool too, its like having a night light. You can get something like this or make your own: https://www.amazon.com/Antec-Halo-LED-Bias-Lighting/dp/B0053B347M

I do a beauty channel so my lighting setup will be different than the look you are going for. I looked up Chael and it looks like he at least uses a ring light and a background light. You can get a lot of use out of a cheaper lighting system like this one. I’ll try to link you; also what camera are you planning to use? https://www.amazon.com/Fovitec-Photography-Continuous-Equivalent-Softboxes/dp/B00KRN0SEI/ref=as_sl_pc_tf_til?tag=lorryhill-20&linkCode=w00&linkId=b7e44016ad0d59a26b439e43e9bce276&creativeASIN=B00KRN0SEI

Pretty much! It’s an LED light wand from Amazon. Helps me see potholes + looks cool.

YONGNUO YN360 LED Video Light with Adjustable Color Temperature 3200K-5500K https://www.amazon.com/dp/B01D2X4A8Y/ref=cm_sw_r_cp_api_i_C3mLDbX4TD92T

I've been digging on these Antec light-strips. Yeah they're aren't the perfect white temp or whatever but they're pretty nifty.

http://www.amazon.com/Antec-Halo-LED-Bias-Lighting/dp/B0053B347M

Get the biggest memory card you can afford. With Prime Day starting in a few hours, I have no doubt memory cards will eventually be featured. 128GB, Class 10, UHS-1 (or 3), V60 (or 90). Larger numbers are better.

If you really want to get into video, think about an inexpensive rig.

http://dslrvideoshooter.com/video-gear/rigs/

As a beginner, look at the $30 end. I have an ebay version of this. This one gets a lot of positive reviews and is only $20.

Video takes an insane amount of light. Since you are going to be in Colorado in the summer, shouldn't be an issue. Having said that, if you are going to be shooting in low light situations, you need a light. I have this one.

Finally, sound. If sound is important to what you are shooting, think about an external recorder. Internal mics are a huge compromise compared to even an inexpensive recorder can do. For $100 the Tascam DR-5 is more than adequate.


Ok, now having said that, the only thing you REALLY need to buy is the memory card. Everything else is optional. You can hand shoot with natural light and the internal mic and get great video. Its just a lot harder. Hard is not impossible, it just takes more practice.

Google around and you will find a ton of tutorials on how to shoot video with a DSLR. A few things that stuck in my mind:

Shoot 10-1. If you want a minute of video you need to shoot 10 minutes and edit it down.

Pan slowly. Go as slow as you can. Now go slower. Its amazing how "fast" any movement is when you are recording it.

Shoot low and away. Literally the opposite of what you want to shoot a still image. You need to get the camera away from your face because your breath is loud and will cause shake.

Shoot early and late. Start shooting BEFORE the event you want to get happens and keep shooting through that event. If you dont you wont have any edit room. Its not like you are buying tape/film so shoot as much as your sensor can handle.

Hope this helps! Im in Colorado Springs next week and you reminded me to pack my rig! Thanks!

A lot of people will start off with the Panasonic G7. It's basically the cheapest 4K interchangeable lens camera you can get right now. The quality of the video is really good, and if has a microphone input if you eventually choose to add one of those to your setup. Using a 4K camera will also help you be a little more accurate with your post production when working with a green screen.


For the green screen and lighting, just start with a backdrop kit. The key to green screen is not necessarily using an expensive kit. What you really need, is consistent lighting across the backdrop, and that kit will be a good start to be able to do that.

Weekends are my busiest streaming days since I normally run from 12pm-1am but I'll try to throw a guide together this weekend and post it on the sub.

But for you:

LimoStudio Green Screen Stand - $35

LimoStudio Green Screen - $18

LimoStudio Studio Light Umbrella Kit - $52

Alternatively, you could get the softboxes instead:

LimoStudios Light Softbox Kit - $77

What's interesting is Limo no longer sells the green screen and stand together without the lighting kit but I don't think that's a deal killer.

Alternatively, if you want the full setup in one go, with two umbrellas, two softboxes, four light stands, a green screen and stand, and a black and a blue backdrop. The only thing substantially different from this kit is that it leaves out the third, small light stand from the umbrella kit that is typically used to project light on the subject's back to create a "highlight" on the outline of the subject to help the chromakey separate from the subject and the green screen but I don't use this and don't have any issues.

LimoStudios Full Light and Backdrop Kit - $143

Also, quick question, when I make this guide do you think it would be helpful to provide light setup and position guides as well as chromakey guides?

By indoor lighting do you mean the normal lights in your house? If so that's the problem, turn them off and use a couple good lights to properly light what you're filming instead.

something like this will go a long way. Or better two of these will light up a room nicely.

Thanks again!

I would really love a Viltrox panel
https://www.amazon.com/VILTROX-L132T-Bi-color-Dimmable-NP-F550/dp/B01MYGDGUQ/ref=mp_s_a_1_7?keywords=viltrox&qid=1557941691&s=gateway&sr=8-7

I use a light stand (kinda like a tripod, but the legs are farther away from the neck, which is longer) something like this:
https://www.amazon.com/gp/product/B003TM600U/ref=oh_aui_detailpage_o01_s00?ie=UTF8&psc=1

Then you can also remove things from the image like what is done in this video.
https://www.youtube.com/watch?v=LFqMfpQPda4

"Gel" is indeed what you are looking for. (It's called gel because the filters used to be made from gelatin, but now it's a plasticy polyester film) What I would recommend is to find a theatrical supplies or lighting rental store by you and pick up a gel swatchbook so you can test the different colors on your actual lights. You may need to block the parts of the lights that the swatches don't cover, I'd suggest using aluminum foil and tape.

If you can't find a supplier near to you, you could order a swatchbook online: https://www.amazon.com/Rosco-Lux-Small-Swatchbook/dp/B0002ER2YG/ref=sr_1_1?ie=UTF8&qid=1495168846&sr=8-1&keywords=gel+swatchbook

In addition to the warmth, you might want to use a Rosco #119 or #114 which is a frost that will also help to soften the light.

Would be an awesome way to get a viltrox! As always, thanks for doing the giveaway.

F+V makes a ring light for $200 or less. It's awesome! Runs on Sony batteries, not off the cameras hot shoe. Why is that cool? Cause you don't HAVE to to use it as a ring light. I use mine mostly as a little edge light, on a tripod, behind my subject. Genius!!!

http://amzn.com/B00AY0J4OY

I bought 2 of these lights on Amazon and am pretty pleased. I think there are some sets of 2 that end up being cheaper, but they have definitely made a difference in my listings!

I've been looking for some budget soft lights, I was looking at these https://www.amazon.com/dp/B07G3423NQ/ref=cm_sw_r_cp_apa_i_N8XACbM08GA1K

But I would love to know if anyone has better suggestions.

Thanks!

I went with the Deepcool RGB kit,

https://www.amazon.co.uk/DEEPCOOL-RGB350-LED-Strip-Computer/dp/B00N2QYP50

Amazing how expensive some of the other kits are.

These are the lights I got. Six of them.

https://www.amazon.com/gp/product/B01934RL0U

I'm pretty happy with the test we did today, night and day difference.

I’m interested in this Viltrox. Thanks for the chance!

For this video we are using a single articulated arm attatched to a table using this clamp. it works, but you can see the shaking of the table pretty easily.

Another suggestion these here are bretty nice and silent. (just make sure to let them stand on something soft like a towel.

https://www.amazon.de/gp/product/B01LZ1Y076/

The simplest and most economical solution would probably be to use an LED ring, such as in this video. You can find very inexpensive ones on places like Amazon—something like this.

[This is the one I am planning on purchasing.] (https://www.amazon.com/gp/product/B00LV46738/)

Yes, it is basically a strong light bulb, but I mainly want to play around and see how my photos change with the diffused and directed lighting, changing angles and distances etc.

Good tips! Would you believe the entire thing was shot and edited on an iphone 6s?

Lighting is massively important when you aren't using a great camera, I bought this $40 softbox and it's made a world of difference. http://www.amazon.com/gp/product/B005DFP6M4?psc=1&redirect=true&ref_=oh_aui_detailpage_o09_s01

Good idea about the slider, I'll look into it

Definitely gels as others have pointed out. To start out with, you can get a sample pack like this, and then tape the desired gel to your strobe.

I got these Antec LED light strips last week. I got two of them and put them on the back of my monitor, then plugged them into a powered USB hub. I have a 27.5" monitor so I needed two, but for smaller monitors, one would probably work.

They're not RGB but provide good bias lighting, and still look cool. They also have switches to turn them on or off, or you could hook them up to the USB on your monitor so that when your monitor turns off, they will. Lots of options...

http://www.amazon.com/DEEPCOOL-RGB-COLOR-LED-Strips/dp/B00N2QYP50?ie=UTF8&psc=1&redirect=true&ref_=oh_aui_detailpage_o00_s00

pretty nice with a large range of colours.

Just looking around, tungsten kits seem a lot pricier. What’s the benefit of them over fluorescents, something like this?

As for lighting around your workspace, I just picked these up today: Antec Bias Lighting can be placed behind your monitor to give it a white glow which is supposedly good for your eyes, and Antec Advance Accent are LED strips that come in red/blue.

Set-up is very easy as they're both USB-powered. Just plug it in and turn on the switch on the cable.

alternatively, you can get an LED (or CFL) ringlight -- popular with youtube and instagram mak,eup gurus (my girlfriend is an MUA, so I got her one of these for christmas)

There are cheaper alternatives like this, though it has less LEDs and isn't nearly as bright, or a slightly cheaper CFL option

Lightstands as I can't wall mount. Lightstands are better than tripods as the have telescopic necks, not legs so they take up less floor space, and as a photographer, I use these all the time, so I know they are stable and don't wobble (I put £1000s worth of lighting equipment on mine)

[People are now selling VR specific ones online with a ballhead 1/4" mount on the top.](Neewer 2 Packs 75 inches/190 centimeters Adjustable Light Stands with 2 Pieces 1/4-inch Screw Tripod Mini Ball Head Hot Shoe Adapters for HTC Vive VR, Video, Portrait and Product Photography https://www.amazon.co.uk/dp/B01LZ1Y076/ref=cm_sw_r_cp_api_i0NMybFHQ5A3H)

I will definitely look into those; thanks! I was considering the Antec bias LEDs but the ones you got look enticing as well.

Thank you again! I’m interested in this [Viltrox] (https://www.amazon.com/VILTROX-L132T-Bi-color-Dimmable-NP-F550/dp/B01MYGDGUQ/ref=mp_s_a_1_7?keywords=viltrox&qid=1557941691&s=gateway&sr=8-7)

Two of them:
First has one has multiple copies of commonly used ones (reddish, cyan, straw, CTO, CTB, etc) and they're a hair bigger (sized for speedlights)
http://www.amazon.com/Rosco-Strobist-Collection-1-5x3-25-Strobes/dp/B002SWIOOM/

This one is the original with one of everything they make (it was the original hack recommended on strobist).
http://www.amazon.com/Rosco-Lux-Small-Swatchbook/dp/B0002ER2YG/

I got some stick on velcro and use those to attach them to my speedlights.

This does a great job. I position my lens above it and shoot through the center.

Amazon.com : F&V Lighting R-300 LED Ring Light with L-Bracket : Led Household Light Bulbs : Camera & Photo
https://www.amazon.com/Lighting-R-300-Ring-Light-L-Bracket/dp/B00AY0J4OY

I'll send you a couple of photos this evening when I get back home of toned coins captured using it if you're interested. I use an opaque filter over it that clips on with magnets, and the light intensity of the 300 LEDs is infinitely adjustable.

Probably what's known as a "ring light" https://www.amazon.com/Neewer-centimeters-Dimmable-Plastic-Universal/dp/B00ZL177PO/

Good for makeup tutorials and stuff like that.

Mounting pictures and small things like this is considered normal use; you typically would have to patch holes before leaving, which is easy, and pay some pro-rated amount towards painting that room if it had been repainted recently (2-3 years in California).

Tripods work too - on concrete. Wood floors make the sensors wobble when anyone is moving around. (Edit: a rod as suggested by /u/Muzanshin works better with wood)
I got these; though the price has gone up a bit they're still great at $36 for a pair:

Neewer Set of Two 9 feet/260 centimeters Photo Studio Light Stands for HTC Vive VR, Video, Portrait, and Product Photography https://www.amazon.com/dp/B00L4YR0BS

And the ball heads you'll need to tilt the cameras down enough for $11:

MDW 2 Pcs Tripod Mini Ball Head for HTC VIVE Base Station,lighthouses,Camera Camcorder,Holder for HTC VIVE https://www.amazon.com/dp/B01M07M9D4


This set is a bit shorter but includes 2 stands and 2 ball heads for $40 total:

Neewer 2 Packs 75 inches/190 centimeters Adjustable Light Stands with 2 Pieces 1/4-inch Screw Tripod Mini Ball Head Hot Shoe Adapters for HTC Vive VR, Video, Portrait and Product Photography https://www.amazon.com/dp/B01LZ1Y076

Ring lights are fine for close ups and interview shots, but not what you're trying to do. You should invest in these. They are relatively cheap. They are RGB LEDs, and you can control from an app.

https://www.amazon.com/gp/product/B01D2X4A8Y/ref=oh_aui_detailpage_o09_s00?ie=UTF8&psc=1

You can use any standard Sony NP-F series battery, or these power supplies.

https://www.amazon.com/YONGNUO-American-Standard-Adapter-Switching/dp/B00OHHTTVS/ref=sr_1_3?keywords=YONGNUO+power+supply&qid=1570647093&s=electronics&sr=1-3

It may sound like a large investment, but they are very cheap compared to professional lighting. You can buy one at a time, and add as you need to. They are very durable, I've had about 6 of them for several years, and they always come in clutch on a shoot.

Simple three point lighting is (Key, Fill, Rim.) The key and fill go to the left and right of the camera array, and the rim be high, behind the subject (when you look at the shot this light is creating a glowing rim around your subject.)

I noticed that keeping back lighting on my editing workstation helps keep my eyes adjusted by evening out the direction of light piercing my eye balls all day/night long. They’re adjustable colors too which helps a lot when I go into color correction/grading. I’m using a couple of these - YONGNUO YN360 LED

I try to use the back camera of my phone more often than the selfie/front side but it's harder to look good! I bought a lighting set on amazon that really helped me out too.
My insta is @kimandmakeup :D

I have two of these on a 55 inch tv.. I use the usb on my tv to power them its works great http://www.amazon.ca/Antec-Halo-Led-Bias-Lighting/dp/B0053B347M

Some cheap LED strips. I got the same one from Newegg, it's awesome.

This is the set I bought. Works great.

https://www.amazon.com/Photography-Portrait-Umbrella-Continuous-Lighting/dp/B018KE5XUO

I use this. It works great, and it paired with a white background really makes all the difference.

I've been using this clamp - http://amzn.to/1S7oTqS - in addition to this arm - http://amzn.to/1S7oWD2 - to do a lot of my videos. It's very flexible and strong.

I also once built a rig using PVC that I attached to the ceiling that I could swing out of the way when I wasn't using it. It wasn't as solid as the clamp and arm, though.

Neewer LED panels are fantastic, no reason not to go with them. My preference is for these but there are of course others. IF you want to pay a HUGE premium and get a slightly slicker mount and interface, you can go with the Elgato light, but I just can't support their pricing for what they offer.

These aren't tubes but are one the most used pieces of lighting equipment in our production bag:

The Yongnuo Light Saber:

https://www.amazon.com/YONGNUO-YN360-Adjustable-Temperature-3200K-5500K/dp/B01D2X4A8Y/ref=sr_1_5?keywords=yongnuo+light&qid=1564150579&s=gateway&sr=8-5

This sexy handheld mofo can dial in daylight, tungsten, RGB and everything in between. Its cheap and adds such a vibe. Once again not tubes but could be used in a similar fashion. Highly recommend.

I mostly rely on natural light, but I occasionally use a couple smallish LEDs.

I've seen a lot of people lately recommend picking up a couple of these lights. I've been meaning to pick one up, but I haven't gotten around to it yet.

Interesting this looks like it could work. Does that power brick plug straight into the PSU? How was your experience with the pre applied sticky tape?

DEEPCOOL RGB350 amazon

I second this and personally have some Neewer Bi-color panels are they are pretty good, as well as bright. $160 for 2 lights, bags, and stands + AC power adapters (no batteries), but they do work with standard Sonys, can't recommend them enough IMO https://www.amazon.com/dp/B06XW3B81V/ref=psdc_3109915011_t1_B072Q42GXQ

DeepCool RGB 350, not the largest variety of colors but it's good for what I needed

You could also use a led ring light, example: https://www.amazon.com/Neewer-centimeters-Dimmable-Plastic-Universal/dp/B00ZL177PO/

Don't take up much space but give good lightning.

It could be anything from frosted glass to a translucent plastic panel to some satin cloth. If you're DIYing experiment covering your LED array with different materials.

I made a photo booth setup with an ipad and a large DIY ring light with flexible LED strips wrapped with a satin-type ribbon as a diffuser. So you can use a lot of different things to good effect.

LEDs:
https://www.amazon.com/gp/product/B00JQV6NNC

Light diffusing acrylic:
https://www.acrylite-shop.com/US/us/category.htm?$category=addajh9ktfj

Ring light already made for you:
https://www.amazon.com/dp/B00ZL177PO

I have the predecessor to the 055XPROB legs, the Manfrotto 3021BPRO. They also have a horizontal mode, and I agree that they can work as long as the subject is well within the bounds of the tripod legs (if directly above), or if the camera setup is light enough to allow an overhang of the horizontal crossbar (or if your table is large enough to allow full extension of the legs).

Another option could be a combination of Manfrotto Magic Arm components, such as this basic arm and then a superclamp. Those components are the least expensive, but there are also heavy-duty arms suited for SLRs.

If you need shots from directly overhead, a copy stand could work.

Actually, like most things, you can find a half decent Chinese knockoff on Amazon for less than 1/8th the price.

Here, you could mount most HOTAS setups to just about any chair with these:

2x SuperClamps:

http://www.amazon.com/gp/aw/d/B002LV7X1K/ref=pd_aw_sim_421_of_47?ie=UTF8&dpID=41F8DL

Variable Friction Arm with Cantilever Mount:

http://www.amazon.com/gp/aw/d/B000OPWSYM/ref=pd_aw_sim_421_3?ie=UTF8&dpID=418a0dA3LPL&dpSrc=sims&preST=_AC_UL390_SR390%2C390_&refRID=06Q0Y7568G7FFWFK6ZPN

Tilt Mount with QD plate:

http://www.amazon.com/gp/aw/d/B004D7PX58/ref=mp_s_a_1_6?qid=1463761788&sr=8-6&pi=AC_SX236_SY340_FMwebp_QL65&keywords=monopod+tilt+head&dpPl=1&dpID=41r%2BahgiRML&ref=plSrch

Thank you!

these are the lights very versatile !!!

https://www.amazon.com/YONGNUO-YN360-Adjustable-Temperature-3200K-5500K/dp/B01D2X4A8Y/ref=sr_1_1?keywords=younguo+led&qid=1557668678&s=gateway&sr=8-1-spell

Your best bet is just doing it yourself using you iPhone and these few items from Amazon. It'll cost you about $100 for these 3 items, but you'll never have to pay someone to do it for you, so its worth it.

https://www.amazon.com/Julius-Studio-Photography-Backdrop-Background/dp/B015YHXHWQ/ref=sr_1_3?s=photo&ie=UTF8&qid=1526082839&sr=1-3&keywords=white+photo+backdrop

https://www.amazon.com/Julius-Studio-Background-Backdrop-Photography/dp/B072BCNRTY/ref=pd_bxgy_421_img_2?_encoding=UTF8&pd_rd_i=B072BCNRTY&pd_rd_r=3P35Q5G0Z2FWQG3Q4TAK&pd_rd_w=ZQN9c&pd_rd_wg=ReAuO&psc=1&refRID=3P35Q5G0Z2FWQG3Q4TAK

https://www.amazon.com/Fancierstudio-DK2-Professional-Photography-continuous/dp/B004TSCARK/ref=sr_1_7?s=photo&ie=UTF8&qid=1526082936&sr=1-7&keywords=studio+lighting

i grabbed one during the sale as well; it should arrive tuesday. here are some things i ordered that were recommended on several guides i found online:

Purchased physical:

• Light Emitter Tripods
  
  
• Magnetic braided USB Charging Cables for the Controllers
  
  
• Shrink tubing for the HMD cable
  
  
• Braided sleeve for the HMD cable
  
  
• Washable HMD cover
  
  Purchased games:
  
  
• tilt brush
  
• space pirate trainer
  
• serious sam vr
  
• raw data
  
• project cars
  
• universe sandbox 2
  
• subnautica
  
  Bundled with my Vive order:
  
  
• zombie training simulator
  
• the gallery - episode 1

Here are some options.

Cheap godox flash

godox flash that has TTL which is like auto mode for a flash just get the version for your camera brand (Sony, Nikon, canon)

Godox transmitter, again, get the one for your camera. There’s also the x1t for about $20 less.

lightstand

S bracket for holding speedlight

softbox. There’s lots of options for softboxes out there...

For a cheaper option than a softbox use an umbrella

These light stands are what I use (pack of 2): https://www.amazon.com/AmazonBasics-Aluminum-7-Foot-Light-Stand/dp/B074VMTP68/ref=sr_1_4?keywords=light+stands&qid=1563245217&s=gateway&sr=8-4

And you'll want these for the stands as well (pack of 2): https://www.amazon.com/UTEBIT-Removable-Lightweight-Ballhead-Camcorder/dp/B07KF7TTZ1/ref=sr_1_7?keywords=light+stand+adapter&qid=1563245324&s=gateway&sr=8-7

Buy this: https://www.amazon.com/Neewer-Dimmable-Professional-Photography-3200-5600K/dp/B01934RL0U?ref_=ast_slp_dp

​

With 4 NP-F970 Batteries: https://www.amazon.com/Powerextra-Replacement-Compatible-DCR-VX2100-HVR-HD1000U/dp/B01N3TWBXI/ref=sr_1_3?crid=3AVTU7RI3GKN2&keywords=np+f970+battery&qid=1574805414&s=electronics&sprefix=np+f%2Celectronics%2C227&sr=1-3

​

Some gels: (cut to size) https://www.amazon.com/Neewer-12-Inches-Transparent-Correction-Different/dp/B01CCIKB5Q/ref=sr_1_1?keywords=neewer+gels&qid=1574805440&s=electronics&sr=1-1

​

and two light stands and you're in business.

​

I've been using these for a long time and always do the trick.

Look up the film guys (thefilmguys.net) and see what that cinematography looks like. Only those lights and nothing else.

Are the cheap "studio lighting" kits with the CFL bulbs any good for a beginner?

Example

So would something like this be good? https://www.amazon.fr/dp/B01LZ1Y076/ref=cm_sw_r_cp_apa_i_G02VDb5CY3N4S?

https://www.amazon.com/YONGNUO-YN360-Adjustable-Temperature-3200K-5500K/dp/B01D2X4A8Y
Is this similar enough? :)

Here's a good, cheap LED panel you could use https://www.amazon.com/YN300-III-Adjustable-Temperature-3200K-5500K/dp/B00T3W0KDS/ref=sr_1_3?s=electronics&ie=UTF8&qid=1510248303&sr=1-3&keywords=yongnuo+yn-300

https://www.amazon.com/YN300-III-Adjustable-Temperature-3200K-5500K/dp/B00T3W0KDS/ref=mp_s_a_1_3?keywords=video+lights+yongnuo&qid=1568077055&s=gateway&sr=8-3

Check out the budget lighting video from DSLR Shooter for an idea of how bright they are plus other cheap options.

I've heard good things about this item from others, and it is a fraction of the cost. If I recall correctly, you must purchase the charging cable separately. So I'd research thoroughly before pulling the trigger.

Why not a normal photo specific led array like the yongnuo?

https://www.amazon.com/YONGNUO-YN300-III-Temperature-3200K-5500K/dp/B00T3W0KDS?SubscriptionId=AKIAILSHYYTFIVPWUY6Q&tag=duckduckgo-d-20&linkCode=xm2&camp=2025&creative=165953&creativeASIN=B00T3W0KDS

I've been thinking about doing something similar with one of my puppets being a YouTube vlogger. I've been eyeing this selfie stick/tripod on Amazon with either a phone or a GoPro mounted on it.

https://www.amazon.com/dp/B075WQYN3B/

​

I'm also looking into how I could mount some kind of flex or articulated arm like these below to my forearm so that I can get it to look like he's holding the camera but I haven't found any way to brace it to my forearm yet

https://procam.com/manfrotto-237hd-heavy-duty-flex-arm-for-super-clamp-22685

https://www.amazon.com/Manfrotto-196B-2-2-Section-Articulated-Bracket/dp/B000OPWSYM/

These don't look too bad for LEDs. https://www.amazon.com/Neewer-Pieces-Bi-color-Video-Light/dp/B06XW3B81V/ref=sr_1_9?keywords=neewer+led+lights&qid=1574087935&sr=8-9

Or this, https://www.amazon.com/Neewer-Reflector-Continuous-Recording-Photography/dp/B07PBG17PG/ref=sr_1_13?keywords=neewer+led+lights&qid=1574088078&sr=8-13 (But you will probably need a scrim to defuse light with that)

https://www.amazon.com/gp/product/B074VMTP68/ref=ppx_yo_dt_b_asin_title_o00_s00?ie=UTF8&psc=1 for the displayport importantly. average Usb 3.0 extender

LimoStudio Photography Video... https://www.amazon.com/dp/B005DFP6M4?ref=ppx_pop_mob_ap_share



Two of these and a extention cord. White wall, black or clear hangers.

If you're trying to turn it into a side hustle you can write all this off on your taxes

gorilla pod or some kind of articulating/flexible mount like this

Many Cam is a great one.

Here is a cheap light system...
https://www.amazon.com/dp/B018KE5XUO/ref=sspa_mw_detail_3?psc=1

Also don’t use a built in webcam. They are crap and customers won’t watch. Most girls stream in HD.

I use a softbox like this.

I have a Lowel Ego and a Yongnuo wand light and it's worked out really well for me. The Lowel and a reflector is enough for most shots while the Yongnuo is a backup in case the shot location doesn't have a plug